Quilts: Tools For Resistance.

Yaneli Martinez, “Inequality 4 All”.

Yaneli Martinez, “Inequality 4 All”.

Jaquie Gering, “Veer”.

Jaquie Gering, “Veer”.

PASADENA, Calif. — “SHUT UP and Listen,” proclaims a quilt in bold, red letters. It shows a muted American flag, hung upside down on its phantom flagpole. The aggressive “SHUT UP” is rendered in darker red fabric, like oxidized blood. But the message softens with the word “Listen,” looped in beautiful script, using sweeter reds and an assemblage of floral, plaid, and paisley fabrics. The quilt is willing to have a conversation if I’m willing to hold my tongue.

Jessica Wohl’s quilt was just one of many beckoning calls to action at QuiltCon 2018, the Modern Quilt Guild’s annual convention, held at the Pasadena Convention Center late February. The guild launched in 2009, after quilters making innovative, nontraditional works began forming connections online and realized they weren’t alone in their experimentation. The guild has established chapters internationally, in which quilters come together and show their work, workshop new techniques, and build a community.

Embedded in this year’s quilt show, which featured over 350 works, were acts of protest. They carried messages like “strong women taught us to quilt…and to fight,” “rise up, resist,” and simply, “oh no.” Others depicted difficult, but insightful, interpretations of mass incarceration, police brutality, school shootings, and acts of terror. The need quilters have felt to channel their frustrations into their craft during Trump’s America was palpable. But the members of the Modern Quilt Guild are also continuing a very old tradition of using the quilt as a tool for resistance.

You can read and see much more at Hyperallergic. I wish I could have seen this show.

Sculptures of Wishes.

all photos courtesy Yusuke Aonuma.

all photos courtesy Yusuke Aonuma.

all photos courtesy Yusuke Aonuma.

all photos courtesy Yusuke Aonuma.

Amazing, and full of wonder! I so wish I could see these in person.

One would be hard-pressed to find a more delicate material to create art from. But for Japanese artist Yusuke Aonuma, single dandelion fluff, the feathery, umbrella-like structure that carries the seed to faraway lands, captivated his creative mind.

Aonuma begins by harvesting the dandelions (tanpopo, in Japanese) and drying them, thereby creating an abundant supply for him to work with. He then “plants” them upright in acrylic slabs to form three-dimensional geometric and architectural shapes. Over 50 different slabs were on display recently at an exhibition in Tokyo, a show that Aonuma titled “Iki wo tateru” (息を立てる), which roughly translates as “to breath.” Aonuma encouraged visitors to gently breath on the dandelion fluff sculptures as a way of visualizing that they were real and standing upright.

Although Aonuma’s exhibition has since closed, the artist has announced an upcoming exhibition in March of 2018, which will take place in the Omotesando district of Tokyo. The exact location and dates have yet to be revealed. You can follow the artist on Twitter and Instagram.

You can see more at Spoon & Tamago.

Darwin’s Polar Bear.

“Polar Bear”, artist unknown, ca. 1870s — Source.

Musings upon the whys and wherefores of polar bears, particularly in relation to their forest-dwelling cousins, played an important but often overlooked role in the development of evolutionary theory. Michael Engelhard explores.

As any good high school student should know, the beaks of Galápagos “finches” (in fact the islands’ mockingbirds) helped Darwin to develop his ideas about evolution. But few people realize that the polar bear, too, informed his grand theory.

You can read and see much more at The Public Domain Review. The artwork is stunning.

Sylloge Tacticorum.

A scene of Byzantine warfare from the Madrid Skylitzes.

A scene of Byzantine warfare from the Madrid Skylitzes.

Medievalists has some interesting excerpts from the Sylloge Tacticorum, a Byzantine handbook on military tactics.

Besides noting the standard ways of attacking and defending, the author of this manual also includes several methods to cunningly strike at an enemy, although he does not personally approve of them. He writes:

We compiled this book judging that these stratagems and others of the kind should be recorded not in order to be used by us against the enemy (for I believe that they are unworthy even to be mentioned in a Christian context), but so that our generals may be able to guard against them by knowing exactly the cunning plans of the enemy concerning food and drink, especially when they encamp in enemy territory.

However, it should also be noted that the author usually does not give any defence against these schemes, which might indicate that he added them in so they could be used by the Byzantine generals – and that his moral concerns might have been exaggerated. Readers will note that these methods can be considered a form of chemical warfare, which would be targeted at the enemy when they were not expecting it.

Having read the article, I will agree that all the tactics listed are extraordinarily nasty, some with a propensity to bite the hand of those using them. The seven tactics are:

1) Putting the plague into bread loaves.

2) Poisoning the wine.

3) Sabotaging the water supply.

4) Destroying the land.

5) Withering the trees.

6) Attacking the horses with chemicals.

7) Burning weapons without fire.

For all the details of the text, you’ll need to head over to Medievalists.

Other interesting things at Medievalists:

New Game!

Released on 13 February, Kingdom Come: Deliverance is an action role-playing game set in the early fifteenth-century Holy Roman Empire that has striven for historically accurate and highly detailed content.

