Tummy Thursday: Rfissa

Recently I talked to one of my colleagues about how my kid had better been born in a society where you eat with your fingers. This made her drool about Moroccan food, which you do eat with your fingers (though there are of course strict rules of hygiene and politeness), and she mentioned something she really needs to make again. Of course i asked for the recipe and because you’ve all been very good kids, I share.

Flat bread:

600g soft durum wheat semolina

300g flour

1 tsp salt

at least 400ml of warm water.

Mix until there’s a rubbery dough, let rest for 10 minutes. Form small calls with lightly oiled hands, let them rest for 20 minutes. Roll/pull until they#re almost translucent, fry in a lightly oiled pan, let cool and tear apart.

I only used half the recipe and that was more than enough for 3 adults and 2 kids. Making the bread was a hello lot of work and I think I’d prefer to make it for a dinner where its role is more prominent. I also didn’t tear it into pieces.

Flat bread frying in pan

©Giliell, all rights reserved

flat bread

©Giliell, all rights reserved

Chicken:

Wash a chicken and cut into pieces, fry for a few minutes in a large pot with some oil. Add two large onions in not too small strips. Fill the pot 3/4 with water and season. The recipe says “to taste” and suggested ginger, ras el hanout, fenugreek, cumin, stock, coriander.

After 30 minutes add lentils and keep cooking. About 10 minutes before the lentils are done, add two more roughly cut onions and some parsley.

I didn’t use a whole chicken but chicken legs because 1 chicken is exactly too little for 5. For seasoning I used beef stock, fenugreek, cumin, black caraway seed, orange pepper, garlic and chili. I used small red lentils because they nicely fall apart and make a velvety sauce. I also only added my parsley after the cooking. And I cried a lot because onions.

Rfissa

©Giliell, all rights reserved

The picture doesn’t do it justice. It’s very delicious and savoury. And since the sauce was basically onions and lentils, #1 ate two big servings. With her fingers.

Macedonia 5 – Stillness

One impression that I was left with after my trip was a sense of… unfinished? The opposite of stillness. It’s hard to explain. The city of Skopje was such a mix of modern, ancient, renovated and decrepit, and through it all it was clear that Things were Happening, but… there was also a sense of organized chaos? I have a lot of question marks in my thoughts about the city, and the best I’ve been able to tell people is It was interesting. I think the one conclusion I will come away with is that there is no need for conclusions.

In any case, Skopje is full of statues – hollow statues – so many figures standing or sitting around or holding epic poses, it’s quite grand. And many of them are large! Immense! Makes you feel a bit small, to be honest. And the sort of grandiosity that puts me a bit on edge. Here’s a very, very, very tiny sample:

Alexander the Great, of course.
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The view from under the arches of a medieval bridge… not even the oldest object around.
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Upskirt photography at its finest.
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The other side of the bottom of the previous statue – sitting around for ages!
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A paeon to motherhood, I assumed – I might add that nobody was looking particularly thrilled.
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I am frighteningly ignorant when it comes to good music from the region, though, so here’s Loreena McKennitt instead. I intend to work on my musical diversity.

Making Kitchen Knives – Interlude 1 – The Little Great Polishing Experiment

I will share with you a proper analysis of the acquired data, but I just finished a little experiment and I am too eager to share the results.

Without too big analyzing of anything, it is clear at even a casual glance that polishing is the most time-consuming part of the job. It is also the most boring part, in my opinion, because not much can be done and the opportunities for a mess-up are numerous. It is necessary to go through the laborious process for fancy knives, like Ciri’s dagger, but for a kitchen knife without any ribs or facets it is a waste of time.

For over twenty-five years, ever since I read about the technique in ABC as a kid, I wanted to try a process that goes under many names, “tumbling”  being probably the most known one. I have even mentioned the device for it in the article “The Handmade Dilemma” as a “polishing drum”. It is a technique that has been in use for thousands of years, literally – for example Bohemian Crown Jewels contain precious stones that were polished this way. And it has been tried and used for knife finishing both on commercial and hobby scale. All that it takes is having the polished things in a rotating drum where they tumble over each other, sometimes with the help of a polishing medium, sometimes without. A very simple machine, and had I lived by a stream I would build a water powered one years ago. Unfortunately I do not live near a stream and wind is too unpredictable so I am stuck with using electricity, and I have not got my hands on a motor with the right properties yet.

