“I haven’t been in a science class in a long time, but…”

Republican Pennsylvania State Senator Scott Wagner.

Republican Pennsylvania State Senator Scott Wagner.

We open today’s can of stupid with Pennsylvania, and Sen. Scott Wagner. Wagner is all for  opening up state forests to drilling for natural gas. Why, we don’t need forests, what are they good for? Just full of trees and animals and stuff, they aren’t important at all. Yesterday, we had the tin cap idiocy of Lord Monckton, and today the climate change theories of Wagner:

NPR reports that Pennsylvania State Senator Scott Wagner on Tuesday gave a talk in favor of conducting natural gas drilling in state forests — and he justified his position by using a scientifically incorrect analysis of climate change.

Specifically, Wagner said he wasn’t worried about carbon emissions leading to a warming planet because the change in the planet’s temperature was more likely caused by the Earth getting closer to the sun every year.

“I haven’t been in a science class in a long time, but the earth moves closer to the sun every year–you know the rotation of the earth,” Wagner said. “We’re moving closer to the sun.”

I don’t believe you. I don’t think you have ever been in a science class. That said, why are you relying on your own ignorance? There is a ton of information, clear, concise, evidence-backed, and easily understood, even by people like yourself, available. Information which would point out the idiocy of destroying state forests.

Wagner also suggested that climate change could be caused by the heat emitted from human bodies.

“We have more people,” he said. “You know, humans have warm bodies. So is heat coming off? Things are changing, but I think we are, as a society, doing the best we can.”

Oh ffs. Climate change is driven by humans, but not in that way. If this is how you did in school, I am absolutely amazed you graduated. Via Raw Story.

Tin Cap Time.

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The Heartland Institute recently had their “Fuck the Planet!” conference, attended by the Mercers, and all those others who have some sort of vested interest in killing off everyone and everything. I guess they’ll bug out to Mars with Musk when life becomes unsustainable.

The atmosphere was buoyant at a conference held by the conservative Heartland Institute last week at a downtown Washington hotel, where speakers denounced climate science as rigged and jubilantly touted deep cuts President Trump is seeking to make to the Environmental Protection Agency.

Front and center during the two-day gathering were New York hedge fund executive Robert Mercer and his daughter Rebekah Mercer, Republican mega-donors who with their former political adviser Stephen K. Bannon helped finance an alternative media ecosystem that amplified Trump’s populist themes during last year’s campaign.

The Mercers’ attendance at the two-day Heartland conference offered a telling sign of the low-profile family’s priorities: With Trump in office, the influential financiers appear intent on putting muscle behind the fight to roll back environmental regulations, a central focus of the new administration.

The Washington Post has a full run down on the conference.

I’ll just focus here on the batshit element of such conferences, this time, embodied by ever loony Lord Christopher Monckton:

Raw Story has a rundown of his 5 main points, so click on over if you prefer to read.

Nemo’s Megalodon! And Giant Squid! And Cycloptopus! And…

Oh, the work of Nemo Gould is so many things. Wonderful. Awesome. Imaginative. Out of the Box. Fun. Every good thing. His outlook relates very much to mine, and I love that, but it’s hard to see how anyone wouldn’t take joy in his work. Also, he has a thing for tentacled beings, what’s not to love? He even did work for the Monterey Aquarium!

Nemo Gould.

Nemo Gould.

The Megalodon is Gould’s latest work, a 16-foot-long salvaged fuel tank from an F-94 bomber plane’s wing. The shark has working propellors for fins, and a tail that glides back and forth ominously. A cutaway on the side reveals various boiler and control rooms, each with their own delicately installed moving parts. It’s packed full of tiny human figures and whimsical creatures alike, all in mid-task as they operate their predatory underwater vessel.

The project took Gould a little over two years to finish. “I’d wanted to make a cutaway vessel for years, and had been putting objects aside for that purpose,” he explains. “I know it sounds backwards, but the tank was the last missing piece.” He found it at an aircraft salvage business, and from there he was able to assemble the final sculpture.

Gould says his process is a lot like solving a puzzle. “I maintain an extensive collection of things that I feel strongly about one way or another,” he says. “The challenge is to find which of the million potential relationships between these things could lead to the best art.” More so than his skills as an artist, machinist, fabricator, woodworker, et al., Gould says that “maintaining a vast, organized library of seemingly random objects is the real trick.”

Megalodon 2016 (extended) from Nemo Gould on Vimeo.

Just two more, and it’s killing me to not post all of them, and there are so many, so you’ll have to go visit!

Nemo Gould.