[…]

This fairly unusual method of gameplay has attracted a lot of attention. As another reviewer said: ‘There’s no heroic swordplay here, no wizards casting fireballs, no clerics raising the dead, no orcs or dragons. This is the story of an actual civil war that raged across Bohemia in the first decade of the 15th century. Your part in it is that of a nobody struggling to survive in a land full of noblemen who couldn’t care less if you lived or died, and fellow peasants who would stab you in the back for a crust of bread.’

You can read about the game in detail, with multiple reviews here.

Collection of 3,000 medieval manuscripts now online.

Valhalla Rising: The Construction of Cultural Identity through Norse Myth in Scandinavian and German Pagan Metal.

Who Doesn’t Love Balloons?

You’ll love these, amazing animals and plants, from Masayoshi Matsumoto!

Head on over to Isopresso_Balloon to see much, much more!

Cancer Decor: Contrast.

Yesterday’s Cancer Chronicle was mostly a &^%$$#fest over the cancer decor in oncology and there’s also the awful decor of the infusion center. Raucous Indignation was nice enough to do a photo walk through of all his oncology work spaces, giving me a chance to see what other oncologists do when it comes to decor. I have to say, for the most part, this is much better than what I get to stare at every two weeks.

The waiting room. Okay, the pictures are fine, if on the bland side. Oh, do I ever recognize those chair colours! No, bad. That awful beige makes the blue look horrible. Black would make the blue pop, and nothing wrong with basic black, goes with everything. In the case of cancer decor, beige is the death colour, not black. Or, a tonal shift could make all the difference. Shade the blue more aqua, and replace the beige with a pale yellow. Right there, you have warmth and light without being obnoxious. And the walls, no, bad walls!

The lav. The painting is lovely, but it would probably be better if it were in front of patients, rather than behind. Cancer patients often have to spend much too long of a time in a lav, so having something to stare at is good.

Beautiful paintings! The carpet? No! There’s that godawful beige and icky brown again. There’s nothing wrong with beautiful, life affirming colours on the floor. You could get a nice multi-colour blue to go with the paintings.

Nice. I don’t worry about exam rooms, there’s always stuff you poke around in.

Very nice! I’m crazy about the photos, those are so fabulous! That sort of thing should be everywhere. The walls – no! Even eggshell white would be an improvement, but I’d go with a pale yellow. The blue chairs are okay, not wild about them, but those um, beige-green ones? Ick, no. Your visitor chairs are nice enough, why not go with blue and black chairs? Again, the black would make the blue pop, and would tie in with the visitor chairs. The curtains are quite nice. And I know this isn’t you, but hospital standard – the floors. Oh, awful.

The triptych is fantastic, beautiful in every way. Those walls, though…

Not An Optical Illusion.

I’m working on First Reaction, and every time I use this one pencil, and it freaks me out a bit, because I keep seeing it crooked. It’s very easy to see pencils crooked though, you can make them all wavy on purpose. I finally paid attention and looked at the pencil, and it’s not me, damn thing is crooked. :D

© C. Ford.

19th Century Board Games.

“Game of The Star-Spangled Banner, or Emigrants to the United States” (1830), published by Edward Wallis.

“Game of The Star-Spangled Banner, or Emigrants to the United States” (1830), published by Edward Wallis.

Look how nice Turtle Island was before all the invaders showed up.

“Science in Sport or the Pleasures of Astronomy, A New Instructive Pastime” (1804), published by Edward Wallis.

“Science in Sport or the Pleasures of Astronomy, A New Instructive Pastime” (1804), published by Edward Wallis.

“The Royal Pastime of Cupid, or Entertaining Game of the Snake” (1794), published by Robert Laurie and James Whittle (all photos by Antoine Bootz/©Pointed Leaf Press).

“The Royal Pastime of Cupid, or Entertaining Game of the Snake” (1794), published by Robert Laurie and James Whittle (all photos by Antoine Bootz/©Pointed Leaf Press).

Fascinating board games here, and you can see so many more, and read about them at Hyperallergic. I love the Elephant, but I have a thing about them.

Infusion Center.

Finally got a couple shots of the Infusion Center with my ancient coolpix. First is the station across from me, I waited until that person was done and had left. It’s like this all the way down, both sides. The nurses’s station is to the side of this chair. Second photo is my chair, got a bit of work done, and took this while I was still hooked up, but close to done. Click for full size. The worst effect of this cycle so far? My tea now tastes like a combination of soap & vomit. This might be a world ending event.

© C. Ford, all rights reserved.

First Reaction: Bad Flash Update.

So sorry for the bad flash, between one zillion things to do today, serious medication, and cancerland in general, I’m lucky I remember how to use a camera. Not a good effort, but it’s too damn cold to wander outside in my robe.

First Reaction, © C. Ford, all rights reserved.

First Reaction, © C. Ford, all rights reserved.

Upper left corner, WTF Duck and Face, bound and gagged. Middle left, the remnant of pre-cancerous me. Lower left corner, the Welcome to Cancerland Mesmerowlbat. Upper right corner, the Cell Slug, she’s a good one. Lower right, Face – anxiety, fear. All bound in a cell matrix. The cancer cells are the red-purple ones. Markers on Bristol, 16″ x 20″.