CIPX and Going Platinum

Nakotah LaRance is a citizen of the Hopi Nation, six-time World Champion Hoop Dancer, and member of Dancing Earth Indigenous Contemporary Dance Creations. He is equipped with a game console, earphones, a Japanese graphic novel, and a dance hoop, to signal that he is both a traditional dancer and a fan of popular culture; he resists easy categorization. Photograph by Will Wilson (Diné/Bilagáana), b. 1969

Nakotah LaRance is a citizen of the Hopi Nation, six-time World Champion Hoop Dancer, and member of Dancing Earth Indigenous Contemporary Dance Creations. He is equipped with a game console, earphones, a Japanese graphic novel, and a dance hoop, to signal that he is both a traditional dancer and a fan of popular culture; he resists easy categorization.
Photograph by Will Wilson (Diné/Bilagáana), b. 1969

 

1992, from the Feather series “1992 represents a future denied us in 1492. A kind of reminder that indigenous people have a future that they can make their own.” Photograph by Larry McNeil (Tlingit/Nisga’a), b. 1955

1992, from the Feather series
“1992 represents a future denied us in 1492. A kind of reminder that indigenous people have a future that they can make their own.”
Photograph by Larry McNeil (Tlingit/Nisga’a), b. 1955

 

Will Wilson is a Diné/Bilagáana photographer who has gone platinum (the platinum photographic process) with CIPX, The Critical Indigenous Photographic Exchange. Another photographer doing the same is Larry McNeil (Tlingit/Nisga’a). You can read more about these artists at http://nmai.si.edu/indelible/.

A major exhibition featuring contemporary photographs by Native American photographers Zig Jackson, Wendy Red Star, and Will Wilson in dialogue with photographs from Edward Sheriff Curtis’ renowned body of work The North American Indian will be at the Portland Art Museum through May 8th. There’s more about the exhibit and the artists here: http://portlandartmuseum.org/exhibitions/contemporary-native-photographers/

Sea and Light

Thanks to Ice Swimmer. I miss the sea something fierce, it’s always good to see photos. Click for full size.

Bladderwrack and reed debris. © Ice Swimmer

Bladderwrack and reed debris. © Ice Swimmer

 

Sailing in Xmas. © Ice Swimmer

Sailing in Xmas. © Ice Swimmer

 

Sun low over Toolonlahti. © Ice Swimmer

Sun low over Toolonlahti. © Ice Swimmer

 

Sunset from Merisatama. © Ice Swimmer

Sunset from Merisatama. © Ice Swimmer

 

Sunset from Siltasaari Hels. © Ice Swimmer

Sunset from Siltasaari Hels. © Ice Swimmer

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TDOV

Today is the Transgender Day of Visibility.

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What is the Transgender Day of Visibility?
TDOV is a day to show your support for the trans community. It aims to bring attention to the accomplishments of trans people around the globe while fighting cissexism and transphobia by spreading knowledge of the trans community. Unlike Transgender Day of Remembrance, this is not a day for mourning: this is a day of empowerment and getting the recognition we deserve!

When is TDOV?
TDoV is on March 31st every year!

Where is TDOV?
Everywhere! We encourage you to create panels, talk to friends, and spread knowledge about the trans community no matter where you are! You can also join our Facebook event and use hashtag #tdov on social media. We also have a list of events on our website.

What is this year’s theme?
More Than Visibility (#MoreThanVisibility). This recognizes that while visibility is important, we must take direct action against transphobia around the world. Visibility is not enough alone to bring transgender liberation. Some people experience violence due to their visibility and some others don’t want to be visible. However, we can use visibility as a vital tool for transgender justice.

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‘Trans Pose’ exhibition a study of transgender women and their journeys

“Transgender women are often the subject of prejudice and violence, and (can) lead shorter lives due to suicide and their struggle with employment, housing and acceptance from their families,” said Sarah Chaffee of McGowan Fine Art in her blog atmcgowanfineart.com.

“‘Trans Pose’ is portraits of transgender women exploring their unique experiences.”

“Trans Pose,” an exhibition running through April 22 at McGowan Fine Art, 10 Hills Ave., Concord. Gallery hours are Tuesdays to Fridays from 10 a.m. to 6 p.m., Saturdays from 10 a.m. to 2 p.m. and by appointment. For more information go to mcgowanfineart.com.

Two Bangladeshi Artists Are Giving Transgender Issues a Global Spotlight

In March 2015, on the streets of the Bangladeshi capital, Dhaka, a blogger was murdered. It was but one killing in a spate of bloody attacks in the country by Islamist radicals on writers who mocked and criticized extremist elements of the religion. Predictably, the combination of brutality and religion attracted the fickle attention of the West. But the story was remarkable for another reason that has been less examined in the media: Two of the three assailants were caught thanks to the actions of Labannya Hijra, a transgender woman who witnessed the killing and retrieved the shirts of the blogger’s fleeing murderers.

In Bangladesh, members of the transgender community—some of whom go by “hijra,” the South Asian word for those born male but who identify as female—are thought to number somewhere between 10,000 and 500,000. They are roundly marginalized, facing poverty and legal and societal discrimination, though they recently won the right to officially identify as a third gender. But, notes British-Bangladeshi writer Tahmima Anam in her sobering op-ed in the New York Times, “it would be premature, to say the least, to pronounce the troubles of the hijras over.”

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Mahbubur Rahman, Transformation (ongoing performance 2004-2014), 2004. Photo by Tayeba Begum Lipi. Courtesy of the artist.