Killer Cop Defense: Auditory Exclusion.

Tulsa Police officer Betty Shelby, right, being escorted into court for an early proceeding in her upcoming manslaughter trial in the killing of Terence Crutcher. CREDIT: AP Photo/Sue Ogrocki, File.

Tulsa Police officer Betty Shelby, right, being escorted into court for an early proceeding in her upcoming manslaughter trial in the killing of Terence Crutcher. CREDIT: AP Photo/Sue Ogrocki, File.

The visual evidence of Terence Crutcher’s murder by Officer Betty Shelby was so clear, and so overwhelming, there was no choice when it came to prosecuting her. The sheer obviousness of her guilt has led her lawyers to trying out something new. It’s a twinkie defense, that’s clear, but we should all remember that juries will buy a twinkie defense, especially if they want to, which will most likely happen in this case.

…It will probably be a long time before Shelby sees the inside of a courtroom. But her lawyers are already previewing her case in the media — and Shelby’s attorneys have a strange argument they’ll use in her defense.

Shelby had no idea her backup was right behind her, prepared to subdue Crutcher with a less-lethal taser, the lawyers are saying, because she was temporarily deaf due to the stress of the situation. The law enforcement community calls it “auditory exclusion.”

“She didn’t hear the gunshot, didn’t hear the sirens coming up behind her just prior to the shot,” defense lawyer Scott Wood told the Associated Press last week. Auditory exclusion is “the no. 1 perceptual distortion by people I have represented who have been involved in shootings,” he added.

Wood’s scientific-sounding argument will make Betty Shelby’s ears a strange new battlefield in the struggle to reform American law enforcement. If her lawyers manage to present “auditory exclusion” as hard science, her trial will mark a step toward allowing the use of a cloud of medical-sounding jargon to obscure the implicit racial biases that cops carry to explain a killing that has all the hallmarks of the epidemic of biased policing of black people.

Is “Auditory Exclusion” Science or Subjectivity?

 

Professor Philip Stinson, a former cop and criminal lawyer who now teaches at Bowling Green State University, maintains the most comprehensive database anywhere on police officer prosecutions for killing civilians. Out of 77 officers charged with murder or manslaughter for killing a civilian since the start of 2005, he said, none appears to have argued in court that “auditory exclusion” excused their actions.

“From my standpoint, it’s completely nuts,” Stinson told ThinkProgress. “I don’t see this being admissible at all.”

But researchers diverge on whether people can go temporarily deaf under duress.

Those ThinkProgress reached who study the brain’s physiology said they know of no research supporting it. “Stress does all sorts of things to sensory systems,” wrote Stanford neurologist Dr. Robert Sapolsky, “but the idea of deafening is ludicrous.” Dr. Andrew Steptoe at University College London, who studies “peritraumatic dissociation” during episodes of intense fear or stress, said the idea is plausible “but I know of no solid evidence for this.”

But approached from a psychologist’s perspective, the theory is better grounded. Penn State Behrend associate professor Melanie Hetzel-Riggin said it helps to imagine the difference between hardware and software here.

“On the hardware side, they’re right, there’s probably no physiological problem in that your hearing itself is fine. What’s happening is the info isn’t going anywhere,” she said. “It is possible, although I’m unaware of any research supporting this one way or the other, that during that experience of threat your hearing could be focusing on that and not anything else going on around you.”

[…]

Police training materials are commonly designed to neutralize the panic psychology that Shelby’s lawyers hope will exonerate her. Simulations like the “force option simulator” at San Diego Regional Law Enforcement Training Center are in widespreaduse.

With public pressure for reform mounting over the past couple years, police departments have invited reporters to try their hand at the simulators as part of a PR offensive.

The reporter sessions illustrate how your average geek off the street would struggle with the stresses of the job, to be sure. But the point of the training is to ensure cops are better than us at this stuff. The people whom society entrusts with deadly force and unique authority are supposed to know how to avoid such dangerous responses to something that overloads our brain’s fight-flight instincts. Police academies traditionally give 13 times as much attention to training officers to handle violent situations professionally as to deescalation practices.

“The good thing about police officers and other people who are emergency responders is they have all this training to make it muscle memory, to make it automatic,” said Hetzel-Riggin.

“There are many situations that are going to be perceived as less threatening, because police officers have the training, the practice.”

With all that training, there’s only one thing left – implicit bias. And all too often, when it comes to cops, explicit bias. It’s a problem everyone is tip-toeing around, and it’s the one problem which desperately needs to be addressed. Way more than enough people have been murdered by cops.

Full story is at Think Progress.

Šuŋkawakaŋ Day.