But I got lucky, my colleague has bought small toy tumbler for his son when he was little and they do not need it anymore, so he lent it to me a few months ago. As you can see, it is not big enough to hold a knife, not even a small one, so after I let it run with a few pieces of unhardened steel with very mixed and generally unsatisfactory results, it has collected dust again.

©Charly, all rights reserved. Click for full size.

But here was the second stroke of luck – I have bought a slab of high-carbon tool steel and I started to make myself a set of better hardness measuring gauges than the impromptu ones I have made from an old saw blade. I have already ground and hardened these little chisels to HRc 62,  and I only cleaned the two big facets and sanded them up to 150 grit – that is the grit up to which the grinding and polishing is relatively quick and the blade does not heat up too much. I was not intending to high-polish these, since that would be silly. But I remembered the lent tumbler and checked if they fit in – and the did!

So I chucked the blades into the polishing drum with a spoon of jeweler’s rouge and half filled it wiht crushed walnut shells, mixed it all up and let it run for one day. Bugger – it got blocked after unknown time and I only found out next day. So I started it again for one day. And the change in surface was remarkable. It was not polished, but the perpendicular sandpaper scratches were no longer visible and the surface has got a very nice satin sheen to it. But I like my blades mirror-polished, so I started it for another day. I took another chisel out and subjectively there was no change against the first day, so I assumed that this is as good as it gets (but I will let it run for one more day). But I also assumed that since there are no visible perpendicular scratches anymore, I can quickly buff it to mirror polish with the three buffing wheels that I have  – and I was correct.

Here you can see four pictures taken with my digital microscope (courtesy of our quality department who tossed it away because they lost the installation CD – so I took it home and downloaded free software). Each picture represents a section approximately 10 mm wide in reality.

After 150 grit belt – parallel scratches perpendicular to the blade are very clearly visible.
©Charly, all rights reserved. Click for full size.

 

After one day, scratches from the sandpaper are no longer visible with the naked eye, but they are still visible under the microscope.
©Charly, all rights reserved. Click for full size.

 

After two days, the scratches from sandpaper are no longer visible even under the microscope unless you really look for them.
©Charly, all rights reserved. Click for full size.

And after just a few minutes with the set of buffing wheels the scratches are no longer visible and the surface is so polished that the microscope photographs itself.
©Charly, all rights reserved. Click for full size.

Jack’s Walk

 

Help me, I’m melting ©voyager, all rights reserved

It’s an overcast and dreary day and cold enough that I wore my winter coat this morning. I’ve been struggling a bit in the colder weather so today I took Jack to the forest. It isn’t any warmer there, but the leaf swooshing makes me happy and so does watching Jack romp off-leash. He loves to chase the chipmunks and squirrels and because he’s slow I never worry about him actually catching something. Wait, he did catch something once. A rabbit, but Jack was laying down on his own front lawn just looking in wonder at the baby bunny when the poor thing bolted and ran straight into Jack’s mouth. Jack spat it out and the two of them sat there for a moment looking at each other before I shooed the bunny away. I swear that’s a true story.

Wednesday Wings

More images from the birds of prey at Amnéville. I must say they got the optics down to a T, puuting the black guy on the white horse and the blond white woman on the black one.

Woman on horse with owl

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barn owls, flying

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woman and man on horses with owls

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woman and man on horses

©Giliell, all rights reserved

woman on horse with owl

©Giliell, all rights reserved

man on horse with owl

©Giliell, all rights reserved

Theatre Project, part 3 – Stonemasonry Heritage

This is the last part of Nightjar’s series on her work with a local theatre company’s most recent play. I’ve enjoyed this series immensely. Nightjar has carefully chosen photographs that bring the play to life even for those of us who were not able to attend and her processing in antique tones lends an authentic feel to the material. I think she’s done an outstanding job helping to bring the script to life and I have no doubt that the troupe will call on her again. Thank you so much for sharing, Nightjar.

In the last part of the series Nightjar has focused in closely on the beautiful details of life that we see, but don’t see, everyday. I’ll let Nightjar explain.

 

photo 1, ©Nightjar, all rights reserved

For the last part of this series I selected another of my favourite scenes. This may actually be my favourite part of the whole play. The audience is just strolling along one of the main streets in the center of the village when suddenly they hear the sound of a handbell. That makes them stop and notice it’s coming from the door of an old abandoned house. Sure enough, there’s someone in there.

 

Photo 2, ©Nightjar, all rights reserved

It’s a stonemason, carrying his set of tools. He has questions. What’s a window? Could it be more than just a hole in the wall to let air and light in?

