… repose, by Finnish artist Eero Järnefelt (1863-1937)

Saimi Kedollasaimi in the Meadow, 1892, Eero Järnefelt. Image from Wikiart
No, I haven’t forgotten you, I just didn’t get around to taking pics last week. But to make up for it you’ll get lots of them this week.
First: dice. I haven’t played a pen and paper RPG since long before the pandemic, but I swear I’ll do so again. I ordered a die mould to see if that would work. The results are mixed.
Well, the first one was flat out unusable, because silly me put the lid on the wrong way round. The mould works with a little lid you put on top where the #1 is with just a tiny hole to allow for resin to escape or be added. And I put it in the wrong way round, so the sides came up short and there’s no #1. The only way to save it was to put in a hook and call it a pendant. the other one is actually really pretty, but the top side still isn’t what it should be. I decided to only show you the pretty sides.
Next, the unhpotographable galaxy spheres. Sorry. Too many curves and shiny for the damn camera to get a focus on. I’ll see if I can get a better one with the real camera.
These ones turned out really nice. Dyed baby’s breath and small brass hoops make them really light and elegant
Chocolates anybody? I worked with a matte topcoat here, making them look like sea glass.
These go nicely with the necklace from two weeks ago.
Black and white. Baby’s breath in clear resin combined with black semi circles in brass.
“Garnets”. Same technique as the Mermaid Tears, this time in red. I made these shorter, but with at least as many droplets.
Galaxy tears with Bohemian glass beads. The blue is just amazing.
And last but not least, elegant circles:
The rings have baby’s breath, caviar beads and gold foil. The Bohemian glass beads in the centre are an amazing dark purple the camera refuses to catch.
IMPORTANT: If you have your eyes set on any of these pieces, I’ll put some up for sale for the upcoming fundraiser.
And finally here’s some pics from the “workbench”:
This is the small assortment of things I currently have upstairs. Yes, It’s the small assortments. BTW, one of the sensible additions to the pile was a small hand drill. While you can see the Dremel in the pic, the hand drill is useful for pre-drilling, especially on round surfaces, where the Dremel is prone to slip (it will drill your finger nicely). Just drill a mm with the hand drill, do the rest with the nice tool.
This is how the kitchen table looks at the end of the night. Thanks to Rüdügür the vacuum robot I need to clean it up every night because the chairs need to go on the table.
… impressionism, by Edgar Degas
I love the feeling that Degas captured in this painting. The expression on the woman’s face is a mixture of serious decision making and delight, and the hats bloom across the canvas like flowers in the summer sun. Degas was known to paint only indoors, and he scoffed at his contemporaries who painted outdoors. Degas is best known for his paintings of dancers, and his ability to translate movement is evident in the active posture of the woman who seems to be rotating the hat to see it from different angles.

The Millenary Shop, 1855, Edgar Degas. Image from Wikiart.
… landscape, by William Merrett Chase
I felt the need for the full, warm healing light of summer sun today and this painting by Chase fit the bill perfectly. Enjoy.

