I stumbled across this on the internets, forwarded it around to a few of my knife-making buddies, and everyone had a good laugh and a snark and then got quiet. The only way to deal with it is to assume it’s a set-up.
I stumbled across this on the internets, forwarded it around to a few of my knife-making buddies, and everyone had a good laugh and a snark and then got quiet. The only way to deal with it is to assume it’s a set-up.
This scared the shit out of me. And, worse, I subsequently figured out a better way to do what I was trying to do, anyway.
What is it about wealth that makes people who were successful at one thing decide that they’re actually good at everything?
I’ve had some interesting rush hour road blocks out here. One time there was a bobcat sitting on the hood of my car (he left before I could get my camera) and another time there was an elk standing there, looking huge.
Mold-making can be a pain in the neck. And it’s a truism in the model-making community that the better you are at mold-making the better your objects will look. So, it’s not uncommon for good casting artists to spend an inordinate amount of time on their molds.
There must be a huge mycelium run under the grass.
I’ve been busy running around building forms for casting the liner for the forge body, and dealing with a bunch of other stuff, including stressing out about my first colonoscopy, which is tuesday morning.
I’ve been depressing lately. This should make you feel better:
One thing I love about metalwork is that there’s so many paths you can walk down pursuing your muse. The same applies to all materials, of course: clay, steel, paint, wood, whatever. But I love steel because there is such a level of commitment to working with something so obdurate.
I’m not going to travel just to go to a party, but if you live in the SF bay area, you may be interested in this one.
