Field Day with My Little Assholes.

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A white teacher in Maryland faced backlash after she posted photos of Black children used for humor and called them a degrading name.

In images sent to Atlanta Black Star from an anonymous source, Kelly Forostiak uses her students as props on Instagram. Her page – which is no longer available – showed she is a teacher at Deer Park Elementary in Maryland.

According to the source, Forostiak graduated from Urbana High School in Ijamsville, Maryland in 2010. Below, the teacher jokingly calls her fifth-grade students “little a——- that I somehow still love.”

There’s a whole lot more at the article, including many of the various responses from people. For me, this one summed up best:

teacher-response-anger-1

These comments man…Black adults justifying a white woman calling black children assholes…this is why we can’t win. We won’t even defend our children. I don’t know of any other race of people that would stand for their children being called assholes by their teachers on social media! Tf is wrong with us? “Some of them probably as bad as fuck tho” “some kids are assholes”…OKAY AND I WONDER WHERE THEY GOT IT FROM. Kids don’t pick up bad behavior and attitudes from nowhere. Gtfoh…

I’d be willing to bet there isn’t a parent alive, or any adult who works with children who has not had at least one “little asshole” thought moment, or as Stephen King once said, dark fantasies about crucifying their kids to the walls, but you don’t say that stuff out loud to the children. I will not defend any adult who says such utter isht to children, and apparently, everyone thought the costumes and racist captions weren’t even much worth mentioning.

Regardless of the social media divide, The Baltimore Sun reported Forostiak’s expletive caused her to face disciplinary action. Baltimore County schools spokesperson Mychael Dickerson told the newspaper Forostiak regretted posting the image and making the comments. Dickerson declined to detail exactly what punishment the teacher will face. However, he noted Forostiak is currently employed in the school system and accepts her discipline.

I rather expect that means a slap on the wrist, a la “FFS, don’t be a moron on social media!”

Full story at Atlanta Black Star.

Cool Stuff Friday.

Embroidery Artist Weaves Memes with Modern Feminism.

Images courtesy the artist.

Images courtesy the artist.

Leather Landscapes as Self-Portraits of Fetish and Devotion.

Tamara Santibañez - Landscape II (Massif) - 40" x 60" Oil on canvas, 2016. Image courtesy of Slow Culture Gallery.

Tamara Santibañez – Landscape II (Massif) – 40″ x 60″ Oil on canvas, 2016. Image courtesy of Slow Culture Gallery.

 

Tamara Santibañez studio, image courtesy of CJ Parel.

Tamara Santibañez studio, image courtesy of CJ Parel.

[I really, really want to own that.]

Bacteria-Inspired Art Infects a Chelsea Gallery.

Bomb Ayran, Slavs and Tatars, 2016.

Bomb Ayran, Slavs and Tatars, 2016.

 

Make Mongolia Great Again, Slavs and Tatars, 2016.

Make Mongolia Great Again, Slavs and Tatars, 2016.

The Miniature Beehive Nightclub Is for City Bees Only.

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All via The Creators Project.

The Red Pill.

Courtesy Jaye Bird Productions.

Courtesy Jaye Bird Productions.

The kickstarter funded documentary (I use that word lightly) The Red Pill, all about those poor, downtrodden yet valiant MRA heroes has been reviewed. Note that in the comments, a few MRAs get a bit, um, bonkers over how a film reviewer could have possibly seen the film before it was released, gasp! Unleash the lawyers! It’s a fine demonstration of the distance between these men and reality.

Here’s a great example of how not to open your documentary. “After releasing my film in 2012 about marriage equality, I was at a loss of what topic to explore next,” says Cassie Jaye in the halting tones of a hostage reading her captors’ statement to the world. That comes at the start of her film The Red Pill, and the high drama of her search for a subject gets illustrated with the results of a web search. “I started to research this ‘rape culture,’ ” she tells us, each syllable so far from the next one that a tumbleweed could breeze through the gap.

We literally see the words rape culture get typed into Google. “A website called A Voice for Men popped up,” she tells us. And then, for two agonizing hours, Jaye tumbles slowly down America’s stupidest rabbit hole, discovering that Men’s Rights Activists are actually just dudes who have been dicked over by a culture that punishes masculinity.

