Me, I don’t live in ‘merica, this is Turtle Island. World turtles figure prominently in many cosmologies, and Atlas Obscura has a look at them.
— Simon Moya-Smith (@SimonMoyaSmith) September 24, 2017
Why is this shit still acceptable to people? Native Lives Matter, but only to Native People, it seems.
In celebration of Indigenous Peoples Day, have a book! Nothing like some good reading. Give As We Have Always Done by Leanne Betasamosake Simpson a read, you won’t be sorry! Ms. Simpson’s site is here, Peter d’Errico reviewed here, and the book can be purchased direct from UMN press.
We’re going to go back in time a bit, to an article Simon Moya-Smith wrote in January this year. He’ll help you out with Columbus apologists. Happy Indigenous Peoples Day!
Glaring contradictions. Stupid fucking lies, and good ol’ American bullshit.
Yes, folks today we are talking U.S. history, and there’s nothing more politically correct than American History. It’s RIFE with soft language to spare the feelings of fuckers who desperately want to believe their homesteading great-grand-pappy wasn’t a murdering, raping, thief.
OK. So today let’s hit on the numbskullery surrounding Columbus Day. “Why in January?” you ask. Well because Colorado State House Representative Joseph Salazar, a democrat, is currently working to repeal the foul thing from the state’s list of recognized holidays. And lately he has received an onslaught of hate mail from dipshits who don’t seem to understand the seemingly elusive concept of logic and facts.
Recently, Rep. Salazar has been forwarding me these messages, and they range from fucking hilarious to seriously fucking delusional. They’re more on the seriously fucking delusional side, though.
So, I thought I’d share with you some responses you can use against the common, hackneyed pro-Columbus Day arguments you will surely continue to encounter for as long as you engage the willfully blind. Feel free to share the following with your friends or family, or maybe just that fucker who sits at the end of the bar incessantly defending the bullshit American narrative as written. (Remember: The American narrative HATES to be fact-checked. So fact-check that goddamn thing any time you can.)
Okey dokey, here’s what you can say to those dullards spewing trite claims and arguments about Columbus and Columbus Day, and let us start with the most common and least accurate:
White “aggrieved entitlement” people. They never seem to run out of excuses for their bloated sense of entitlement, of helping themselves to the least little thing; of exploiting marginalized peoples. It’s damn near a way of life for many white people. When it comes to “new age” rites, seems to me there’s a wealth of pagan history to mine, gosh, you might even find some you’re related to in some way.
Towards the later days at the No DAPL camp, I wasn’t quiet about all the entitlement-minded white people there, who had no use for the rules laid down by the people running things. Because of course, rules, they are never for white people are they? I wasn’t quiet about all the white protest/event tourists, either. People who were there to honestly provide support and help, no problem. As usual though, they weren’t the ones making a fuss or making it all about them, because they knew it wasn’t about them. They knew that in the end, they would go home, and not have to deal with it all.
In Minnesota, there’s a group who recently held their 2nd annual “Ghost Dance”. When called on this, they denied it was a ghost dance. They said it was a “Ten Moons” dance. Then they decided to go with “Ghost Dance isn’t exclusive to Indigenous people! Lots of cultures had ancestor dances! China! Africa! So it isn’t indigenous in nature.” Oddly enough, their not indigenous at all dance is decidedly indigenous in appearance, and specifically so. The history of the Ghost Dance is a dark one, once the colonials got terrified and started up more wholesale slaughter, and brutally oppressed indigenous peoples all the more out of fear. It’s not a toy for white people to play pagan. It’s not yours. It’s not your culture, it’s not your history. If non-indigenous people ever wonder why various rites and dances have been closed to outsiders, look no further.
“It would be great if everyone just joined together,” said Laven, discontented by the scrutiny of their ceremony and the charges of cultural appropriation. “We have enough crap. I was at Standing Rock, and I hear the Native Americans, and I had heard them.”
Oh my. What a fine example of white entitlement. There’s really nothing else like it. Golly, white people have had enough crap! It’s just like everything indigenous people have gone through! And now, Standing Rock is the latest excuse. Fuck you, Ms. Laven. A universe of fuck yous. You have not heard one godsdamn thing. You don’t give one little shit about indigenous people or their struggles. All you care about is exploiting them to make money. I hope you are bad-mouthed from here to the end of the galaxy, because that’s the very least of what you deserve.
