The Bakemono Zukushi “Monster” Scroll.

Rokurokubi (ろくろくび), a long-necked woman is pictured next to an Inugami (犬神) dog spirit.

Rokurokubi (ろくろくび), a long-necked woman is pictured next to an Inugami (犬神) dog spirit.

These wonderful images featured here are from a Japanese painted scroll known as the Bakemono zukushi. The artist and date is unknown, though its thought to hail from the Edo-period, sometime from the 18th or 19th century. Across it’s length are depicted a ghoulish array of “yokai” from Japanese folklore. […]

The class of yokai characterised by an ability to shapeshift, and that featured in this scroll, is the bakemono (or obake), a word literally meaning “changing thing” or “thing that changes”. The founding father of minzokugaku (Japanese folklore studies), Yanagita Kuno (1875–1962), drew a distinction between yurei (ghosts) and bakemono: the former haunt people and are associated with the depth of night, whereas the latter haunt places and are seen by the dim light of dusk or dawn.

Amongst the bakemono monsters depicted in the scroll is the rokurokubi (ろくろくび), a long-necked woman whose name literally means “pulley neck”. Whether shown with a completely detachable head (more common in Chinese versions), or with head upon the end of a long threadlike neck as shown here, the head of the rokurokubi has the ability to fly about independently of the body. In his 1904 collection Kwaidan, Lafcadio Hearn provides the first extended discussion of this yokai in English, telling of a samurai-turned-travelling-priest who finds himself staying the night in a household of rokurokubi intent on eating their guest.

Daichiuchi (大地打) is a mallet-wielding monster with a bird-like face.

Daichiuchi (大地打) is a mallet-wielding monster with a bird-like face.

Fascinating monsters all, and you can see and read much more at The Public Domain Review.

This Black Cloud Called Trump.

Brenda Goodman, “Impending” (2018), oil on wood, 80 x 72 in (courtesy of the artist). © Brenda Goodman.

Brenda Goodman, “Impending” (2018), oil on wood, 80 x 72 in (courtesy of the artist). © Brenda Goodman.

Fifteen months ago, Trump was just beginning to embrace his new position of power but now he’s well into the dismantling of our democracy. My emotions are whipped around all day long. Mothers are torn away from their babies at the border. Families living good, productive lives here are sent back to “where they came from” — a place some of them hardly know. The reversal of all that Obama put in place to protect our environment. The destruction of an educational system that was once the best in the world. The attack on our press, which is treated like an enemy. Taking away our rights as he edges closer and closer to a dictatorship. And the lies. The constant lies. So that we can hardly find truth anymore. So many gut-wrenching changes.

I have nothing to add here. You can read more at Hyperallergic.

The Healing Arts: Le mal de tête, La Colique, Le Cure.

Click for full size.

Le mal de tete. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Headache, Depiction of Pain.

Le mal de tete. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Headache, Depiction of Pain.

La Colique. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Cholic, Depiction of Pain.

La Colique. Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Cholic, Depiction of Pain.

Le Cure. Oui, mes freres... Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Alcohol, Sleep.

Le Cure. Oui, mes freres… Charles Ramelet / Honore Daumier, Lithograph coloured. Subject: Alcohol, Sleep.

Decor.

From rq: Wallpaper, wall art. This is an abandoned school down the southern half of the country. The first is layers of wallpaper/paint (couldn’t really tell), the second two are a local artist’s work for a nature-focused show that used the building as canvas and location. Click for full size!

© rq, all rights reserved.

Time for another case…

I need another pencil case. As it is, I still have around 100 of them that aren’t in a case, and I’ve gone and added more. See all that lovely info on the Prismacolors? It’s stamped metallic, and if you do microwave to repair a core, it will go up in a pretty shower of sparks, so you’ll no longer have it. I prefer to keep my info intact, including the colour names. The Staedtler Noris Colour are lovely, much like Cretacolor, harder than the Prismacolor, they apply well, and keep a good point. The problem with sets is that there is zero identification on the pencil, no name, no number, so if you are looking to replace a specific colour, you’re rather screwed into buying a new set. I did buy the Prismacolors off the rack, so I’ll see how many broken cores I have to deal with.

© C. Ford, all rights reserved. Click for full size.

© C. Ford, all rights reserved. Click for full size.

All safe and snug. © C. Ford, all rights reserved. Click for full size.

All safe and snug. © C. Ford, all rights reserved. Click for full size.