What is The Situation in India – View of Indian Doctors

TLDW – It’s hell.

It looks like the Indian government made the same mistake that the Czech government has made – the first wave of the pandemics was so well handled that politicians got the feeling that it is all over now. And communicated this to the public, who were all too eager to believe it. And because India has both a lot more people than Czechia and fewer hospital beds per capita, the disaster is proportionally worse.

I have never expected to see the truth of the saying “you should not rest on your laurels” demonstrated in such a tragic way.

Medlife crisis is an excellent and entertaining science and health-oriented YouTube Channel. This video, however, is not of the entertaining and funny kind. I do recommend his other videos too.

“The silent majority agrees with me”, gender critical edition

Open letters are a time honoured form of activism. They allow individuals to connect over a single and very specific issue and raise awareness for that cause. They are, of course, also problematic in a way, since they usually are initiated by people who already have some influence and publicity, because nobody publishes an open letter signed by 40 noobs with a blog and a 50 people Twitter account, so they’re usually a tool of academia, authors, or various kinds of celebrities. At least you need a couple of celebrities to boost your idea.

The latest round of “gender critical”, aka transphobic open letter seems to have suffered from a certain lack of celebrity endorsement, which is why they decided to simply sign the names of dead women to their cause. “Come on, Giliell”, I hear you say, “nobody would be that dishonest”. But go, look for yourselves: Here it is.

The letter itself is the usual transphobic whining about trans women taking things from cis women, like all those shiny Olympic medals trans women have so far failed to win. The novel “Detransition, Baby”, by Torres Peters, has been listed for the Women’s Prize for Fiction. The usual suspects are all up in arms because a literary prize that was founded to celebrate women’s often  undervalued contributions to fiction has dared to list a novel by a trans woman, and this is of course another instance of a “trans identified male” taking things from “biological women”, just like in sports. Only that of course they always try to base their bigotry on biology, claiming that anybody amab has intrinsic and immutable advantages over anybody afab. Does this mean they’re indirectly claiming that women cannot write and therefore need some protected prizes where they don’t have to compete with men?*

But let’s not get sidetracked from the incredible dishonesty of “the dead agree with me via ouija board”. Among the “supporters” of the letter you’ll find Emily Dickinson, Daphne du Maurier and Mary Anne Evans, aka George Elliot. Why they couldn’t get the Transphobe in Chief, the woman writer who publishes under her initials, a male pseudonym of a guy who tortured gay people, and who singlehandedly invented women back in the 1990s to sign their letter, I don’t know. Now, we all like to claim great woman of the past as our forbearers, brand ourselves as their heirs, but a simple fact is that we have no idea what their opinion on many things was or would have been. Who knows what Rosa Luxemburg would have thought about gay marriage? For a couple of other issues we do know their positions and they are horrible, especially with regards to race. Is it possible that these people would have agreed with them? Sure. Does that mean anything? Not unless you declare them infallible. Now, given that many transphobes are also terribly racist and homophobe, they probably consider that a feature, not a bug, since they happily outsource critical thinking.

It is, of course, also possible that those women would have told them to stuff it. It happens time again with modern authors who they suppose agree with their bigotry, like Margret Atwood. And after all, it is pretty unimportant. Those women are long dead, and while celebrities sure can help or hinder a cause, their opinion does not magically make a position right or wrong. Human rights are not determined by Grammy nominations or book prizes. There’s a hell lot of horrible people with book prizes or Nobel prizes. In the end that’s just an argument from second hand authority and you learn back in grade 10 that those are not actually arguments at all. By the end of the day it’s just another episode of transphobes (if you read the list you will indeed find familiar names) being terrible, and none of them sees any issue with this.

*Just to make this clear: I’m very fond of things like Women’s Prize for Fiction. We don’t have a level playing field and authors don’t get published by sole merit of their writing. Until we have a level playing field we do need Women’s Prizes, Black Literature Prizes, Queer Literature Prizes etc.

The Art of …

… posters, by Ridwan Adhami, Shephard Fairey, Jessica Sabogal, Ernesto Yerena, Delphine Diallo, Ayse Gursoz, and Arlene Mejorado.

They were  commissioned by The Amplifier Foundation, a non-profit organization that raises the voices of grassroots movements through art and community engagement.

Today seems like a good day to wave hi to the U.S.A. and show off some of her best modern artists.

 

Poster series We the People by various artists. Image from NBC, courtesy of The Amplifier Foundation

“American identity starts with Native resistance. In this artwork, Ernesto Yerena honors Helen Red Feather of the Lakota tribe during her bravery and resilience at the Standing Rock reservation in 2016. She was originally photographed by Ayşe Gürsöz while protesting the Dakota Access Pipeline.” Words and image from The Amplifier Foundation.

