Taunting the Tiny Tyrant: Anti-Normalisation.

Loser City.

Loser City.

Peter Dreier at Alernet has an extensive article up about how effective anti-normalisation is against the Tiny Tyrant. This is an ego-bloated, extremely thin-skinned toadwart of a person. He lives for attention and aggrandizement, and little more. Every little jab leads to the Unpresident whirling into Mr. Tweet, unloading rage over something yet again. And just in case it’s missed peoples’ attention – those tweets are still coming from his personal Twitter account. He doesn’t go anywhere near the POTUS account, which is a telling action all on its own.

Now, it might not be the wisest of things to poke such an unstable character, but we can’t sit around doing nothing, either. As Mr. Dreier notes, resistance comes in many forms, and this is one of them, refusing the normalisation of fascism, refusing the normalisation of shite supremacy, refusing the normalisation of turning a democracy into a farce of a branded regime.

“Resistance” comes in many forms. In discussions about how to deal with the fear and alarm ignited by Donald Trump, no word has been used more frequently than “normalize.” Democrats and progressives engage in almost daily protest rallies to defy Trump’s agenda. But perhaps the most successful component of the anti-Trump movement has been its willingness to challenge his legitimacy. The popular slogan and hashtag “#Not My President” doesn’t mean that people think the November election results were rigged, but that Trump’s Electoral Vote majority doesn’t translate into a popular mandate and that his views and policies don’t reflect the popular will. The anti-Trump movement refuses to “normalize” a president whom they view as an authoritarian, even a neo-fascist, who violates that basic norms of democracy and the rule of law. By poking fun at Trump and exposing his narcissism, conflicts-of-interest, and pathological lies, his opponents are undermining his credibility and destabilizing his presidency as much as any marches and demonstrations.

[…]

The effort to not normalize Trump isn’t a conspiracy. It involves separate but overlapping components that, when viewed together, reflect a powerful effort to withhold from Trump the things he craves most: public approval and esteem.

The whole article is a good and informative read, recommended! Go have a read.

Do the Scandals Matter? Not to Trumpholes.

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Click for full size.

A poll done by Morning Consult and Politico shows that the constant quake of scandals simply don’t matter much to Trumpholes. If anything, it solidifies their faithfulness to the Tiny Tyrant. That’s a prime marker of how fascism operates, and it emphasises, starkly, just how much The Resistance and all manner of activism simply cannot stop, or slow down at all.

The full story is here.

Send in the Clowns: Trumpholes Threaten Artist.

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Karen Fiorito.

A billboard sign depicting President Donald Trump's face next to explosions and dollar signs created with typography imitating Nazi swastikas went up in downtown Phoenix ON March 17, 2017. (Photo: Johana Restrepo/The Republic).

A billboard sign depicting President Donald Trump’s face next to explosions and dollar signs created with typography imitating Nazi swastikas went up in downtown Phoenix ON March 17, 2017. (Photo: Johana Restrepo/The Republic).

A menacing Donald Trump is gazing down on Phoenix’s Grand Avenue.

The president is flanked by mushroom clouds and swastikas configured like dollar signs.

“I think a lot of people are feeling this way and I’m just trying to express what I think is on a lot of people’s minds these days,” the billboard’s artist, Karen Fiorito, said Friday in an interview from her California home.

“Something that really concerned us was this idea of a dictatorship where things were going in a certain direction.”

But look closely at the mushroom clouds and you’ll see clown faces. There’s a Russian flag on Trump’s lapel.

“I tried to put a little bit of humor in things that are really dark and hard to take,” Fiorito said.

The billboard art was commissioned by the billboard owner, Beatrice Moore, a longtime patron of the arts on Grand Avenue.

“Some of these issues are so important you can’t not speak out,” Moore said in an interview.

The Trump billboard went up Friday at 11th Avenue and Grand, to coincide with the start of the annual three-day Art Detour event in downtown Phoenix. Moore said it would remain up as long as Trump is president.

