Bobbin Lace, Pandemics and Christian Morals

You may be justifiably baffled about the title – what do these three things have in common? And, understandably, you probably can’t guess the correct answer. Because that answer is my maternal grandmother.

I have never met any of my grandparents, all except my grandfather died before my parents even met, and my grandfather has died when I was merely three years old. So I know very little about any of them, except for what my parents have told me. And today I would like to share a story about how the bobbin-lace-making tradition started in our family. It is not a nice story.

My grandmother has broken her leg during play when she was four, she fell from a haywagon and her leg got between the spokes of the wheel. Her parents wanted to take her to the hospital, but her father’s mother has refused to pay for it, saying that God will take care of things. He did not. In fact, it got worse to a point that when they finally did go to the hospital, it was too late and the leg was beyond repair. It stopped growing and no attempts at mending it worked, including a graft of healthy bone from the other leg.

A few years later, when my grandmother was seven years old, the Spanis-flu pandemics has broken out and her mother got sick. She was delirious from fever and kept hugging my grandmother saying “My poor child, if I die, I want you to die with me, they will torture you when I am gone.”  Unfortunately, she died and…

From what I gather, my grandmother’s father was a mild-mannered man. A gamekeeper who preferred the quiet of the forests to people. He was not very keen on religious practice, saying that he meets with God in the forests and does not need to go to church. But at home, he was completely in tow of his abusive, miserly, and religiously devout catholic mother, who ruled the family with an iron hand. They lived at a homestead, and that means a lot of work needs to be done on daily basis. Oftentimes hard work even for healthy people.  And everyone was expected to do their share. My grandmother had three healthy sisters, and she was constantly shunned and mocked for not being able to work properly. At one point her grandmother has refused to “feed the cripple any longer” and when she was eleven years old, she was sent to a cloister.

A cloister that was adjacent to a castle and has provided a lot of free-child-labor to the said castle. My grandmother was of course not suitable for many works, but she was very apt with her hands, and she learned several useful crafts there. Including bobbin-lace making – the cloister made bobbin-lace for the countess. She liked those crafts, but my guess is she would probably like them better if they did not come with a sidedish of beatings and hunger as a punishment for not meeting the daily quota of work.

At seventeen years old she was poised to become a nun, but this is when her luck finally broke for better. An employee of a mask and wig lending shop from a big city was shortly at the cloister and she noticed the exceptional skill of my grandmother. And she asked her if she would like to come to the big city to work at the company. And she did. But she was not of age yet, so she needed consent from her father to go.

The parish priest had a bad conscience with regard to her, for not putting pressure on her grandmother to send her to hospital in time. And one nun has liked her and wanted for her a better future than the cloister. So they conspired to prepare the paperwork and catch her father at the marketplace, where he went alone without being supervised by the abusive family matriarch. And he signed the papers without arguing.

And that way my grandmother escaped abuse and finally got to live on her own. Two years later her bad leg had to be amputated, but she got on to live a happy (for the times – WW2, then totalitarian communist rule etc.) life. And she kept making bobbin lace and passed the craft onto one of her daughters. Who passed it onto me, where it stops.

Today, my mother has finished another of her masterpieces. A round tablecloth, 80 cm across. She worked on it for 220 hours and has used 1530 m of thread. It is beautiful and I do wish I had a cheerier story to tell with it.

© Charly, all rights reserved. Click for full size

 

Resin Art: Pokémon! Gotta Wear Them All! Also: Paging Hekuni Cat

Hekuni Cat, I don’t have your address. Please sent it to the Affinity address linked in the sidebar.

 

Some fun with Pokémon. the kids in school always love my Pokémon themed attire, be it the mask, the pencil case or the T-shirts.

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Umbreon and Espeon. I made matching earrings, just simple studs, but they do have a tendency to get lost in bed…

The next set will go out to a friend as a belated birthday present. We’ll meet in a park today to go for a walk. Distance and sunshine and fresh air…

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These are two brass rings separated by rhinestones. The top one has flowers in it, the bottom one gold leaf.

The next ones are fairly simple, but I do love them. All unicorny and shiny.

