Perfectly Preserved: 400 Year Old Sac of Fluke Eggs.

Jing Lee, a 17th-century Korean mummy. D. H. Shin, Y.-S. Kim, D. S. Yoo.

Jing Lee was born in 1580, during Korea’s long-lasting Joseon dynasty, and died in 1642, at the age of 63. At some point in his long life, he ate a raw, freshwater crustacean, in one form or another. Most likely, he was indulging in a fresh, seasonal treat—raw crabs with soy sauces—or was trying to rid himself of disease, with a dose of crayfish juice, thought to help treat the measles. (Joseon food culture was not to be trifled with.) However, as it happened, his crustacean meal left a lasting legacy in his body: a sac of liver fluke eggs growing happily in his liver, as Haaretz reports.

Four hundred years later, as part of a parasitology study of pre-modern Korean societies, a team of scientists found that egg sac mummified on Jing Lee’s liver. They report their findings in a new study in the Journal of Parasitology.

You can read all about this fascinating find at Atlas Obscura.

‘Twill Be Birds.

Yesterday was Pain Clinic, and I took a moment to moan to my pain management person, who is always a delight to see, about feeling ambivalent over the flip side of the cutting board. I could do more horses, that’s what Rick likes best, but I haven’t been able to settle. So, yesterday, in my moaning, I said “what do you think about birds?” She liked the idea of birds, and so did I. Then it occurred that gives me the chance to go Medieval. I have a great and abiding love for Medieval Bestiaries, and there are some great ones, oh, they are all fabulous. This allows me to take liberties with colour, too. I’ve chosen about 18, whether or not they’ll all make it, I don’t know, but for sure, at least one version of a Simurgh will go up. Now I’m properly excited again.

White Supremacy: Just Background Noise.

Tucker Viemeister.

It’s a forlorn hope, that republicans might stumble over a conscience, discover their humanity and embrace that of others. It really does not seem to matter what the Tiny Tyrant does, there are those who will squink all over, in an attempt to cover over the massive piles of shit left in the wake of the Tiny Tyrant. As we have all been witness to, Trump gets worse, week by week, day by day.

As CNN noted on Friday, in the last four weeks alone, President Trump has fired chief strategist Steve Bannon, fired Chief of Staff Reince Priebus, hired and fired communications director Anthony Scaramucci, publicly shamed his own attorney general and Republican Senate Majority Leader Mitch McConnell, banned transgender troops via twitter, made up two phone calls, thanked Russian President Vladimir Putin for expelling American diplomats from the country, threatened nuclear war with North Korea, and defended attendees of a white supremacy rally.

And that’s not even half of it.

But Steve Cortes, a member of Trump’s Hispanic Advisory Council, said on Fox News Sunday morning that if Republicans just cut taxes, all of that will be background noise.

“Clearly, he had a tough week. There’s no way around that,” Cortes said.

“All presidents have tough weeks,” Cortes said Sunday. “I believe that will become background noise once we get taxes done, and once this economy starts growing the way it’s capable of.”

Yes, a tough week, brought on by the defense of fucking nazis being “fine people”. You opened your mouth, and Trump obligingly shit in it, and you decided to swallow it. Nice.

[…]

“The economy’s already accelerating. There’s a lot of optimism out there in the country,” Cortes said. “If we can throw tax cuts into the mix, I think this economy can absolutely take off, and then I think we’d see those poll numbers rebound very, very quickly for the president.”

There’s a lot of optimism out and about? Where? Oh, yes, in the crowds of nazis, sure. Everywhere else, not so much. Perhaps you should get outside once in a while. People are not optimistic about an idiotic, ignorant, maniacal bigot being in control of things, for a given value of control. People are not optimistic about not being nuked. People are not optimistic about not getting into yet another fucking war. People are not optimistic about bigotry being elevated to “great america” status. People are not optimistic about the blatant slaughter of all things which could help us avoid the worst disasters of climate change. People are not optimistic about the economy. The list goes on and on.

Rep. Dennis Ross (R-FL) made similar comments last week, telling Bloomberg that Trump’s comments about white supremacists were “frustrating” because he wanted to start focusing on tax reform.

“[It’s] very frustrating for those of us who want to start focusing on the issues ahead—tax reform, infrastructure, the debt ceiling,” Ross said. “I wished we would start focusing on those issues, and we need to start healing and bringing people together—instead of peeling back the scabs.”

Right. Your idea of tax reform is handing tax cuts to millionaires and billionaires, and you’ve made sure there are zero safety nets for everyone else. That will cheer everyone up for sure. You don’t start healing and bringing people together by announcing that nazis are “fine people” and everything was really the fault of those filthy liberals. The reason those scabs peel back so easily is that there is a massive wound underneath, still oozing blood, covered over, but certainly not healed. Healing does not take place by ignoring a wound. Now the Tiny Tyrant and his henchidiots, like you, Rep. Ross, have dumped toxic wasted in the wound, and you want to talk healing. Isolation, genocide, and subjugation are not things which heal. They do not unite. And those things are what you stand for, handwaving reality, because those people, they don’t actually matter to you.

Think Progress has the full story.

Roadside America.

John Margolies, “Hoot Owl Cafe, horizontal view, 8711 Long Beach Boulevard, Southgate” (1977), taken in Los Angeles.

John Margolies, “Duwamish Drive-in Theater, E. Marginal Way” (1980), taken in Seattle.

