Local Life.

From rq: 1) busstop artwork, for a campaign to build a publicly but not governmentally funded arthouse/gallery, title: Don’t Need War; 2) a street – if you go to the touristy places, things are cleaned up, but this is more typical, plus some cold February sun right down the middle!

Gotta say, I love Don’t Need War! Click for full size.

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© rq, all rights reserved.

Fire, Hatred, and Speed.

 Sintesi Fascista (1935) by Alessandro Bruschetti. Photo courtesy the Wolfsonian-Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr Collection.

Sintesi Fascista (1935) by Alessandro Bruschetti. Photo courtesy the Wolfsonian-Florida International University, Miami Beach, Florida, The Mitchell Wolfson, Jr Collection.

There’s a very interesting and excellent article at Aeon making the argument that while it’s quite easy to see the Nazi based fascism popping up everywhere, what we are actually facing is a more insidious fascism, one more aligned with the Futurists of Mussolini’s Italy, and its name is libertarian. Highly recommended reading.

Fascism begins as something in the air. Stealthy as smoke in the darkness, easier to smell than to see. Fascism sets out an ethos, not a set of policies; appeals to emotion, not fact. It begins as a pose, often a deceptive one. It likes propaganda, dislikes truth, and invests heavily in performance. Untroubled by its own incoherence, it is anti-intellectual and yet contemptuous of the populace even as it exploits the crowd mentality. Fascism is accented differently in different countries, and uses the materials – and the media – of the times.

Facism is hostile to egalitarianism and loathes liberalism. It champions ‘might is right’, a Darwinian survival of the nastiest, and detests vulnerability: the sight of weakness brings out the jackboot in the fascist mind, which then blames the victim for encouraging the kick. Fascism not only promotes violence but relishes it, viscerally so. It cherishes audacity, bravado and superbia, promotes charismatic leaders, demagogues and ‘strong men’, and seeks to flood or control the media. Even as it pretends to speak for the people, it creates the rule of the elite, a cult of violent chauvinism and a nationalism that serves racism.

The fascism of Thomas Mair (who killed the British Labour MP Jo Cox) or the now proscribed neo-Nazi National Action youth movement in the UK is so obvious; you can see it coming a mile away. The more insidious kind is the type being nourished across today’s libertarian movement. Its precursors are in Italy, not Germany, in the Italian Futurism that bolstered Benito Mussolini, in the poet Gabriele D’Annunzio, and in the mythic Roman figure of Deus Sol Invictus.

In the Futurist manifesto of 1909, Filippo Marinetti, the movement’s poster-boy, articulated the emotional fascism from which political fascism stems: ‘[O]ur hearts are not in the least tired. For they are nourished by fire, hatred and speed!’ Steel was the archetypal material for Futurist sculpture, but there are materials of the mind, too: the steel of cruelty, the gunmetal of hatred: ‘We want to exalt aggressive action, the racing foot, the fatal leap, the smack and the punch.’

In contemporary libertarianism, there is a similar love of hatred, from the alt-Right libertarian news site Breitbart proudly publishing the UK libertarian writer James Delingpole’s paean ‘In Praise of “Hate Speech”’, to Sean Gabb who, as director of the Libertarian Alliance in 2006, said: ‘[W]e believe in the right to promote hatred by any means that do not fall within the Common Law definition of assault.’ (Gabb said this as he stepped forward to defend David Irving’s expression of Holocaust denialism.)  When Breitbart’s CEO Steve Bannon moved to become Trump’s chief strategist, his appointment was cheered by the former head of the Ku Klux Klan, and approved by the American Nazi party.

The character traits applauded by today’s libertarians – ambition, superbia, speed, drive, spin, success and spikiness – are the qualities the Futurists valued. There is fire here but never warmth; appetite but never food. If conviviality has an opposite, it is this: anti-vivial, anti-genial and, in its treatment of the future, anti-generative. UK libertarians call their online magazine Spiked, recalling both date-rape drugs and weaponry (as well as poor journalism that deserves to be spiked rather than published.)

Libertarians’ bullyboy mentality detests the sensibility of liberalism, and torments those they call ‘SJWs’ (social justice warriors). There should be no regulations to protect the weak, they say, and they loathe the vulnerable: the British journalist Milo Yiannopoulos, Breitbart’s star writer, having encouraged the racist and sexist abuse of the American actress Leslie Jones on Twitter, then mocked her, saying: ‘If at first you don’t succeed … play the victim.’ This attitude is proto-fascistic, to despise the victim for being vulnerable, using that weakness as a reason to treat them with contempt. The UK libertarian writer Claire Fox, though supportive of an open-border policy on migration, scorns individual or cultural sensitivity by promulgating the term ‘Generation Snowflake’ to describe people who might ‘melt’ in the heat of hate-speech or who want ‘trigger alerts’ to be issued over material that might traumatise survivors of sexual abuse.

[…]

In the decadent days of the late Roman Empire, Deus Invictus, as patron of soldiers, was shown with a whip and a globe to emphasise dominance and invincibility; his solar rays were spiked. Deus Invictus is a ruthless enemy, the god unchained to scorch the earth. Deus Invictus is typified in libertarianism and personified in Trump’s solar solipsism, with his backdrop of gold curtains, Twitter-roaring against the unbearable restraints of respect or social justice. An ideology of monoism without plurality or otherness furious for its own freedom. An idiot divinity unleashed upon the world.

