The Transport, Part 3.

From Kreator, Click for full size! Part 1, Part 2. I just get more and more impressed, there’s such a wealth of things to see, and I find myself thankful for those who are not just looking, but commenting, and pointing out things I’m still managing to miss. Those smiles in the last shot, reminds me of Shakespeare’s One may smile, and smile, and be a villain. (Hamlet). Smiles replete with evil.

© Kreator, all rights reserved.

The Transport, Part 1.

From Kreator: This mural is called “The Transport” and it was made in 2006 by an artist called Román Cura. It is one of the largest urban murals in Argentina and I’m very proud to have it here in the city of Trelew. It decorates the walls of a transport company called Don Otto S.A. and it was commissioned by them; it homages the history of transport in the Patagonia region accompanied by scenes from important events both domestic and foreign. Unfortunately it’s not in the best shape right now, but it’s still quite impressive in my opinion. You’ll notice how the artist even took advantage of wall drains and made them part of the mural itself. It had been restored once before, so I hope they can do it again sometime.

Click for full size!

© Kreator, all rights reserved.

Cheddar Gorgeous: Let’s Get Visible!

Trump in Drag, credit: Cheddar Gorgeous / Facebook.

Trump in Drag, credit: Cheddar Gorgeous / Facebook.

Oh, I would give so much to be a part of this, it sounds absolutely fabulous and it has the added bonus that it will make the Tiny Tyrant squirm all over.

Queen Elizabeth won’t the only queen greeting Donald Trump when he visits the U.K. in July.

A thousand people have signed onto a Facebook invitation for a drag-queen protest to greet the president in London on July 13. Another nearly 7,000 people are interested in attending.

Manchester drag performer Cheddar Gorgeous and four other performers have issued the call to all drag kings, queens, queers and our allies.

“Due to the appalling way the Trump administration has regarded the rights and welfare of the LGBTQI communities in the U.S., the idea of a Trump visit to the U.K. is unacceptable,” the invitation says.

“Let’s get visible, stand with our sisters, brothers and others in America.”

You can read much more at LGBTQ Nation, and The Guardian. Cheddar Gorgeous on Twitter.  I wish all the attendees the very best, and I hope there are going to a ton of photos.

Indian Country Today Is Back!

Who Will Be Our First Founding Member? The new Indian Country Today is launching a membership drive and an auction. Top bid will be forever known as Indian Country Today’s: “First Founding Member.”

Who Will Be Our First Founding Member? The new Indian Country Today is launching a membership drive and an auction. Top bid will be forever known as Indian Country Today’s: “First Founding Member.”

Indian Country Today is back! The NCAI has taken over, and this is grand news.

From September through February I have heard about the importance of saving Indian Country Today. So many people across Indian Country had the same idea:

What if … What if we all contribute?

What if I step up to make certain Indian Country has solid, accurate, fair reporting?

Is it worth it to save this voice? A national media platform for Indian concerns?  And how much will it take?

Yes. Yes. And the answer is a lot  — or perhaps a few tax-deductible dollars if we all contribute together.

We are building a new Indian Country Today on a public media model. We will have some advertising, but most of our resources will come from members, tribes, enterprises, and non-profits.

We need you.

We are launching a membership drive and an auction.

The membership drive will solicit help from our “members” as $100 Founding Members, $500 Sustaining Members, and $1,000 for Premier Members.

Unlike public media we don’t have nifty gifts as a thank you. No t-shirts. No coffee mugs. Just a better news report. We want to use the money to build our news operation, a multimedia reporting platform about what’s going on across Indian Country. We’ll stretch your dollars by partnering with other organizations, and amplify our reporting by letting others repurpose our editorial content.

We will serve.

This is great news, but to work, ICT needs help from people. If you can drop a few dollars into the fund, please do, and if you can’t do that, please, please, spread the word, get it out everywhere! You can read more by Mark Trahant at Indian Country today, or go straight to the membership drive. This is so very important, it’s vital for Indigenous peoples to have a voice.  Also, be sure to check out the new edition, there’s all manner of interesting reading!

ETA: I should point out that it’s possible to donate $5.00 to the membership drive, which is all I can manage right now, but I’ll be dropping more fives each week.

Wake: The Hidden History of Women-Led Slave Revolts.

Page from Wake by Rebecca Hall and Hugo Martinez (all images courtesy Hugo Martinez).

Page from Wake by Rebecca Hall and Hugo Martinez (all images courtesy Hugo Martinez).

In 1712, New York City witnessed a dramatic uprising when over 20 black slaves, fighting against their unjust conditions, set fire to several houses of white slaveowners and fatally shot nine. Known today as the New York Slave Revolt of 1712, the insurgence resulted in the conviction and public execution of 21 slaves, as well as more severe slave codes. While sources often state that these rebels were all men, the historian Dr. Rebecca Hall has identified four women who were captured during the clashing and were tried. Their names were Amba, Lilly, Sarah, and Abigail.