 

Photo 3, ©Nightjar, all rights reserved

We are a limestone region and stonemasonry is an old tradition. That doorjamb you see in the first photo was sculpted with these tools. There’s a diary in the tool basket, the diary of a stonemason. He picks it up and goes inside the house, leaving the tools near the audience.

Photo 4, ©Nightjar, all rights reserved

The audience’s attention is drawn to the house’s first floor and to its beautifully crafted window. That’s the work of a talented stonemason without a doubt. The man reads a piece of his diary from there. He has a few thoughts to share on what windows mean to him.

A lot of people later admitted to us that they had never looked up to notice that window. And that the answer to the question they started with (see Part 1) was indeed “yes”: this place could still surprise and move them.

And that’s it for now. I enjoyed this exercise in non-nature photography a lot more than I expected.

They Make Their Own Music.

The spheres, that is – the planets. It’s nothing new, but I recently came across: Spooky Space ‘Sounds’.

Juno Captures the ‘Roar’ of Jupiter: NASA’s Juno spacecraft has crossed the boundary of Jupiter’s immense magnetic field. Juno’s Waves instrument recorded the encounter with the bow shock over the course of about two hours on June 24, 2016.

Plasma Waves: Plasma waves, like the roaring ocean surf, create a rhythmic cacophony that — with the EMFISIS instrument aboard NASA’s Van Allen Probes — we can hear across space.

Saturn’s Radio Emissions: Saturn is a source of intense radio emissions, which were monitored by the Cassini spacecraft. The radio waves are closely related to the auroras near the poles of the planet. These auroras are similar to Earth’s northern and southern lights. More of Saturn’s eerie-sounding radio emissions.

Check it out. Creepy and amazing all at once.

Jack’s Walk

©voyager, all rights reserved

This is a little pond that Jack and I found in the springtime. Then, it was covered in lily pads as far as the eye could see. I took a bunch of photos, but there were so many mosquitoes that I made a pretty quick get-away. It was also the middle of the day and the light was harsh so when I got home I filed the photos away under ‘go back and try again.’ I did try once a few weeks later and, if anything, there were even more mosquitoes. Then we went to the east coast and I forgot all about the place until today. The pond looks totally different at this time of year. There are only a few tattered remnants of lily pads left and the center of the pond is mostly open water which was reflecting the pretty autumn trees across the way. The sun came out long enough to light up the view and make the water blue and there was not a single mosquito to be seen or felt. I call that a successful field trip.

Outdoor Theatre Project, part 2 – Streets, Houses, Families

I really like the idea of outdoor theatre where the audience moves from scene to scene and becomes a part of the play itself. In part 2 of the series, Nightjar’s photos are done in black, white and sepia tones and have an antiquated feel to them in keeping with the play. I’ll let Nightjar explain the artistic choices behind each photo:

 

Photo 1, ©Nightjar, all rights reserved

This is one of the most dynamic and beautiful scenes and took place in an old and narrow street filled with props, although the public can’t see everything right away because of all the hanged clothes blocking their vision.

 

photo 2, ©Nightjar, all rights reserved

White clothes and wooden clothespins gave the street a properly antique look. Plastic just wouldn’t have worked.

 

photo 3, ©Nightjar, all rights reserved

Not an actor and not part of the crew. Originally. I took this photo before one of the rehearsals, and I was convinced the public would scare the cats away. That was not the case. They even showed up in my recording of this scene, running along in front of the actress. Well, the scene is about houses and streets, I guess the cats concluded it could be about them as well.

 

photo 4, ©Nightjar, all rights reserved

Near the end of the street things get a bit more personal as you can see. Families are remembered and everyone gets a good laugh when we get to a list of family nicknames. Me, I am somehow still from the “pinenuts” family. I do not however belong to the “vinegars”, “onions” or “garlics”, definitely not to the “howevers”, “glories” or “fourteens”. I will admit to a bit of “turnip” blood and the “mouths” are still my distant cousins. I think for most of these silly nicknames no one has any idea how they came about, just that they have passed from generation to generation and when put together whole sentences can be made out of them.

 

Tree Tuesday

This week we have an autumn oak tree in its fieriest colours from Avalus. I love how bright the colours look against the grayish sky, almost as if the leaves are lit from within. The single oak leaf that follows, though, is seriously trippy. It’s instructions seem to read 1) lose all green colour 2) fall to the ground 3) get a fungal infection and 4) turn green again…in artistic little blobs. Thanks, Avalus, for this very interesting share.

