J.K. Rowling: The Colonial Heart of an Indifferent Bigot.

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This is not the first time Ms. Rowling’s bigotry has come up, far from it, but it turns out it it’s much worse than I thought. Ms. Rowling is now far past the doubling down stage, she’s pretty much etched her bigotry and indifference in stone now. I would never have read any of the Potter books if it hadn’t been for the astonishing reaction of Christians, all in a frenzy of “Witchcraft and Demons, Oh My!” I was an adult, and don’t have kids. Anything that got Christians so remarkably riled up deserved a look, though. I enjoyed the books, even though they were repetitive, and on the problematic side of seriously white and straight along with tokenism. I probably enjoyed the movies more, which were fun, because who doesn’t like magic? They were fun, a nice nerdy escape. Also, I’m a massive Maggie Smith fan, I’ve had a crush on her since early sproghood. I had planned on seeing Fantastic Beasts and Where to Find Them, but that’s not going to happen now. I already know just how angry and upset that would make me.

In April this year, I posted about Dr. Adrienne Keene’s post on Native Appropriations regarding Magic in North America. If there’s one thing I’d like to make very, very clear, it’s that there are many Indiginerds who love the Potterverse, which makes it all the more heart-breaking and infuriating to see Ms. Rowling’s use of bigotry to further her own ends, and refusal to listen to the many Indigenous fans she has, and her apparent indifference to all the bullying and stereotyping she is subjecting Indigenous people to by sticking to her bigotry. As Dr. Keene said:

It actually makes me kind of want to cry. Harry Potter was such a formative series for me, and holds such a deep place in my heart–and to see and hear this feels like such a slap in the face to me and other Native Potter nerds.

So, if you’re a Potter fan, all prepared to be bristly in offense or defense, don’t. Just listen, please, because these criticisms are not coming from a place of hate. They are coming from a fellow place of love, and a deep well of disappointment. The Problematics of Potter came up on Ask N NDN at ICTMN, and Loralee Sepsey answered, in passionate detail. Here in the States, a great many people think Indians are dead and long gone, an almost mythical race of people, so everyone can play and be as bigoted as they like. I’ve encountered the belief of “oh, I thought Indians were dead” myself. There’s an article up at ICTMN about a young Indian, 12 years old, who wants to cut his braid off, because he lives in a primarily white suburb, and it’s not acceptable to be an ethnic Indian, and he’s tired of being teased, bullied, and stereotyped, at 12 years old. Non-native people, no matter how well intentioned, rarely think about such things. If they happen to be aware of the fact that Indians are not dead, they are rarely interested in the particular cultures, traditions, or languages of Indians. A great many non-natives are content to enthuse about “Native Americans” in the most embarrassing manner. There’s no knowledge to be had there, either. Quite the opposite, in fact. The ignorance can be appalling, and no, enthusiasm does not make up for it. Learning about a particular people, that would be a good thing to do. Understanding that there’s no such thing as one lump of ‘Native Americans’ would be a good thing. Understanding that Indigenous people care about how they are represented, and how their particular mythologies, cultures, and traditions are represented, that would be a great thing.

Ms. Rowling had a great opportunity in front of her. She could have not only learned herself, and met with members of the tribes she planned to write about, she could have helped to empower native people, along with showing basic respect, by allowing natives to own their own stories, their mythologies, their cultures, and their traditions. This story could have been a rich, strong, empowering, respectful, and accurate one. Instead, it’s the same old business of stealing from native people, disrespecting them, and promoting an appalling ignorance, deliberate lies, and propagating stereotypes. What will this latest installment teach children about Indigenous peoples? Nothing true. Ms. Rowling chose to go with using people as costuming, and having the same old colonial, white “saviours”, while not even bothering to give any native character a prominent role, let alone names, as only one native character is deemed worthy of a name. We get to be Ms. Rowling’s red shirts.

J.K. Rowling, with the release of the Ilvermorny School and Magic in North America stories on her website Pottermore, has joined the long list of people who portray indigenous cultures in a contextless and offensive manner, but she could become one of the most dangerous people on that list.

[Read more…]

Comics.

Cover for The New Gods #1. Illustrated by Jack Kirby. Photo courtesy of DC Comics.

Cover for The New Gods #1. Illustrated by Jack Kirby. Photo courtesy of DC Comics.