Ms. Fiorito is now receiving death threats, a now common bit of behaviour on the part of those who simply cannot cope with any forthright criticism. The first comment in Ms. Fiorito’s tweet about the billboard going up:

Robbie England 
@buddhacatpress disgusting California filth, putting up this shit in my town is unacceptable! It WILL come down!

Oooh, her town! I guess it isn’t at all the town of the woman who commissioned the piece. And as a native Californian, Ms. England, have a nice cuppa Shut the Fuck Up, you intolerant bigot.

The willful ignorance on display in the Tweetstream is overwhelming, too. There was one person thinking she made a great point by saying “Trump refused a salary! He gave it to charity!” There’s just one little problem with that one – the Tiny Tyrant did no such thing, and won’t answer any questions as just when that money is going to find its way to a supposed charity.

How Not To Advocate.

Dan Seum Jr. (Facebook).

Dan Seum Jr. (Facebook).

A medical marijuana advocate in Kentucky has been permanently banned from the third floor of the Capitol Annex. That strikes me as oddly specific, but what do I know? Anyroad, it seems that Seum Jr. was in the lobby of the Capitol Annex, talking to a group of people, when he quoted the former head of the Federal Bureau of Narcotics, then said he was ‘showing’ people this quote. Hmm, should be one or the other, right?

He said that while he was talking with others while in the lobby to visit representatives, he quoted “an appalling comment” made by the head of the Federal Bureau of Narcotics in the 1930s to illustrate a history of discrimination and stereotyping against African Americans regarding enforcement of marijuana laws.

“I was showing them how appalling this quotation was and how I’m fighting the unfair marijuana arrests for the African-American community,” Seum said. He said he and Kentuckians for Medicinal Marijuana frequently cite the quotation, but that the offended legislative staffers must not have understood the context.

[…]

A letter sent to Seum recently by David Byerman, director of the Legislative Research Commission, said that while in the lobby, Seum “proceeded to engage in a racially-charged monologue.”

Byerman said in the letter, “Some of the offensive statements attributed to you include commenting that whites were afraid that ‘coloreds’ would have sex with white women, referring to African Americans and Latinos as ‘coloreds,’ and stating that white people were ‘scared of negroes.’ ”

An African-American employee of the legislature “within a few feet of you” was so offended that “she left her work station in distress,” Byerman wrote, and a second legislative staffer also reported being offended.

I’ll admit, I haven’t scoured the ‘net for every thing Harry Anslinger ever said, but there is a wiki page on him, which includes these two quotes:

In the 1930s Anslinger’s articles often contained racial themes in his anti-marijuana campaign:

Colored students at the Univ. of Minn. partying with (white) female students, smoking [marijuana] and getting their sympathy with stories of racial persecution. Result: pregnancy.

Two Negros took a girl fourteen years old and kept her for two days under the influence of hemp. Upon recovery she was found to be suffering from syphilis.

I can’t say that’s an unusual sentiment at all, and it’s very true that current and past drug laws have been used to provide fodder for the industrial-prison complex. I just wrote about that! That said, I find it odd that Seum would need to expound on this using the language of the past; it’s more than sufficient to discuss Anslinger with preferred, non-racist terms. Yes, people of colour have often been used to illustrate the evils of drug use, and in the context of deep racism, that still happens today. If anything, I’d say it actually happens more now than it did, given how much people have accepted the overwhelming amount of people of colour who are locked up every single day, buying into very old roots of racism, that “those” people are prone to such behaviour. It’s the same old othering, different terms.

