Chess As A Comic Book Trope.

Charlton Comics, Vol. 1, No. 36. Strange Suspense Stories (March 1958) (courtesy World Chess Hall of Fame).

Hyperallergic has a great article about The World Chess Hall of Fame in St. Louis, and chess as a comic book trope. Chess was a very common trope in much of pulp fiction, also. There are so many awesome images, I would have agonized over which to include here, so just the one. Click on over to see them all, and do some reading, too.

ST. LOUIS — “Chess and comics are a natural pair,” Shannon Bailey, chief curator of the World Chess Hall of Fame (WCHOF), told Hyperallergic. “The concepts of battle, the struggle of good versus evil, strategy, and speed, have always played a central role in both chess and comic book themes.”

Bailey organized POW! Capturing Superheroes, Chess & Comics now at WCHOF, a nonprofit institution that explores the connections between art and chess in its programming. Founded in 1986 by the United States Chess Federation, WCHCOF opened in St. Louis’s Central West End neighborhood in 2011, following the closure of its Miami museum in 2009. Recent exhibitions range from Designing Chessmen on the imagery of chess, to chess during World War II and the games designs of Michael Graves. WCHCOF is active as a collecting institution, and since POW! opened in March, collectors Floyd and Bernice Sarisohn — whose memorabilia and ephemera form the foundation of the exhibition — have decided to donate their comic books and related sets.

[…]

POW! Capturing Superheroes, Chess & Comics continues through September 17 at the World Chess Hall of Fame (4652 Maryland Avenue, St. Louis, Missouri).

You can read and see everything at Hyperallergic.

Hieronymus Bosch Piñatas.

You do not want to miss the work of Roberto Benavidez, not one single bit of it! This artist is well worth a healthy little detour in your day. All of his work is stunning, imaginative, and very beautiful. There’s a distinct sense of humour suffused throughout, a noticing of the irony in small details. Hyperallergic has an excellent article, lots of images, and Benavidez’s website is full of delights.

Hieronymus Bosch piñata by Roberto Benavidez.

…How appropriate, then, that Los Angeles-based artist Roberto Benavidez has made wild, larger-than-life representations from the Hieronymus Bosch painting, “The Garden of Earthly Delights,” in piñata form.

“Sin is inherent in both the Bosch painting and the piñata, so to me it was a perfect pairing,” said Benavidez, in an email interview with Hyperallergic. “I like that my work is a blend of both Mexican and European art forms, which in a way represents who I am. Plus, I have always admired and gravitated towards old painting techniques. The oddness of the creatures and people, the odd perspective — they were captivating. As a sculptor, the challenge of taking these odd 2D forms and recreating [them] into 3D is the most fulfilling challenge for me right now.”

Benavidez has an interdisciplinary practice that includes sculpture, photography, and print work, but has experimented extensively with piñatas as a medium, including a collection of “Sugar Skull Piñatas” and a set of “Painting Piñatas,” in which he renders landscapes out of his own handcrafted version of the cheap paper fringe found on piñatas.

 

One of Roberto Benavidez’s “Painting Pinatas”.

“The painting piñatas are predominately vessels as well,” said Benavidez. “These were inspired by the layering of the crêpe paper when fringing the 3-D forms and realizing how similar it was to blending and layering colors with paint, although a bit more limiting … I love the absurdity of taking the cheapest and most unimaginative form of the piñata and putting hours of such meticulous fringe work into it.”

Have a bit of a wander this day, and delight in the work of Roberto Benavidez. The full article is at Hyperallergic.

Trump White Hood & Rubber Sheets.

I maybe ruined this, but for a brief moment there were KKK hoods & piss proof sheets in the trump tower gift shop.

Hee. Some artists had fun in the Trump Tower gift shop.

Shoppers looking for MAGA hats at Trump Tower this week may have encountered a Ku Klux Klan hood or a photo of President Putin, and asked themselves whether what they were seeing was real merchandise.

On Monday afternoon, two NYC-based artists secretly slipped some items inside the merchandising outpost of the Trump Tower’s lower lobby. Among them: A Trump-emblazoned KKK hood “for fine people,” sealed packages of pee-proof rubber sheets, and a Russian flag. In the front of the store, a postcard display featured the 45th President of the United States, Vladimir Putin, along with cards paying tribute to First Lady Ivanka Trump, and the flap of flesh near the president’s throat area, known as a Wattle.

Artists are the best! And a massive Well Done! in this case.

“We thought the tourists coming in to buy some stuff, especially people from other countries, should get the whole story of who the president is, because the items in the Trump store don’t accurately reflect the person,” one of the two artists, who asked that we not reveal his name, told Gothamist.

Those actual items in the restroom-adjacent newsstand include an oddly-muscular bobblehead of the president ($40), a “Melania Trump First Lady License” ($4), and a mousepad featuring all 45 presidents.

Next door, a kiosk sells Official merchandise, including the Trump Signature Collection cufflinks ($45), a painted gold coin bank ($20), and Trump golf towels and putter covers ($30).

[…]

Asked if he was concerned that the current administration might be too absurd to satirize, our underground source admitted that was a possibility. “My partner was in the back putting in some of the items and he said to someone, ‘Oh did you see this?’ and they didn’t even bat an eye.”

Neither did the people who work in the store, at least for a little while. As of Tuesday morning, the Putin/Ivanka/Wattle postcards were still on display—though the shopkeeper did notice when we attempted to buy one of the cards, and quickly ordered us out of the store while calling security. Upon returning an hour later, all of the items appeared to be gone.