[…]

Here’s something Elam wrote on A Voice for Men in 2010: “Should I be called to sit on a jury for a rape trial, I vow publicly to vote not guilty, even in the face of overwhelming evidence that the charges are true.” What excuse would any serious documentarian have for not asking Elam to explain that?

You don’t even have to put in that tiny bit of online legwork to suspect that something’s hinky with Jaye’s film. (It’s a Kickstarter job, and A Voice for Men and Reddit’s most misogynistic MRA subs were active in the campaigns.) Jaye acknowledges in the opening and closing minutes that MRAs sometimes spew nasty garbage online, but she never presses them on this in her many interviews. Instead, she lets them moan about how hard it is to be a dude in 2016, endorsing their anecdotal complaints about unfair family courts, incidents of men being tricked into being fathers, and — I didn’t quite follow this one — one father’s conviction that the women who had custody of his son were systematically trying to make the boy fat. That story drags on forever, and Jaye cuts from it to footage of herself tooling around in her car, driving past a Supercuts.

Like many amateurish Kickstarter docs, The Red Pill doesn’t always have visuals worth regarding on a screen, but I do cherish one flourish: an animated sequence of falling snowflakes, each with a different MRA complaint printed on it, meant to illustrate the movement’s diversity of grievances. There’s “Misandry”! There’s “Restraining Orders”! Even the metaphor is hilariously white.

[…]

What the film and the movement fail to demonstrate is any kind of systemic cause. Instead, the author of men’s troubles here is always that vague bugaboo feminism, which we’re told is designed to silence its opponents. (Is it even worth pointing out that being criticized for what you say is not the same as being denied your right to say it?) Jaye renounces her own feminist past toward the end of the film, the announcement delivered over video of her typing, then looking at a computer, then driving around some more.

[…]

“Why can’t men talk about their problems?” Elam asks Jaye’s camera in earnest, apparently unaware that he gets shouted at and pilloried not for identifying “problems” but for being a dick. Hey, Elam — men can talk about our problems. You’re one of them.

Alan Scherstuhl’s full review is at The Village Voice. I fully appreciate Mr. Scherstuhl’s willingness to watch this documentary, as it’s not something I could bring myself to watch, even it were free and I was promised the proverbial month of Sundays.

UND: Racism Doesn’t Violate Code of Conduct.

More University of North Dakota students wear blackface (Photo: Facebook).

More University of North Dakota students wear blackface (Photo: Facebook).

Remember the “Locked the Black Bitch Out” students, and the Blackface students? It has been decided by UND that neither of these acts of explicit racism violate the UND code of student life because…constitution. Yep. It’s that pesky 1st amendment preventing the university administrators from doing a gosh darn thing about the casual and uncaring racism demonstrated by students. They can’t do anything at all, oh no, their hands are tied.

The two racially charged photos went viral and led to black student leaders at UND holding a rally Friday to share their experiences with racism and ask for the university to adopt a zero-tolerance policy when matters, such as the two photos, come up. After the rally, some of the organizers met with UND President Mark Kennedy to talk about their concerns about the campus environment.

In a letter to the campus community Wednesday, Kennedy condemned the two photos, but said a zero-tolerance policy is not possible for UND’s campus.

“While I appreciate the desire for such a policy, it is unachievable under the First Amendment of the U.S. Constitution,” Kennedy wrote. “The challenge we all face is to find the balance between wanting to eliminate expressions of racism and bigotry and supporting the free speech guaranteed by the First Amendment. If we value freedom of speech, we must acknowledge that some may find the expressions of others unwelcome, painful, or even, offensive. We can, however, speak out and condemn such expressions, and we can work to create a more welcoming and inclusive environment.”

A more welcoming and inclusive environment? Just how are you going to do that when you’ve effectively given students a green light to be bigoted assholes? How on earth could any student of colour feel comfortable or even begin to trust people in that environment? You’re making a lot of soothing noises, but actions speak louder, and your actions? You didn’t take any. Instead, you chose the craven route of hiding behind the 1st amendment, and while doing that, you demonstrated a complete lack of understanding that amendment. All speech is not protected, Mr. Kennedy, and a good deal of speech is not considered to be something which can be freely spouted. We’re also not talking about just speech here, Mr. Kennedy. This is a shameful display of cowardice, and blatant pandering to white privilege.

Kennedy announced last week that the school will form a diversity advisory council to provide recommendations for improving the campus climate on issues of diversity and inclusion.