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And last but not least:

People, miracles do happen! As you may remember, my relationship with my mother is best described as “difficult”. To not put too fine a point to it, she was abusive. One of her tactics was to be never satisfied with what I did. I got an A-, best grade in class? Why isn’t it an A+? We were recently talking about the kids and she mentioned that while #1 was smart as me and also chaos incarnate like me, she wasn’t ambitious like me. I later thought “well, maybe that’s because you only loved me when I was the best”. This tactic extended to my hobbies. She’d never have a kind word or even praise, just a lot of non-constructive criticism.

Well, last week I gave my sister a set of Strawberry earrings and necklace and she asked me for a pair of earrings in brown with a bit of gold and when I gave them to her yesterday she actually liked them and thanked me and I was like “Lady, I don’t know who you are and what you did to my mum, but I really like you and you can stay.” Apparently an old dog can learn new tricks…

©Giliell, all rights reserved

Mystical Cats

I love cats and these wonderful creations by Anne, Cranky Cat Lady are glorious.

Photos of my Mystical Cats from Lyn Belisle’s Mystical Cat Shamans class.  The faces are her work (she does lovely ceramics) but the rest is mine.  Leafy girl is Thera, Protector of Wild Things, the turquoise cat is Bast, my Mewse. Because you know how much cats love to help with your work.  Lots of vintage bits and pieces, handmade paper, and beads. They’re pretty big, about 14″ tall, and I’m going to have to move stuff around so I can hang them.

Thera, ©Anne, Cranky Cat Lady

Bast, ©Anne, Cranky Cat Lady

Branding Stamp

I am finishing the kitchen-knives sets, and one of the tools that I was still missing in my toolbox was a branding stamp that could be used for wood and leather. For leather, I have used an impromptu one made from wood stabilized with epoxy, but that cannot be used to brand wood of course. But when making that I have figured out a process that could be also applied to making one out of steel, so after a lot of procrastinating the task, today I have finally bitten the bullet and took the two hours it needed.

© Charly, all rights reserved. Click for full size

The handle is from an extremely old and out-of-shape potato peeler. Maybe even antique, but I know of no museum that would take it of my hands so I have recycled it. The screw is recycled from old furniture. The stamp itself is from tool steel, although I will not be hardening it.

I could not tap the hole in the stamp very deep and well without re-grinding and thus destroying the taps, because standard taps need to go through.  Thus I could not cut very good threads in there, just two turns of half-assed ones. But that should not be a problem, a few dents for the thread to latch on to should suffice, friction should take care of the rest. It is not supposed to come apart, and if it comes apart, I will braze it.

© Charly, all rights reserved. Click for full size

The one advantage of having a logo consisting of only straight lines is that it made the job relatively easy. A bit of filing, a bit of grinding with an angle-grinder, and here we go. Up close there are some flaws and the width to height ratio is a tiny bit off, but that is just life. I have tossed one attempt due to flaws, but I think this one will do.

© Charly, all rights reserved. Click for full size

Wood branding is not an exact science, there will always be some irregularities. But with some practice, I should get crisp and nice logos that can be placed even in visible areas. Which is my intention.

© Charly, all rights reserved. Click for full size

And there is absolutely no doubt that on leather, the results are way, way better than those I got with my wood-carved impromptu stamp.

I may give it a go one more time to get the proportions better, but in the meantime, I am going to use this one. I doubt anyone will complain about it.

 

Resin Art: Spring in Space

Let’s start with the spring part and some explanation about how certain pieces are done.

While blue is and will always be my favourite colour, occasionally I want some other colour as well. In this piece I went for greens and yellows.

©Giliell, all rights reserved

I’m not quite sure what to do with it. Most certainly a necklace, as it’s about 2″ wide, but I don’t think I’ll just screw an eyelet on. More like some easy wire wrapping. This piece has been worked “top to bottom”. All these UV resin pieces have many layers, which means I’m constantly working on 2 or three projects at once, adding a layer to one while the other one is curing under the UV lamp. There are two ways you can go: bottom to top or top to bottom. Most pieces are worked bottom to top: you start with a base, which can either be a free form, an epoxy blank or a bezel, and then add layer after layer.

When working with a mould, or in this case a concave blank, you add things to the bottom side (though of course you can add stuff to the top as well). This gives you a watery or ambery feeling as the light is bent and reflected.

©Giliell, all rights reserved

This on the other hand is bottom to top. The seashell and the pearls are sitting on top of the blank with a blue background.

©Giliell, all rights reserved

Starry night earrings. What can I say, I love everything galaxy themed…

©Giliell, all rights reserved

Not yet sure what to make with this one. This one has also been worked top to bottom in a mould as opposed to the other way round that full spheres are worked.

