Fighting for Cultural Survival.


Everything Anywhere.

A steel blindfold covers the head of a human female figure, yet, unlike Lady Justice, her arms and legs too are bound. Fiber, in an interlocking braid, ties her wrists, wraps her neck and belly, and snakes down to hitch her legs at the ankles. Over her shoulder, however, her hands clutch the means to freedom from her bondage: a soft white blade digs beneath the rope around her neck. Salvation via ceramics.

Artist Cannupa Hanska Luger was born on the Standing Rock Reservation. He is of Mandan, Hidatsa, Arikara, Lakota, Austrian, and Norwegian heritage. A graduate with honors from The Institute of American Indian Arts, in 2016 he was the recipient of the Native Arts and Cultures Foundation Artists Fellowship Award for artists who “represent the cultural continuity of Native peoples in contemporary contexts, and are the creative voices of their communities.” His work in sculpture is figurative yet imaginative, assembling a panoply of cultural symbols—feathers, bones, textiles—into signifiers all his own. More mythopoeic than surreal, it frames him as a medium, a psychic intermediary between colonizer and Native, ancient tradition and modern understanding, soft clay and hard ceramics.




The Creators Project has an interview with Cannupa Hanska Luger, you can see and read much more!


  1. rq says

    The video (Mni Wiconi) was powerful, with a serene gravity that was also urgent yet somehow not depressing.
    I haven’t looked through everything, but he’s got some neat stuff -- I liked “Once Upon a Time There Were Human Beings”.

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