via: The Internet Archive
It isn’t exactly a fairy tale, but I’m feeling nostalgic and this is one of my favourite books from childhood. My mother read to me every night until long after I could read for myself and this was the book that I most often asked for. I loved the gentle ways of Pooh and his friends and my mom had different voices for each of the characters that brought the book to life. The edition above is from 1961 and it’s the one that we had in our little library. I wish I could say that I still had it, but when my parents divorced it went missing along with a lot of other books that were likely passed down to another child in our neighbourhood. [Read more…]
This Fairy Tale Saturday we’re looking at Nathaniel Hawthorne’s Tanglewood Tales again. We’ve already looked at the 1921 edition of the book with artwork by Virginia Sterrett and today we’re looking at an earlier edition with artwork done by Edmund Dulac. Dulac was a master illustrator of books during the art nouveau period and he is considered to be one of the masters of the style.
Here’s Marcus again and he’s holding his first edition copy of Edgar Allan Poe’s Tales of Mystery and Imagination, illustrated by Harry Clark. Clarke was another of Caine’s favourite artists and many of the drawings that follow have previously been seen on this blog. Clarke’s illustrations in Poe’s Tales of Mystery are considered the best of any edition produced. According to the Public Domain Review:
…perhaps it is the Irishman Harry Clarke who has come closest to evoking the delirious claustrophobia and frightening inventiveness of “Poe-land”. For the 1919 edition of Tales Clarke created the twenty-four monochrome images featured below. Their nightmarish, hallucinatory quality makes you wonder if he was on something, until you remember the stories.
I couldn’t agree more. All 24 full-sized illustrations are included below the fold.
Illustrations via: The Public Domain Review
The 1923 edition of the book can be viewed at The Internet Archive. This edition includes 4 colour plates that were not part of the original 1919 edition. I haven’t included them here. They’re worth taking a look at and so are the smaller page illustrations.
Will Bradley was considered the “Dean of American Designers” during the Art Nouveau and Art Deco Periods and he was the best paid American artist of the early 20th Century. Much of Bradley’s work was for magazine covers, advertising and posters, but his illustrations for this book, Fringilla, were considered to be among his masterworks. All the full-sized illustrations are below the fold.