 

 

Fall Oak, ©Avalus, all rights reserved

Fall oak leaf, ©Avalus, all rights reserved

Making Kitchen Knives – Part 7 – Assembly and Finishing

After leaving the handle scales in the ammonia overnight, I took them out the next day,  washed them in running water and quickly dried them. First by letting them for an hour above the stove in my workshop and when they were nearly dry, heating them carefully in 10 sec intervals in the microwave until there was no steam coming out. I do not count this time into the manufacturing time, because I have been doing it this way only to be able to proceed quickly and get the knife done this weekend. Normally I would let it  dry by itself.

©Charly, all rights reserved. Click for full size.

When dried, the scales had to be fitted to the handle – that is done by carefully sanding the faces that are glued on the tang on a flat stone as long as it takes to get them nicely flat. Then I screwed the handle scales without the blade together again and sanded and polished the two forward facing facets, because once the scales are on the tang, nothing can be done about them.

As far as the metal goes, I cleaned most of the scale from the tang with 80 grit sandpaper and then I cut two pins from 6 mm brass rod, hammered them through the holes in the tang and tried whether the whole assembly fits together without unseemly gaps. I was prepared to eventually sand a bit here and there, but it was not necessary, it fitted nicely. So I slathered generous amount of quick drying epoxy cement on all adjoining surfaces and squeezed the whole assembly gently in the vice. I cleaned the epoxy that got squeezed out, first by scraping of the excess with a piece of wood and second by washing the blade with paper towel soaked in alcohol. A piece of epoxy on the back and belly of the handle are not a problem, since those areas will be sanded anyway, but a real care must be taken in cleaning the blade and the forward facing facets of the scales thoroughly, because again, any mistake there cannot be easily corrected.

©Charly, all rights reserved. Click for full size.

The epoxy that I was using was hardening quicker than I was happy with, but our local Baumarkt has “optimized” its wares selection a few years ago and they are only selling quick-setting epoxies now and I will probably have to order some slowly setting epoxies over the internet. I got lucky and I managed to get everything important clean before the glue set, but it was a race with time. That means I could not make any pictures of that process, so what you see is status just before applying the glue.

After the epoxy has hardened – in this case about 15 minutes later – I have made final shaping and polishing of the handle. I did not go above 150 grit sandpaper though, because that would be a waste of time with this wood.

Because the used wood was extremely porous, I had to stabilize it. Marcus has already mentioned the recent fad in knifemaking that consists of infusing the wood with resin. That would be ideal here.

©Charly, all rights reserved. Click for full size.

Well, I lack the equipment to do that. But I wanted at least somewhat stabilise the wood even so. And I wanted to use the same finish that I have used on my mother’s knife, because it has proven itself to be very resistant. So I took the boat varnish and diluted it with acetone at a ratio approximately 1:4. You can see on the picture that the undiluted varnish is a lot thicker than acetone and it has sunk to the bottom of the jam-jar. However after mixing it did not separate again for a few days by now.

For the first dip I have put the handle in the heavily diluted varnish and I waited approximately 20 minutes until no visible bubbles were rising. Ideally It would be better to do this in a vaccuum-chamber, but acetone is very good wetting agent and this should be enough for at least a few mm penetration. After that I took the handle out and cleaned any varnish from the blade immediately with acetone. Then I have let it dry in a dust-free and well heated room. All that is left now is this week each evening after returning from work giving the handle a slight polishing with 150 or 180 grit sandpaper, dipping, cleaning, leaving it dry again until I am satisfied with the surface. I am not going to measure this time exactly because it is scattered a few minutes each evening over a few days. Lets say it is 30 minutes overall, including final signing of the blade.

©Charly, all rights reserved. Click for full size.

That makes it 1:30 or 90 minutes for all of the work described here. That also makes the knife done for the purpose of measuring the time of my actual manufacturing process, so next time we can look at the data and look what (if) can be done there to make it more efficient.

Macedonia 4 – Terrible Butterflies

Terrible picture butterflies, that is – the butterflies themselves were amazing, and everywhere! Very few of them were ready to co-operate and pose for me, so I was lucky to get these three at all – and from a distance, playing around with the zoom. There were at least two more varieties that I didn’t even try for, else I would get stuck in the burrs.

Blue butterfly
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Orange butterfly
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Yellow butterfly
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