Erased from history books, their stories will now be told in vivid form by Hall, who has devoted much of her career to unearthing the roles of women in slave revolts. Hall is currently working on her first graphic novel, which will highlight female rebels in various 18th-century uprisings, from three in New York to those that broke out on slave ships. Titled Wake: The Hidden History of Women-Led Slave Revolts, the 150-page work emerges out of Hall’s 2004 dissertation on the same topic. She is now collaborating with independent comic artist Hugo Martinez to produce the storyboards and, through Friday, May 4, is raising $5,900 on Kickstarter to realize it for submission to publishers.

“The way the history of slave resistance has been written, this very gendered narrative developed about how manly and masculine enslaved men actually were, which served to elide the role that women played,” Hall told Hyperallergic. “I was going against everything being taught in women’s roles in slave resistance by insisting that, if I looked, I bet I would find these women.” She recalled how her dissertation advisor had told her that she wouldn’t find any sources to realize her chosen topic; how one archive claimed that it had no related material.

This is a fascinating, and I think, a necessary work. You can read and see much more at Hyperallergic, as well as on the kickstarter page, where there’s also a video. They are close to their goal, but could use a bit more help, so if you can’t donate, you can help to spread the word!

Angry White Men.

LOS ANGELES — Judging from the paintings and drawings on view at Susan Vielmetter Los Angeles Projects, Nicole Eisenman has been thinking a lot about angry white men. They are almost the exclusive population throughout the expansive gallery. There is a large contingent of shooters, each confronting us from behind a firearm aimed directly outward, so that to look at the drawings is to stare down a gun-barrel. These shooter drawings are almost all from 2016, with a few from 2017 and one from 2018, elaborated in ink, charcoal, oil, acrylic, and pencil. This last is the largest, and the only one bearing a title, “The Shooter.” One of the untitled drawings, in pencil and blue ballpoint pen, shows a man pointing his gun at us with one hand while the other grasps his penis. Along the bottom margin Eisenman has written “BAMSPLOOSH.”

Nicole Eisenman, “The Tea Party” (2012–2017), ink on gessoed paper, 40” x 35″ paper size, 52” x 45.50” x 2″ framed (photo by Robert Wedemeyer).

Nicole Eisenman, “The Tea Party” (2012–2017), ink on gessoed paper, 40” x 35″ paper size, 52” x 45.50” x 2″ framed (photo by Robert Wedemeyer).

While there is nothing original about equating guns with penises, the full array of drawings in Dark Light reveals Eisenman’s mind ping-ponging through a number of visual rhymes, adding up to many of the show’s most compelling moments. The circle of the gun barrel becomes the end of a cigarette smoked by impassive men. In one case, smoke billows from a man’s right nostril; in another, a sooty cloud issues from a cigarette belonging to an African American in a drawing titled “A Moment of General Anesthesia” (2018), suggesting this man’s need for relief from pain of America’s continuous police shootings of black men. Further iterations of the black circle appear: in a small 2016 sketch it is a bullet hole in the middle of someone’s face, in others it is a darkened sun. A 2015 ink drawing titled “Black Sun” has the cheerless orb spewing fecal liquid that piles like a mound of pudding below, resembling a pipe depositing sewage in our waterways. Finally and inescapably, the circle is an anus.

Nicole Eisenman, “Heading Down River on the USS J-Bone of an Ass” (2017), oil on canvas, 127.25” x 105” x 1.75″(all images courtesy the artist and Susanne Vielmetter Los Angeles Projects; photo by Robert Wedemeyer).

Nicole Eisenman, “Heading Down River on the USS J-Bone of an Ass” (2017), oil on canvas, 127.25” x 105” x 1.75″(all images courtesy the artist and Susanne Vielmetter Los Angeles Projects; photo by Robert Wedemeyer).

Nicole Eisenman: Dark Light continues at Susanne Vielmetter Los Angeles Projects (6006 Washington Blvd, Culver City, Los Angeles) through April 21.

Fascinating viewing and reading, you can do more of both at Hyperallergic.

Trump Behind Bars.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower (all photos by Jason Goodrich for Indecline and used with permission, unless indicated otherwise).

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower (all photos by Jason Goodrich for Indecline and used with permission, unless indicated otherwise).

Robert Mueller may not have succeeded in bringing Donald Trump to justice yet, but for a fleeting few hours Friday night, the shadowy art collective Indecline did what millions of people in the US and beyond have dreamed of doing since November 2016: they put Trump behind bars.

It may not have been the actual maximum security prison of our collective dreams, but Indecline — most recently known for surreptitiously staging a graveyard at Trump’s Bedminister Golf Course, hanging a troupe of “Ku Klux Klowns,” and previously for planting naked Trump statues in multiple cities during the 2016 election — managed to stage a prison cell installation, dubbed “The People’s Prison,” in a suite on the third floor of the Trump International Hotel & Tower next to Columbus Circle. The work was installed in less than 24 hours, entirely undercover, and without the knowledge of hotel employees, who unwittingly helped carry all of the props and equipment to the room.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower.

