Delicious Nudes.

Rather than fixating on the clothing or obsessing over the figure, the French fashion photographer Marwane Pallas places a special emphasis on the external objects within the frame. Props within the scene that would normally serve a supporting role are given equivalent degrees of attention to the standard “centerpieces” of the fashion photos.

You can see much more of Marwane Pallas’s work, and read more at The Creators Project, Marwane Pallas’s website, or instagram.

The Hunt for Bannon le Napoleon.

A new profile on Steve Bannon published yesterday by New York Magazine reveals that the White House Chief Strategist and former executive chair of Breitbart News was gifted his own version of Jacques-Louis David’s famous portrait, The Emperor Napoleon in His Study at the Tuileries (1812), by British Politician and known Trump supporter, Nigel Farage.

David painted two versions of this famed neoclassical painting. One currently hangs in the National Gallery of Art in Washington, DC, and the other is at Versailles. The hunt is now on to find an image of Bannon’s version. Green took to Twitter to call onWashington Post reporter and CNN contributor David Fahrenthold to help him find a copy of this masterpiece. Fahrenthold posted a tweet challenging his 434,000 followers to find the painting and Green offered a free copy of his new book, Devil’s Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency. News of Bannon’s portrait is spreading like wildfire across Twitter, with imaginative Photoshopped versions coming in every hour.

Via The Creators Project.

Relics of A Cold War Satellite Program.

Julie Anand and Damon Sauer, “Calibration Mark AD48 with Satellites,” from Ground Truth: Corona Landmarks (courtesy the artists).

Strange colossal shapes dot the Sonoran Desert in Arizona, x-shaped relics of a once top-secret Cold War spying project. Known as the Corona program, the surveillance initiative by the CIA and US Air Force involved using satellites to take aerial photographs of the Soviet Union and the People’s Republic of China. The cameras on these satellites were calibrated with concrete crosses 60 feet in diameter. Their exposed 70mm film was later jettisoned in space, the parachuting capsules caught in mid-air by plane. The calibration markers helped assure that the film was in focus, and that there was a landscape measure to accurately assess the size of pictured objects.

Approximately 256 of these markers were placed on a 16-square-mile grid in Arizona, spaced a mile apart. Long after Corona’s end and its declassification in 1995, around 100 remain. Phoenix-based artists Julie Anand and Damon Sauer have spent three years tracking them down for a project called Ground Truth: Corona Landmarks.

You can read all about this, and see more at Hyperallergic.

World Bodypainting Festival.

Painted bodies, fire-breathers, burlesque dancers, freaks plus the finest club sounds – Roll up, Roll up! Into our magical Wonderland!

Body Circus 2017presented by DIAMOND FX  got again a stunning venue. On the east bay of the lake, at the new festival city Klagenfurt you can discover the enchanting castle LORETTO.  This majestic venue will host the traditional, surreal and bizarre ball. “Body Circus“ which is traditionally held on Wednesday’s and known as the main attraction of the festival week.

For the 20th edition of the World Bodypainting Festival, once again we invite you to push the boundaries and let your imagination run free. Guests show up in fantasy costumes from Drag Queens to bodypainting, decoration, masks, extreme make-up, bizarre fashion, and latex outfits. Unleash yourself from your normal day surroundings. Dive into a wild night with the most enchanting artists, latest club tunes from our international DJ’s and provocative stage shows.  For those who need help or want to get ready with others, the styling jam session is the place to be.  Transformed and ready for circus, are also the girls behind the bars, serving Champagne, Cocktails and juggling buckets of Vodka through the dancing crowd filled with decorated bodies –  Roll up, Roll up!

You can spend hours checking out the whole scene here. I’d love to go!

Cool Stuff Friday.

Alexey Kondakov.

Ukranian multimedia artist Alexey Kondakov flexes his Photoshop prowess to take characters from classical paintings and transport them into everyday  scenes in his series “Art History in Contemporary Life”. The ongoing project sees the artist take banal photographs of contemporary urban life — from subway cars to waiting rooms and trash-filled alleyways, and inserting figures from paintings by the likes of Bouguereau and Holbein. In doing so, Kondakov creates a playful meditation on the nature of time, overlapping époques and cultural contexts. See more of his work on his Facebook page.

You can see more at iGNANT.

File this under Want. As a whole house full of want. It’s a chair which is also a bookshelf, which is in turn, part of the larger bookshelf. This is brilliance. You can see much more and read all about it at iGNANT.

Danli Hu.

A thought-provoking project by interactive designer Danli Hu reminds us that reality has never been concrete. Made for Hu’s graduate program in Design and Technology at New York’s Parson’s the New School, Touching the Void allows users to feel objects that aren’t really there.

“Humans are visual animals; we rely on our eyes and believe the world is exactly like what we see. We think an object physically exists in our real world because we can perceive it with our eyes and feel it with our hands. Creating a virtual object, which is unseeable but provides physical sensations despite its invisibility, challenges people’s definition about virtual and reality,” explains Hu on her website.

You can see and read more at The Creators Project.

The Lady of Cao.

A replica of The Lady of Cao face, a female mummy found at the archaeological site Huaca El Brujo, a grand pyramid of the ancient Moche pre-hispanic culture, is seen at the Ministry of Culture in Lima, Peru July 4, 2017. REUTERS/Guadalupe Pardo.

The discovery of the Lady of Cao’s mummified remains in 2005 shattered the belief that the ancient Moche society, which occupied the Chicama Valley from about 100 to 700 A.D., was patriarchal. Several Moche female mummies have been found since in graves with objects denoting a high political and religious standing.

Archaeologists believe the Lady of Cao died due to complications of childbirth but otherwise lived a healthy life.

Her arms and legs were covered with tattoos of snakes, spiders and other supernatural motifs. Discovered near her funerary bundle was a strangled adolescent, who might have been a sacrifice to guide her into the afterlife, according to the museum at the El Brujo archaeological site where she was found.

The Lady of Cao is a reminder of the complex societies that thrived in what is now Peru long before the Inca empire dominated the Andes or Europeans arrived in the Americas.

The Moche built irrigation canals to grow crops in the desert and were known for their ceramics and goldwork that have been looted from their gravesites.

The replica of the Lady of Cao, a collaboration that included archaeologists, the Wiese Foundation and global imaging company FARO Technologies Inc, will be displayed in Peru’s culture ministry in the capital Lima through July 16. It will later be shown at the museum at El Brujo.

There’s more to read and see at Reuters.