So Very Ordinary 2.

I have a thing for the mundane, things so mundane they are invisible. All the things that no one sees. I drive Rick a tad spare when we go walkabout, because I’ll be hanging way back there, staring at a chain link fence. I enjoy all the invisible things just the way they are, and I enjoy playing with them too. This little bit of ordinary is chain link fence (part one). Click for full size.

Fence1

Fence1a

© C. Ford. All rights reserved.

So Very Ordinary.

I have a thing for the mundane, things so mundane they are invisible. All the things that no one sees. I drive Rick a tad spare when we go walkabout, because I’ll be hanging way back there, staring at a chain link fence. I enjoy all the invisible things just the way they are, and I enjoy playing with them too. This little bit of ordinary is a taillight on a school bus converted into a camper. Click for full size.

Redlight

RedlightK

RedlightK1

RedlightK2

RedlightK3

RedlightK1a

© C. Ford. All rights reserved.

CIPX and Going Platinum

Nakotah LaRance is a citizen of the Hopi Nation, six-time World Champion Hoop Dancer, and member of Dancing Earth Indigenous Contemporary Dance Creations. He is equipped with a game console, earphones, a Japanese graphic novel, and a dance hoop, to signal that he is both a traditional dancer and a fan of popular culture; he resists easy categorization. Photograph by Will Wilson (Diné/Bilagáana), b. 1969

Nakotah LaRance is a citizen of the Hopi Nation, six-time World Champion Hoop Dancer, and member of Dancing Earth Indigenous Contemporary Dance Creations. He is equipped with a game console, earphones, a Japanese graphic novel, and a dance hoop, to signal that he is both a traditional dancer and a fan of popular culture; he resists easy categorization.
Photograph by Will Wilson (Diné/Bilagáana), b. 1969

 

1992, from the Feather series “1992 represents a future denied us in 1492. A kind of reminder that indigenous people have a future that they can make their own.” Photograph by Larry McNeil (Tlingit/Nisga’a), b. 1955

1992, from the Feather series
“1992 represents a future denied us in 1492. A kind of reminder that indigenous people have a future that they can make their own.”
Photograph by Larry McNeil (Tlingit/Nisga’a), b. 1955

 

Will Wilson is a Diné/Bilagáana photographer who has gone platinum (the platinum photographic process) with CIPX, The Critical Indigenous Photographic Exchange. Another photographer doing the same is Larry McNeil (Tlingit/Nisga’a). You can read more about these artists at http://nmai.si.edu/indelible/.

A major exhibition featuring contemporary photographs by Native American photographers Zig Jackson, Wendy Red Star, and Will Wilson in dialogue with photographs from Edward Sheriff Curtis’ renowned body of work The North American Indian will be at the Portland Art Museum through May 8th. There’s more about the exhibit and the artists here: http://portlandartmuseum.org/exhibitions/contemporary-native-photographers/