The Glass Room.

The Glass Room installation view. All photos courtesy of Tactical Technology Collective and the artists.

The Glass Room installation view. All photos courtesy of Tactical Technology Collective and the artists.

The Glass Room, a pop-up exhibition organized by Tactical Technology Collective, a Berlin-based non-profit working to promote technological activism, done in collaboration with Mozilla, the non-profit behind the popular web browser of the same name.

The glitzy and pristine white space was filled to the brim with tech-inflected artworks, many of which were disguised as objects you would typically find in a high-end tech store. But the sterile appearance was ultimately a façade; there was no consumer tech for sale within the space. The works were joined by the desire to expose viewers to the malicious underbelly of the wonderfully convenient Information Age.

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Separated into different categories depending on the type of issues explored in the works, the pieces were as compelling as they were harrowing. Forgot your password? by Aram Bartholl consists of a series of books where the artist compiled the 4.6 million passwords leaked by Linkedin in 2012 within their pages.

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Located in the Data Detox Bar section of the exhibition, Julian Olivier and Danja Vasiljev’s Newstweek is a device that manipulates online news headlines that you don’t like or don’t fit your narrative into ones that are more “appropriate” to your sensibilities.

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In Unfitbit by Surya Mattu and Tega Brain, a FitBit is attached to objects like a metronome or a drill to trick the device into thinking you are working out, thus selling fake, inaccurate data to your health insurance that hopefully lowers your premium.

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“The Glass Room was inspired by two things: First, a desire to make the questions raised by living in a data society tangible and accessible using real projects, humor, and good design. Secondly, to use the language of commerce as a way to critique our enthusiasm for new technologies,” says Stephanie Hankey, a co-founder of Tactical Technology Collective and an organizer of the event.

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Although The Glass Room has already concluded, full documentation of the works can be found on the project’s website, along with a series of informative resources, and a hilarious 8-day “Data Detox Kit” meant to cleanse you of your over-connectivity and oversharing tendencies.

Check out more of Tactical Technology Collective’s projects and exhibitions here.

You can see and read more at The Creators Project. I wish I could have seen this one in person, it’s bloody brilliant.

Underwater Sculpture Garden.

The Raft of Lampedusa.

The Raft of Lampedusa.

Many of you may be familiar with Jason deCaires Taylor, sculptor and environmental activist. His work is renowned and highly known. A new sculpture garden has been created in Atlantic Ocean, Las Coloradas, Lanzarote.

Working in partnership with The Cabildo of Lanzarote, Jason deCaires Taylor constructed the first underwater contemporary art museum in the Atlantic Ocean and Europe on the 28th of Feb 2016. Situated in clear blue waters off the south east coast of Lanzarote, Spain, the unique, permanent installation is constructed at around 14m deep and features 10 different installations with over 300 figurative works.

It most celebrated works include: The Raft of Lampedusa, The Rubicon and The Vortex.

The project draws on the dialogue between art and nature. It is designed on a conservational level to create a large scale artificial reef to aggregate local fish species and increase marine biomass whilst, on the other hand, questions the commodification and delineation of the worlds natural resources and raises awareness to current threats facing the worlds oceans. The central concept is depicted by means of a monumental gateway and wall, which include a series of installations based on the dialogue between past and present and the divisions within society with both political and social comment. The works incorporate for the first time large architectural components and an underwater botanical sculpture garden referencing local flora of Lanzarote, which has unique status as a UNESCO World Biosphere Reserve.

The Museum is constructed using environmentally friendly, pH neutral inert materials and the formations are tailored to suit endemic marine life. The museum was completed in December 2016, and is the first time large scale architectural elements have been deployed underwater occupying a barren area of sand-covered sea bed (approximately 50m x 50m), The artist invited local residents and visiting tourists to participate in the project by modeling for a life casts. A process where the body is covered in skin safe sculpting materials and a cast of the body and face is made to produce a figurative sculpture to be included in the museum.