Ridwan Adhami decided to photograph a Muslim woman wearing an American flag as a hijab for the five-year anniversary of 9/11. They stood at the site of the World Trade Center, capturing the iconic image, without knowing just how far it would eventually go…More than a decade later, Adhami and Shepard Fairey reincarnated the image for Amplifier’s We the People campaign. As the Trump administration’s Muslim Ban continues to wage a war on Islamic faith, the artwork’s message will keep ringing loud and clear. There is no room for fear, only freedom.” Words and Image from The Amplifier Foundation.

“This piece from artist Jessica Sabogal focuses on the love, affection, and inspiration that will continue to persevere through the darkness.”Words and image from The Amplifier Foundation.

“At a time of so much discrimination and injustice, this photograph taken by French and Senegalese artist Delphine Diallo and converted into an illustration by Shepard Fairey reminds us of the power of youth and the world we’re building around them.” Words and image from The Amplifier Foundation

“…this photograph taken by Arlene Mejorado and illustrated by Shepard Fairey is a crucial part of the We the People campaign. Mejorado, a photographer and documentary-maker from California, describes herself as “the daughter of migrants, brown, queer, multi-ethnic, and aspirant of beauty and truth.” The image depicts Xicana activist Maribel Valdez Gonzalez, described by the artist as “an incredible queer, first gen, muxerista, educator who constantly pushes my politics.” The final artwork was carried by thousands at the Women’s March for the 2017 inauguration.” Words and image from The Amplifier Foundation

Wind Power for Standing Rock

The Dakota Access Pipeline issue is still not fully resolved, but that does not mean that one cannot work on another issue. And in fact, people of Standing Rock are building a wind farm. For more information go here. If you can afford to donate, you can do so here. Current donations go towards building an access road to the future wind farm.

Loser Should Not Be an Insult

This will be just a short contemplation about one word. But before you proceed with reading, I would recommend watching this video. It is only tangentially related, but it sparked a few months ago the train of thoughts leading here.

English is not my first language and I have always trouble to understand some things. And one of those things is the use of the word loser as an insult. But it got appropriated into the Czech language in the late decades, and given how it is used, I do consider its use as an insult to be a symptom of a toxic culture, even if not necessarily of toxic masculinity specifically. As a prime example of this, I would like to point out that it is one of the most favorite insults that Donald Trump likes to throw around at anyone he does not like – and now some people like to use that word as an insult against him. I do not.

Using the word loser as a derogatory term in this way signifies that losing at something (usually at finding a relationship and/or financial independence) is always a choice and personal failure as if we all have full control over everything. It also values zero-sum games over cooperation. It completely disregards the huge influence of chance in our lives. Plus we are often pressured by society to try to succeed at the arbitrary and sometimes downright daft things against our will – there are people who are happy to be single, women who do not want to have children, men who do not want a managerial career, etc. It divides people into winners and losers and only winners are worthy of consideration and empathy.

So before you, as an SJW, continue to use the word loser casually as an insult, perhaps consider why you are doing it and whether you are not inadvertently contributing to the things you intend to oppose. There are better insults for shitty people who chose to do shitty things.

 

The Art of …

… political protest, billboard-style

Just in time for the American election, a billboard project is being held in New York City.In October, Art at a Time Like This Inc., in collaboration with SaveArtSpace, borrows the moniker “Ministry of Truth: 1984/2020” to present 20 artists on 20 billboards around New York City, providing “a platform for artists to comment on the current state of US politics and increasing polarization just in time for the election,” according to a press release.

The twenty artists have been chosen, and below is a small sample of what the installation will include.

Mel Chin’s billboard imagery for “Ministry of Truth: 1984/2020” (all images courtesy of SaveArtSpace)

Dread Scott for “Ministry of Truth: 1984/2020”

Shirin Neshat for “Ministry of Truth: 1984/2020”

Marilyn Minter for “Ministry of Truth: 1984/2020”

The billboards will be placed around the 5 boroughs of New York, and there will be a digital map allowing viewers to plan self-guided tours. The full story is at Hyperallergic.

 

 

An Important Petition from Iris

Iris at Death to Squirrels has a post up regarding the cruel treatment and unjust imprisonment of a young bi-racial girl with mental health problems. It’s an ugly story about a family looking for help and finding horror instead. It’s not only an indictment of the American mental health system but another urgent example of why Black Lives Matter really does matter. The more I read, the angrier I became, and I encourage you all to go read the story and get angry, too. Then, go sign the petition. I did, but I’m not an American, and the petition needs American voices – lots of them. At the very least, it will let this family know that they are not alone, but maybe collectively, we can get this child the help she desperately needs and offer her a future. Thanks.