Nemo Gould.

Cycloptopus is a fearsome hybrid of two of my favorite monsters, one real, one mythical.  This creature is particularly dangerous because of its irritability.  You’d be irritable too if you were powered by an open flame and your body was made of wood.

Materials:

Radio cabinets, rocking chairs, fake fireplace, decorative clock elements, cabinet knobs, wall paper, chair parts, lamp parts, wheel hub, motors, LEDs.

Nemo Gould.

Nemo Gould.

I have been fascinated by the Giant Squid for quite some time. A real life, terrifying mystery of the deep.

I have posted a step-by-step essay of this piece with lots of process photos over at Instructables.com

Materials:

Street light covers, belt wheels, railing sections, brass fireplace hardware, candle sticks, drawer pulls, chandelier parts, wood planks, vanity mirror frame, timing motor, gear motor, LEDs, lawn sprinkler, pop rivets.

There are videos for most all the wondrous creations, showing them in their full glory and movement! Fair warning, you’ll be lost in Nemo’s world for a long time, but that is in no way a bad thing!

Oh, and don’t miss Octovarius! * Nemo Gould, Kinetic Sculpture from Found Materials. Go visit!

Via Make.

Beyond the Edge.

BEYOND the EDGE – NTM 006 from Teun van der Zalm on Vimeo.

In the second quarter of 2015, I began to research an new project; “What lies beyond the edge of the Observable Universe?”. I began an experiment to visualize this through our universal language: Mathematics. In this series I continue my search for new nebula forms, using particles controlled by physics and noise. They are fully designed to work in a 3d engine.

Directed and Designed by Teun van der Zalm

salmonick-atelier.com/

The Secret Life of Art.

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That’s a tiny bit of a wooden altar, revealing the layers, types, and colours of paint used. Art restoration is a fascinating business, and there’s art under the art, in the science of restoration.

Stratigraphic studies is one of the standard examination methods that provides very precise information about the complexity of paint layers that make up a painting or decorative finish. It is the key method to assess the extent and condition of different painting layers. Stratigraphic studies can reveal the way the paint layers are applied and consequently, they tell us how the artist worked. Tiny samples of paint are taken from discrete and representative areas and mounted in clear resin. Such prepared samples are observed under a binocular microscope at high magnification between 50x and 200x depending on the thickness of the examined layer.

Thorough observation of the various layers enables the conservator to determine the history of the object and whether interventions have occurred by inspecting layers of dirt, varnish and paint. Additionally the media analysis can be carried out on the cross-sections which provide important information about an artist’s technique, and helps to determine the most appropriate conservation treatments to use.  A technique of staining of cross-sections can detect the presence of certain materials in the various painting layers such as lipids (suggesting an oil-containing medium), or proteins (signifying a gum-, casein- or animal glue-based medium).

The information revealed using the stratigraphic analysis can be recorded using microphotography and then compared with UV, IR and X-ray examination, consequently providing reliable information on the object’s history and artist’s technique.

Then there are the amazing microphotographs of wood. This is a bit of Norway Fir:

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When identifying wood, it may only be necessary to determine if the wood is a hardwood or a softwood. In other cases, determining the individual species is necessary. Thin sections are prepared from small wood samples. Light microscopy is employed to distinguish anatomical characteristics of wood using features such as their cells and tissues visible only under high magnification. Technical literature and the collection of samples of numerous wood species are used during the identification.

Go have a wander over to visit Damian Lizun at Fine Art Conservation!

Autonomous Car Trap 001.

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The Creators Project has an absolutely fascinating interview with James Bridle, whose current project involves the magical science of fucking up autonomous cars. While this is a fun and intriguing project, Bridle brings up a very good point about just how easy it would be to interfere with those wondrous self-driving cars. Pictured above is a salt trap, blending the legendary magic of yore with modern road/driving signals.

Is it a silly prank, a Pagan ritual, or a genius discovery about the next era of mass transit? In a picture posted to Flickr by artist James Bridle—known for coining the term, “New Aesthetic”—a car is sitting in the middle of a parking lot has been surrounded by a magic salt circle. In the language of road markings, the dotted white lines on the outside say, “Come On In,” but the solid white line on the inside says, “Do Not Cross.” To the car’s built-in cameras, these are indomitable laws of magic: Petrificus Totalus for autonomous automobiles.

Captioned simply, “Autonomous Trap 001,” the scene evokes a world of narratives involving the much-hyped technology of self-driving cars. It could be mischievous hackers disrupting a friend’s self-driving ride home; the police seizing a dissident’s getaway vehicle; highway robbers trapping their prey; witches exorcizing a demon from their hatchback.