[My] Tomorrow (Saturday, 8th Oct.) will most likely see Affinity closed for the day, I absolutely have to work. I have a beautiful, 200 count, white muslin, 90″ x 108″, arriving soon, which I’ll be painting, then freehand quilting, so it can be quickly done and donated to Standing Rock for winter. I spent time on horse sketching, then pulled out my test fabric, which is most definitely not 200 count, it’s cheap muslin. Even so, I haven’t played with all the various fabric paints I’ve come by, and now’s the time, so that I don’t fuck up that lovely fabric on the way. I didn’t even get the first bloody horse finished today, and I managed to completely forget what hours bent over a table do to my spine. (Insert scream here.) The first horse is roughly 26″ x 14″. I have to finish the first horse, then get eight more done. (I also need to do this, not just for testing various media, I need to work out colours, patterns, all that jazz.) I really hate to disappoint people, and if I can get a few things posted, I will, but don’t worry if I don’t show at all. I’ll definitely be back on Sunday.

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© C. Ford.

Standing Rock (Inyan Woslata).

Standing Rock Joins the World’s Indigenous Fighting for Land and Life.

 

Frank Cooper and Kaya Littleturtle of the Lumbee Tribe of North Carolina greet Sami representatives from Norway, Inger Biret, Kvernmo Gaup, and Sara Marielle Gaup Beaska on Friday. Desiree Kane.

Frank Cooper and Kaya Littleturtle of the Lumbee Tribe of North Carolina greet Sami representatives from Norway, Inger Biret, Kvernmo Gaup, and Sara Marielle Gaup Beaska on Friday. Desiree Kane.

From Paris to Standing Rock It’s the Climate Choices Ahead.

 

President Barack Obama congratulates Senior Advisor Brian Deese on the first day of the implementation of the Paris Agreement on climate change, in the Oval Office, Oct. 5, 2016. Deese worked with Secretary of State John Kerry and EPA Administrator Gina McCarthy to make the agreement possible. Chief of Staff Denis McDonough watches at left. Pete Souza/White House.

President Barack Obama congratulates Senior Advisor Brian Deese on the first day of the implementation of the Paris Agreement on climate change, in the Oval Office, Oct. 5, 2016. Deese worked with Secretary of State John Kerry and EPA Administrator Gina McCarthy to make the agreement possible. Chief of Staff Denis McDonough watches at left. Pete Souza/White House.

Militarization and Mistaken Identity: Police Crack Down on DAPL Protectors.

 

An increasingly militarized police presence is cracking down via video and other technology to identify and arrest water protectors at Dakota Access pipeline construction sites—even when they're not present. Mary Annette Pember.

An increasingly militarized police presence is cracking down via video and other technology to identify and arrest water protectors at Dakota Access pipeline construction sites—even when they’re not present. Mary Annette Pember.

Dalrymple has managed to “borrow” up to 6 million dollars from a state owned bank, to feed police to protect people from the scary Indians and allies.  And Kirchmeier is planning to call on cops in Laramie, Wyoming, to come here and “help”.  I’m furious and disgusted.

Tribal Leaders Speak at DC #NoDAPL Rally.

 

All via ICTMN.

Hehaka Tȟahá.

I keep forgetting, I got a beautiful elk hide at wačipi. It’s back to being safely tucked away for when I have time to work on it. Roughly 70something inches x 50something inches. No, I don’t know yet. Well, I know what I’m going to do with part of it, not all, and it’s something for us, so it won’t be for sale.

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© C. Ford.

Christa Resurrected.

 The artist Edwina Sandys with her sculpture “Christa,” the centerpiece of an exhibition of more than 50 contemporary works that interpret the symbolism associated with the image of Jesus. Credit Hiroko Masuike/The New York Times.

The artist Edwina Sandys with her sculpture “Christa,” the centerpiece of an exhibition of more than 50 contemporary works that interpret the symbolism associated with the image of Jesus. Credit Hiroko Masuike/The New York Times.

Edwina Sandys had seen this before: the 250-pound bronze statue of a bare-breasted woman on a translucent acrylic cross being installed in the Cathedral Church of St. John the Divine.

This time around, however, she does not expect to see something else she had seen before: the statue being packed up after a call from a ranking church official telling her it had to go.

That happened the first time “Christa,” Ms. Sandys’s sculpture of a crucified woman, was shown at the cathedral in Manhattan during Holy Week in 1984.

A controversy erupted, complete with hate mail attacking it as blasphemous. Overruling the dean of the cathedral at the time, the suffragan bishop of the Episcopal Diocese of New York called the statue “theologically and historically indefensible” and ordered Ms. Sandys to take it away.

This time, it is being installed on the altar in the Chapel of St. Saviour as the centerpiece of “The Christa Project: Manifesting Divine Bodies,” an exhibition of more than 50 contemporary works that interpret — or reinterpret — the symbolism associated with the image of Jesus.

[…]

She came to know the Very Rev. James Park Morton, the dean of the cathedral for 25 years until 1996. “I said, ‘How brave are you?’” in 1984, she recalled. “He may not have said ‘try me,’ but words to that effect. I said, ‘How would you like to exhibit “Christa,” the female Christ?’ He said, ‘I’d be delighted.’ I took a deep breath, and that was that.”

Except with that, as Ms. Sandys put it, “all hell broke loose.” Angry letters arrived (the cathedral preserved them in its archives) and, according to Ms. Sandys, the suffragan bishop, Walter Dennis, “said he didn’t want it, and I had to come and get ‘Christa.’”