The project has created a habitat area for marine life whilst defining Lanzarote as a modern, dynamic and cultural island celebrating its unique natural resources. The project is the first underwater museum in Europe and the Atlantic Ocean and over time will become the first destination of artificial reef diving among the European diving market, leading to increases in revenue for the local economy and help support the diving, snorkelling and sailing industries. It will also attract cultural tourism with higher purchasing power that will reaffirm Lanzarote´s cultural and artistic affluence based on the legacy of Spanish artist Cesar Manrique. The permanent installation is designed to last for hundreds of years but will be an ever-changing exhibition as marine life changes and transforms the surfaces of the sculptures.

For those who are unfamiliar with Mr. Taylor’s work, you can read up at The Creators Project.

Tyrannophobia.

Black Phoenix Alchemy Labs.

Black Phoenix Alchemy Labs.

If you’re a fan of Black Phoenix Alchemy Lab, or just an adventurous and generous person, here’s a scent to dissent and help with, Tyrranophobia.

Fear of Tyrants

This has jack all to do with Yule or winter, but it sure does apply to current events. Proceeds from Tyrannophobia benefit the ACLU, thereby helping stem the imminent assault on civil rights. Birch tar, tea leaf, and black raspberry strangled in an iron fist.

Tyrranophobia at BPAL. Yes, I ordered the Tyrranophobia, and the Cryophobia.

The J20 Strike and Art Walkouts.

(graphic by Hrag Vartanian/Hyperallergic).

(graphic by Hrag Vartanian/Hyperallergic).

The #J20 Art Strike is imminent and we’ve compiled a running list of spaces that will be closing for Inauguration Day. The Art Strike is intended as an act of solidarity with the broader slate of #J20 events and, as the movement’s site puts it, as a

tactic among others to combat the normalization of Trumpism — a toxic mix of white supremacy, misogyny, xenophobia, militarism, and oligarchic rule. Like any tactic, it is not an end in itself, but rather an intervention that will ramify into the future. It is not a strike against art, theater, or any other cultural form. It is an invitation to motivate these activities anew, to reimagine these spaces as places where resistant forms of thinking, seeing, feeling, and acting can be produced.

Since there are thousands of spaces across the country, we decided to start local and contact New York-area galleries and art nonprofits to see which would be closing — museums will be listed in a separate post. Below this list is another listing of those spaces organizing special programming for January 20, the day of President-elect Donald Trump’s inauguration.

Full article at Hyperallergic.

(image courtesy Ana Cecilia Alvarez, Beth Fiedorek, and Alexandra Leon).

(image courtesy Ana Cecilia Alvarez, Beth Fiedorek, and Alexandra Leon).

In solidarity with the nationwide #J20 movement, students at CalArts in Southern California are organizing a walkout “against the president of Donald J. Trump on inauguration day, January 20,” in their words.

Organized by students Ana Cecilia Alvarez, Beth Fiedorek, and Alexandra Leon, the event is slated to take place at noon local time. The official flyer includes the #J20 Art Strike statement that was released last week. CalArts is considered one of the leading art schools in the country, if not the world.

Hyperallergic reached out to the organizers to understand their motivation for the action. “Organizing around J20 at CalArts was catalyzed by that particular reaction that occurs to political angst when it meets a vacuum,” Fiedorek and Leon told Hyperallergic.

Full article at Hyperallergic.

Senbazuru: 1,000 Cranes.

senbazuru02.motherwchildren

All photos © Johnny Tang.

In Japan there is a tradition known as “Senbazuru” (literally 1000 cranes). According to legend, if one folds 1000 paper cranes they will be granted a single wish by the gods. The cranes are usually strung together and hung outside the outer walls of a temple. As they are exposed to the elements and slowly decay, it is believed that the sacrificed cranes will carry the folder’s wish up to heaven for the gods to receive.

I am an impatient American, so I decided to burn mine.

I folded the cranes over the course of a year, personally creasing each beak and wing myself while steadfastly refusing the help of others. I did this because I wanted to know what it felt like to bring each crane into this world, and then banish it into the next. When I first started this project I was hoping to create a huge fireball in the snow. “This will be so cool” I thought, “there’s no way I could screw this up.” But when the moment of destruction finally came, the little bastards refused to even light – instead they just simmered quietly, laughing at me.

