This posting will be a bit image-heavy.
This posting will be a bit image-heavy.
I call this “frost fog” but that’s probably not the right name for it. It’s frost that melts off early as the sun rises, and becomes a cold, dense, low-lying fog.
Product photography is a really difficult thing to pull off well. You need drama and depth, but clarity as well. Your images are almost always highly constructed, but they need to look natural and spontaneous. They need to show a sense of the scale of the object, which means you need other things in the picture that convey scale without distracting. I used to have a whole shelf of books, which I practically memorized, about problem-solving different types of product photos.
When I tried flying a drone right up to deer they don’t seem bothered until you get quite close.
This appeals to my sense of the absurd. Instead of taking an AI and training it to turn photographs into converted images “in the style of” some training set, what if we plug the pipeline in backwards?
A few years ago I was on a subway in New York (museuming!) and there was a guy there who was wearing hunting camouflage from head to toe. Unfortunately, I didn’t think he was being ironic; he wasn’t going against cultural norms, in fact he appeared to be trying to stereotype “game hunter” toxic masculinity. But, the image stuck in my mind. I can’t find the picture I shot with my phone, so you’ll have to imagine a gooner standing in a subway car full of New Yorkers, dressed like a mighty white hunter.
Warning: blurred nudity
Caine posted a link to some absolutely gorgeous and inspiring elizabethan-style costume photography, [affinity] it reminded me of some stuff I did last year.
This is a shot I took out of a moving car, back in 2008.
I did this exhibit in 2010.
The other day I posted a photo I found when looking for images about the many bombings that took place in the US in 1968.