If anything is to be said for the nonsense to follow, it’s that it’s at least somewhat accurate. Not the “god” business, of course, but the extremely limited skill of the Tiny Tyrant.
“So, you know, North Korea, you’d better be on your toes because you’re up against a breaker anointing of God,” he said. “This isn’t about politics, this isn’t government as usual, this isn’t even militaristic, God has raised up…a breaker anointing. Anything that God opposes him against, he breaks up. He broke up the Republican Party…he broke up the Democratic Party, he broke up the news media. Everything that comes against him, he has a hammer against. So, I’m telling you, North Korea, you’d better stand down because you’re up against the breaker anointing of God.”
Does it really need to be pointed out, even to fundamentalist, conservative christians, that having only one tool that allows you smash, and nothing more, is not a good thing? Regardless of any “hammer”, it won’t stand up to nuclear weapons; nor will it stand against other nations coming to the conclusion that America no longer has any significant role to play on the world stage. Isolation is not the glory the Tiny Tyrant attempts to sell.
Bakker and Amedia then discussed the president’s volatile Twitter presence, which Bakker said was all part of the “gift of wisdom” that God had told him he gave Trump.
No matter how you slice it, Jehovah keeps winning the worst god ever dreamed up contest. The idiocy which keeps drooling out of Trump could not pass as wisdom under any definition. More than half the time, it barely reaches coherency.
Amedia offered that Trump tweets because he gets bored with nonconsequential things, part of his God-given gift of “discernment.”
Well, that’s, um, special. Pretty much all the Tiny Tyrant does tweet about is non-consequential crap, so I wouldn’t call that discernment, of any kind. For one thing, in order to be discerning, it certainly helps if you have knowledge of things first. We can definitely rule that one out.
“I believe he receives downloads that now he’s beginning to understand come from God,” Amedia said.
:Snort: Ah, it’s downloads now, is it? There’s always this terrible desperation on the part of fundamentalists to sound modern and relevant, and they never, ever get it right. That sort of thing will happen when you insist on believing in a god that would be too psychopathic and regressive for the stone age. If Donny’s receiving downloads, they’re coming in on a floppy disk in a worn out drive.
Ukranian multimedia artist Alexey Kondakov flexes his Photoshop prowess to take characters from classical paintings and transport them into everyday scenes in his series “Art History in Contemporary Life”. The ongoing project sees the artist take banal photographs of contemporary urban life — from subway cars to waiting rooms and trash-filled alleyways, and inserting figures from paintings by the likes of Bouguereau and Holbein. In doing so, Kondakov creates a playful meditation on the nature of time, overlapping époques and cultural contexts. See more of his work on his Facebook page.
You can see more at iGNANT.
File this under Want. As a whole house full of want. It’s a chair which is also a bookshelf, which is in turn, part of the larger bookshelf. This is brilliance. You can see much more and read all about it at iGNANT.
A thought-provoking project by interactive designer Danli Hu reminds us that reality has never been concrete. Made for Hu’s graduate program in Design and Technology at New York’s Parson’s the New School, Touching the Void allows users to feel objects that aren’t really there.
“Humans are visual animals; we rely on our eyes and believe the world is exactly like what we see. We think an object physically exists in our real world because we can perceive it with our eyes and feel it with our hands. Creating a virtual object, which is unseeable but provides physical sensations despite its invisibility, challenges people’s definition about virtual and reality,” explains Hu on her website.
You can see and read more at The Creators Project.
Flowers 4k from Biolapse on Vimeo.
The Pixie Trickster – Fly-through Animation from Steven Shmuely on Vimeo.
I’m just in love with this.

A replica of The Lady of Cao face, a female mummy found at the archaeological site Huaca El Brujo, a grand pyramid of the ancient Moche pre-hispanic culture, is seen at the Ministry of Culture in Lima, Peru July 4, 2017. REUTERS/Guadalupe Pardo.
The discovery of the Lady of Cao’s mummified remains in 2005 shattered the belief that the ancient Moche society, which occupied the Chicama Valley from about 100 to 700 A.D., was patriarchal. Several Moche female mummies have been found since in graves with objects denoting a high political and religious standing.
Archaeologists believe the Lady of Cao died due to complications of childbirth but otherwise lived a healthy life.
Her arms and legs were covered with tattoos of snakes, spiders and other supernatural motifs. Discovered near her funerary bundle was a strangled adolescent, who might have been a sacrifice to guide her into the afterlife, according to the museum at the El Brujo archaeological site where she was found.
The Lady of Cao is a reminder of the complex societies that thrived in what is now Peru long before the Inca empire dominated the Andes or Europeans arrived in the Americas.
The Moche built irrigation canals to grow crops in the desert and were known for their ceramics and goldwork that have been looted from their gravesites.
The replica of the Lady of Cao, a collaboration that included archaeologists, the Wiese Foundation and global imaging company FARO Technologies Inc, will be displayed in Peru’s culture ministry in the capital Lima through July 16. It will later be shown at the museum at El Brujo.
There’s more to read and see at Reuters.