The full article is here. Highly recommended!

Colour Avoidance.

Meltdown Avoidance, bright colours version. This is rather tricky, the injected colour doesn’t stay solid long before it explodes, and it makes focusing difficult, but still…fun. And distracting! Not at my best today, with being patient and stuff, so I’ll revisit this at some other time. I know 3 and 4 seem the same, but they aren’t. 4 is much more fetus-y. :D Click for full size.

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[Read more…]

Nazis, Nothing but Nazis.

Facebook.

Facebook.

Traditionalist Worker Party. In a shorter word, Nazis.

A white nationalist group plans to instruct participants on proper marching, how to create propaganda and on being “a voice for our people” at a conference in April at Jenny Wiley State Park in Floyd County.

The Traditionalist Worker Party, which claims to “take a stand for white working families,” will gather in the “98.35 percent European” community on April 28 and 29, according to its Facebook post, which has been shared more than 500 times. The post said the event would be held in Pike County but announced that the seminars, speeches and a dinner will be at nearby Jenny Wiley State Resort Park, which is in Floyd County.

Floyd County Judge-Executive Ben Hale said the group has a Constitutional right to meet, but the vast majority of county residents would not condone its views.

[Read more…]

Shoot A Black Man, Get Hired By Trump.

Dontrell Stephens via Miami Hearld video.

Dontrell Stephens via Miami Hearld video.

A Palm Beach County Sheriff’s sergeant who shot and paralyzed an unarmed black man in 2013 has been assigned to oversee security for President Donald Trump when he visits his Mar-a-Lago resort in Florida.

According to the Miami Herald, Sgt. Adams Lin has been assigned to work with the Secret Service overseeing security at Palm Beach International Airport including watching Air Force One.

[…]

A spokesperson for the Palm Beach County Sheriff’s office confirmed that Lin, who has been promoted since the shooting, is assigned to the Trump detail, calling it a “local issue.”

In 2013 Lin shot Stephens who had been riding a bike when the then deputy attempted to cite him for a traffic infraction. According to Lin, he “feared for his life” when he saw something in Stephens’s hand which turned out to be a cell phone.

Lin shot Stephens four times in the back paralyzing him from the waist down.

While the PBSO ruled the shooting justified a federal grand jury disagreed in 2016, finding Lin had violated Stephens’ civil rights by using excessive force and awarding him more than $24 million.

Really couldn’t be much more black and white, could it? Trump obviously doesn’t have a problem with murderous cops, as long as they are trying to murder people of colour. The Tiny Dictator might manage to object if someone white was shot. I can’t imagine Mr. Stephens being unaffected by this, or all his loved ones. It’s outrageous to hire a coward of a cop, who did his best to commit murder.

Via Raw Story.

Uh…WOW.

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I, I am so blown away by these, they are amazing pieces in and of themselves, and the work is so time consuming, the artist can only manage a limited amount per year, around 25. I wouldn’t be able to do one in a year, but I’d certainly love to own one!

Since 2011, Oregon-artist Darryl Cox has been making “Fusion Frames,” sculptural hybrids of picture frames and segments of tree roots. Each piece begins with a search to find a frame that closely matches the reclaimed roots he obtains from manzanita, juniper, and aspen trees, or even from grapevines. The pieces require extensive amounts of woodworking and painting to seamlessly fuse the two objects together, meaning Cox can only produce around 25 or so pieces each year.

Cox will have work on view later this year at the The Art Museum of Greater Lafayette, and he’s now reperesented by the Vickers Collection. You can see more of his recent work on Facebook.

Oh, what I wouldn’t do for a manzanita piece. There’s another of the very few things which can make me homesick. Via Colossal Art.

Shame and Prejudice.

The Scream shows Indigenous children being taken away from their families by the Catholic church. (Courtesy of Kent Monkman).

The Scream shows Indigenous children being taken away from their families by the Catholic church. (Courtesy of Kent Monkman).

There’s a good article up about Canada 150 and whether or not Indigenous artists chose to participate. For some, it was an opportunity to get a sharp point of view home, and for others, it was nothing more than a celebration of colonialism and genocide, especially given how Indigenous people continue to be treated across Canada.

As Canada 150 celebrations extol the glory of Canada’s past and present, one group of artists is not so quick to join the party. Indigenous artists view the sesquicentennial with mixed feelings, with some using it as a platform to tell their peoples’ side of the story, and others opting to boycott the celebrations altogether.

“People come out and want to hear all these stories about Canada, and sometimes they don’t want to take the bad with the good,” says Vancouver-based playwright and composer Corey Payette, whose new musical, Children of God, tells the story of Cree children in residential schools. […] “For me it’s about educating non-Indigenous people, educating mainstream audiences, on what would this have been like if this had been your child? What would that have done to your family and the future of their children and the intergenerational trauma of that?”

But photographer Nadya Kwandibens feels the only right way to respond to Canada 150 is to boycott it.

“The way I see it is, these celebrations are a celebration of colonialism and, as an Indigenous person, I’m choosing not to celebrate colonialism,” said Kwandibens in an interview with CBC News from her home on Animakee Wa Zhing First Nation in northwestern Ontario. Her photos are positive, empowering images of young Aboriginal professionals thriving in urban centres and of elders teaching children. But Kwandibens doesn’t want to see them used in the context of Canada 150.

The Full story is here.