The New Gods #1 (Reprint)

One of the comics featured in this week’s roundup is a digital reprint of a classic Jack Kirby comic. Kirby, longtime collaborator with Marvel icon Stan Lee, helped create famous characters like The Hulk, The Fantastic Four, and the X-Men. Unlike the more straightforward, BAM! POW! creations of Lee, Kirby’s written and illustrated works are tinged with the weird, the cosmic, and the symbolic. If readers try the reprint of New Gods #1 (reviewed below) and like what they read, other Kirby must-reads include the OMAC series, Devil Dinosaur, and Machine Man. In these comics, it’s clear Kirby didn’t care if you couldn’t keep up with his breakneck speed and garbled, grandiose language. This is old-fashioned science fiction, which neither strives for accuracy nor ease of readability, but falls somewhere wonderfully in-between.

Originally published in 1971, The New Gods tells the story of a battle between the forces of good and evil, with the New Gods (a group of super-powered heroes) battling the evil Darkseid. The main hero, Orion, rides around on little golden leg harnesses, uses his “Astro-Force” to blast away his enemies, and comes off like a grumpy old man as he quarrels with those trying to help him. This comic is baffling in its own self-reference and complexity, and biblical in its language and scope, but it’s absolutely a must-read for those who gravitate toward the weird and extra-dimensional. The closest piece of fiction one could compare The New Gods to are the latter novels in the Dune series, by Frank Herbert. And Kirby’s artwork is unparalleled in its ability to conjure grandeur with an economy of lines.

Cover for Jim Henson’s Labyrinth Tales. Illustrated by Corey Godbey. Photo courtesy of BOOM! Archaia.

Cover for Jim Henson’s Labyrinth Tales. Illustrated by Corey Godbey. Photo courtesy of BOOM! Archaia.

Jim Henson’s Labyrinth Tales

Artist and writer Corey Godbey captures all of the charm and mystery of Jim Henson’s Labyrinth, and turns that into a storybook for kids. Less of a true comic than a series of full illustrations with narration, this book is so beautifully illustrated it will absolutely stick in the minds of young ones. The illustrations by Godbey are honeyed and sweet, and the world presented is simply magical. Though children’s books aren’t often covered in this column, this work is an absolute must for readers with young children.

Cover for Black Hammer #3. Illustrated by Dean Ormston. Photo courtesy of Dark Horse Comics.

Cover for Black Hammer #3. Illustrated by Dean Ormston. Photo courtesy of Dark Horse Comics.

Black Hammer #3

The heroes of Black Hammer used to be comic book heroes with rich backstories and varied interpersonal lives, but now they’ve been retconned. After a multidimensional crisis writes them out of their own stories, they’re forced to live in a small, timeless farming town. This issue focuses on Barbalien, the alien barbarian, as he attempts to adjust to his new life, and as he reminisces on how he got to earth to begin with. This is a hugely imaginative comic with wonderful art by Dean Ormston. If the series pitch intrigues readers, it’s probably best they go back to the start and try out issue #1.

Via The Creators Project.

Invisible 1 & 2.

In1Not too long ago, Jim C. Hines edited personal essays on representation in SF/F, and it was excellent and eye-opening. It was certainly uncomfortable at times, but that discomfort is just panicked relics of oblivious privilege trying to assert itself. I had more than a few stabs of serious guilt in reading this anthology, particularly the one about Albinism. (Having enjoyed that “evil Albino trope” more than a few times in the past, without ever thinking about actual people.) The essays in the first Invisible are:

Introduction by Alex Dally MacFarlane.

Parched, by Mark Oshiro.

Boys’s Books by Katharine Kerr.

Clicking by Susan Jane Bigelow.

The Princess Problem by Charlotte Ashley.

Autism, Representation, Success by Ada Hoffmann.

Gender in Genre by Kathryn Ryan.

‘Crazy’ About Fiction by Gabriel Cuellar.

Evil Albino Trope is Evil by Nalini Haynes.

Options by Joie Young.

Non-binary and Not Represented by Morgan Dambergs.

Representation Without Understanding by Derek Handley.

Shards of Memory by Ithiliana.

I Don’t See Color by Michi Trota.

SFF Saved My Life by Nonny Blackthorne.