“Every time you think you’re going to get Trump on something, he outdoes the parody,” explained the tipster. “He hasn’t started selling white hoods yet, but after that batshit speech he gave two floors up—well if there’s enough money to be made, he’d probably start.”

The Gothamist has the full story.

Guess The Artist.

Chris Ford: NN &emdash;

Guess the Artist: The Art Quiz Game by Craig Redman and Karl Maier (photo by the author for Hyperallergic).

Guess the Artist: The Art Quiz Game is a new trivia challenge that asks players to identify an artist represented by three objects. For example, a Wall Street sign + a vacuum cleaner + a balloon = Jeff Koons. Some might be immediately obvious to art aficionados, others are a bit trickier, such as: playing cards + geometric forms + a palette knife = Paul Cézanne.

The game is out September 19 from Laurence King Publishing, and is illustrated with colorful graphics by Craig and Karl (the collaborative duo of Craig Redman and Karl Maier). Hyperallergic tested out Guess the Artist, and while it’s no stand-in for an art history slide test, it’s certainly fun, and the detailed facts about the artists on the back of the cards are as enjoyable as the game itself. For instance, did you know an extinct archosaur is named for Georgia O’Keeffe (Effigia okeeffeae), after its fossilized bones were found near Ghost Ranch? And some of J. M. W. Turner’s last words were “The Sun is God”? Or that Yves Klein studied judo (and even published a book on the martial art)?

There are 60 artists to name in Guess the Artist, and Laurence King Publishing shared 10 examples below. Make your best guesses, then find the answers at the bottom of the page!

Fun! Go test yourself and see how you do. I did okay, but I missed a couple.

Peering Down Trump’s Lie Hole.

Kate Kretz, “Lie Hole IV” (2017), colored pencil on black Rives BFK paper, 10 x 8 inches, from the “Lie Hole” series.

This mouth has bullied and cheated its way through the world.

This mouth has claimed self-invention, but was born gnawing a silver spoon.

This mouth blusters and brags.

This mouth promises to pay the builders of its empire; then refuses, counter-sues, and laughs.

This mouth can’t suppress its instinctive, arrogant sneer.

This mouth incites hatred and violence, spreading intolerant aggression like a cancer.

This mouth expresses glee at its own retaliatory cruelty.

This mouth will say and do anything to win.

This mouth is oblivious to its own stupefying ignorance.

This mouth, wet with slime, has forced open countless unwilling lips.

This mouth degrades the women he can’t manage to get  his tiny, swollen hands on.

This mouth has a predatory predilection for young girls (daughter included).

This mouth…

Head on over to Hyperallergic to read the rest of Kate Kretz’s piece. Blunt, and brilliantly done.

In other Trump-based artwork, check out ‘As a satirist, I can barely keep up’: the stories behind the Trump magazine covers.

The Mass Produced Civil War Monuments…

The soldier page of Monumental Bronze Co.’s 1882 catalog, completed with drawings and testimonials. Internet Archive/Public Domain.

Most people are aware that most of the civil war monuments which went up were a blatant product of later propaganda, and a convenient way to oppress and terrorize those not white enough. Atlas Obscura has a look at the company that had a lock on so many of these “bronze monuments”, the Monumental Bronze Co., who had discovered white bronze, which is actually zinc, and started mass producing monuments of all kinds. Described as the Wal-Mart of monuments.

White bronze isn’t white. It’s more of a chromy gray that, over time, gets progressively blue. It isn’t bronze, either: it’s zinc, cast into shape in a mold, and blasted with sand to add a rough, stony texture. But “bluish-gray sand-blasted zinc” doesn’t sound that appealing, and the company trafficking in this material, Monumental Bronze Co., of Bridgeport, Connecticut, was focused hard on selling it. From 1879 until 1914, Monumental Bronze Co. offered statues, grave markers and monuments that were, in their words, “beautiful in appearance and unequaled for durability.”

…They also had a whole muster of Civil War statues in various designs, the parts of which could also be easily interchanged, Mr. Potato Head-style. “Statue of American Soldier” was a man with a mustache and a billed cap, holding his gun in both hands. “Colorbearer” had a flag draped over his shoulder. “Confederate Soldier,” introduced in 1889, wore a broad-brimmed hat and carried a bedroll. You could also get your soldiers custom-made: the Confederate Monument in Portsmouth, Virginia has four Monumental Bronze Co. statues on it, each fashioned after a local man.

Another of their selling points was price: thanks to their choice of material (as well as their distribution model, which relied on independent “agents” and eliminated the need for storerooms) they could easily undersell stone-based companies.

The cover of this 1885 issue of Scientific American was dedicated entirely to “The White Bronze Monument Industry”—aka Monumental Bronze Co. Internet Archive/Public Domain.

A fascinating glimpse into the not so distant past. You can read and see much more at Atlas Obscura, and browse a Monumental Bronze Co. catalogue here.

Little Things.

Mica powder mixes beautifully with transparent airbrush paint, imparting a lovely warmth. Note to self: next time, genius, do your mixing in another room, and remember to wash your hands. That shit gets everywhere. I’ll be dealing with it 5 years from now.

Time for Paint.

Finally. After what seems like a thousand coats of stinkhorror. Vala’s given up on me breaking out the paint. Black backgrounds are dramatic, but what a pain in the arse. Of course, if there is a pain in the arse way to do something, I’m sure to find it. The Simurgh is 25″ x 12″.

© C. Ford.