Self-driving cars aren’t there yet, but the artist-philosopher-programmer’s thought-provoking photo is a reminder that we’ll have to start thinking about these things soon. If a self-driving car is designed to read the road, what happens when the language of the road is abused by those with nefarious intent?

[…]

Now Bridle is trying to build his own self-driving car, and made the sardonic artwork Autonomous Trap 001 in the process. He’s released all the code developed in pursuit of the DIY self-driving car here. We spoke to Bridle to learn more about the circumstances behind this vague photo series and better understand his apprehension and curiosity about the robot chauffeurs of the future.

Creators: What are we looking at here? Can you give me a brief explanation of Autonomous Trap 001?

James Bridle: What you’re looking at is a salt circle, a traditional form of protection—from within or without—in magical practice. In this case it’s being used to arrest an autonomous vehicle—a self-driving car, which relies on machine vision and processing to guide it. By quickly deploying the expected form of road markings—in this case, a No Entry glyph—we can confuse the car’s vision system into believing it’s surrounded by no entry points, and entrap it.

Is this actually an autonomous car, or is it conceptual?

I don’t actually have a self-driving car, unfortunately—I don’t think any have made it to Greece yet, plus the cost issue—but I do have a pretty good understanding of how the things work, having been researching them for a while. And the one in the picture is a research vehicle for building my own. As usual, I’ve got totally carried away in the research, and ended up writing a bunch of my own software, rigging up cameras and building neural networks to reproduce some of the more interesting currents in the field. Like the trap, I wouldn’t entirely trust what I’ve built, but the principles are sound.

Where did you take these pictures?

I made this Trap while training the car on the roads around Mount Parnassus in Central Greece. Parnassus feels like an appropriate location because, as well as being quite spectacular scenery and wonderful to drive and hike around, it’s the home of the Muses in mythology, as well as the site of the Delphic Oracle. The ascent of Mount Parnassus is, in esoteric terms, the journey towards knowledge, and art.

There’s much more at The Creator’s Project!

Mesmerizing?

This well-known photograph was taken (extremely) shortly after the detonation of a nuclear device during Operation Tumbler-Snapper.

This well-known photograph was taken (extremely) shortly after the detonation of a nuclear device during Operation Tumbler-Snapper.

Ars Technica has an article up about recently declassified nuclear tests, which are now being plastered on youtube. I watched two of the videos, and realized I was physically pulled back, half turned away, in cringe mode. Yes, I can see where someone could find these mesmerizing, but I don’t, I just find them terrifying. I find every single thing about it terrifying – that we ever reached this point at all is a terror.

From 1945 until the practice was ended in 1963 with the Limited Nuclear Test Ban Treaty, the US conducted 210 above-ground nuclear weapons tests. The majority of those took place at the Nevada National Security Site, then on remote Pacific atolls. Obviously, since the purpose of the tests was to understand this powerful new class of weapon, all of the tests were captured with multiple high-speed cameras (running at roughly 2,400 frames per second). And until now, many of those films have languished in classified vaults. But Greg Spriggs and his colleagues at Lawrence Livermore National Labs (LLNL) are rescuing and declassifying many of them, posting them on YouTube in the process.

The first 64 declassified films were uploaded this week, with footage from Operations Upshot-Knothole, Castle, Teapot, Plumbbob, Hardtack I, Hardtack II, and Dominic. And they’re utterly mesmerizing. In fact, they’re truly awesome, in the literal sense of the word.

No, I don’t find them awesome, either. They don’t fill me with awe, they fill me with dread. I find them disgraceful, discouraging, darkly dystopian, and we are now tottering on the edge of actual deployments, not tests. What I find even more dismal is that there will be too many people who will shout “oh cool, look at that, destroyed!” or some such, like cheering on destruction in a video game, rather than enough people who will take these for the warning they should be. And yes, I know there is a fascination to watching shock waves intersect and all, but these make me want to hide in a cave. Not that it would help.

Via Ars Technica.

Until I Die.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Photo: Miha Fras. Image via.

Four-and-a-half liters of blood, slowly collected over eight months into a unique type of battery, powers this sound installation from Russian-based artist ::vtol::, a.k.a., Dmitry Morozov. The piece, called Until I Die, was on show at the Kapelica gallery, Ljubljana in December 2016, with documentation recently released online.

The artwork uses Morozov’s blood to generate electricity, using electrolyte liquid and metals (copper and aluminum) with varying oxidation rates as power sources. This powers an electronic synth module, creating generative sound compositions which play from a speaker.