In2If you missed Invisible the first time around, I could not possibly recommend it enough. While happily slumbering away under my rock, I was unaware that Invisible 2 had been put together and published. That’s been remedied, and like the 1st, this is excellent reading. As Jim C. Hines notes in the afterword, “They help us to become better readers, better writers, and better human beings.”

So many of these essays resonated, and others were serious wake up calls to stop being so bloody blinkered. Like the first anthology, this one is littered with highlights, bookmarks, and notes. Too Niche, by Lauren Jankowski about the complete invisibility of asexual people in SF/F was one of those that was a good smack on the head. In her essay, she mentions that Stephen Moffat declared Sherlock Holmes can’t be asexual because he’s too interesting. That left me spluttering and outraged. That’s an incredibly wrong, stupid, thoughtless, and insulting thing to say. Other essays which really hit home were Breaking Mirrors, Fat Chicks in SFF, Not Your Mystical Indian, Exponentially Hoping, and Colonialism, Land, and Speculative Fiction: An Indigenous Perspective. 

The Essays in Invisible 2 are:

Introduction by Aliette de Bodard.

Breaking Mirrors by Diana M. Pho

I’m Not Broken by Annalee Flower Horne.

Next Year in Jerusalem by Gabrielle Harbowy.

I am Not Hispanic, I am Puerto Rican, by Isabel Schechter.

No More Dried Up Spinsters by Nancy Jane Moore.

False Expectations by Matthew Thyer.

Text, Subtext, and Pieced-Together Lives by Angelia Sparrow.

Parenting as a Fan of Color by Kat Tanaka Okopnik.

Alien of Extraordinary Ability? by Bogi Takács.

Accidental Representation by Chrysoula Tzavelas.

Discovering the Other by John Hartness.

Lost in the Margins by Sarah Chorn.

Too Niche by Lauen Jankowski.

Fat Chicks in SFF by Alis Franklin.

Not Your Mystical Indian by Jessica McDonald.

Exponentially Hoping by Merc Rustad.

Colonialism, Land, and Speculative Fiction: An Indigenous Perspective by Ambelin Kwaymullina.

Nobody’s Sidekick: Intersectionality in Protagonists by SL Huang.

The Danger of the False Narrative by LaShawn Wanak.

Both these anthologies are excellent, if often uncomfortable, reading. Seriously recommended if you haven’t read them.

Cool Stuff Friday.

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A chain of koi fish float through an exhibit space, illuminating their immediate surroundings with a self-contained, warm orange glow. The works come from a familiar yet unexpected name: Frank Gehry. Early in his artistic career, Gehry created several visual installations and furniture designs, many in the late-20th century, that would influence his later accomplishments in architecture. Fish Lamps draws upon the flowing and undulating movement of the water species, an aesthetic that often made an appearance in Gehry’s singular building designs.

I have very few lamps, but I’d be happy to give some of these a home. Full Story at the Creators Project.

What should you wear to keep cool on a hot day? One word: plastics.

A form of polyethylene — the common plastic that makes up ClingWrap — is a promising candidate for a textile that prevents us from overheating, researchers say. Hopefully, it won’t look like those PVC bodysuits that pop up every Halloween.

Many researchers are trying to create cooling fabrics, from cloth inspired by squid skin to electroactive textiles. But the team led by Yi Cui, a materials scientist at Stanford University, was inspired by materials that we don’t usually consider for clothing. In a study published today in Science, the team turned a battery component into a textile that lets our body’s natural heat escape better than cotton. The team hasn’t worn the fabric themselves yet, but Cui insists it feels “very much like normal fabric” and hopes it will be commercialized within two years.

Full story at The Verge.

Supergirl creator developing a Black Lightning TV series.

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Supergirl and Arrow co-creator Greg Berlanti is reportedly developing a series following Black Lightning, one of DC Comics’ first major black superheroes. According to Deadline, Berlanti is working with The Game creator Mara Brock Akil and her husband to get the drama off the ground, and the trio are currently shopping the project to multiple networks.

Black Lightning has the chance to be DC’s highest profile black superhero series to date. Created in 1977 by writer Tony Isabella and artist Trevor Von Eeden, Black Lightning, otherwise known as Jefferson Pierce, is an educator and eventual member of the Justice League with the power to control electrical energy. In the proposed TV series, Pierce will have retired from superheroics, but after his daughter’s life is endangered by his city’s underworld, he willingly steps back into his old alter ego.

