My first Commission – Part 11 – Finished

I am done. It could be better and hopefully, in the future, I will be able to do better. And also be able to make better pictures.

The knife is balanced at the forefinger groove, blade length approx 110 mm, handle length approx 120 mm. N690 steel.

The knife in its simple leather sheath… © Charly, all rights reserved. Click for full size.

…and outside of it. © Charly, all rights reserved. Click for full size.

Blade detail. Etched are my initials and number 1 in Glagolitic script. The false edge is sharp, but not cutting sharp. © Charly, all rights reserved. Click for full size.

Handle from my late cherry tree, coated with hard, waterproof and scratch-resistant boat lacquer. Contrast washers jatoba, fittings stainless steel. © Charly, all rights reserved. Click for full size.

Today I finished taking pain medication for my hands. I will try and abstain from any strenuous work for one more week and we’ll see what happens next. The pain went almost, but never entirely, away. I am OK when I do nothing, but on Friday I wrote a short post on my Czech blog and my hands hurt afterward. The same goes for finishing the leather sheath – I had to swing a hammer a few times to mount the press studs and that caused some mild pain too, despite me being very careful and not needing to hit too hard. It worries me.

The Art of Book Design: The Dog’s Grand Dinner Party

Jack found out that last week was Cat Week and he’s pissed. He reminded me that we don’t even have a cat anymore and tersely noted that I should have made it dog week. He also said that I got this gig because of him and that I should be more grateful.

Ahem… Sorry Bubba. Allow me to present to you DOG WEEK. Let’s start with a party to celebrate.

John Karst. The Dog’s Grand Dinner Party. New York, McLoughlin Bros., Inc., 1869.

 

via: Baldwin Library of Historical Children’s Literature where you can read the whole delightful book.

September Light

I can’t think of a better way to end the month than with Nightjar’s portraits of the light.

Here I am to share the last chapter in the Light series. I started it October last year, so the only month missing was September. And what better way to end the series than with birds! For me September is the month of birds, especially because of the arrival of willow warblers and flycatchers and because it always seems like there are birds everywhere. All of these photos were taken on the same day, September 10. The light was lovely and I was very lucky with the waxbills, flycatchers, willow warblers, greenfinches and goldfinches. Thank you all and I hope you enjoyed the series. :)

©Nightjar,all rights reserved

[Read more…]

The Art of Book Design: Me and my Pussies

Honor C. Appleton. Me and my Pussies. Illustrations by the author. Thomas Nelson and Sons Ltd., 1927.

And so ends Cat Week here at The Art of Book Design.

I couldn’t find a copy of this one for you to read, but the David and Joyce Milne Public Library will let you look at several of the illustrations. They’re completely charming.

 

Cover Photo via: Stella and Rose’s Books

The Art of Book Design: The Cat and The Mouse: A Book of Persian Fairy Tales

Hartwell James. The Cat and The Mouse: A Book of Persian Fairy Tales. Illustrated by John R. Neill. Philadelphia, Henry Altemus Company, 1906.

I was a cat person long before I was a dog person and it’s still cat week (which I didn’t announce) so this seems like a good fairy tale choice. The book is interesting because it contains artwork from 2 different sources. The frontispiece and title story The Cat and The Mouse are illustrated by an unnamed traditional Persian artist and the remainder of the book is illustrated by John R. Neill, who is famously known for illustrating the stories of Oz.

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The Art of Book Design: I am a Cat

 

Natsume Soseki. I am a Cat. (1906) First English translation published in 1909. Translated by K. Ando and revised by K. Natsume. Tokyo, Hatori Shorten, 1906-1909.

This classic book, written by one of Japan’s most celebrated novelists, is a satire of Japanese society during the Meiji period (1868 – 1912) when western customs were first being incorporated into the country. It’s written from the perspective of a supercilious and eloquent housecat who humorously comments on the people and events that fill his life.

I couldn’t find a copy of the book for you to read, but it’s been reissued many times (and in many languages) and is available at most major booksellers. If you’d like to read a few quotes before deciding to buy, the site Cocosse-Journal is the place to go. I’ll share just this one quote from the book:

“Thus, as I review the list of my friends and acquaintances, most of them emerge as stained with
 maniac stigmata of one sort or another. I begin to feel considerably reassured. The truth may
simply be that human society is no more than a massing of lunatics.”
                                                                    – from I am a Cat via Cocosse-Journal

Cover photo via: Old Timey Cats

The Art of Book Design: Space Cat

Ruthven Todd. Space Cat. Illustrated by Paul Galdone. Charles Scribners Sons, 1952. Photo from Amazon.com

Space cat is a series of 4 books written in the 1950’s by Scottish novelist Ruthven Todd about Flyball the cat and his adventures in outer space. The books are filled with charming illustrations by Paul Galdone who also designed the set of 4 covers that have made the books highly collectible and hard to find. The Book isn’t in the public domain so I can’t send you to read them, but in 2018 the set was re-issued and is available for purchase at a reasonable price. Here’s the link to Amazon, but the books can be found at most major book stores. Click through if you’d like to see the other 3 book covers – they are fun!

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My first Commission – Part 10 – Starting the Sheath

First I must say that my writing will continue to be very, very sparse for about two weeks (again). I think I finally found out what is wrong with my hands. I had a pain in my metacarpal bones and joints ever since I worked a bit too much in a too short time. Sometimes it almost went away, but then it came back with a vengeance whenever I did some work. The orthopedist has made an x-ray and has ruled out arthritis, and I have not visited a doctor since because it got multiple times better to the point I thought I am OK.

I think I know what is wrong – I think I have started to develop stress fractures. Those are not visible on x-ray until they develop in a full-blown fracture.

And whenever they almost healed, I did something to aggravate them again. There is only one cure for that – several weeks of no-strain. And due to the nature of the injury, that also means no-excessive writing on PC, no grinding knives, no cutting or splitting wood, etc. I have tried consistently this last week to do that and today and yesterday I was again almost pain-free. But I think I need to keep it up for at least two more weeks for the bones to recover completely. If that does not help, then I am going to the doctor again to try and find out what the hell it is.

What I could safely do was to coat the knife handle with boat lacquer. And this weekend I started, carefully, working on the sheath.

First I have cut the two slabs for the sides and then two strips for the belly and the back. To get the strips to conform with the blade geometry I did not cut them curved but I formed them from a wet leather strip. When it dries, it holds form nicely and it saves material.

© Charly, all rights reserved. Click for full size.

The next step was to glue everything together with wood glue. In case you ever do this, beware. Wood glue on dry tanned leather works really, really fast. Not superglue-fast, but fast enough for you to want to be sure that when you press the parts together, they are in the correct position straight away. Wetting the leather beforehand might give me some time, but I did not want to do that because the clamps would leave impressions in it.

© Charly, all rights reserved. Click for full size.

I have let it dry for a few minutes, then I took off the clamps and I inscribed a line with a knife-tip for stitching and cut the opening for a belt. In case you are wondering why there are round punched holes at the end of the cuts – those are there to avoid stress concentration and thus to prevent the leather from tearing further when used.

© Charly, all rights reserved. Click for full size.

Now I leave it to completely dry until tomorrow evening. In the meantime, I am trying to figure out a way for making my maker’s mark on the leather. I could cut it, but that seems a bit inelegant.