… editorial cartoons, 1952 Pulitzer Prize winning cartoon by Fred Packer
I am not a fan of any particular superhero comics, I have never read any and do not plan to do so in foreseable future. I do however on occasion read some web comics. And the one I wish to recommend today is Hominids by Jordan Kotzebue.
The comic is probably NSFW though (partial nudity), but the artwork is exceptional and the storytelling very captivating. I think you will enjoy it.
Do you all remember Vox Day’s quest to “rescue” comics from the horrible, evil machinations of SJW thinking? If you don’t, it’s all here. Well, the comic is out:
Goodness me, lookit that stew of crackpot sciency stuff! I’ll just bet you’re all riveted now, right? Right?
Here’s the amazon link to the comic, if your tastes run to idiot. I do believe I’ll pass. Fascists are bad enough in reality, I don’t need them pretending to be entertainment, too.
ETA: Looking at that cover, it’s not awful, but those breasts! I’ll assume Vox Day is at least familiar with them, and they don’t work like that. They aren’t actual balloons.
These amazing photos rocked my world, and there are so many of them! These are not paintings, they are photographs. From Vintage News:
The project named Super Flemish by Goldberger has created a series of photographs that portray ultimate pop culture characters of the caliber of Spiderman, Yoda or even villains such as Darth Vader, in a Flemish treatment. The photos largely resemble 16-th century paintings, and it has taken Sacha two years to complete the ambitious project. A team of twelve people has put efforts in making the flawless makeup, hair and special effects that can be noticed on the photographs.
“A lot of the job was done before and during the shoot. Pierrick and Sebastian, my digital retouchers, helped me to get the precision and the perfection I was looking for in this series,” says Sacha. “All of it was incredible; it was like a dream come true.”
“When you see the Hulk in front of you and you, ask him to look romantic, it’s crazy. The Joker was also very impressive. He endured three hours of make-up and started to act like Heath Ledger in the movie, The Dark Knight,” adds the French photographer.
And from Sacha Goldberger’s site:
What if Superman was born in the sixteenth century?
And what if the Hulk was a Duke?
How might Van Eyck have portrayed Snow White?
Sacha’s discovery of these characters, which goes back to childhood, gave birth to a desire
to re-appropriate them, to take them back to a time forming the cornerstone of modern western art. Sacha wants to confront these icons of American culture with contemporary painters of the Flemish school. The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times. It also invites you to celebrate the heroes of your childhood. These characters have become icons to reveal their humanity: tired of having to save the world without respite, promised to a destiny of endless immortality, forever trapped in their character.
The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to « fix » their narcissism denied. By the temporal disturbance they produce, these images allow us to discover, under the patina of time, an unexpected melancholy of those who are to be invincible.
As science fiction meets history of art, time meets an inexhaustible desire for mythology which is within each of us.
Oh, go have a wander and look at all of them! Super Flemish and Sacha Goldberger’s main page, and Flemish in the Stars (Renaissance Star Wars). Look at everything! And thanks to PZ for yet another timesink, I really needed another one. (Just a pinch of sarcasm there…)
Get those palms ready for some facin’, people. Whatever you do, no headdesking, you’ll kill yourself. Vox Day has decided to rescue comics from the horrible SJW hell they have become, because everyone hates them, and besides, Vox is sure he has hit on the perfect way to make all us lefties wail and gnash our teef.
Beale told his fans that major comic makers are “methodically, purposefully, absolutely attempting to destroy every value—every American value, every Western value, every Christian value that they can get their hands on” by creating spinoffs of popular comic series that depict classic characters as black, female and Muslim. Beale’s answer to that perceived attack is to fund the creation of a comic series that features “triggering” white characters that smoke cigarettes, wear Confederate flag costumes and combat left-wing protesters.
Hmmm. Well, I smoke, so I don’t think that will press the trigger. Every day, there are photos of assholes wandering about in Nazi regalia and waving confederate flags, and I haven’t swooned yet. I have an idea this won’t work the way ol’ Vox thinks it will, especially as us lefties aren’t exactly in the market for asshole comix.
