I have received wondrous things! First, from Kestrel, an absolutely amazing amount of DMC Perle 3. I don’t use a lot of perle, because it’s more expensive, and what I do have is 5, which is considerably smaller. So, next major project will need to be Perle 3 based, I think. I have not yet pulled them all out, counted, sorted, or anything else. I’m still a bit busy picking my jaw up here. Thank you so much, Kestrel!
Started on the light mocha section of the background, and naturally, I don’t have near enough skeins of ultra-light mocha to finish. So, I’ll work on it until I run out, then do something else, I guess, until I can replenish my supply. Just checked, and found one more skein, so that makes 6 and a quarter skeins to burn right through. Current Hours: 948. Skeins used: 135.
Butch Johnson, owner of Champion Tattoo Company, works on a former US Marine at his art studio in Washington, DC, on April 18, 2016. (AFP Photo/Brendan Smialowski).
More than 20 percent of all Americans have at least one tattoo, and for millennials that number jumps to almost 40 percent. What could be more intimately a part of you than a work of body art permanently inked into your skin? You probably assume that the tattoo on your body belongs to you. But, in actuality, somebody else might own your tattoo. Recent lawsuits and events have shown that tattoo artists and companies can have intellectual property rights in tattoos worn by others, including both copyright and trademark rights.
Tattoo-related lawsuits are not uncommon. Just this year, a group of tattoo artists for several high-profile athletes, including Lebron James and Kobe Bryant, filed a copyright lawsuit against the creators of the popular NBA 2K video game franchise because tattoos they created appear in NBA 2K16. The case is still pending in a New York federal court.
[…]
And the issue isn’t limited to celebrities and athletes. For example, Sam Penix, a coffee shop owner living in New York, was threatened with a trademark infringement lawsuit in 2013 based on the “I [coffee cup] NY” tattoo he has across his fist. Penix’s shop logo featured his tattooed fist grabbing a coffee portafilter between the words “Everyman Espresso.” The New York State Department of Economic Development, which owns the “I ♥ NY” trademark, sent Penix a cease-and-desist letter because it believed the logo infringed its trademark. To avoid being sued, Penix agreed to several terms, including some restrictions on how his fist could (and could not) be photographed.
[…]
Until courts and legislators create innovative legal solutions, both tattoo artists and people with tattoos should consider copyright agreements that specifically outline who owns a resulting tattoo. People with trademark tattoos should be aware that displaying their tattoos visibly in commerce could lead to liability. Otherwise, tattooed skin may end up with several owners with competing interests – and even if you live within that skin, you may not own the art that adorns it.
I’ve been thinking about getting more ink. If I do, it will be the same as my existing ink – my own original art work.
The full article is at Raw Story.
Photo by Lorette Guillou, courtesy of La Machine.
Watching Kumo take to the streets is like the live-action version of a CGI flick: A giant alien spider lands in a historic city, its eight legs weaving around buildings as it spews venom into the crowds. Dreamt up by street theater company La Machine, Kumo has since toured Yokohama, Beijing, Reims, and Calais. Earlier this month, it was finally left to roam the French city of Nantes, where La Machine is based, and where the spider was “born” in 2009.
Kumo’s technical data sheet is staggering: At rest, it is 19′ high, but can attain a height of 43′ once it’s up and walking. When it rolls up into a ball for a nap, it measures 20′ in diameter. When it sprawls its legs out, that “legspan” grows to 65′. It can spit out venom (in reality, a fine water mist) and breathe out clouds of fog, all while regarding the crowd suspiciously with its moving eyes. A team of 35 to 40 people worked on its construction for nearly a year—first drafting it, then bringing it to life the 38-ton structure of wood and steel.
Photo by Lorette Guillou, courtesy of La Machine.
“We wanted to use its eight legs to turn it into a dancer,” says François Delarozière, the founder and artistic director of La Machine. “This is why we made a base on wheels, so it could move quickly and have the ability to communicate, and be expressive, through movement.” During a performance, 16 people are required to activate the hydraulic and mechanical framework that helps Kumo walk through narrow city streets, wriggling around trees and lampposts. Most are seated aboard the giant, controlling the motion of its legs, eyes, head, and abdomen, and setting off the fog and water effects. Down on the ground, a conductor walks alongside Kumo and directs the whole theatrical team.
Original drawings for the giant spider, courtesy of La Machine.
The Creators Project has the full story. After its show in Nantes this summer, Kumo is scheduled to take a rest. But next stop: Ottawa in 2017. To learn more about La Machine, click here.