Full story here.

Marvel Does Star Wars.

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This was a very steady week for comics, as DC Comics continues to roll out their Rebirth-branded books and Marvel’s midway through Civil War II. Around the edges of both of those events hide great little comics, and though they’re not included on this week’s roundup, readers looking for big action and want to clue into the big tentpole events should check out DC’s Action Comics #962 (that’s a Superman comic) and Marvel’s Captain Marvel #8. This week in the roundup: Star Wars; a New York-centric indie comic; a tech-obsessed reintroduction to a great DC hero; and a wonderfully weird anthology.

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Cover for Star Wars #22. Cover illustrated by Mike Deodato Jr. Photo courtesy of Marvel Comics.

This Star Wars comic series from Marvel attempts to fill in the gaps between the original trilogy and today’s films. At this point, the events of A New Hope have already taken place, and readers get to see Luke, Han, Leia, Chewie, and a few new characters continue to stick it to the empire. It’s interesting to read a Star Wars adventure in as short a burst as a comic book, but the pacing is perfect, and the character interactions all feel true to the series. This issue sees the heroes trying to attack an imperial star destroyer, and it feels classically hopeless for the protagonists. This Star Wars series is recommended reading for anyone feeling like they need their SW fix.

Also covered by The Creators Project: Beef With Tomato, Blue Beetle Rebirth #1, and Island 10.

Ruh-Roh! Scooby Apocalypse!

Panel selection from Scooby-Doo Apocalypse #4. Illustrated by Howard Porter with colors by Hi-Fi. Screencap via the author.

Panel selection from Scooby-Doo Apocalypse #4. Illustrated by Howard Porter with colors by Hi-Fi. Screencap via the author.

The big news in comics this week is the leak that Disney Channel star Zendaya may be cast as the role of Spider-Man’s long-time love interest, Mary Jane Watson, in an upcoming reboot. And, in the most pathetic corners of Twitter, comic nerds are crying out because “Mary Jane can’t be black.” This is the worst of what comic/nerd/fandom culture can be, and anytime some “controversy” like this crops up, it makes one want to drop their trade paperbacks, shelve their video game systems, and run for the hills. For all the work that Marvel’s doing to amp up its diversity and push toward inclusion, there’s still, culturally, in a big-picture sense, a very long way to go. But it has to start at the top, and casting Zendaya in this role is another good, smart, bold step in the right direction.

As for this week in comic books, the best are strangely about horror, possession, apocalyptic stories…and Scooby-Doo.

Cover for Scooby Apocalypse #4. Cover illustrated by Jim Lee with Alex Sinclair. Photo courtesy DC Comics.

Cover for Scooby Apocalypse #4. Cover illustrated by Jim Lee with Alex Sinclair. Photo courtesy DC Comics.

How’s this for a premise? Scooby-Doo, Shaggy, Velma, Daphne, and Fred all live in the near-future where a plague of nanobots have turned humans into bloodthirsty creatures inspired by classic movie monsters. In this verison of Scooby-Doo, Scoob can talk because he’s a cybernetically enhanced “Smart Dog,” Daphne and Fred are kickass documentarians that can handle huge rifles, Velma’s a super-scientist, and Shaggy has a twirly moustache. This issue sees the crew learning to work together as they’re chased from point to point. Dialogue heavy, this comic should please fans of Scooby-Doo and The Walking Dead.

Oh, I must have these. Why yes, I love Scoobert. Sparrow and Crowe: The Demoniac of Los Angeles #1, Broken Moon: Legends of the Deep #1, B.P.R.D. Hell on Earth #144 (from the pages of Hellboy) are also covered at The Creators Project, and they all look grand!

Gandalf Doesn’t Do Weddings.

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Ian McKellen says he turned down $1.5m (£1.14m) to officiate at Napster billionaire Sean Parker’s wedding dressed as Gandalf the wizard.

McKellen, who played the character in Peter Jackson’s Lord of the Rings trilogy, didn’t know the source of the offer when he was asked to marry Parker and his wife, singer Alexandra Lenas. The request came via a mutual acquaintance of Parker and McKellen’s, according to the Mail on Sunday. McKellen said he would have considered the offer if Parker hadn’t stipulated that he come in character.