©Giliell, all rights reserved

A little fun with some left over resin from the oval pendant.

©Giliell, all rights reserved

Sparkly earrings with blue rhinestones and home dyed pink baby’s breath.

©Giliell, all rights reserved

These were easy. I drilled some holes into the turquoise blanks and glued in the rhinestones, and now I’m again unsure. They would make rather large earrings, but also rather small pendants…

And last, but not least, Hekuni Cat’s die:

©Giliell, all rights reserved

Hmpf. I’m constantly looking for good UV resin. I found some on Etsy and I really liked it, and I got 200 ml and when I tried to reorder, the seller no longer exported to Germany. Then I found some from a small German company, which wasn’t too expensive and I decided to give it a try. The website helpfully informed me that if I added another 489 € worth of good I’d get free shipping, but I declined. I was really keen on trying it out and thought that the die would be a good project for it.

Oh dear. First of all, it stinks. So. Much. I put on a normal N95 respirator and it was still almost unbearable. It can only be worked with wearing the half face respirator I also use when finding some hidden asbestos in the house. Then it came out rather runny, but quickly started to thicken, so it was a nuisance to get into the mould. I thought that this meant it was already curing, but then it didn’t cure for a long time and all the inlays pretty much sunk to the bottom.

When it had finally cured I noticed it had shrunk so much that there was a big hole inside and I needed to fill that one up with more resin. What I will say for this resin is that it cures extremely hard. Which made cleaning the project up difficult, of course…

Hekuni Cat, if you want another one I’ll make you a new one. If not, or in any case, I need your address. Youc an send it to Affinity submissions, voyager will surely pass it on to me.

 

Resin Art: Strawberries!

I need spring. Today feels a bit like early spring. The air tastes differently and the birds are chattier (mostly complaining about the neighbours’ cat camping out under the bird feeder). But honestly, this is my least favourite time. I still have about 4 weeks until it really turns green and I hate it. I don’t think I could move further north. Sure, if I’d grown up there, I’d probably only get seriously annoyed come March or April, but I’m used to getting sick and tired of winter come February.

Anyway, to cheer me up I made, you won’t guess it, resin jewellery.

First of all, I made lots of blanks from epoxy resin:

©Giliell, all rights reserved

©Giliell, all rights reserved

Here you can see exactly why I can’t work downstairs with the epoxy right now. All dull and bubbly. Also, when I took them out after 24 hours, they were still extremely soft. A few hours upstairs in the warm kitchen took care of that. So last night I took the red droplets and turned them into my favourite fruit.

©Giliell, all rights reserved

That’s always two droplets glued together, with a coat of red UV resin. I love working with mica powders as they give an amazing sparkle, but you got to be careful when working with UV epoxy because yeah, saturated opaque colours won’t cure. That’s why the blanks needed to be red already. The tiny seeds are caviar beads for nail art and no, it’s not as much work as it looks like to attach them. Finally I made some leaves with green UV resin and attached those. I’m so ready for spring.

I also got rq’s sphere done. Again, the pic sucks. They are not to be photographed.

©Giliell, all rights reserved

Kitchen Knives Set – Part 7: Getting to Grips

These knives have full-width tangs, but no visible pins. As far as I can tell, nobody else is using this type of construction, so it might be somewhat unique

A few years ago Walter Sorrels made a video in which he tested various glues for fixing scales to tangs without pins. He made several mock-up knives from mild steel for this and they all have failed his stress test. Which consisted of tossing them in the air and letting them fall on the concrete pavement. As it turns out, the shearing forces during these impacts were too big for the glue to reliably stick to the steel and they all delaminated. But he gave me an idea on how to overcome this problem. I have tested the idea on one broken blade and it held out to several hammer blows before the scales delaminated  – and at that point, it was not only the glue that was failing but also the wood was starting to shatter and break. And since knife handles are not supposed to be hit with a hammer so I think it should be OK. I really hope it works out in the long term because I am going to make a lot of these. So if you want to know how this goes, read on. [Read more…]

Darwintine Fundraiser: Get your Shinies

As you all know, we’re doing another round of fundraiser to get that albatross off PZ’s and other people’s necks. I know, it’s getting boring and annoying, and right now nobody is made of money anyway, but the good people caught up in Carrier’s bullshit (may he step on all the Legos) don’t deserve having to deal with this either.