Best laid plans and all that. The large section of background I’m currently working on, I had planned doing in light cocoa, and ultra light mocha. In a stroke of brilliant idiocy, I somehow managed to completely forget about the light cocoa thread when I stocked up on the colours needed for this bit of the tree quilt. Normally, this wouldn’t be a problem, I’d just get to Joann’s and get more, but I am dire broke, and will be that way for two weeks. Yes, I could work on another bit for two weeks, but I am motivated, right now, to get this section done. I have to go with these motivated moments, because if I stop working this section, it will just turn into a massive chore of tedium, and I’ll find reasons to put it off.
So, a change of plan. I had just enough light cocoa to tie it into the bottom section of light cocoa. As I have 7 skeins of medium cocoa, medium it is. It always pays to be flexible in the face of fuck-ups.
People who are taking their gaming very seriously apparently want a serious table upon which to gather around, one that’s purpose-built and optimized for immersive gaming. But while building or buying a table might appeal to many, having a dedicated gaming table is not an option for many of us.
Gamer Peter Hicks, of the Beer and Battle podcast, solved this problem in a decidedly 21st century way by building a gaming leaf for his regular dining room table that incorporates a flat-screen computer monitor. By serving maps, terrain, and other game materials to the monitor, the dining room table becomes anything Peter wants it be. This is a really clever and reasonably inexpensive (you can get very cheap flat screen displays these days) way to create a unique group gaming experience.
[…]
Peter built the frame for his gaming leaf at his local TechShop in Chandler, AZ. He used cheap Home Depot 2×4’s for the frame and built it based on the dimensions of the table whose leaf it was replacing. The display used is a Dell 27″ IPS monitor (which is not cheap). Peter says he chose that display specifically because of its use of tempered glass.
The finished table in action, with a flotilla of tablets and future phones around it to provide additional gaming data to players and the DM. In terms of what software is used, Peter says that while several of the other DMs he plays with use other means to operate the display, he uses GIMP. With it, he layers the rooms and handouts so that he can show only what he wants to, creating a satisfying sort of fog of war vibe.
There’s much more, article and photos at Make. You can see more of Peter’s game table inserts on this Instagram #bettergamingthroughtechnology tag.
Billing his work as contemporary Navajo pottery, sculptor and graphic artist Gerald A. Pinto is expanding the boundaries of traditional sculpting. Courtesy of the artist.
Billing his work as contemporary Navajo pottery, sculptor and graphic artist Gerald A. Pinto is expanding the boundaries of traditional sculpting by mixing media such as copper, turquoise and even battery-power into his work in innovative ways.
“I always tell people it blends the past with the present,” says Pinto. “Even though I call it contemporary, I showcase some of the more traditional designs, too.”
Gerald Pinto’s Elemental gourd and seed pots. (Courtesy)
Pinto has been doing pottery for around 28 years, but committed to it full-time after leaving his job with Amtrak in 2003. He credits his family with being his biggest artistic influences and inspirations. “My mom is a weaver and my dad was a silversmith; they taught me a lot about Navajo designs.” His cousin, Dennis Charlie, who is known for his carved pots, encouraged him to pursue the art. “For a while, I was doing pieces similar to his, but over the years, I moved towards my own style.
“I developed it over the years … the copper and the turquoise is how people recognize my work.” Brown pots, that were pit-fired with copper and turquoise, are part of the Elemental Series.
The full article is at ICTMN. Gerald A. Pinto on Facebook.
17 inches done. Many more to go. Current hours: 903. Skeins used: 125.
© C. Ford. All rights reserved.
Artist: Sam Jinks; Title: Kneeling Woman (2015); Art Central 2016 (Gallery: Marc Straus); Silicone, pigment, resin and human hair; Photo by longzijun.
Artist’s Website: www.samjinks.com
Hanging Animal Furoshiki! Eeeee, so cute!
A fun and adorable, contemporary twist on the furoshiki (風呂敷), a traditional wrapping cloth that’s been around in Japan since the 700s. With a few simple folds these unique furoshiki transform into a carrier that resembles hanging animals that will transport your stuff anywhere!
Literally meaning “bath spread,” furoshiki were used to bundle clothes while at public baths. But nowadays people use them to bundle or gift-wrap all sorts of things like lunches, accessories and bottles of wine or sake. Nothing to carry? You can use it around your neck as a scarf too!
They’re newly available in the Spoon & Tamago Shop for $35.
I must have the bat! Must have.
Now we have what might just be the best candle ever. I think protesters should be bulk ordering these.