When it comes to discussing the former FBoN, and Anslinger in particular, I would have gone a completely different direction, as far as discussion. In the early 1930s, Anslinger dismissed the use weed entirely, he said it never did anyone any harm whatsoever, and was not, in any way, connected to crime. At the time, Anslinger was rather devastated over the repeal of prohibition, and was rather intent on bringing about another prohibition. When that didn’t work, he finally turned his eyes to weed, and became a fervent anti-weed campaigner:

By the tons it is coming into this country — the deadly, dreadful poison that racks and tears not only the body, but the very heart and soul of every human being who once becomes a slave to it in any of its cruel and devastating forms…. Marihuana is a short cut to the insane asylum. Smoke marihuana cigarettes for a month and what was once your brain will be nothing but a storehouse of horrid specters. Hasheesh makes a murderer who kills for the love of killing out of the mildest mannered man who ever laughed at the idea that any habit could ever get him…

That’s quite the turnaround. Remarkable, really. It starkly highlights the utter hypocrisy of drug laws and drug ‘wars’ in this country. Okay, back to Seum Jr., who says the whole thing is a dreadful misunderstanding:

But Seum says the matter is a “terrible misunderstanding” that occurred when legislative staffers overheard him quoting a racist comment that he said he strongly disagrees with, but that he often cites to illustrate a history of discrimination against African Americans.

[…]

Seum said in a phone interview Wednesday, “I’m an advocate for the African American. I’ve been advocating because of the disparaging numbers of African-American arrests in marijuana.”

He said that while he was talking with others while in the lobby to visit representatives, he quoted “an appalling comment” made by the head of the Federal Bureau of Narcotics in the 1930s to illustrate a history of discrimination and stereotyping against African Americans regarding enforcement of marijuana laws.

This is not how you advocate for people, Mr. Seum. “I’m an advocate for the African American” Oh my. Not even “I’m an advocate for African American People.” Black people are not monolith. I imagine there are some unexamined biases there, we all have them. It’s perfectly fine to use past history as an example, and as a way to explain things to people, but simply picking deeply racist quotations, and quoting them out loud, using highly offensive language is probably not the best way to do that. I don’t think a permanent ban was called for, but I expect that was a handy expedient for certain politicians.

Full story here.

Indigenous Activism Roundup.

Protesters gather outside of the White House. CREDIT: Natasha Geiling.

Protesters gather outside of the White House. CREDIT: Natasha Geiling.

WASHINGTON, D.C.—Mni wiconi—”water is life”—appear to be empty words to the federal government, but they now constitute a battle cry for Native nations as they rise together in the U.S. capital today to voice their discontent with the Trump administration’s policies regarding indigenous rights and power.

[…]

Organizers also want the public to know that this gathering is not just about the Dakota Access Pipeline, even though it now serves as the symbol of all that’s wrong with the government-to-government relationship that tribes and the federal government are supposedly involved in. Tribes point to the Trump administration’s fast-track actions on the pipeline sans meaningful consultation and environmental review serving as the tipping point for Indian country by making a mockery of free, prior and informed consent—the right of every other sovereign nation in the world. They hope to make the point that the federal government, in going forward with the pipeline against the tribes’ wishes, abdicated its role as trustee to protect the tribes’ rights and resources, and violated their sovereignty and self-determination.

Full Story at ICMN. Think Progress also covers this story.

Tipis on the National Mall, near the White House, as water protectors gather for a march advocating for indigenous rights and a halt to environmental destruction. Kandi Mossett/Facebook.

Tipis on the National Mall, near the White House, as water protectors gather for a march advocating for indigenous rights and a halt to environmental destruction. Kandi Mossett/Facebook.

“The Standing Rock movement is bigger than one tribe,” the Standing Rock Sioux said. “It has evolved into a powerful global phenomenon highlighting the necessity to respect Indigenous Nations and their right to protect their homelands, environment and future generations. We are asking our Native relatives from across Turtle Island to rise with us.”

Full story at ICMN.

There is No O’odham Word for Wall.

TUCSON, ARIZONA—The Tohono O’odham Nation Executive Branch is firm on their stance against a border wall being built.

“[It’s] not going to happen,” said Tohono O’odham Nation Chairman Edward Manual. “It is not feasible to put a wall on the Tohono O’odham Nation…it is going to cost way too much money, way more than they are projecting.”

TON Chairman Manuel went on to say, “It is going to cut off our people, our members that come [from Mexico] and use our services. Not only that we have ceremonies in Mexico that many of our members attend. Members also make pilgrimages to Mexico and a border wall would cut that off as well.”