Instead of accelerating the demise of traditional craftsmanship, what if digital tools enhanced it and expanded the possibilities of what we can make?What if an architect could use a digital tool — a CNC machine, say — to create something with a distinctly human quality? How might the machine be applied to skills such as woodwork and metalwork? Could it be used to make objects with the aesthetic appeal, including the touch and feel, of a handmade object? Could it also make objects that can be scaled — objects with applicability to architecture?
These were the timely questions that three architects recently explored as residents at SPACE10 — IKEA’S external future-living lab. With a shared interest in exploring how digital tools can be applied to traditional techniques — and the potential of a CNC milling machine in particular — Yuan Chieh Yang, Benas Burdulis, and Emil Froege together found answers in three very different but eye-opening ways.
You can read and see more at Space10.
If you’re in Ottawa, consider Indigenous Walks.
Indigenous Walks is a walk and talk through downtown Ottawa exploring landscape, architecture, art and monuments through an Indigenous perspective.
The character Danerys Targaryen finally returned to Westeros on Sunday night’s Game of Thrones Season 7 premiere, but the actress, Emilia Clarke, shot the scene on a Northern Irish beach called Downhill Strand. Much of what viewers know as Westeros, in fact, is actually Northern Ireland, including parts of Winterfell, Slaver’s Bay, and the Kingsroad—all thanks to the nation’s open tracts of land and many surviving castles. To draw attention to this fact, Ireland’s tourism board commissioned a massive tapestry that details every episode of the series.
The 66-meter-long artwork is on display at the Ulster Museum in Belfast. A group of artisans including the museum’s director, Katherine Thomson, are embroidering each meter with characters and symbols that summarize each one of the episodes preceding Sunday’s “Dragonstone.” As Season 7 progresses, they’ll add more yardage to the tapestry to reflect new developments on the HBO juggernaut. By the end of season 7 it will be 77 meters long.
You can read and see more at The Creators Project.
The U.S. Army Corps of Engineers violated the law in its fast-tracked approval of the Dakota Access Pipeline (DAPL), a U.S. District Court Judge in Washington D.C. has ruled. Judge James Boasberg said the Corps did not consider key components of the National Environmental Policy Act (NEPA) in granting the Lake Oahe easement under the Missouri River when directed to do so by President Donald Trump shortly after his swearing-in.
The Standing Rock Sioux Tribe, with the Cheyenne River Sioux as interveners, had challenged the approval on the grounds that adequate environmental study had not been conducted. Boasberg agreed on many points, though he did not rule on whether the pipeline should remain operational. It has been carrying oil since June 1.
“Although the Corps substantially complied with NEPA in many areas, the Court agrees that it did not adequately consider the impacts of an oil spill on fishing rights, hunting rights, or environmental justice, or the degree to which the pipeline’s effects are likely to be highly controversial,” Boasberg said in his 91-page decision. “To remedy those violations, the Corps will have to reconsider those sections of its environmental analysis upon remand by the Court. Whether Dakota Access must cease pipeline operations during that remand presents a separate question of the appropriate remedy, which will be the subject of further briefing.”
A status conference will be held next week, according to the environmental law firm EarthJustice, which is representing the tribes in this case. Energy Transfer Partners, the pipeline’s builders, did not respond to requests for comment by press time.
“This is a major victory for the Tribe and we commend the courts for upholding the law and doing the right thing,” said Standing Rock Sioux Chairman Dave Archambault II in a statement. “The previous administration painstakingly considered the impacts of this pipeline and
PresidentTrump hastily dismissed these careful environmental considerations in favor of political and personal interests. We applaud the courts for protecting our laws and regulations from undue political influence, and will ask the Court to shut down pipeline operations immediately. ”
Where there’s the smallest good news, there’s always bad news, and in this case, it comes in the form of Zinke:
“I think, talking to tribes, they’re very happy,” Zinke said of his proposal, adding that he “talked to all parties, and they’re pretty happy and willing to work with us.”
But this is not so, according to tribal representatives. In a June 12 press call hosted by U.S. Sen. Tom Udall (D-NM), the vice-chair of the Senate Committee on Indian Affairs, Navajo Nation Attorney General Ethel Branch said the tribe’s leaders have “maintained a consistent position that they support the monument designation.
“If there is any happiness,” Branch said,” it’s probably that the monument remains intact as of now.
“I think [the ‘happy’ characterization] is probably just a characterization coming from Trump,” Branch added.
