It was just a matter of time, wasn’t it? And with the installation of actual working lights in our cellar, I had not just enough illumination, but also work space again to do some resin work.
Now, in between the last time I did this and now I invested into two things:
1: sanding paper up to 200 grit for the small disk sander that I have
2: A small bench grinder to polish the pieces.
Between the two of them, it saves probably 70% of the annoying work. Instead of having to start hand sanding at about 200 grit, I started at 2000. Now, there is even finer sanding paper for the machine, but that wouldn’t be very helpful, since the sander is, of course, a flat surface and I want the pieces round, so a few, really just a few minutes of hand sanding with the paper on a soft sponge are needed. Then polishing is a treat (provided I hold tight on the pieces and don’t have them shot into orbit).
With the resin done it’s always a question of how to turn them into pendants. When they come out of standard moulds, they fit standard bezels, but these here don’t. Wire wrapping is an option, but being no good at it the results are often not satisfying. It also takes the focus away from the resin pieces I think. Now with the beads bringing me so much fun, why not combine?
This is one of those “sea and land pieces” that I love so much, even though I’m not completely happy with it. I shouldn’t have added the metallic pigment, because there was a layer of flitter that settled somewhere in the middle that makes it slightly opaque. The bezel is made from seed beads in two different sizes and some small crystals.
This one is gorgeous, and I can’t decide which side I love better. I think I’ll try something similar again with the attempt at creating northern lights. This started out rectangular, btw.
The last piece defied my attempts at beading, because the curve gets too narrow at the top.
It has the same issue as the first one, but look at that shine!