ICMN has the full story.

This Is My Body.

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This Is My Body. A figure stands in the middle of the image with arms outstretched. A red headband covers the forehead and long, loosely braided dark hair, parted in the middle. White streams down the face, and the eyes are red and swollen. The body has a bleeding wound on its side, a hole in each palm, and three rubber bullet wounds. Dark figures with riot gear border the figure to the right, while water from a vehicle cannon shoots down at the figure. (Art done by Joann Lee Kim).

Joann Lee Kim has a stunning body of work, do yourself a favour and wander over for a long look. I came across Ms. Kim’s work at The Establishment, specifically an article by Dae Shik Kim Hawkins Jr., about the days when 500 ministers descended on the NoDapl camp. I was there for that, and talked to several of the ministers. The ones I spoke with all seemed rather dazed and overcome by everything happening at the camps. The particular perspective of the article is an interesting one, and quite important, I think: Christianity Is Co-opting The Justice Movement. It’s an excellent article. Solidarity is more important than ever, as is making sure that solidarity is intersectional and inclusive. When it comes to christian involvement in major social justice fights, particularly indigenous ones, it is very important that attention is seriously paid to the colonial roots and colonial mindset which still rules most peoples’ thinking and actions, especially those of churches.

Have a read, highly recommended. And when you’re done, have a look around at the rest of The Establishment, a lot of good writing going on there.

MTA Posters Get A #Resist Makeover.

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If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There’s Melissa C., of small-time “See Something, Say Something” fame, with her gold hoops and salmon-pink hoodie. She’s smiling next to the familiar MTA logo, but her message isn’t just about reporting a suspicious bag on the platform and feeling heroic.

“I felt like a hero reporting what I saw,” her quote reads. “But what scares me more than an unattended package is an unattended politician. We have to keep an eye on how our representatives vote and hold them accountable.”

In place of “Take a moment to alert a police officer or MTA employee,” the sign reads, “Call your elected officials and make yourself heard.” Next to the actual MTA help line (888-NYC-SAFE), there’s a tiny #RESIST.

The subversive fake posters were installed on two subway cars overnight—that’s two cars across the entire system—mingling with original posters from the MTA’s March 2016 campaign. Gothamist spoke with the person who conceived and installed them on the condition of anonymity. The artist also asked that the train lines be withheld, in the hopes that the MTA won’t track them down immediately and remove them.

The concept, he said, is to encourage people to say something when they see something unsettling coming out of government.

“I think it’s great that they are doing the See Something Say Something campaign. I don’t think it’s Orwellian, and I think it’s responsible to be vigilant,” he said. “But given the state of the world that we’re in, I wanted to do something that took that conversation and elevated it so that people could be vigilant beyond what’s directly in front of their eyes.”

“Yes, terrorism is a real issue,” he added. “But aren’t the behaviors of our government… and these ideas of how the media is straying into fake news, aren’t all of these things contributing to an atmosphere that makes us more unsafe, that gives rise to terrorism, that makes us panic?”

The full story, and all the re-worked posters can be seen at The Gothamist. Way to go, New York!

It’s What People Do.

A large crowd marches through New York City in 1937 to demand workers’ rights. Photograph: Bettmann Archive.

A large crowd marches through New York City in 1937 to demand workers’ rights. Photograph: Bettmann Archive.

Given the ongoing effort to quash all public dissent, and prevent people from protesting, it’s a good reminder to take a glimpse into the past, to see what people do when governments are wrong and out of control. They protest.

The Jarrow marchers pass through the village of Lavendon, near Bedford, in October 1936. Two hundred men walked the 291 miles from Tyneside to London to deliver a petition for jobs to the government. Photograph: Getty Images.

The Jarrow marchers pass through the village of Lavendon, near Bedford, in October 1936. Two hundred men walked the 291 miles from Tyneside to London to deliver a petition for jobs to the government. Photograph: Getty Images.