And, as you also know, I’ve been crafting my evenings away, so let’s combine the pleasant with the useful, as the German saying goes (das Angenehme mit dem Nützlichen verbinden) and sell off some jewellery. While it may be too late for a Valentine’s gift, any lover of jewellery will tell you that it’s never a bad moment for a pretty gift.

Rules:

  • I’m not doing an auction but sell them off at fixed prices. First come, first served, though I can always try to make something similar for you.
  • I’ll pay for economy shipping. If you want an upgrade, you chip in.
  • All items shown in this post or my previous posts are up for sale. You can find them here, here, here and here. And here. And here. Man, I have been busy…
  • The prices are fixed: a set of earrings 15$, a pendant 10$, a set of them 20 $. Unless I say otherwise, but you’ll see that in the post.
  • All pendants come with a waxed cotton necklace, so you can wear them immediately. If you want a chain, please inquire.
  • Payment: Just send the money directly to the fundraiser linked above. If I don’t know you well, I will ask you to send a confirmation to me.

All set? Here’s some nice stuff. You’ll know most of it already, I just tried to get some nicer pics. Yeah, still not great. I’m more of an outdoors photographer than a studio artist.

©Giliell, all rights reserved

The colours are a bit off here. They are much redder. I could also work them into pendants, you know?

©Giliell, all rights reserved

©Giliell, all rights reserved

©Giliell, all rights reserved

Inspired by Central American jewellery. the golden droplet is attached to the stopper, so if you want to tone them down a bit, just use a different stopper.

©Giliell, all rights reserved A Moonlit Night

©Giliell, all rights reserved

These did not quite turn out the way I wanted. Actually they were meant to be the central piece in the ones above. they are a bit less than 2 cm in diameter and go for a tenner. Of course I would also clean them up for you.

©Giliell, all rights reserved

©Giliell, all rights reserved

These are quite light and elegant. Gold foil and abalone shell

©Giliell, all rights reserved

©Giliell, all rights reserved

I’ll colour in the numbers for you. I realised I hadn’t quite finished when I took the pic.

©Giliell, all rights reserved

©Giliell, all rights reserved

©Giliell, all rights reserved

©Giliell, all rights reserved

The last two are the same sphere. I really tried, but if there is a way to get a nice pic of these, I haven’t found it yet…

So, who will be your Valentine?

Resin Art: More bling

No, I haven’t forgotten you, I just didn’t get around to taking pics last week. But to make up for it you’ll get lots of them this week.

First: dice. I haven’t played a pen and paper RPG since long before the pandemic, but I swear I’ll do so again. I ordered a die mould to see if that would work. The results are mixed.

©Giliell, all rights reserved

Well, the first one was flat out unusable, because silly me put the lid on the wrong way round. The mould works with a little lid you put on top where the #1 is with just a tiny hole to allow for resin to escape or be added. And I put it in the wrong way round, so the sides came up short and there’s no #1. The only way to save it was to put in a hook and call it a pendant. the other one is actually really pretty, but the top side still isn’t what it should be. I decided to only show you the pretty sides.

©Giliell, all rights reserved

©Giliell, all rights reserved

Next, the unhpotographable galaxy spheres. Sorry. Too many curves and shiny for the damn camera to get a focus on. I’ll see if I can get a better one with the real camera.

©Giliell, all rights reserved

These ones turned out really nice. Dyed baby’s breath and small brass hoops make them really light and elegant

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Chocolates anybody? I worked with a matte topcoat here, making them look like sea glass.

©Giliell, all rights reserved

These go nicely with the necklace from two weeks ago.

©Giliell, all rights reserved

Black and white. Baby’s breath in clear resin combined with black semi circles in brass.

©Giliell, all rights reserved

©Giliell, all rights reserved

“Garnets”. Same technique as the Mermaid Tears, this time in red. I made these shorter, but with at least as many droplets.

©Giliell, all rights reserved

©Giliell, all rights reserved

Galaxy tears with Bohemian glass beads. The blue is just amazing.

And last but not least, elegant circles:

©Giliell, all rights reserved

©Giliell, all rights reserved

The rings have baby’s breath, caviar beads and gold foil. The Bohemian glass beads in the centre are an amazing dark purple the camera refuses to catch.

IMPORTANT: If you have your eyes set on any of these pieces, I’ll put some up for sale for the upcoming fundraiser.

