The Day After.

It’s the day after pain clinic, and I have the best pain people ever, they take great care of me, and it’s always nice to see them, tell stories, and catch up. For all that the visits are good, the days after aren’t so grand. I’m having trouble sitting, and I hate taking pain meds so early in the morning, so I’m going to wander off and have a very quiet day not sitting. I’ve reached the ‘Spirits of Malice’ section of The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters, by Scott G. Bruce, where monks have given in to writing more salacious accounts of the undead, so that will keep me occupied.

I’ll leave you with a forensic account of someone who was in considerable pain prior to a vicious killing blow, a young Danish Medieval Warrior. A summary is at Medievalists, the full paper is available from Scholars Portal. I’ll see you all tomorrow. I think.

Guess Me.

Guess Me, a curious collection of enigmas, charades, acting charades, double acrostics, conundrums, verbal puzzles, hieroglyphics, anagrams, etc. Compiled and arranged by Frederick D’Arros Planché; 1879; Pott, Young and co. in New York.

Illustrated by George Cruikshank among others, this example of good old-fashioned and wholesome entertainment offers a collection of enigmas, conundrums, acrostics, “decapitations”, and a series of incredibly tricky rebuses. The preface explains that an enigma can have many solutions whereas a conundrum only has one, and that “The essence of a good conundrum is to be found in its answer, which should be itself something of a pun, a puzzle, or an epigram, an inversion of the regular and ordinary meaning of the word.”

There are 631 conundrums:

A sample, click for full size:

Oh, these are awful, and quite wonderful, well, some of them. There’s quite a bit of casual racism and misogyny to be found, too. Via The Public Domain, or you can just click right over to the book.

Challenging Oxford: World’s Oldest Zero.

Bakhshali manuscript – image courtesy Bodleian Libraries, University of Oxford; Science Museum.

An international group of historians of Indian mathematics challenges Oxford’s findings around the age and importance of a manuscript thought to contain the oldest known zero.

Last month, the Bodleian Library at Oxford University announced that a Sanskrit manuscript housed in the library for the last century had been dated using radiocarbon techniques. Oxford’s radiocarbon dating laboratory announced that the three of the birch-bark folios of the Bakhshali Manuscript could be dated to roughly 300 CE, 700 CE and 900 CE.

[…]

An international group of historians of Indian mathematics has now challenged Oxford’s findings.

The team, which includes scholars from universities in the USA, France, Japan, New Zealand and the University of Alberta in Canada, has published a peer-reviewed article that refutes several of the Library’s key assertions.

[…]

The international team ends its article with a plea to Oxford University’s Library that important and complex scholarly topics should be published through established academic channels involving peer-review, and not through sensationalizing press releases to the media.

Medievalists has the full story. Also see The First Zero. The article in the journal History of Science in South Asia.

Faust 1.

Title page and opening pages of Faust, by Harry Clarke. Note the beautiful self-portrait in the last image (Clarke as Faust, figure on the right). One thing that’s fun to do with all of the illustrations is to count all the eyes. Many, lots! :D There are some noted phalluses, too, but those are a bit later on.

Intro to Faust.

The Trouvelot astronomical images end today, and tomorrow, we’ll start with Harry Clarke, a prolific and incredibly talented stained glass artist and illustrator. Clarke died very young, age 41, but left an amazing amount of work, and most of the books he illustrated are still in print today. Clarke had a habit of incorporating self-portraits into most all of his work, including his stained glass work:

Left: Photograph of Clarke in the posture of crucifixion. Right: Detail, Crucifixion (1920).

All of Clarke’s illustrations are amazingly beautiful, even when they depict the macabre. In 1914, a decade before he would illustrate Goethe’s Faust, Clarke depicted himself as an absinthe drinking Mephistopheles:

Mephisto (1914), Clarke’s self-portrait as an absinthe drinking Mephistopheles.

Clarke’s The Last Hour of the Night (1922), the frontispiece for Dublin of the Future, the prize-winning design for an urban planning competition staged in 1914 (but not published until 1922 because of the intervening violence and devastation).