The president tapped Associate Vice President for Diversity and Inclusion Sandra Mitchell to lead the process of selecting no more than 12 individuals to serve on the council.

The council will review the university’s existing diversity and inclusion practices and programs and identify the best practices to enhance the university’s understanding of diversity and inclusion in the higher education setting, Kennedy wrote.

“I want to make sure we have courses that challenge students to consider alternative perspectives and which will help students better understand how effectively engaging those with diverse backgrounds is essential for their future success,” Kennedy wrote.

Ah. So basically, Mr. Kennedy, what you want is to teach your white bigots the when and where it’s okay to let your bigotry ring, lest they impede those shiny futures. *Spits*

Via Grand Forks Herald.

Now It’s A Coaster.

Thomas Chung in his workplace. Photo by Kyle Clayton.

Thomas Chung in his workplace. Photo by Kyle Clayton.

There’s a terrific article about North Anchorage, Alaska artist Thomas Chung, who will be exhibiting tomorrow at Becky Gallery October 7, reception 5 – 8 p.m.

With a background in cultural anthropology, Chung combines symbols from various myths and stories along with contemporary brands like Coke and Jägermeister
“There’s something kind of funny about Jägermeister,” Chung said as he held a rubber circle mat with the deer and cross logo. “He’s that saint who was a hunter and ran into a deer and this glowing, crazy cross appeared and that’s how he found God. Now it’s a coaster.”

The full article is here. You can see more of Professor Chung’s work here.

Get Out: Making White People Mad.

I hadn’t even heard of this movie, being under my rock as usual, but I just watched the trailer, prior to reading Antoine Allen’s take on it, and it’s high tension, and manages in seconds to make you hope with all your being, that for once in a horror film, the black person gets to come out alive, and maybe a hero, too. So I’ll be watching this, to be sure. It seems it has white people rather riled up though, who tend to get riled up about some absurd stuff, like claiming the show Luke Cage is racist because the cast is primarily black. Uh…does it really have to be pointed out the 99.9 of all television shows and movies in uStates and other places have casts which are all white, or mostly white? Why is it okay for people of colour to have nothing else to watch for not only their lives, but whole generations of people of colour having no choice there? This extends to books, too. Trust me, white people, you can cope with one or two shows which don’t primarily feature white people. It won’t kill you. Think of every superhero, in comics, television shows, and movies. How many of them are white? Yeah. So you can be quiet now, okay?

The thriller and horror genre has pretty much been drained of all originality. However, Get Out strikes out to bring a new twist to the genre; we are calling this ‘Racism Horror”. Get Out is about an interracial couple going to ‘meet the parents’ for the first time. However, the Black boyfriend is confronted with more than just some ‘Guess Who’s Coming To Dinner” level of racial tensions. He becomes trapped in a town that seemingly has a more sinister agenda towards young black men.  The film is directed by Jordan Peele from the Key and Peele show.

There has been even more shock and social media outrage by a section of the white community and probably a minority of Black people who do not ‘get’ the trailer either. Namely, both of those whom are not or choose not to be aware of the history of racism in America. Yet, there are also some who are aware of the somewhat sensational point this horror film is making. Watch the trailer so you can gauge where their outrage or misunderstanding may have been born from.

The trailer ends with a one-liner that will no doubt be filling meme across the internet before and after people are glued to their seats fearfully watching this thriller:

If there is too many white people I get nervous– Get Out.

As expected this line and the general premise of the film has produced complaints from some people. Some people have been shocked by the trailer and others have said it portrays the genuine fears that black people sometimes have.

But remember, the old adage, it’s ok to be quasi-racist as long as you have a member of the opposite race as a close friend. Jordan Peele is already Black, so he can’t say “my best friend is black”. On the other hand, Peele has more than a best friend whom is white, he is married to a White woman ie he has a super best friend. But, in all seriousness, it can be argued that the film portrays the fear that Peele subconsciously had when he first met his wife’s parents. Are those fears only limited to interracial couples? Are those fears valid or invalid? Probably not! If we look at history we can see how these fears may have manifested over time.

The question becomes, just how far from reality are the themes of this racially charged thriller? Well, here are some examples from history of the mistreatment Black people have faced by sections of the White community; all after the end of slavery.

