Frank Buttolph’s Menu Obsession.

Photo of Frank E. Buttolph, c. 1917–21 New York Public Library.

Frank Buttolph collected menus. A lot of menus.

…Buttolph’s commitment to collecting menus came, she said, from her desire to preserve early 1900s culinary history for future scholars. Confirming this, The New York Times once wrote that “she does not care two pins for the food lists on her menus, but their historic interest means everything.”

She was a meticulous collector—not only in transcribing, dating, and organizing her menus with a detailed card catalog, but also about how they should be stored. When the director of the Astor Library tried to rubber-band menus together, she pushed back out of worry that it would leave marks.

Click for full size.

Oh gods. Now I want proper mac ‘n’ cheese, and peach fritters.

Atlas Obscura has a delightful article about Ms. Buttolph and her quest to preserve dining habits, and you can see pages and pages and pages and of her collection here. Gad, what a time sink! There’s an Astor menu printed on linen! The menus are not limited to the U.S. The artwork on many of them is fascinating, especially those for dinners being held by individuals. The Norddeutscher Lloyd Bremen-Amerika has a menu with gorgeous artwork, and the menu itself is handwritten.

History of Four-Footed Beasts and Serpents.

Published in 1658, more than thirty years after his death, this book brings together Edward Topsell’s The History of Four-footed Beasts (1607) and The History of Serpents (1608). Totalling more than 1000 pages, this epic treatise on zoology explores ancient and fantastic legends about existing animals, as well as those at the more mythic end of the spectrum, including the “Hydra” (with two claws, a curled serpent’s tail, and seven small mammalian heads), the “Lamia” (with a cat-like body and woman’s face and hair), and the “Mantichora” (with lion’s body and mane, a man’s face and hair, and a grotesquely smiling mouth). Topsell was not a naturalist himself (he in fact was a clergyman) and so relied heavily on the authority of others, in particular Konrad Gesner, the Swiss scholar who was also behind many of the brilliant illustrations which adorn the volume, and Thomas Moffett. On his utilising others for his work Topsell writes “I would not have the Reader,… imagine I have … related all that is ever said of these Beasts, but only so much as is said by many”. This approach leads him to repeat some wonderfully fantastic claims: elephants are said to worship the sun and the moon with their own rituals, apes are terrified of snails, and “…the horn of the unicorn … doth wonderfully help against poyson”. Although it is abound with such fanciful ideas, Topsell’s work, as John Lienhard explains “was actually an early glimmer of modern science. For all its imperfection, it represents a vast collection of would-be observational data, and it even includes a rudimentary rule for sifting truth from supposition.”

This is a grand look at early ideas of the natural world, and all the people busy trying to figure it all out. The artwork is marvelous, and retains much of that early Medieval illuminated flavour. Creatures real, and not real inhabit the pages, along with many grand, if terrifying remedies such beasties can provide for many an ill.

Gulon.

Some remedies utilising goat bits, particularly their dung.

A beautiful badger.

Cures which can be effected by use of badger bits.

Squirrels are depicted as dangerous and bloodthirsty. Appropriately, as Iris would say.

The book includes serpents and insects.

The whole book is available here, and select images here.

Via The Public Domain.

Fashions of the Future!

Illustrations from a delightful piece called the “Future Dictates of Fashion” by W. Cade Gall and published in the January 1893 issue of The Strand magazine. On the premise that a book from a hundred years in the future (published in 1993) called The Past Dictates of Fashion has been inexplicably found in a library, the article proceeds to divulge this book’s contents – namely, a look back at the last century of fashion, which, of course, for the reader in 1893, would be looking forward across the next hundred years into the future. In this imagined future, fashion has become a much respected science (studied in University from the 1950s onwards) and is seen to be “governed by immutable laws”.

The fashions run from 1900 to 1993. You can see all of them here, and read the full original piece from The Strand here. The 1950s tickle me the most, it has to be those rather fab pirate/cavalier boots. And I’m a sucker for capes and cloaks. The 1970s were never that fabulous. :D