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These fabulous photos are by no means all of the ones in this project. There are many more, and you can click on each one and read all the details of that particular shot, at Johnny Tang Photo. This is stunning work, on more than one level, and it certainly deserves very wide exposure. I’m no stranger to long term projects, but I don’t think I could ever fold 1,000 cranes.

Rediscovering Scarecrows.

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Made in collaboration between photographer Kate Fichard and plastic artist Hugo Deniau, ‘Scarecrows’ is a series that invites the former tradition ousted by sharp technological progress. The project was born out of Fichard’s observation that the tradition of blanking out birds from the crops has faded recently in France. “I noticed that scarecrows no longer exist on fields and vegetable gardens. Unfortunately, today they are replaced by pesticides and protection nets.” Being sensitive to environmental issues, the photographer decided to bring back the tradition and offer the meeting with these mysterious sculptures once again. This time, however, scarecrows are inspired by the idea of contemporary terror by using objects and colors tied to pollution and attacks that ruin the environment. Fichard, who got very much involved in the project, plans to continue travelling around different fields and produce more works, aiming at publishing a book or an exhibition about the subject.

All images © Kate Fichard

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You can see more of these amazing statements at iGNANT.

Fellow Travelers.

Cincinnatiopera.org

Cincinnatiopera.org

Most people are aware of Sen. McCarthy’s red scare, the hunt for commies under every rock and pillow, but it wasn’t the only hunt McCarthy engineered, there was the lavender scare also, which yes, Cohn helped out with, in spite of being gay himself. There was a terrible purge of people, many of whom decided to die rather than face decades of abuse, turned backs, and no way to find employment ever again. In 2008, Thomas Mallon wrote Fellow Travelers, a historical fiction which centers on two people living and working during the lavender scare. The choice of title is a laden one. Now the book has become an opera:

You can read all about it at The Advocate.

Opposing Forces.

An abandoned U.S. missile base.

An abandoned U.S. missile base.

An abandoned Soviet missile base.

An abandoned Soviet missile base.

Be it the deliberate destruction of something or its sheer neglect, what transgresses is rarely the complete story. I photograph the visual footprints that the human race leaves on the landscape during its march through time. When the fall of the Berlin Wall and the collapse of the Soviet Union signaled the end of the Cold War, the holdings of American and Russian nuclear armaments were significantly reduced with many of the supporting facilities being closed and abandoned. All that now remains are decaying reminders of the might once exhibited by two opposing forces heading towards an unimaginable end. Just like time, photography can strip away the extraneous distraction of life to leave a meditative stillness. Sometimes silence speaks the loudest.

Soviet and American Nuclear Missile Bases by Brett Leigh Dicks.

Uprise / Angry Women.

Laura Murray, ‘Plug It Up’.

UPRISE / ANGRY WOMEN Exhibit artwork, The Untitled Space Gallery, New York – Laura Murray – Plug It Up.

In the wake of Paul Ryan’s promise to defund Planned Parenthood, the current political climate is not promising for women. In response, The Untitled Space art gallery has assembled work by 80 contemporary female artists expressing anger and defiance through their art. Uprise/Angry Women gives women a chance to artistically express their fears and frustrations about the sexist and discriminatory rhetoric brought to light by the impending administration. The show’s curator Indira Cesarine writes, “Right now, more than ever, women need to unify and work together to ensure that our rights, which were fought for with blood and tears for many decades, are not only assured, but continue to progress.”

Cara Deangelis, ‘Donald Trump with a Crown of Roadkill’.

UPRISE / ANGRY WOMEN Exhibit artwork, The Untitled Space Gallery, New York – CARA DEANGELIS- Donald Trump with a Crown of Roadkill.

Lili-White, ‘Winning Personality Target’.

UPRISE / ANGRY WOMEN Exhibit artwork, The Untitled Space Gallery, New York – Lili White “Winning-Personality Target”.

Linda Friedman Schmidt, ‘Weeding’.

UPRISE / ANGRY WOMEN Exhibit artwork, The Untitled Space Gallery, New York – Linda Friedman Schmidt – Weeding.

You can read about this at The Creators Project. * UPRISE / ANGRY WOMEN.