“I don’t go dressing up, except in plays and things,” McKellen said. “So I said, ‘I am sorry, Gandalf doesn’t do weddings.’”

[…]

Even though Gandalf didn’t marry Parker,the real McKellen may be available for weddings: the actor qualified as a celebrant in 2013, which allowed him to officiate the civil wedding of actor Patrick Stewart and musician Sunny Ozell.

Via The Guardian.

Marvel Fan-Fiction and Scottish Indies.

Cover for All-New, All-Different Avengers Annual #1. Illustrated by Alex Ross. Photo courtesy of Marvel Comics.

Cover for All-New, All-Different Avengers Annual #1. Illustrated by Alex Ross. Photo courtesy of Marvel Comics.

‘Annual’ releases exist in a strange place in the comic world. Created as a way to tell a different story in a series without interrupting the main plotline or numbering, some see annuals as a marketing gimmick. But, as evidenced by All-New, All-Different Avengers Annual #1, they can be a bold chance to think outside the box. This issue sees everyone’s favorite teen from Jersey City, Ms. Marvel, logging onto her favorite fan-fiction website to write some stories about her fellow heroes. Once logged on, she sees that other people have written stories about her and her friends, and she’s shocked but compelled to read on. The rest of this comic, then, are those fan-fiction stories of Marvel heroes. Layered, and with plenty of goofiness and a variety of styles, this annual does exactly what it should: it tells weird stories the regular comics certainly couldn’t.

[Read more…]

Star Trek: Discovery. There is Hope.

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It’s early days yet, but there’s hope for a more inclusive Trek in the news series, Discovery, which is set 10 years before the original series. A female lead has been promised, however, she will not be the captain. Sigh. So, not all that great on the inclusive front, but a bit better. There’s noise about a Black female lead, but the role has not been cast. At least one LGBT member has been promised as well, but it would be nice if these roles were more than tokens, after all, it is the 21st century.

When Star Trek (briefly) returns to TV screens next January, it’ll be with a women in the lead position, a crew full of aliens, and at least one gay character, presenting a utopian, space-faring future that sounds like an actual nightmare held by the sort of people set to vote for Donald Trump. CBS announced the first character details for Bryan Fuller’s upcoming Star Trek: Discovery—set to debut on the network in January 2017, before moving to CBS’s online All Access service—today at a Television Critics Association press tour event. And while we still don’t know much about the composition of the show’s crew, Variety and The Hollywood Reporter are both reporting that the series’ lead will be female—but not the captain of her ship.

A.V. Club has the full story.

ZAPP presents…Famous Trump Quotations!

Nothing else today will be anywhere near as cool as this gift from Billy West, so this is Cool Stuff Friday. :D

MAKE AMERICA BRANNIGAN!

No Wands for the Harry Potterfied Muggles.

Richard Carter of Mystical Moments who sells magic wands in Huddersfield but has banned Harry Potter fans Credit: Ben Lack Photography Ltd.

Richard Carter of Mystical Moments who sells magic wands in Huddersfield but has banned Harry Potter fans Credit: Ben Lack Photography Ltd.

Okay…might want to pad your desk or start some eyeroll protection here.

A shop which makes magic wands for real life witches and wizards has been blasted by Harry Potter fans for refusing to serve them. The business, called Mystical Moments, is making a name for itself in the wizarding world by supplying wands to cast healing spells and charms for good luck.

But wand-maker Richard Carter says he is selling “spiritual tools” – not toys for young Muggles – and he is barring Hogwarts fans. The wands can be used to draw protective circles to ward off dark forces while owners meditate, bring them money, and help them find love. They can also be used to cure aches and pains and stress, speed a sick relative’s recovery or wish for happiness, courage or physical strength.

Local mystic Mr Carter, 57, spends whole days standing at his lathe in a trance lovingly crafting each wand and anointing them with oil. He says he does not know one end of a lathe from another and works while controlled by the spirits in his shop in Slaithwaite village, near Huddersfield.

He says all you need is faith in the product for it to work wonders – literally.