It took me a while to decide on doing Clarke’s illustrations, simply because it would make for a very long series, but they are all exquisite. So, we’ll start with Faust, then move on to the illustrations for Poe’s Tales of Mystery and Imagination, then on to Hans Christian Andersen’s Fairy Tales. We’ll be traveling with Harry Clarke for a bit over three months.

Most of the posts will have more than one image – opening pages will be together, as will decoratives, and beginning and chapter ends.

Renaissance Superheroes.

These amazing photos rocked my world, and there are so many of them! These are not paintings, they are photographs. From Vintage News:

The project named  Super Flemish by Goldberger has created a series of photographs that portray ultimate pop culture characters of the caliber of Spiderman, Yoda or even villains such as Darth Vader, in a Flemish treatment. The photos largely resemble 16-th century paintings, and it has taken Sacha two years to complete the ambitious project. A team of twelve people has put efforts in making the flawless makeup, hair and special effects that can be noticed on the photographs.

“A lot of the job was done before and during the shoot. Pierrick and Sebastian, my digital retouchers, helped me to get the precision and the perfection I was looking for in this series,” says Sacha. “All of it was incredible; it was like a dream come true.”

“When you see the Hulk in front of you and you, ask him to look romantic, it’s crazy. The Joker was also very impressive. He endured three hours of make-up and started to act like Heath Ledger in the movie, The Dark Knight,”  adds the French photographer.

And from Sacha Goldberger’s site:

What if Superman was born in the sixteenth century?
And what if the Hulk was a Duke?
How might Van Eyck have portrayed Snow White?

Sacha’s discovery of these characters, which goes back to childhood, gave birth to a desire
to re-appropriate them, to take them back to a time forming the cornerstone of modern western art. Sacha wants to confront these icons of American culture with contemporary painters of the Flemish school. The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times. It also invites you to celebrate the heroes of your childhood. These characters have become icons to reveal their humanity: tired of having to save the world without respite, promised to a destiny of endless immortality, forever trapped in their character.
The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to « fix » their narcissism denied. By the temporal disturbance they produce, these images allow us to discover, under the patina of time, an unexpected melancholy of those who are to be invincible.

As science fiction meets history of art, time meets an inexhaustible desire for mythology which is within each of us.

Oh, go have a wander and look at all of them! Super Flemish and Sacha Goldberger’s main page, and Flemish in the Stars (Renaissance Star Wars).  Look at everything! And thanks to PZ for yet another timesink, I really needed another one. (Just a pinch of sarcasm there…)

The Powdercap Strangler.

The Earthy Powdercap Mushroom was minding its own business, living out a perfectly good mushroom life in Clumber Park, a pleasant, woodsy spot in Nottinghamshire, England. But it was in danger. A rare fungus was taking over—until, like a sci-fi alien erupting from a human chest, the bodysnatching fungus burst from the mushroom’s head.

These perfectly nice Powdercap mushrooms became victims of Squamanita paradoxa, the Powdercap Strangler, the Nottingham Post reports.

The Powdercap Strangler is a shadowy character. First discovered in 1948, in Oregon’s Mount Hood National Forest, the Strangler is rarely seen. It rears its actually pretty ugly head in parts of the U.S., Canada, and Europe, but everywhere it’s found, it’s an unusual sight. In the U.K., it’s only been found 23 times.

These particular Stranglers were found during a foraging expedition in the park, and identified by the British Mycological Association. The species was also seen in the U.K. in 2011.

The Powdercap is an orange mushroom, and even after the Strangler takes over, it retains an orange stem, to hold up its own grey head. As one mycologist puts it, the Strangler’s “mushroom erupts in place of the host’s mushroom.”

Atlas Obscura has the full story.

While you’re there, don’t miss this very interesting story about The Secret History of Paris’s Catacomb Mushrooms.

A Parisian inspects mushrooms growing in the tunnels underneath the city. Documents Mairie de Paris-Inspection générale des Carrières/All Rights Reserved.