Living in New York, artist Nao Matsumoto had found himself relying on the middle finger gesture quite frequently. But when he nearly sliced off his middle finger while cutting wood in his studio it made him realize the severity of the potential loss – an accident, he says, that would have been equivalent to losing his voice.
So the Brooklyn-based Japanese artist created a series of middle finger candles. Each candle is hand-made by Matsumoto himself and comes from a mold made from his own hand. The candles were originally used to protest the use of nuclear energy in Japan on the anniversary of the March 2011 tsunami.You can read more about the protest Here.
You can order your very own middle finger candle here.
Finally, a day clear to get back to work on the Tree Quilt.
© C. Ford. All rights reserved.
In the I wish I was filthy rich department, Bubble!
French designer Pierre Stephane Dumas has created a range of portable transparent huts, offering a quiet space to retreat to. The idea behind his Bubble collection was to create a temporary leisure accommodation that had the least impact on the surrounding environment, whilst also giving the impression of being amongst nature.
“I designed this eccentric shelter with the goal to offer an unusual experience under the stars while keeping all the comfort of a bedroom suite,” says Dumas. “Bubble huts are for me like an ataraxic catalyst, a place apart where getting rest, breathing and standing back”.
Additionally, the unique design and geometry of the Bubble creates a silencing acoustic effect. “Noises coming from the outside are reduced and noises coming from the inside echo towards the sphere’s hub. This echo drives people to speak quietly bringing about a feeling of appeasement favorable to have a nap,” explains Dumas.
You can read about and see more here.
An 8-year-old boy dug up this fossilized turtle that scientists believe helps explain the turtle’s earliest uses of its shell (Credit: Wits University)
Every young boy has spent at least one afternoon digging a hole in the ground looking for some kind of treasure. An eight-year-old from South Africa was doing just that when he unearthed a turtle fossil that could help scientists understand the original purpose and evolution of the turtle’s shell.
A group of scientists from parts of the world including South Africa, Switzerland and the United States conducted a study on several early turtle fossils including a fossil discovered by an 8-year-old Kobus Snyman on his father’s farm in the Western Cape of South Africa. The study that took place at the University of Witwatersrand, Johannesburg found that early turtles may have used their shells for burrowing instead of for protection from potential predators.
The 5.9 inch (15 cm) long turtle fossil discovered by Snyman contains a preserved skeleton with articulated hands and feet. The study published in the journal Current Biology also examined several turtle fossils found in the Karoo Basin of South Africa including a partially shelled proto-turtle that’s 260 million years old.
Last, but not least, Tooooooooooooooys! Oh, the toys. Want. Seriously want Iron Giant, because if anyone brings the cool, it’s Iron Giant:
and Groot! GROOT.
And Deadpool. Hulk vs Wolverine. Catwoman. And So. Much. More. 3 pages of toys. See them all here.
Blockoshka architectural nesting dolls. All images courtesy of Studio Zupagrafika.
Oh, these are so cool!
Parts of Moscow, East Berlin, Warsaw, and Prague are nearly indistinguishable from each other thanks to their architecture. After mass destruction from World War II, rows of Modernist, high-rise housing blocks popped up during the Cold War, a result of Communist urban planning that gives many Eastern European cities a repetitive, rectangular aesthetic. To help shine light on and define the differences and similarities between these housing blocks in each city, Poznán-based design studio Zupagrafika has created Blokoshka, a set of nesting dolls—or as the studio calls them, “Modernist architectural matryoshka”—made up of typical building types from the four cities.
The top and largest layer, in red, represents the “sleeping districts” of Moscow’s, semi-suburban communities dedicated solely to housing blocks. Inside the largest piece fits the typical East Berlin Plattenbau. These buildings, made of concrete slabs, were erected quickly and en masse in the 60s in order to accommodate an influx of new residents from further east, and an increasing desire for the-then modern designs that provided a better alternative to pre-war buildings.
Open another layer of Blokoshka, and reveal a yellow building representing Warsaw, another city that was essentially leveled by the Nazis in World War II. Finally, the smallest architectural nesting doll is a blue Panelák, a pre-fab concrete tower representative of the places where many Czechs still live today.
The Zupagrafika team, David Navarro and Martyna Sobecka, tell The Creators Project that their inspiration for these works, which follow projects like Eastern Block, a collection of Warsaw-inspired building models, comes from a love of the Modernist aesthetic, and a desire not to see these iconic buildings renovated and erased from history.
Via The Creators Project. Find out more about Blokoshka on Zupagrafika’s website, here.