Protesters march on the White House in 1933 to demand a fair trial for the ‘Scottsboro Boys’. This case – in which a group of black teenagers was convicted by an all-white jury of raping a white woman, then sentenced to death – is considered a grave miscarriage of justice Photograph: Gamma-Keystone via Getty Images.

Protesters march on the White House in 1933 to demand a fair trial for the ‘Scottsboro Boys’. This case – in which a group of black teenagers was convicted by an all-white jury of raping a white woman, then sentenced to death – is considered a grave miscarriage of justice. Photograph: Gamma-Keystone via Getty Images.

You can see more here.

The Walled Off Hotel.

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The Walled Off hotel may sound utilitarian, even bleak. Its owner says it has “the worst view of any hotel in the world”, while its 10 rooms get just 25 minutes of direct sunlight a day.

But, nestled against the controversial barrier wall separating Israel from the Palestinian territories, the West Bank’s answer to the Waldorf offers travellers something more elusive than any luxury destination.

The lodging in Bethlehem is a hotel, museum, protest and gallery all in one, packed with the artworks and angry brilliance of its owner, British street artist Banksy.

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From the disconcertingly lavish presidential suite where water splashes from a bullet-strafed watertank into the hot tub, to the bunk-beds in the budget room scavenged from an abandoned army barracks, the hotel is playful and strongly political.

All the rooms look out on to the concrete slabs of the wall and some have views over it to pill boxes and an Israeli settlement – illegal under international law – on the hillside beyond.

“Walls are hot right now, but I was into them long before [Donald] Trump made it cool,” said Banksy in a statement. The artist, who fiercely guards his anonymity, first came to Bethlehem more than a decade ago, leaving a series of paintings on the barrier that have become a tourist destination in their own right.

Since then, the town’s pilgrim and sightseeing-based economy has been ravaged by ever-tighter Israeli controls on travel between Israel and the Palestinian territories, so the new hotel is expected to provide a welcome boost in jobs and visitor numbers.

Banksy’s reputation is likely to keep all rooms fully booked, but he wants guests to leave with more than just a selfie. “(It’s) a three-storey cure for fanaticism, with limited car parking,” he added in the statement.

The hotel opens to guests on 20 March, with bookings via the website.

You can read much more here, and the photo gallery is here. I hope it’s a great success, in every sense.

Norway’s Storebrand Goes NoDAPL.

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© C. Ford. All rights reserved.

More and more efforts are directed at divestment, and Norway’s largest private investor has decided to go No DAPL.

The largest private investor in Norway has pulled out of three companies connected to the Dakota Access Pipeline (DAPL) because of the conflict at Standing Rock.

Storebrand, an Oslo-based financial-services company that specializes in sustainable, socially conscious investing, has sold off nearly $35 million worth of shares in Phillips 66, Marathon Petroleum Corporation, and Enbridge, the company announced on March 1.

“Storebrand has made the decision to withdraw all investments from the controversial Dakota Access pipeline, including positions in the North American companies Marathon Petroleum Corporation, Enbridge Inc. and Phillips 66,” said Storebrand in a statement on March 1.

“Our conclusion is that these are poor long-term investments, both for our pension customer and from a sustainability point of view,” the company said.

Storebrand had investments of $11.5 million in Philips 66, $7 million in Marathon Petroleum Corp. and $16.2 million in Enbridge Inc., for a total of $34.8 million, said the company. According to its website, it has been in operation since 1767 and was managing pension funds since 1917, pre-dating Norway’s social security system by 50 years.

“There is too much uncertainty, for us as an investor, as to whether there has been a good process that ensures the rights of all parties in the conflict,” said Matthew Smith, Head of Sustainable Investments. “There has been involvement by the United Nations, by President Obama, and President Trump. Caught in the middle are the people directly impacted by the pipeline.”

[…]

Storebrand tried numerous tactics to enact change, Smith said in the statement, but none of them worked.