The installation features five “blood” batteries which are made up of 11 containers of the artist’s blood diluted with distilled water—and preservatives added—to make seven liters in total.

On his website ::vtol:: notes that the installation, both in visual aesthetics and its methodology, nods to the electrochemical experiments of the 18th and 19th century, particularly scientists Luigi Galvani, discoverer of animal electricity, and Alessandro Volta, inventor of the electrical battery.

“Two mutually reinforcing concepts form the central premise of the project. The first one is my desire to create a technobiological hybrid device after several years of fruitful but exhausting work. This device would be something that is in all but name me, that uses my vitality to create electronic sounds,” explains Morozov on his website. He continues: “Another crucial component of the installation is the generation of electricity: this is the cornerstone of my creative work. The fact that my body’s most important fluid can animate a device designed as an extension of myself beyond my body is also very significant.”

You can see more images at The Creators Project. A visually stunning project, to say the least, with significant and profound observations about humanity.

76 Scientists On A Glacier.

The women of Homeward Bound. CREDIT: Anne Christianson.

The women of Homeward Bound. CREDIT: Anne Christianson.

…Seltzer’s colleagues were more knowledgeable than your average gaggle of tourists. The travelers on her trip were all scientists, and several of them focus specifically on climate change. What’s more, her 75 companions on the three-week trip were all women, bound together on the largest-ever, all-female expedition to Antarctica. The trip was the focal point of a year-long leadership development program called Homeward Bound, which aims to groom 1,000 women with science backgrounds over the next ten years to influence public policy and dialogue.

While women made up more than 50 percent of the US workforce in 2016, they represented only 24 percent (edit Charly 17.06.2023 – new link) of workers in STEM — science, technology, engineering and math. Representation in public policy is even worse: Women hold less than 23 percent of parliamentary positions worldwide, and less than 20 percent of Congress is female. The founder of Homeward Bound told Reuters that inspiration came from the trip from hearing two scientists joke that a beard was a requirement to land an Antarctic research leadership role.

[…]

Steltzer echoed similar experiences. “At one point in time, women were present in equal measures to myself at a peer level,” she said. “But now that I’m in my early 40s, an associate professor, in many environments I’m in there are fewer women. There are ways we can do better.”

[…]

For Anne Christianson, a younger Homeward Bounder, the trip took on special importance for her work. Christianson is completing a Ph.D. at the University of Minnesota, and her dissertation focuses on how climate change disproportionately affects women in developing countries. She points out that, while it was easy to see the consequences of climate change watching glaciers in Antarctica, it’s important to keep in mind how climate change threatens women around the globe.

“We have these cascading impacts [of climate change] on women that simply aren’t seen in men,” Christianson said. “Women generally don’t have enough capital to build our own resilience to climate change.”

Rising temperatures are melting Antarctica. CREDIT: Anne Christianson.

Rising temperatures are melting Antarctica. CREDIT: Anne Christianson.

For Westerners, it’s easy to see climate change as a threat to poor and rural women in distant, impoverished countries. But climate change isn’t just melting glaciers in Antarctica and flooding cities in Bangladesh. It’s already imperiling women within the United States, and the threat is getting more dire. Over 83 percent of poor single mothers in New Orleans were displaced in the post-Hurricane Katrina housing crisis — a statistic that bodes ominously for future climate disasters.

“We’ve already had our own climate refugees in the Gulf and in Alaska,” Christianson said. “The majority of people in poverty in this country are women who will be less able to adapt to what’s coming with climate change. Having more resources allows you to move away from sea-level rise and heat waves, to switch jobs, to find alternate sources of food and fuel.”

Even for progressives in the United States, the link between climate and gender can be hard to grasp. Rep. Barbara Lee (D-CA) attempted to start a conversation on the issue in 2015 in by proposing a resolution to recognize “the disparate impact of climate change on women and the efforts of women globally to address climate change.” The bill moved nowhere fast in Congress and became a target for right-wing media, as outlets like Breitbart, The Daily Caller, and Fox News mocked a line in the bill that linked climate-induced food insecurity to prostitution.

[…]

Both Christianson and Steltzer say the female perspective in science is more important now than ever.

“There is a certain understanding that women scientists have of how hard it is to be heard, and right now all scientists are understanding what women scientists have experienced,” Christianson said.

“We’ve been in this state before, but a lot of our male colleagues haven’t,” Christianson said. “Because we’ve had to fight so hard for our personal rights, now that we’re trying to make our voices heard in our field of interests, and now that men are joining us for the first time, really, we can have more of a leadership role in how to make our voices heard.”

