Legography! By Samsofy.
Via Fubiz.
Affinity
Art, Fun, & Nonsense.
Who doesn’t love Spirograph? Ars Technica has an article about Wild Gears – spirograph to next level.
Spirographs were invented in the late nineteenth century by mathematician and electrical engineer Bruno Abakanowicz, but didn’t become a popular toy until the 1960s. They allow you to create a wide range of kaleidoscopic designs by putting your pen into one of many holes in a set of interlocking gears, then using your pen to push the gears around an outer ring. I hadn’t used one since elementary school, but Bleackley’s passion reminded me of how satisfying it was to watch those amazing designs appear under my pencil.
The best part is that Bleackley wasn’t kidding with his humble boast. He’s the creator of Wild Gears, a company that makes several spirograph sets that are guaranteed to please your mathy, artsy, weirdness-loving mind. He prototypes his acrylic gears using a laser cutter at the Vancouver Hack Space, and fans can order his kits through the Ponoko store.
Via Ars Technica.
And a bonus – if you feel the need to spirograph right now, you can, online with Inspirograph!
Art is commentary, that’s particularly true of political cartooning. Here’s a small sample of how some artists have been feeling about the looming Trumpmare.
#Trump cartoon by Norwegian cartoonist Christian Bloom #DonaldTrump pic.twitter.com/uZ5RHetFcO
— Stefan Simanowitz (@StefSimanowitz) December 12, 2016
Trump cartoon by Norwegian Cartoonist Christian Bloom.
[evening] Happy TrumpMas pic.twitter.com/h7TDFUXDzL
— tOad (@t0adscroak) December 22, 2016
[evening] Happy TrumpMas.
#Trump https://t.co/5Jl2jDVEon pic.twitter.com/HAG8mAnSgW
— carlos amorim (@amorimail) December 13, 2016
#Trump amorimcartoons.com.br/world.html
My cartoon Wednesday @TheTimes on the new West Wing #Trump #Tillerson #Putin pic.twitter.com/CAmVyWOlcL
— Peter Brookes (@BrookesTimes) December 14, 2016
My Cartoon Wednesday @ The Times on the new West Wing. #Trump #Tillerson #Putin.
Class and crass… #Hiroshima #NuclearProliferation @TheBuffaloNews https://t.co/pTE1RJzNqQ pic.twitter.com/xtN6xkAoYq
— Adam Zyglis (@adamzyglis) May 28, 2016
Class and crass…#Hiroshima #NuclearProliferation
Via Raw Story.
And, from Ricardo Caté:
Trumpty Dumpty.
Via ICTMN.
You can see many more cartoon commentaries at Fusion:
By David Rowe, Australia.
We’re being happy and excitable this year. First up, this exquisite piece of swarf, used by Rick as a wrapping decoration, and it wins best wrapping deco ever.
Isn’t that gorgeous? Then, more art supplies, and beautiful, intoxicating paper for me, from Rick. A new easel, too, in its own case! There are never enough art supplies. Can’t wait to start using these. :D
Then, for Rick, more sharp and shiny. He’s been wanting a second machete, and this one is considerably heavier than the first one, and can be used one or two-handed. Specs after the photos:
Specifications: Condor Discord Machete:
Overall Length: 27 inches.
Blade Length: 18 inches.
Blade Thickness: 3mm.
Blade Material: 1075.
Handle Material: Micarta®.
Sheath: Hand Crafted Wetted Leather.
Weight: 2.6 pounds.
Country of Origin: El Salvador.
I think there might be a roll or two of very dusty wrapping paper, somewhere in the house. I’ll confess to a love of wrapping paper with creative design, but it’s quite a waste. So I got out the cheapshit markers. As You can see, I have a ways to go, so best back to it. :D
© C. Ford.
Some more of rq’s fabulous art work! In this particular case, lab cats:
The story behind this is three black cats who visit the lab on a regular basis – they’re not quite strays but they don’t seem to have an actual home, and they’re our unofficial mascots.)
Sketch, line-drawing, painting, finishing touches. Plus a detail shot of mah favrit kitty.
Click for full size. I would be over the moon to have such gifts. My fave is the center bottom, that’s just wicked.
© rq, all rights reserved.
Artist Lui Ferreyra draws colorful portraits of hands and faces, works that use discrete shapes of color as highlights and shadows. These geometric fragments are blended by the viewer’s eye rather than the artist’s hand, producing color fields that Ferreyra intends to call attention to the connection between seeing and language.