Riiiight. I’ve been around lathes. You definitely need to know one end from another, because if you don’t, that’s a good way to lose bits of your body you just might be fond of, and I doubt any spirit is overly concerned about that particular problem. Lathes aren’t exactly the cheapest tool around, either, but Mr. Carter just happens to have a tool he can’t use at all in his shop.

[…] In the few months the shop has been open, sandwiched between a church charity shop and shabby chic store on the village’s high street, it has attracted sorcerers from all over the country. But Richard says he only wants to attract true believers in magic and can detect Hogwarts fans wanting his wands for their collections of memorabilia by their aura. He said: “JK Rowling has obviously done her research but Harry Potter is for children. It has done nothing for business.

“You wouldn’t believe how many real witches and wizards there are knocking about. You would be amazed. They know they can come here in reveal themselves without people thinking they’re mental. “I don’t have customers who have been Harry Potterfied. If I had someone come in wanting a wand just because they liked Harry Potter I would not sell them one, not matter how much money they were offering.

“I can tell what people are like when they walk in by their aura.” He would also spot dark wizards and witches the same way and will not sell wands to those wanting to hex other people or perform curses.

Oooh, are they Death Eaters, maybe?

Former textile worker Mr Carter, opened the shop in April with partner and fellow spiritualist Jackie Restall, 43. He claims he does not make a penny out the wants, costing £15 to £25, which he uses to spread the spiritual message.

Different types of wood give each wand different magical properties – oak for strength and courage, yew for those seeking immortality and rebirth, sweet chestnut for love and healing, elm for balance and calm, sycamore for boosting feminine intuition, and mahogany for spiritual growth.

He says: “I have no training in woodwork. I use spiritual guidance and don’t know how any of the wands will turn out. All you need for them to work is faith.”

Jackie said: “Personally, I’m a big Harry Potter fan but I’m afraid it is just about escapism so I respect Richard’s views.”

Zak Cohen, 20, President of York University Potter fan club, the HP Muggle Society, said: “I don’t know what our members will make of this. “My personal view is it’s a bit weird to say the least. I can understand they don’t want it treated as a joke. “But I did not think it was allowed for a shop to say they won’t sell things to a specific group of people. “If they sold to Harry Potter fans, rather than just equipping real witches and wizards, they would sell loads more wands and we wouldn’t treat them like toys.”

GP Taylor, the former Yorkshire vicar turned fantasy author, said: “Magic wands do work by being a focus for your inner desires and powers. “But I think this is terrible. Harry Potter fans should be served. They are going crazy over the Cursed Child and need their wands. It is discrimination against Potter fans. They should go to court for justice.”

The full story is here.

The Mystery Superhero In Wonder Woman Is…

EUGENE BRAVE ROCK

EUGENE BRAVE ROCK

Eeeeeeeeeeee, much excitement!

Eugene Brave Rock is the mysterious Native American hero in the highly-anticipated Wonder Woman movie to be released in 2017. But who will he be playing? Sadly, we still don’t know because Brave Rock isn’t allowed to tell us…at least not yet.

[…]

Back in March, ICTMN revealed a key moment in the Batman vs. Superman movie in which Bruce Wayne sees a photograph on his computer with Wonder Woman standing next to a mysterious Native American man (and three other soldiers) in an image from World War I. (See :57 seconds into below video)

To date, there is little to no information online about the character. We can only speculate that he might be one of the the characters either Apache Chief or Lone Shadow which has appeared in Justice League comics and cartoons.

Eugene Brave Rock spoke with ICTMN, and shared one bit of information. “I am only allowed to say I was in London for five months filming the Wonder Woman movie. That is all I am allowed to say,” said Brave Rock. He does add, “It was an amazing experience.”

That’s it. No spoilers, no character name, no insider news … that’s all Eugene Brave Rock could tell us. He says everything about his part is top secret. “When I was auditioning, they didn’t even tell me it was for Wonder Woman.”

Brave Rock did say that director Patty Jenkins — the first female director of a major DC franchise movie — and DC Comics were extremely respectful of Brave Rock’s Native heritage.

“DC really let me have a voice. Usually movies have a lot of do’s and dont’s and they tell you you have to do things a certain way, but in this case, even with wardrobe, it was awesome. In the end, they let me decide a lot about my character. Previously, movies have even told me how I had to braid my hair, and you don’t have a choice – but this was not the case.”

Vincent Schilling at ICTMN has the full story.