The Fairy Tale, 1892, William Merritt Chase. Image from Wikiart.
Yesterday, over at Stderr, Marcus posted a piece outlining a project he’s tackling to resin(ate) Jack’s foot. I thought today I’d fill in the story of collecting the paw print.
About a month ago, Jack and I received a package from Marcus containing a dog foot-sized plastic frame, 2 bags of brightly coloured clay, 2 bags of plaster, a small, flat plastic device and a sheet of well-organized instructions. I talked to Jack about the project, and we decided to give it a go the next day. I’ve never worked with clay, so I read the instructions carefully a few times, then after breakfast, I plunged in. Marcus said to add water to one of the clay packages, which I did mixing well. Still, it wouldn’t absorb the full 1/2 c of water, and it was behaving like a non-Newtonian fluid, which is always fun but probably not what I was looking for. I was pretty sure the clay was too wet, but I put it into the frame anyway and tamped it down flat with the little plastic tool and called Jack.
Now, picture, if you will, Jack sitting on the living room carpet (he needs to be on carpet for stability), being a good boy and trying to do what Mummy says.
I pick up his good front foot first, but he can’t bear weight well enough on his other leg, and he wobbles a bit, so I let go of his leg before he falls over.
“Sorry, Mummy,” he says, “Maybe we should try the other foot.”
I tell him it’s not his fault and gently lift his sore front leg with one hand and moving the frame under it with my other hand, but this doesn’t work well either.
“Ouch, Mummy!” he says, pulling back again and again.
Finally, he looks me square in the eye and tells me, “I’m laying down now, Mummy. Go away!”
So I do, covering the clay in plastic wrap and putting it on my workbench.
The next day, I’d hatched a new plan to make a good impression. I’d wait until Jack was resting on my bed with one foot hanging over, and I’d press his foot into the clay with no need for him to stand up. Jack agreed that this seemed workable, and so after lunch, I helped Jack to bed, and we got the framed clay and pressed his foot into it. We made a good, deep press, and results looked great, except that our perfect paw pad impression disappeared less than a minute later. Vanished. Completely gone. Damn it, the clay was too wet.
“Nevermind, Mummy. Footprints are meant to be fleeting. This is a silly idea.”
I return the clay to my worktable, covering it only with paper to allow it to dry out a bit, but when I check it at bedtime, it’s dried hard, and I am unable to restore it with water. Now I understand why Marcus sent 2 packages of clay.
The next few days are spent negotiating with Jack, who finally agrees to try again if I provide him with a chicken foot. This is a treat introduced to Jack by Marcus, and so in the middle of a pandemic, I venture out to 3 various pet stores looking for chicken feet. I am pleasantly surprised to find them at a reasonable price, so I begin planning our third attempt at making a good impression. I’ve noticed that Jack can still pee like a boy on telephone poles, so he is able to raise a back foot without toppling over or pain. I discuss this with Jack, who sighs heavily and says, “sure, Mummy. Do you have my chicken foot?”
So, I begin again with fresh clay. This batch is a vibrant pink, and it looks pretty good to me just out of the package, so I decide not to add water this time and just press it into the frame as is. Jack and I position ourselves on the living room carpet with a chicken foot resting on the coffee table, looking poised for attack, and we begin. I raise Jack’s foot as if I were getting ready to towel dry it for him, then quickly place the frame underneath and set Jack’s foot down into it. He puts his weight on it for a few seconds, then I pick his foot straight up and pull the frame away. Jack sits down, looks at me pointedly, and asks if he can have his treat now.
“Good boy, Bubba. Go ahead,” I tell him, and he picks up the gnarled claw and walks away with it, crunching bones as he goes. The sound sets my teeth on edge, but I’m quickly smiling as I look at the clay. The impression is deep, detailed and not going away. It is, however, full of hair. Jack has bear paws for feet in the winter, and a bunch of hair has decided to stick to the clay. Oh, Oh. I tentatively try to remove some of it, but I’m making minor marks on the clay, so I stop and do the sensible thing and email Marcus asking if this can be fixed.
I am relieved to hear back that the hair won’t affect the outcome and that I should mix and pour the plaster and, once it’s dry, ship it to him as is, which is precisely what I did.
Bubba’s foot is now in Marcus’ hand, and he has wizardly plans for it, which he wrote about yesterday. (footy) I look forward to seeing what he makes of it. Jack is happy that the fuss is finished, but he still thinks that footprints are meant to be fleeting.
The project is going into its final stage, so I should probably update you on the process some more. So today I am going to write about how the two honing steels were made. Lotsa of pictures follow.
… Flowers, by Spanish artist and master of still life painting, Juan van der Hamen (1596-1631)
Because Mondays are always better with flowers.

Still Life with Flowers and a Dog, 1625, Juan van der Hamen. Image from Wikiart.
This year we have snowy winter. The snow came late, but it came in droves. And with plenty of snow also came bramblings, a flock of about 30 individuals. They returned multiple times, and I have managed to get some pictures, although the light was less than ideal.
… flowers, by Raku Inoue
This Montreal-based artist uses fresh flowers to create images. The pictures below are from his Natura Insects series, and you can read more about it at My Modern Met. You can also visit the artist’s web site, Reikan Creations, or his Instagram page, where you will find even more awesome whimsicality.

Kabutomushi (Japanese Rhinoceros Beetle), by Raku Inoue. Image from My Modern Met.

Black Widow, by Raku Inoue. Image from My Modern Met.

Butterfly, by Raku Inoue. Image from My Modern Met.
… trash, by Portuguese artist Artur Bordalo
I recently discovered an artist who is bringing attention to the problem of environmental waste and, in the process, making treasure out of trash.
Big Trash Animals’ by Artur Bordalo is a series of artworks that aim to draw attention to one of the world’s most pressing problems: Waste production. The overproduction of things like plastics and metals, a general lack of recycling and the ensuing pollution that it causes has a devastating effect on the planet, and we shouldn’t just learn to accept it as a necessary evil.
The full story, along with more photos, is at Bored Panda.

Trash Cat, by Artur Bordalo. Image from Bored Panda.

Trash Bird, by Artur Bordalo. Image from Bored Panda.