It’s impossible to not dream of setting off on a long road adventure while perusing the archives of the late John Margolies. Known for his photographs of America’s vernacular architecture, Margolies spent over three decades driving more than 100,000 miles with his eyes alert for strange sculptures, dynamic signs, and structures fast-disappearing from today’s landscape, from mom-and-pop shops to drive-in movie theaters. His journey culminated in the photo book, John Margolies: Roadside America, published in 2010, which presents a sweeping portrait of the nation through its roadside embellishments. While Robert Frank showed us the often aching realities of the United States in the 20th century, Margolies gifted us with all its weird and its wonderful.

And quite literally, too: in a generous gesture, he placed all his work in the public domain. Now, a little over a year after his death at the age of 76, the Library of Congress has digitized and uploaded the more than 11,000 color slides from his archives so they are more easily accessible. The effort is part of what curator Micah Messenheimer described to Hyperallergic as the Library’s “longstanding commitment to digitizing materials that exemplify American lives and experiences.”

You can read and see much more at Hyperallergic.

Exploring Japanese Hell.

“God of Heavenly Punishment.” From the scroll “Extermination of Evil” ( 1127 – 1192 AD).

As a child, growing up in Japan, there was one book that terrified me. Luckily, I didn’t own it. The red hardback sat on the bottom shelf in my friend’s room and every time I went over to play I could see it, out of the corner of my eye, staring me in the face. Once we pulled it out and flipped through the pages; each featured a grotesquely illustrated realm of hell with scenes of fire, torture, and suffering. It was, I assure you, a children’s book. But it was made for parents to use as leverage whenever their child acted up, or misbehaved. And boy was it effective.

These concepts of hell (jigoku; 地獄 in Japanese) are derived from ancient Buddhist scriptures, and I’m ceaselessly amazed by the imagination of the monks and artists who came up with so many different forms of punishment. The range from the fairly standard – being eaten alive by demons and dragons, or being torn apart at the crotch – to the more inventive – being forced to hold large stalks of daikon radish in your mouth and being used as a drumstick. Then, there’s my favorite: being flattened out by a roller and then cut up into soba noodles.

Now, a new art book that’s being released in October has collected a wide range of images that depict hell in Japanese art from the 12th century to the 19th century. The massive single-volume collection consists of almost 600 pages of works designated as Japanese National Treasures and features the various depictions of hell by artists such as Kazunobu Kanō,Yoshitoshi Tsukioka and the master of horror Kyōsai Kawanabe.

It’s currently available for pre-order on Amazon. Essays from historians of both Japanese art and Buddhism are also included in bilingual text. If you have kids you may (or may not) want to leave this book sitting around.

You can read, and see much more of the always gruesome hell at Spoon & Tamago.

Charting Confederate Symbols Alongside Social Movements.

150 Years of Iconography, courtesy of Southern Poverty Law Center. Sourced from their story, Whose Heritage? Public Symbols of the Confederacy (click to enlarge).

[…] The Southern Poverty Law Center (SPLC) began to catalog Confederate symbols around the country, stating: “There was no comprehensive database of such symbols…In an effort to assist the efforts of local communities to re-examine these symbols, the SPLC launched a catalog to study them.”

[…]

There were two major periods during which the dedication of Confederate monuments and other symbols spiked: the first two decades of the 20th century and, later, the Civil Rights movement. As they explain:

[T]wo distinct periods saw a significant rise in the dedication of monuments and other symbols. The first began around 1900, amid the period in which states were enacting Jim Crow laws to disenfranchise the newly freed African Americans and re-segregate society. This spike lasted well into the 1920s, a period that saw a dramatic resurgence of the Ku Klux Klan, which had been born in the immediate aftermath of the Civil War.

The second spike began in the early 1950s and lasted through the 1960s, as the civil rights movement led to a backlash among segregationists. These two periods also coincided with the 50th and 100th anniversaries of the Civil War.

Take a look at the infographic. Note the massive cluster of dedications of monuments around the time the National Association for the Advancement of Colored People (NAACP) was being formed, and the dedications’ continued persistence during the KKK’s resurgence. Check out the sudden rise in the dedication of schools, named in honor of Confederate soldiers, almost immediately following Brown v. Board of Education. Note that there were less dedications of Confederate symbols during race riots, even a significant dip during the Detroit uprising of 1943.

You can trace a clear spike in the dedication of Confederate monuments whenever black Americans organized in a concrete way; when they were made visibly vulnerable — such as in the instance of uprisings — the commitment to Confederate symbolism tapered off.

According to this data, it’s clear that once black Americans sought their own agency or publicly defended their rights, white supremacists and Confederate apologists became eager to crowd around these monuments in tender affection and homage, to espouse this history. The monuments had a purpose, newly reinstated again and again, to revive and cherish white history each time minorities, especially black people, made themselves visible. The common refrain in support of the Confederate flag (“heritage, not hate”) quickly dies on its own sword. There’s no pride, except for the kind rooted in a fear of white erasure.

After mining the data, it’s clear white panic is real.

The full article is at Hyperallergic, and it’s excellent, and necessary reading, as many people seem to not know the full history of these monuments to hate. Recommended reading.

What A Soul Looks Like.

Oh, souls. There are those who are insistent that souls are real, in spite of them being intangible and invisible. They have much in common with the invisible pink unicorn. I’ve been immersed in Medieval manuscripts again, and came across a depiction of the weighing of a soul, and a woman carrying a soul. Click images for full size!

The weighing of a soul.

A woman carrying a soul.

There’s one mystery cleared up, eh? :D

Via The British Library.