“There’s a double move at play here,” explains Ferreyra’s website about his work. “The first move is substantiated by a geometric matrix which functions as surface: it embraces and emphasizes the aspect of flatness within a complex network of geometric shapes, each unique unto itself. The second move is fulfilled by the cumulative effect of all the shapes functioning together as a color-field in which each shape contextualizes every other shape, thereby providing all the necessary visual cueing to manifest a kind of window one can look through. Surface and window, at and through, like language which points both at the world and back at itself.”
You can see more of Ferreyra’s colorful drawings, in addition to oil paintings, on Instagram, Facebook, or William Havu Gallery where he is represented.
This is incredibly beautiful work, and allows shape and colour to be shifted by the viewer’s eye, making each perception unique.
Via Colossal Art.
The Sleeping Gypsy 1897, by Henri Rousseau. Courtesy Wikimedia.
A reflection on the lost art of lying down by Bernd Brunner. What do you do to put yourself in a reflective, unhurried state of mind?
The Queen Does Not Rule: The ant colony has often served as a metaphor for human order and hierarchy. But real ant society is radical to its core.
We know now that ants do not perform as specialised factory workers. Instead ants switch tasks. An ant’s role changes as it grows older and as changing conditions shift the colony’s needs. An ant that feeds the larvae one week might go out to get food the next. Yet in an ant colony, no one is in charge or tells another what to do. So what determines which ant does which task, and when ants switch roles?
The colony is not a monarchy. The queen merely lays the eggs. Like many natural systems without central control, ant societies are in fact organised not by division of labour but by a distributed process, in which an ant’s social role is a response to interactions with other ants. In brief encounters, ants use their antennae to smell one another, or to detect a chemical that another ant has recently deposited. Taken in the aggregate, these simple interactions between ants allow colonies to adjust the numbers performing each task and to respond to the changing world. This social coordination occurs without any individual ant making any assessment of what needs to be done.
One of nature’s most physiologically fascinating creatures, mantis shrimp are not only the fastest attackers in the animal kingdom, but they also possess what might be the world’s most interesting and impressive set of eyes. Each mantis shrimp eye has three ‘pupils’, with receptors for 12 distinct colours – yet another world record. But perhaps the most amazing aspect of mantis shrimp eyes are their ability to detect polarised light – largely invisible to humans – which they use to signal to other mantis shrimp that a burrow is occupied from afar, preventing close-quarters showdowns to the death. Taking the mantis shrimp’s lead, scientists are hoping to use a camera that detects light polarisation to catch certain kinds of cancer early.
Via Aeon.
The conservation team around the Natural History Museum of London’s century-old sunfish, which was stuffed with all kinds of odd materials. All photos in this section courtesy of the Natural History Museum, London.
Conservators at the Natural History Museum of London knew for some time that the giant sunfish in the collection would need to be treated: The ten-foot-tall creature’s stitched-up body was bursting at the seams, exposing the wheat straw that had been stuffed inside over a century ago. The fish was collected in Sydney Harbour by the zoologist Edward Ramsay on December 12, 1882, brought to London in 1883 for the International Fisheries Exhibition, and donated afterward to the museum.
[…]
In addition to 25 trash bags’ worth of straw, Allington-Jones and his team extracted all kinds of odds and ends that had been weighing down the fish: iron bars, floorboards, a broken chair from 1883, and a scrap of newspaper from the Sydney Morning Herald, dated January 26 of that year. The newspaper was crumpled up, but being conservators, they humidified and flattened it out. One article seems to be about the first-ever Ashes cricket tournament between Australia and England: “We hope the match will be played throughout in a spirit of generous rivalry, and that the struggle for the much coveted laurel will be a close and exciting one,” reads the Herald.
There are two more wonderful conservator surprises at The Creators Project, and lots more photos!
You can read all about it at The Creators Project. See more of Mircea Goia’s work on his website.
CREDIT: iStock.
Black Lives Matter (BLM) just launched a database of black businesses to support, with the goal of “[building] long-term economic power for Black communities.”
On Monday, the organization unveiled backingblackbusiness.com, an interactive map and directory of online stores where customers can purchase food, health and beauty supplies, entertainment, and lifestyle goods — all from retailers owned by black people. The site also includes nonprofits, and allows business owners to add themselves to the database.
The full article is at Think Progress.
I clicked over to backingblackbusiness.com, and while I’m not in LA or NY, plenty of business owners have online shops, and after perusing a few (I got completely caught up in Loving Anvil, and am plotting on when I can spend money there) I don’t think I’ll have any problems at all, supporting black businesses. The site is brand new, so a bit rough, but there’s a lot to explore!