The full story of Christa is here.

It’s ‘the chinks in our armor that give us the courage’.

Zach Wood (James Miotto).

Zach Wood (James Miotto).

Zach Wood, a student at Columbia University, NY, has an excellent and poignant essay published in The Washington Post. While I highly recommend reading the essay, I do not recommend the same for the comments. I was stupid enough to click on them, and now find myself, once again, infuriated at the oblivious willful ignorance of white assholes.

As a black student from a disadvantaged background who has attended predominantly white schools since fourth grade, I’m accustomed to feeling keenly aware of aspects of my experience that are unfamiliar to most of my peers.

I’ve often thought to myself that if my peers knew about some of the scarier experiences I’ve had — like when, in fourth grade, my mom’s husband was shot at while chasing a burglar out of the house — they’d see me differently. I feared that if my peers knew more about some of the obstacles I’ve faced, they would make negative assumptions about my family or my upbringing.

I’d inferred that what many of my peers liked and respected about me was my character, my intellect and what I contributed to the school community, not the personal details about my life that caused me anxiety whenever a friend’s parents would ask me questions at their dinner table about what part of the city I lived in, or my parent’s levels of education, occupations and marital status.

While most of the questions were genuine, they sometimes felt invasive and judgmental, as if being black and intellectually driven and not coming from a family of means made me more interesting, if not harder to understand. So I mastered crafting my answers carefully, so as to satisfy their curiosity just enough to preclude further questioning and yet elude anything that might ignite what I perceived to be the subtle contours of their inner feelings about black people.

Though my circumstances changed considerably going from high school to college, I still felt a fear of judgment when probed with personal questions in casual conversation.

We can caution against it and resist it, but most of us, in some measure, naturally worry about the perceptions of others.

I certainly worried and was taken aback when asked not long ago, “Is the reason you care about poverty so much because you’ve lived in it?”

While most people who think that would not say it, it is precisely those kind of judgments that have kept me from saying more about my background, even when doing so may have lent insight or an alternative view to the perspective of others.

Click on over for the full essay.

Field Day with My Little Assholes.

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A white teacher in Maryland faced backlash after she posted photos of Black children used for humor and called them a degrading name.

In images sent to Atlanta Black Star from an anonymous source, Kelly Forostiak uses her students as props on Instagram. Her page – which is no longer available – showed she is a teacher at Deer Park Elementary in Maryland.

According to the source, Forostiak graduated from Urbana High School in Ijamsville, Maryland in 2010. Below, the teacher jokingly calls her fifth-grade students “little a——- that I somehow still love.”

There’s a whole lot more at the article, including many of the various responses from people. For me, this one summed up best:

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These comments man…Black adults justifying a white woman calling black children assholes…this is why we can’t win. We won’t even defend our children. I don’t know of any other race of people that would stand for their children being called assholes by their teachers on social media! Tf is wrong with us? “Some of them probably as bad as fuck tho” “some kids are assholes”…OKAY AND I WONDER WHERE THEY GOT IT FROM. Kids don’t pick up bad behavior and attitudes from nowhere. Gtfoh…

I’d be willing to bet there isn’t a parent alive, or any adult who works with children who has not had at least one “little asshole” thought moment, or as Stephen King once said, dark fantasies about crucifying their kids to the walls, but you don’t say that stuff out loud to the children. I will not defend any adult who says such utter isht to children, and apparently, everyone thought the costumes and racist captions weren’t even much worth mentioning.

Regardless of the social media divide, The Baltimore Sun reported Forostiak’s expletive caused her to face disciplinary action. Baltimore County schools spokesperson Mychael Dickerson told the newspaper Forostiak regretted posting the image and making the comments. Dickerson declined to detail exactly what punishment the teacher will face. However, he noted Forostiak is currently employed in the school system and accepts her discipline.

I rather expect that means a slap on the wrist, a la “FFS, don’t be a moron on social media!”

Full story at Atlanta Black Star.

Cool Stuff Friday.

Embroidery Artist Weaves Memes with Modern Feminism.

Images courtesy the artist.

Images courtesy the artist.

Leather Landscapes as Self-Portraits of Fetish and Devotion.

Tamara Santibañez - Landscape II (Massif) - 40" x 60" Oil on canvas, 2016. Image courtesy of Slow Culture Gallery.

Tamara Santibañez – Landscape II (Massif) – 40″ x 60″ Oil on canvas, 2016. Image courtesy of Slow Culture Gallery.

 

Tamara Santibañez studio, image courtesy of CJ Parel.

Tamara Santibañez studio, image courtesy of CJ Parel.

[I really, really want to own that.]

Bacteria-Inspired Art Infects a Chelsea Gallery.

Bomb Ayran, Slavs and Tatars, 2016.

Bomb Ayran, Slavs and Tatars, 2016.

 

Make Mongolia Great Again, Slavs and Tatars, 2016.

Make Mongolia Great Again, Slavs and Tatars, 2016.

The Miniature Beehive Nightclub Is for City Bees Only.

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All via The Creators Project.