“Generally, it is our belief that we can have a more positive effect on companies and situations by using our position as an owner to effect change. We have successfully done so on many occasions, but it doesn’t always work,” Smith said. “Storebrand has been in direct contact with the companies, and has worked with international groups of investors. Our most recent initiative is an investor letter, representing 137 investors with $653 billion assets under management, that encourages involved banks that have lent money to the project to use their position and influence to engender positive change and a reconsideration the routing of the pipeline.”

Storebrand was forced to conclude that “active ownership is not going to deliver a better outcome,” he said. “We do hope that this can give a final indication to the involved companies to reconsider the routing of the pipeline.”

The investor joins a growing number of companies and entities that have pulled funds from Wells Fargo and other banks that are financing DAPL, ranging from the City of Seattle to individual account holders. Others, such as New York City, have put DAPL banks on notice.

The decision was not easy, Smith told The Guardian.

“Divestment is a last resort,” he said. “When you divest from companies, you give up your possibility to influence companies to come to a better solution.”

Full story at ICMN.

Commercial Break.

Meriem Bennani, Your Year by Fardaous Funjab, 2015, Courtesy of Jayson Wyche and Public Art Fund, New York.

Meriem Bennani, Your Year by Fardaous Funjab, 2015, Courtesy of Jayson Wyche and Public Art Fund, New York.

If you find yourself in Times Square, downtown Brooklyn, or at Westfield World Trade Center in New York City, you may be surprised to see those spaces’ ubiquitous ads for soft drinks, fast fashion, and electronics swapped for poignant and gorgeous video art. The switch, part of a citywide exhibition called Commercial Break, kicks off Public Art Fund‘s 40th anniversary season with disruptive, artful advertisements taking over the city’s largest and most technologically advanced screens. Curated by Associate Curators Emma Enderby and Daniel S. Palmer, Commercial Break features 23 artists whose work can be seen on billboards in Times Square, the 360-degree “Oculus” screen outside Barclays Center, 19 digital screens at Westfield World Trade Center, hundreds of LinkNYC kiosks all over the city, and embedded as pop-up “ads” on PublicArtFund.org.

The idea for Commercial Break sprang from Public Art Fund’s formative exhibition series Messages to the Public , which ran on an 800-square-foot animated Spectacolor screen in Times Square from 1982 to 1990. Every month, one of 70 different artists, including Jenny Holzer, Guerilla Girls, and Alfredo Jaar, presented a 30-second animation within a 20-minute loop of commercials. The intent of the project was similar to that of Commercial Break: fighting propaganda by means of propaganda. The artists this time around had to confront time limits and embrace brevity. Their challenge is cutting through a litany of information surrounding outdoor advertising by relying solely on visual language.

[…]

Commercial Break is on view through March 5. For a full rundown of Public Art Fund’s 40th anniversary programming, visit their website.

You can read much more, and see more about this fantastic art project at The Creators Project.

You Can’t Kill Light.

You Can’t Kill Light.

This is what we need! More please. And sign the letter, too.

Out of a place of darkness I began to think of all the amazing individuals, known and unknown who have risen up and created movements that change history. This is in honor of the people who truly do make America great.

We built a fire
The fire burns bright
You can blow hard
But you can’t kill light

We come together
Sometimes we fight
You can knock us down
But you can’t kill light

You Can’t Kill Light
No you can’t kill light

We built a railroad
Out of the past
We nailed down every tie
And we won’t go back

High in your tower
Of steel & glass
You can sign the order
But we won’t go back

No we won’t go back,
we won’t go back

We built this house
That we could share
Now you want it for yourself
But we’re still here

You think we’re different
It makes you scared
So you raise a wall around you
But we’re still here

We’re still here,
we’re still here

We lay the table
We shared our cup
Now you tell us we’re not welcome
But we don’t give up

We outlast hate
We rise above
You can knock us down
But you can’t kill love

You can’t kill love,
no you can’t kill love

We built a fire
The fire burns bright
You can blow hard
But you can’t kill light

We come together
We come to fight
You can knock us down
But you can’t kill light

You can’t kill light
No, you can’t kill light

– Monica Pasqual

Via Plus.