Installation view of Indecline’s “The People’s Prison” (2018) at the Trump International Hotel & Tower.

Surrounding the one-man prison cell were portraits rendered on American flags, burned and tattered at the edges, each illuminated with its own individual lamp. Indecline worked with 12 artists — including Molly Crabapple, Ann Lewis, LMNOPI, and the Panic Collective — to create the portraits of 12 artists and activists from across history, including Muhammad Ali, Leonard Peltier, Angela Davis, Hunter S. Thompson, Howard Zinn, Noam Chomsky, and even more contemporary figures like Erica Garner and Edward Snowden. Interviews with each of the portrait subjects played for the duration of the show over a background soundtrack of strangely relaxing ambient music.

All of the figures in the portraits, an Indecline spokesman told Hyperallergic, are “activists and fighters that we look up to. Activists that made a difference and made a good point. He has to sit here with the people who actually made a difference.” The spokesman continued: “Everyone on these walls fought to make this flag stand for something greater than it does currently under the Trump administration … they’re the ones who should be regarded as historical figures.”

You can read and see much more at Hyperallergic!

Trump, Ever The Good Christian.

Donald Trump, left, stands next to the Easter Bunny, right (Screen cap).

Donald Trump, left, stands next to the Easter Bunny, right (Screen cap).

Before entering Bethesda-by-the-Sea Church for Sunday services, Trump stood in front of the front doors and answered questions about his call on Twitter to end deportation protection for so-called Dreamers who were brought to the U.S. as children.

When he was asked about the Deferred Action for Childhood Arrivals (DACA) program, Trump blamed Mexico for “not helping at the border.”

“If they’re not going to help us at the border, it’s a very sad thing. Mexico has got help us at the border. And a lot of people are coming in because they want to take advantage of DACA. And we’re going to have to really see,” the president said.

There’s the christian that all the lunatic, asshole christians love, taking an oh so pious stance (look, I’m going to church!) and then denying responsibility for and degrading children. Can’t you just feel that christian love? Afterwards, the Tiny Tyrant did the bunny and egg roll stuff, with a by now standard idiotic word salad message to all the sprogs:

In his address to the children at the event, Trump began by referring to the White House as “this house or building or whatever you want to call it because there is no name for it, it is special.” Trump then said that he and his staff keep the White House “in tip-top shape, we call it sometimes tippy-top shape, and it’s a great, great place.”

He then pivoted to talking about the military, which he said would soon be “at a level it’s never been before” and “you see what’s happening with funding” and “just think of $700 billion, because that’s what’s going into our military this year.”

My, who knew there was no name for the white house? When did that happen, because I certainly missed it. So, I guess we now have Tippy-Top Shape House. That seems to accord well with the Tiny Tyrant’s mentality. Moving on, what’s more joyful to talk about on Ēostre Day, to children, than a military sucking up yet more money, a bloated horror of a tick sucking the lifeblood out of the country? I suppose you can’t start priming the next gen of cannon fodder soon enough, eh?

Both stories via RawStory, one, two.

The Black & White of Voter Fraud.

Reid Wilson:

NC white woman who admitted voter fraud: No charges.

CO white man convicted of voter fraud: Probation, comm service.

IA white woman convicted of voter fraud: Probation, $750 fine.

TX black woman convicted of voter fraud: 5 years IN PRISON. Which of these is not like the other?

Clear as crystal, isn’t it? But we just don’t have a gosh darn problem with racism in Amerikka, no. You can read more about this at RawStory.

Nazis & Satanists: A Match Made In Hell.

Oh the drama! It’s just tearing the murderous Atomwaffen apart, which is not a bad thing in itself, but unfortunately, there are too many places for murderous nazis to go upon pronouncing Atomwaffen bad because satanists.

White nationalists are disavowing the murderous neo-Nazi group Atomwaffen Division—not because of the murder, but because the group can’t shake persistent rumors that it’s a gateway organization for a satanic cult.

Atomwaffen is an extremist group that received national attention after being implicated in five murders from May 2017 to January 2018. But even before the most recent slaying, Atomwaffen was under fire from others on the far right who claimed the group was actually a mouthpiece for the Order of Nine Angles, a satanic group that encourages members to infiltrate extremist political movements, whose members might be susceptible to conversion.

It doesn’t help that, until recently, Atomwaffen pushed the satanic group’s literature on one of its websites.

Atomwaffen claims to have been founded in 2013, although its membership surged after a deadly white nationalist demonstration in Charlottesville, Virginia, in August, ProPublica previously reported. The group now has approximately 20 cells across the U.S., according to ProPublica.

The whole thing is a tangled mess, which confirms the impression that what murderous nazis are best at is infighting. Kelly Weill at The Daily Beast has the whole sordid story.