The Walled Off Hotel.


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The Walled Off hotel may sound utilitarian, even bleak. Its owner says it has “the worst view of any hotel in the world”, while its 10 rooms get just 25 minutes of direct sunlight a day.

But, nestled against the controversial barrier wall separating Israel from the Palestinian territories, the West Bank’s answer to the Waldorf offers travellers something more elusive than any luxury destination.

The lodging in Bethlehem is a hotel, museum, protest and gallery all in one, packed with the artworks and angry brilliance of its owner, British street artist Banksy.

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From the disconcertingly lavish presidential suite where water splashes from a bullet-strafed watertank into the hot tub, to the bunk-beds in the budget room scavenged from an abandoned army barracks, the hotel is playful and strongly political.

All the rooms look out on to the concrete slabs of the wall and some have views over it to pill boxes and an Israeli settlement – illegal under international law – on the hillside beyond.

“Walls are hot right now, but I was into them long before [Donald] Trump made it cool,” said Banksy in a statement. The artist, who fiercely guards his anonymity, first came to Bethlehem more than a decade ago, leaving a series of paintings on the barrier that have become a tourist destination in their own right.

Since then, the town’s pilgrim and sightseeing-based economy has been ravaged by ever-tighter Israeli controls on travel between Israel and the Palestinian territories, so the new hotel is expected to provide a welcome boost in jobs and visitor numbers.

Banksy’s reputation is likely to keep all rooms fully booked, but he wants guests to leave with more than just a selfie. “(It’s) a three-storey cure for fanaticism, with limited car parking,” he added in the statement.

The hotel opens to guests on 20 March, with bookings via the website.

You can read much more here, and the photo gallery is here. I hope it’s a great success, in every sense.

Comments

  1. rq says

    It is unsettling and awesome. The colonial influence (inspiration?) is so clear, but all the added stabs at it just… they’re just so right.
    I hope for great success in both the long- and the short-term for this project.

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