Portland – Required Reading

A lot is happening in Portland, and Big Media reports are often unreliable or outright false. Our very own Crip Dyke at Pervert Justice has been on the ground risking her health and well-being to report the reality of the situation to us. This morning her report, Still a step away from Pinkerton’s, but it’s badis especially gut-wrenching, and it should be required reading. Please, if you haven’t already, head on over and share your support.

For some perspective on the reference to Pinkerton’s, Marcus at Stderr shares a historical look at labour protests in the U.S. with an essay titled How to Riot. It’s an in-depth look at the history of how the American government has handled civil unrest, and it’s frightening.

To round out your reading, I recommend Iris Vander Pluym at Death to Squirrels, whose essay A.G.Barr: Crip Dyke is a “violent rioter and anarchist” hijacking the Portland Protests, brings some insight into why what Crip Dyke is doing is so vitally important. The American government is lying to the public, and it is the on-sight reports from citizen journalists that tell the real story.

I share my thanks to all of these voices for the clarity they bring to a complicated issue.

Crip Dyke, please stay safe.

 

Rediscovering the Words of Frederick Douglass

Library sciences have come a long way since the days of card catalogues and racks of periodicals. Most records are now kept digitally, and many historical records have been converted to digital files. It’s because of all those digital files that historian Scott Sandage was able to track down the full copy of Frederick Douglass’ words regarding a monument in Lincoln Park that should be removed.

The statue in Lincoln Park, known as the Emancipation Memorial, depicts the 16th president beside a Black man who, depending on how you see the piece, is either kneeling or rising. It’s supposed to commemorate the end of slavery—but in any interpretation, the Black man is physically lower than Lincoln himself, leading critics to see the statue as a paean to Lincoln’s generosity, and not a testament to Black Americans’ own roles in their liberation. “Statues teach history,” says Glenn Foster, an activist with the Freedom Neighborhood, who wants to see the statue removed. The Black man in this statue “is in a very submissive position,” he says, adding that that’s not “respectful to our community, or to anyone in general.

As The Wall Street Journal reported, two historians, Scott Sandage of Carnegie Mellon University and Jonathan White of Christopher Newport University, were recently debating what ought to be done with the statue, and they wanted to know whether the social reformer and statesman Douglass had, in fact, criticized it directly. Douglass died in 1895, but posthumous reports of his comments on the subject have been circulating since 1916, when a book stated that he had been critical of the statue at its unveiling. In his prepared speech for the event, Douglass challenged the nascent Lincoln mythology, calling him “preeminently the white man’s president …,” but it wasn’t clear whether, in an alleged aside, he also criticized the new statue itself. The two scholars disagreed over the account’s reliability, so Sandage set out to more firmly establish the abolitionist’s position.

It was Douglass’s ability to turn a phrase that helped the historian finally locate the relevant text. It had been reported that Douglas had referred to the black man on the memorial as “couchant.”

Using “couchant” as the keyword in his search—and experimenting with a few combinations of other words—Sandage identified three newspapers that ran the entirety of a letter Douglass wrote about the statue, a few days after speaking at its dedication. “Admirable as is the monument by Mr. Ball in Lincoln park [sic],” writes Douglass, “it does not, as it seems to me, tell the whole truth …” He credits Lincoln for following through on emancipation, but adds that “the negro was made a citizen” by “President U.S. Grant,” under whose administration the Fifteenth Amendment was ratified. (In theory, the Amendment enfranchised Black men with the right to vote. Of course, enforcement of that right has been a long-standing issue.) He concludes by suggesting that “[t]here is room in Lincoln park for another monument,” and that that space ought to be filled out with works that could help complete the historical picture.

NEWSPAPERS.COM, COURTESY SCOTT SANDAGE / PUBLIC DOMAIN

 

Sandage and White have proposed an “emancipation group” of statues to fill out the park and note that it would not affect the reputation of Lincoln one bit to remove the existing monument, as there is another more significant tribute to Lincoln nearby. There are other proposals for the park from leaders in the black community, and you can read the full story at Atlas Obscura.

Dakota Access Pipeline -Finally Some Good News

Court ordered the Dakota Access Pipeline to shut down for the time being and do all the environmental impact studies it has neglected.

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This was hard-won, and hopefully, it won’t be temporary. Humanity needs to wean itself off oil, and as long as the USA doesn’t do that, nobody will. The USA really is leading the world – by example. Unfortunately, a bad example.