Natalie Landreth, a lawyer with the Native American Rights Fund who represents the Hopi, Zuni and Ute Mountain Ute Tribes on Bears Ears issues, said during the Udall call that the proclamation that set up Bears Ears as a national monument had already formed a structure in which five tribes, known as the Bears Ears Inter-Tribal Coalition, work together to co-manage the monument.
“It’s unclear exactly what the secretary is suggesting, so until we know more details about what he’s talking about, it’s difficult to have a view on it,” Landreth said. “Our initial reaction on behalf of the three tribes we represent is that this was really a cynical effort to distract Indian country from the devastating blow of reducing the size of the monument.”
Landreth said that some of her impacted tribal clients told her as of June 12 that Zinke had not been in touch with them on this matter.
“We don’t know who he’s talking to and what they may have said,” Landreth said.
Chemical warfare, Turtle Island, Oceti Sakowin Camp, November, 2016. © C. Ford, all rights reserved.
New York Daily News writer Shaun King obtained audio where Energy Transfer Partners freely admitted that they worked closely with the Sheriff’s Association, and wow, did they ever. They became one and the same.
Water protectors who lived at camp can attest to ETP and law enforcement’s collusion and fraternization, but the record speaks for itself.
The Sheriffs’ Association has a $3.46 million dollar budget, according to tax forms. Some of this funding comes from corporate sources, like TigerSwan. TigerSwan maintains offices in Iraq and Afghanistan. TigerSwan’s CEO is a former adviser to the multinational private security firm, Blackwater. Blackwater was founded by Erik Prince, a Trump campaign donor and the brother of Betsy DeVos, the U.S. Secretary of Education. Besides funding the Sheriff’s Association, TigerSwan is in charge of Dakota Access intelligence and supervising overall security for the company. Tigerswan works for Dakota Access, while funding and partnering with the Sheriffs’ Association.
The Sheriff’s Association purchased military gear from the U.S. Department’s Defense Logistics Agency thanks to the Defense Department’s 1033 program. Think corporate welfare for the defense industry.
Wait, there’s more. Energy Transfer Partners CEO Kelcy Warren offered to reimburse North Dakota and Morton County for costs due to defending the Dakota Access Pipeline.
So why are U.S. taxpayers forking over $15 million dollars to North Dakota?
Despite the fossil fuel industry’s wishes, America is not an oil company with an army. We should not be bankrolling our own oppression.
Incidentally, the Dakota Access Pipeline is not even operational yet, and it’s already sprung a leak in South Dakota, just southwest of the Lake Traverse Reservation. End this foolishness.
Ruth Hopkins at Indian Country Today has the full story.
Over the past months I’ve been working with Australian photographer Ray Collins to bring his amazing oceanscapes to life in the form of cinemagraphs, a blend between photography and video. Each cinemagraph is created from one of Ray’s stills, and sets it in infinite motion, making a unique moment in time last forever.
These cinemagraphs inspired André Heuvelman from the Rotterdam Philharmonic Orchestra to get together with pianist Jeroen van Vliet to record a very moving custom soundtrack, which I combined with a selection of the cinemagraphs.
You can see the original cinemagraphs at armanddijcks.com/cinemagraphs-waves
Ray’s images can be found at raycollinsphoto.com
André Heuvelman’s music: andreheuvelman.com
Stunning and mesmerizing work by all!
The Canadian Museum of History has unveiled a unique new exhibit that brings the faces of a 4,000-year-old Indigenous family back to life.
The museum revealed the three-dimensional forensic reconstruction of a shíshálh family whose remains were found in an ancient burial site near what is now Sechelt, B.C. The digital images move and blink in the incredibly life-like display.
“To look back on some of our people that existed within our territory 4,000 years ago, and to be in close proximity of their images — it’s a humbling experience,” Chief Warren Paull of the shíshálh Nation told CBC News.
“I see cousins. I see family.”
You can read more about this here. Amazing work.
Women’s history has long been marginalized in mainstream education, relegated to its own niche of study and overlooked in favor of male-dominated historical narratives. SHE INSPIRES, a group exhibition at The Untitled Space, highlights these lesser told histories through the work of over 60 contemporary artists. Each piece in the show is an homage to an important woman. Curator, Indira Cesarine, tells Creators, “SHE INSPIRES aims to honor and celebrate women who have impacted our culture and tell their stories which should be rightfully included not just as ‘women’s history,’ but everyone’s history.”
SHE INSPIRES is on display at The Untitled Space in Soho through May 20th. Click here for accompanying events and more information.
You can read and see more at The Creators Project.
The Slow Mo Guys take on mousetraps on a trampoline.