The series promises “storylines, not social justice” and revolves around a collection of superhuman heroes that defy a United Nations “Superhuman Protection Council” and act as vigilante crime fighters who apparently use their rogue status to target undocumented immigrants and left-wing protesters.
Ooooh, gotta say, that’s right…boring.
What I found the most interesting was the idea that anything short of an undefined “success”, which as we all know will be redefined and re-redefined as Alt⭐️Hero meets with the usual metrics of success over time, is tantamount to “sad humilation”. Think about how twisted one’s psyche has to be to make that connection, and what a crushing fear of failure one would have to have in order to think that way.
That is the heart of the SJW, which is not only terrified of failure, but is terrified that someone, somewhere, will be successful doing something of which the SJW does not approve.
Of course, SJWs have good reason to be terrified of Alt⭐️Hero. Because they know they are the true villains and the enemy in the cultural war.
Hahahahaha oh my. I’m afraid sad puppy Vox is setting himself up for sad humiliation. (I have no idea if humiliation is the same thing as humilation, someone can ask Vox for me.) Is everyone ready?
Hyperallergic has a great article about The World Chess Hall of Fame in St. Louis, and chess as a comic book trope. Chess was a very common trope in much of pulp fiction, also. There are so many awesome images, I would have agonized over which to include here, so just the one. Click on over to see them all, and do some reading, too.
ST. LOUIS — “Chess and comics are a natural pair,” Shannon Bailey, chief curator of the World Chess Hall of Fame (WCHOF), told Hyperallergic. “The concepts of battle, the struggle of good versus evil, strategy, and speed, have always played a central role in both chess and comic book themes.”
Bailey organized POW! Capturing Superheroes, Chess & Comics now at WCHOF, a nonprofit institution that explores the connections between art and chess in its programming. Founded in 1986 by the United States Chess Federation, WCHCOF opened in St. Louis’s Central West End neighborhood in 2011, following the closure of its Miami museum in 2009. Recent exhibitions range from Designing Chessmen on the imagery of chess, to chess during World War II and the games designs of Michael Graves. WCHCOF is active as a collecting institution, and since POW! opened in March, collectors Floyd and Bernice Sarisohn — whose memorabilia and ephemera form the foundation of the exhibition — have decided to donate their comic books and related sets.
POW! Capturing Superheroes, Chess & Comics continues through September 17 at the World Chess Hall of Fame (4652 Maryland Avenue, St. Louis, Missouri).
You can read and see everything at Hyperallergic.
Also, Wonder Woman scored 97% on the Tomatometer. So, could all those people who just had be asses and insist the movie would totally suck because DC please be quiet now? Thanks.
Time to get drunk on tears once again. Some screenings of Wonder Woman have had a Women Only night, and all the dudes are upset.
“Wonder Woman” may be a feminist icon, but some male moviegoers aren’t happy about some scheduled women-only screenings of the film.
The controversy began when the famous Alamo Drafthouse cinema in Austin, Texas, announced it would be hosting a screening of the new movie, which stars Gal Gadot as the superhero.
“Apologies, gentlemen, but we’re embracing our girl power and saying ‘No Guys Allowed’ for one special night at the Alamo Ritz,” the announcement read. “And when we say ‘People Who Identify As Women Only,’ we mean it. Everyone working at this screening — venue staff, projectionist, and culinary team — will be female.”
That didn’t go over well with some men, judging by the comments on the theater’s Facebook page.
“Apparently ‘equality’ is only selective nowadays,” one person wrote. “How about a ‘men’s only’ showing of a movie or is that not how equality works?”
Why no, that is not how equality works, you crybaby of a cupcake.
The Alamo responded to many of the negative comments, pointing out that they have hosted screenings for select groups before, including veterans for military films, and that it’s about a celebration of the Wonder Woman character.
Hmmm, I’ll just bet there wasn’t any leaking of man tears over a veteran’s screening. So, cry some more, dudes, cry enough for us all to get drunk!
Full story at CNN, beware autoplay. Hat Tip to Saad.