1. In 1919, in the wake of World War I, Black sharecroppers unionized in Arkansas, unleashing a wave of white vigilantism and mass murder that left 237 Black people dead after mass lynchings.

Four more examples follow, with disturbing photographs. If you aren’t well versed in the history of horrific racism in uStates, you definitely need to click over and read every word of the article. If some white people are so in need of being outraged, you need to get outraged about the right things. I’ve known more than one black person who has mentioned a low level fear when surrounded by white people. There’s a reason for that fear, and there’s a reason for the mistrust which fuels it. These things don’t come out of nowhere for no reason. There’s a deep bedrock of reason, and it you don’t know it, please educate yourself.

[…]

In short, movies like this expose the subconscious fears of the subjugated minority and highlight a lack of awareness from the other members of the same society. Get Out it is basically the horror version of Guess who’s coming to dinner. If people have a basic knowledge of history then they shouldn’t be shocked by this film. It only shows racism from a horror perspective. Therefore, if art is supposed to imitate life, this film is merely a reflection of an aspect of life. Thus, people should find society’s racism more shocking than this film that for the first time depicts an aspect of life from a horror perspective. So, yes it is sensational but that ‘Horror’; people need to discuss the issues it raises- rather than simply complaining for the sake of it.

Click on over and read the whole article, it’s excellent, and contains a lesson that people inclined to complain or be dismissive truly need to learn.

Get Out’s Trailer Is Making White People Mad: Here’s 5 Real Racist Incidents In History Worthy Of Anger.

“A gun’s never hurt anyone, never.”

Dede King (KFDX).

Dede King (KFDX).

What Wichita Falls Gun and Knife Show organizers are calling a careless mistake, left three in the hospital.

The accidental discharge of a 12 gauge shotgun loaded with bird shot happened just before 9 a.m. Saturday, minutes before the show at the MPEC was set to open.

Police say it was a vendor, who show organizers say was a veteran at the gun shows and a Wichita Falls local.

The bird shot struck the hands, arms and neck areas of three MPEC employees working in the concessions area.

“This is the first I’ve head of it,” said Officer Timothy Johnson with Wichita Falls Police Department. “The first I’ve seen something like this happen at a gun show.”

The Gun and Knife Show has been in Wichita Falls for 36 years. Gun Show Publicity Chair, Joe Tom White, tells us the show had been at the MPEC for 16 years and he’s never seen an accidental discharge.

“Guns don’t accidently discharge, people accidently pull the trigger,” said White. “A gun’s never hurt anyone, never. People with a gun have. I guess if you had a loaded gun and threw it down, it might go off or something, that might be possible. It’s carelessness, and I can’t judge because this man is going to be judged. I would judge it was carelessness on his part to bring a loaded gun in here when it’s not allowed.”

White said for years they have taken pride in that. He just hopes this doesn’t put a stop to the Gun and Knife shows all together, especially because he said this not only brings education to gun owners and potential buyers, but also because it has a great economic impact.

“I would hate it,” White said. “We’ve been doing it 36 years in Wichita Falls. Tremendous impact on the econonics in this city. The Chamber of Commerce will tell you. All the sales tax, it’s guys from all over the United States, the sales tax stays here five times a year.”

Goodness, all that talk, and not one word about the three people who were shot. I guess they don’t matter as much as sales tax. At least one of the people shot isn’t overly impressed:

Police said three employees suffered non-life-threatening injuries and the gun show reopened Sunday morning as usual — but one of the victims said her life will never be the same.

“My whole life at this moment, has been taken away from me,” said Dede King, who has worked the show for 14 years. “My health will never be the same.”

King said she saw her co-worker lying on the ground, bleeding badly, after hearing a gunshot.

“I couldn’t tell if he was dead or alive,” King said. “All of a sudden I couldn’t get to him. I couldn’t breathe, couldn’t move — and I realize I had been shot. I heard someone say she’s bleeding from the neck.”

King and her family are unhappy with the gun show’s organizers, who said all the victims were fine — although she was fighting for her life and is unable to return to her full-time job at the Allred Prison Medical Department.

The show’s organizers haven’t even called to check up on her, relatives said.

How very unsurprising. Those gun shows, so gosh darn safe, you betcha:

Two men were injured Saturday in an accidental shooting at another gun show in Florida, and two teenagers were wounded the week before at a gun show in Utah.

Via Texomas and Raw Story.