DC Comics Reboot: Rebirth


DC Comics, once known as Detective Comics, slowly came to life and prosperity in the late 1930s and early 1940s. While moderately successful in its early days, it wasn’t until the rises of Batman and Superman that the company really took off. Skip ahead over 75 years, and DC Comics is one of the “big two,” along with Marvel. Now, they’re about to completely reboot their entire line of comics… again.

After the marginal success of their last reboot, the company aims to refocus on the core of what makes their characters so special. This reboot’s called Rebirth, and as DC Chief Creative Officer Geoff Johns explained in an announcement trailer, “The whole point of Rebirth for all of us is to get back to the essence of the characters.” Because sweeps like this don’t happen very often, this week we’re looking at Batman, Superman, Green Arrow, and Green Lantern. Do they mark a bold new direction for the company? Or should readers steer clear?

Giaco Furino at The Creators Project has the low down on all the new rebirths – Batman, Superman, Green Lantern and Green Arrow.

X-23, the New Wolverine?

(Credit: Marvel)

(Credit: Marvel)

future X-Men movie could have a so-called “female Wolverine” and — for once — fans are embracing the change.

After 17 years of Hugh Jackman filling the role of Wolverine on the big screen, X-Men: Apocalypse director Bryan Singer revealed to Fandango this week that he had already spoken to Fox about instead using the character X-23 — a female Wolverine clone — for a future X-Force movie.

“I have discussed that with the studio,” Singer explained. “I actually initially pitched the X-Force and the female.”

According to the Marvel Database, scientists created Laura Kinney — or X-23 — as a clone when they were unable to salvage the Y chromosome from the original Weapon X experiment.

Unlike fans disdain for female Ghostsbusters characters, the idea of a “female Wolverine” was largely met with praise on Twitter.

There are some tweets and more at Raw Story. Many of those supportive of the change have what I feel is a bad reason – they don’t want another male actor to replace Jackman, so a female Wolverine would be easier to take. As someone who has never much cared for Jackman, I wouldn’t care about him being replaced, but I am all for X-23, bring her on!

Why the stakes are so high for the Black Panther

The first issue of Black Panther, a Marvel series written by Ta-Nehisi Coates, was released last month. Marvel Comics

The first issue of Black Panther, a Marvel series written by Ta-Nehisi Coates, was released last month. Marvel Comics.

The stakes are high for Marvel and journalist Ta-Nehisi Coates to do Black Panther well. The character appears this month in the blockbuster “Captain America: Civil War,” a prelude to the film he’ll headline in 2018. And last month, Coates released the first issue of a new Black Panther comic series.

When it was first reported last September that Coates would script a 12-issue arc of the Black Panther, some commentators suggested that he might be an “odd” fit.

The implication was that a MacArthur Genius Grant recipient and winner of the National Book Award was participating in a genre and medium beneath his talents. But they might be surprised to learn discussions of racism in superhero comics is a long – albeit often troubled – tradition. They also might not recognize the extent of Coates’ literary undertaking. He is tasked not only with appealing to comics readers but also with attracting new fans to the genre. This would be a daunting prospect, no matter the property. But the Black Panther character poses a very specific set of challenges.


A white superhero film failing has not caused studios to shy away from superhero films with white protagonists. The failure of a superhero film starring a woman or person of color, however, can set back the development of diverse superhero films for some time. Many people would probably rejoice in anything that stops the superhero franchise juggernaut. But the last few years have brought increased attention to the real struggles for women and people of color to break into the comics and film industries.

Unfortunately, when it comes to underrepresented populations, the success or failure of these texts always ends up being about more than the specific text in itself. It becomes a referendum on whether or not stories about people who are not straight, white men are valuable, and whether or not people who tell such stories should be given the resources to do so.

Full Story Here.