According to Hayhoe, that’s already happening. Female leadership in climate at the international level as playing a role in shifting the climate conversation.

Excellent reading, highly recommended. Full story here.

More good reading: Women are leading the way in HIV research.

Not Quite A Babelfish…

A science-fiction staple has inched closer to reality with the reveal of a prototype in-ear wearable that translates languages almost instantly.

Acting in a similar manner to The Hitchhiker’s Guide to the Galaxy’s babelfish or Star Trek’s Universal Translator, startup company Waverly Labs‘ Pilot earpiece sits in the ear to translate spoken foreign languages to the wearer.

This is pretty exciting! You can read much more at Dezeen.

Norway’s Storebrand Goes NoDAPL.

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© C. Ford. All rights reserved.

More and more efforts are directed at divestment, and Norway’s largest private investor has decided to go No DAPL.

The largest private investor in Norway has pulled out of three companies connected to the Dakota Access Pipeline (DAPL) because of the conflict at Standing Rock.

Storebrand, an Oslo-based financial-services company that specializes in sustainable, socially conscious investing, has sold off nearly $35 million worth of shares in Phillips 66, Marathon Petroleum Corporation, and Enbridge, the company announced on March 1.

“Storebrand has made the decision to withdraw all investments from the controversial Dakota Access pipeline, including positions in the North American companies Marathon Petroleum Corporation, Enbridge Inc. and Phillips 66,” said Storebrand in a statement on March 1.

“Our conclusion is that these are poor long-term investments, both for our pension customer and from a sustainability point of view,” the company said.

Storebrand had investments of $11.5 million in Philips 66, $7 million in Marathon Petroleum Corp. and $16.2 million in Enbridge Inc., for a total of $34.8 million, said the company. According to its website, it has been in operation since 1767 and was managing pension funds since 1917, pre-dating Norway’s social security system by 50 years.

“There is too much uncertainty, for us as an investor, as to whether there has been a good process that ensures the rights of all parties in the conflict,” said Matthew Smith, Head of Sustainable Investments. “There has been involvement by the United Nations, by President Obama, and President Trump. Caught in the middle are the people directly impacted by the pipeline.”

[…]

Storebrand tried numerous tactics to enact change, Smith said in the statement, but none of them worked.

“Generally, it is our belief that we can have a more positive effect on companies and situations by using our position as an owner to effect change. We have successfully done so on many occasions, but it doesn’t always work,” Smith said. “Storebrand has been in direct contact with the companies, and has worked with international groups of investors. Our most recent initiative is an investor letter, representing 137 investors with $653 billion assets under management, that encourages involved banks that have lent money to the project to use their position and influence to engender positive change and a reconsideration the routing of the pipeline.”

Storebrand was forced to conclude that “active ownership is not going to deliver a better outcome,” he said. “We do hope that this can give a final indication to the involved companies to reconsider the routing of the pipeline.”

The investor joins a growing number of companies and entities that have pulled funds from Wells Fargo and other banks that are financing DAPL, ranging from the City of Seattle to individual account holders. Others, such as New York City, have put DAPL banks on notice.

The decision was not easy, Smith told The Guardian.

“Divestment is a last resort,” he said. “When you divest from companies, you give up your possibility to influence companies to come to a better solution.”

Full story at ICMN.

Noether’s Theorem: Visualized Music.

This is one of the coolest things ever. The Creators Project has an in-depth story, and stills from the video.

Noether’s Theorem concerns itself with symmetry in physical systems. “Symmetry is the idea that one aspect of a system can change while another remains constant,” Cooper explains in the video’s description. “The idea of natural laws themselves rely on the forms of symmetry that mean the same forces will apply to you as they do to me, independently of our position in space or time… The principle is also responsible for music, in that our enjoyment of tonality, melody, harmony and rhythm comes from our subconscious appreciation of different types of patterns (i.e. symmetries) in sound waves.”

McLoughlin, whose experimental films have showed us what a Googol looks like, an extra-dimensional portrait of his dad, and sleep deprivation distilled into visual style, applies the mathematical theorem to a spiraling universe of flat circles. “The law of symmetry struck a chord with me in a huge way,” McLoughlin tells Creators. “There’s just something so divine about that law, it’s just so primal and insanely complicated. Almost like the soul of everything. It just feels spiritual to me.”

If you’re into math stuff, learn more about Noether’s Theorem here. If you’re rather feel it than read about it, watch Kevin McLoughlin’s video for Max Cooper’s “Symmetry”.