And finally here’s some pics from the “workbench”:

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This is the small assortment of things I currently have upstairs. Yes, It’s the small assortments. BTW, one of the sensible additions to the pile was a small hand drill. While you can see the Dremel in the pic, the hand drill is useful for pre-drilling, especially on round surfaces, where the Dremel is prone to slip (it will drill your finger nicely). Just drill a mm with the hand drill, do the rest with the nice tool.

©Giliell, all rights reserved

This is how the kitchen table looks at the end of the night. Thanks to Rüdügür the vacuum robot I need to clean it up every night because the chairs need to go on the table.

Jack’s Walk

Brown dog with frosting. ©voyager, al rights reserved

Yesterday, over at Stderr, Marcus posted a piece outlining a project he’s tackling to resin(ate) Jack’s foot. I thought today I’d fill in the story of collecting the paw print.

About a month ago, Jack and I received a package from Marcus containing a dog foot-sized plastic frame, 2 bags of brightly coloured clay, 2 bags of plaster, a small, flat plastic device and a sheet of well-organized instructions. I talked to Jack about the project, and we decided to give it a go the next day. I’ve never worked with clay, so I read the instructions carefully a few times, then after breakfast, I plunged in. Marcus said to add water to one of the clay packages, which I did mixing well. Still, it wouldn’t absorb the full 1/2 c of water, and it was behaving like a non-Newtonian fluid, which is always fun but probably not what I was looking for. I was pretty sure the clay was too wet, but I put it into the frame anyway and tamped it down flat with the little plastic tool and called Jack.
Now, picture, if you will, Jack sitting on the living room carpet (he needs to be on carpet for stability), being a good boy and trying to do what Mummy says.
I pick up his good front foot first, but he can’t bear weight well enough on his other leg, and he wobbles a bit, so I let go of his leg before he falls over.
“Sorry, Mummy,” he says, “Maybe we should try the other foot.”
I tell him it’s not his fault and gently lift his sore front leg with one hand and moving the frame under it with my other hand, but this doesn’t work well either.
“Ouch, Mummy!” he says, pulling back again and again.
Finally, he looks me square in the eye and tells me, “I’m laying down now, Mummy. Go away!”
So I do, covering the clay in plastic wrap and putting it on my workbench.

The next day, I’d hatched a new plan to make a good impression. I’d wait until Jack was resting on my bed with one foot hanging over, and I’d press his foot into the clay with no need for him to stand up. Jack agreed that this seemed workable, and so after lunch, I helped Jack to bed, and we got the framed clay and pressed his foot into it. We made a good, deep press, and results looked great, except that our perfect paw pad impression disappeared less than a minute later. Vanished. Completely gone. Damn it, the clay was too wet.
“Nevermind, Mummy. Footprints are meant to be fleeting. This is a silly idea.”
I return the clay to my worktable, covering it only with paper to allow it to dry out a bit, but when I check it at bedtime, it’s dried hard, and I am unable to restore it with water. Now I understand why Marcus sent 2 packages of clay.

The next few days are spent negotiating with Jack, who finally agrees to try again if I provide him with a chicken foot. This is a treat introduced to Jack by Marcus, and so in the middle of a pandemic, I venture out to 3 various pet stores looking for chicken feet. I am pleasantly surprised to find them at a reasonable price, so I begin planning our third attempt at making a good impression. I’ve noticed that Jack can still pee like a boy on telephone poles, so he is able to raise a back foot without toppling over or pain. I discuss this with Jack, who sighs heavily and says, “sure, Mummy. Do you have my chicken foot?”

So, I begin again with fresh clay. This batch is a vibrant pink, and it looks pretty good to me just out of the package, so I decide not to add water this time and just press it into the frame as is. Jack and I position ourselves on the living room carpet with a chicken foot resting on the coffee table, looking poised for attack, and we begin. I raise Jack’s foot as if I were getting ready to towel dry it for him, then quickly place the frame underneath and set Jack’s foot down into it. He puts his weight on it for a few seconds, then I pick his foot straight up and pull the frame away. Jack sits down, looks at me pointedly, and asks if he can have his treat now.
“Good boy, Bubba. Go ahead,” I tell him, and he picks up the gnarled claw and walks away with it, crunching bones as he goes. The sound sets my teeth on edge, but I’m quickly smiling as I look at the clay. The impression is deep, detailed and not going away. It is, however, full of hair. Jack has bear paws for feet in the winter, and a bunch of hair has decided to stick to the clay. Oh, Oh. I tentatively try to remove some of it, but I’m making minor marks on the clay, so I stop and do the sensible thing and email Marcus asking if this can be fixed.
I am relieved to hear back that the hair won’t affect the outcome and that I should mix and pour the plaster and, once it’s dry, ship it to him as is, which is precisely what I did.

Bubba’s foot is now in Marcus’ hand, and he has wizardly plans for it, which he wrote about yesterday. (footy) I look forward to seeing what he makes of it. Jack is happy that the fuss is finished, but he still thinks that footprints are meant to be fleeting.

So, Does Homemade Honing Steel Work?

I think it does.

My mom’s knives needed to be sharpened. Normally I would sharpen the knives with the current manufactured batch, but since the honing steels, whilst not finished yet, got to a stage when they can be at least tested, I have decided to test them. So instead of sharpening the knives on my belt grinder and stropping them with the MDF wheel, I have sharpened them the old fashioned way on a whetstone and then honed the edge on steel.

First a picture of a “blunted edge” bevel.

Edge bevel before sharpening. © Charly, all rights reserved. Click for full size.

You can see the perpendicular scratches right near the edge. Those were made by the belt sander. The angled scratches are from half-arsed maintenance with a whetstone that I have done last week when I did not have time to do the job properly. This is not, strictly speaking, a blunt knife. It would still take yer finger off in a jiffy and was perfectly fine for hard veggies like carrots and taters. But it did struggle with tomatoes a bit. Notice how the light reflects differently from the mirror-polished primary bevel, which thus appears nearly black.

As far as size goes. this bevel is very small – about 0,3 mm wide.

100 grit bevel re-established at ca 15 °
© Charly, all rights reserved. Click for full size.

First I have re-established nice regular bevels at 15° with the rough side of the whetstone, which has circa 100 grit. 15-20 passes were needed, even though the bevels are very small – the steel is very hard. It does not look very different from the first picture, except for the scratches being all angled all the way to the edge now. On carbon steel, this would establish a so-called “needle” which is a thin foil of steel on the edge that bends and cannot be ground away, but I have not seen this happen with N690. The needle here breaks usually off very easily, leaving behind a bit of jagged edge.

320 grit bevel smoothened
© Charly, all rights reserved. Click for full

Fine 320 grit side of the whetstone is used to slightly smooth the edges and eventually break off the needle on harder and brittle steels (like most stainless steels). However here it does not look that much different from the second picture, which I did not expect. The knife at this stage is perfectly capable of cutting tomatoes, but it does not shave hair yet. And this is where the test of the honing steels comes into play.

Bevel burnished by honing steel.
© Charly, all rights reserved. Click for full

Now the bevel looks significantly different from before. Note that the edge is now mirror-polished between some of the deeper scratches – the light reflects very differently from the bevel than it did before. The knife is now also shaving-sharp not only tomato-cutting-with-its-own-weight sharp.

So TLDR is –  Although this is not a scientific proof, I am convinced and I think the honing steel works as intended.

Resin Art: Just Tell me to Stop and I’ll Simply Ignore You

A girl can never have too many earrings…

©Giliell, all rights reserved

Mermaid tears. The little droplets are perfect for using up leftover resin. For one thing every resin set with moulds contains a packet of those small screw eyes. Because a 10 ct article suddenly turns three moulds into a 53 pieces craft set, so I have more than I’ll ever need. And then there’s always going to be some resin left over and I can turn it into droplets. One isn’t much, but put them together and you get this.

©Giliell, all rights reserved

Geometrical lines are another thing I dig right now. OK, I dig everything right now.

©Giliell, all rights reserved

I poured some blanks with epoxy resin because after I’m done neither the bubbles nor the matte surface matter, and it’s a good way to save up on the expensive UV resin. Art is never a cheap substitute for therapy. It’s a damn expensive one. But hey, right now I have no other way to spend my fun money but buying craft supplies on Etsy and it does me so much good. Three hours a night where everything is nice and pretty and I don’t eat my body weight in chocolate.

©Giliell, all rights reserved

I like how these turned out, I don’t like how some dyes completely change their hue when hardened under the UV light. The blue was much more pronounced before hardening. That’s probably the next trip to the virtual art supplies store.