Ruheforst Mushrooms, part 2

A few more of the mushroom specimens snapped by Avalus at the natural burial forest.

Everything was totally dry and this one excreted water. I was (and still am) very puzzled. ©Avalus, all rights reserved

Tiny guys squeezing between the bark and the wood. I was fascinated. ©Avalus, all rights reserved

©Avalus, all rights reserved

Just a group of sulfurshrooms with a green sheen. ©Avalus, all rights reserved

Thanks Avalus. I really like the different perspectives that you’ve used. Each one seems perfectly suited to its subject. Check back tomorrow for the next installment of ‘shrooms.

Tree Tuesday

These stunning photos are from DavidinOz and they were taken along the Murray River in Swan Hill, Victoria. David says he was fortunate to be there at the “golden hour” and I have to agree. The light is golden and tinged with just a smidge of rose. The exposed tree roots alone make for dramatic photos, but combined with that light they become something special. Thanks for sharing, David.

©David Brindly, all rights reserved

©David Brindly, all rights reserved

©David Brindly, all rights reserved

Light Magic

It’s an open secret that LED fairy lights were invented for me. I love lights and there’s an abundance of solar powered lights around the house in summer and (rechargeable) battery lights in winter inside. So to combine resin and lights was a natural step. Especially since Marcus sent me a crystal mould and a handmade big globe mould.

I first tried my regular resin with the crystal. I absolutely love how the colour came out and how the copper metal foil really makes it all mysterious.

©Giliell, all rights reserved

But, but, the resin clearly wasn’t the right one for such a project. It cured too quickly and with too much heat. You can see the bubbles all around.

resin crystal

©Giliell, all rights reserved

So back to the computer to get a different resin. This one cures a lot more slowly and with less heat and is more suitable for bigger projects.

resin crystal

©Giliell, all rights reserved

This one cured nicely without too many bubbles, though the longer time meant that my metal sunk down more than I like it. The opaque sheen is due to the acrylic paint I added for the colour.

resin crystal

©Giliell, all rights reserved

I used one of the solar fairy lights Marcus sent in this project.

Now on to the big globe. I first ran a trial freezing water and then deemed it suitable.

resin globe

©Giliell, all rights reserved

The mould is not quite perfect with some bubbles at the top, but with such a project you won’t notice that anyway. This time, my metal rose to the top and there are still some bubbles, but I think they add to the otherworldly flair.

But man does that resin eat itself. I swear the mould was filled completely. It#s not a problem here, since a perfect globe wouldn’t rest nicely on my window sill, but I think it would be best to refill part of it after a day or so.

resin globe

©Giliell, all rights reserved

I Had Plans

They didn’t include a break, but as it happens, ’tis the season.

Last y’all heard of me, I was becoming a star, and I expected to be back on track by now – turns out, two post-1am nights plus a workday plus a day of rogaining followed by a day of children’s tae kwondo tournaments isn’t exactly a recipe for recovery (after 22km and a record* 48 points in 4 hours on Saturday, I hope you believe me I was practically dead on my feet come Sunday, but parental duties meant I got to sit in a gym for most of the day, keeping a little person’s nerves calm)… and then there was the work trip to Vilnius, and then the centennial celebrations plus my mum’s birthday this weekend. That’s a long list of excuses, but there you have it, at my age, excuses is all you have. I’ll be back on track with a couple of more Macedonia posts (have to finish with those before the next trip comes up, and that, as it turns out, has come up a lot faster than expected, by request of the project leaders and I have two kinds of thoughts about that), I have at least one more post from Austria, and then a few randomly selected picture essays from the summer and early autumn.

In the meantime, please accept my apologies, some rather boring photos from the show (I am in the circle of light) and this lovely song by The Stars, which quite often reflects my ideas about life, planning, and my own expectations. I can write a script and set the scene as much as I want, but life provides its own twists and turns and cliffhanger endings. In other words, I am fine, and I apologize for not keeping up with the rest of you, especially with my forest raking. ‘Intermittent’ is my middle name.

  • A record for my team and I, since we’re not hardcore and we don’t run, we maintain a fast walk, preferably between 5  and 6 km per the hour, take breaks in picturesque locations, and collect as many points as we can. Previous high-scoring events have topped off at 43 or so.

Funeral Care is Changing and Becoming Green

 

There’s a growing movement to wrestle death care away from the needlessly expensive hands of the Funeral Industry and to return to simpler methods of care and burial of the dead. The Order of the Good Death is an international organization committed to helping people find safe, green, affordable and natural options for burial. The Order is young, but growing quickly in part as a response to the startling statistics about our modern burial practices.

“American funerals are responsible each year for the felling of 30 million board feet of casket wood (some of which comes from tropical hardwoods), 90,000 tons of steel, 1.6 million tons of concrete for burial vaults, and 800,000 gallons of embalming fluid. Even cremation is an environmental horror story, with the incineration process emitting many a noxious substance, including dioxin, hydrochloric acid, sulfur dioxide, and climate-changing carbon dioxide.” via Just How Bad is Traditional Burial?

One of the primary chemicals used in embalming fluid is formaldehyde, making all those gallons of embalming fluid highly toxic. Practitioners are required to wear full body and face protection and the chemicals aren’t always safely contained in our modern sealed caskets and concrete vaults. Flooding, earthquakes and even simply shifting ground can allow embalming fluids to leach into the soil and ground waters.

Cremation isn’t much better, releasing many dangerous pollutants into the air. There is, however, a new technology available called Aquamation which chemically breaks down a body using Alkaline Hydrolosis. The process is simple and transformative according to green funeral director Jeff Jorgenson

The AH process is that of heating a solution of water and sodium hydroxide (NaOH) or potassium hydroxide (KOH), which breaks down the complex molecules that make up the soft tissue of a body. In most human AH machines, this solution is pressurized and heated well above the boiling point of standard atmosphere. This high pressure/high temperature accelerates the breakdown of these complex molecules to a liquid. What remains are just the bones of the deceased, which is the same result you see with cremation. The process in human machines takes around three hours. Most animal AH machines however, this one included, do not use pressure for the process and thus, the temperatures used in the process are far lower, and that equals a longer processing time. This longer process means that you must perform multiple aquamations in one cycle to make it viable…

The water at the end of the cycle then gets discharged into the sanitary system like all other waste water. I would like to take a moment to explain that the liquid that is discharged is nutrient rich and safe enough to use in the garden for all of your vegetables. In cremation, all the tissues and liquid are vented up the chimney in the form of particulates and steam. In the both cremation and AH, what is returned to the family is simply bone and trace materials.

Aquamation is new technology and it may take some time before it becomes widely available and accepted. For those who want a more natural disposition of their dead there are green cemeteries popping up where bodies are simply buried in the soil with only a natural shroud or a biodegradable coffin. There are also now burial suits that turn bodies into clean compost. Decomposition is natural and safe. There is also a growing number of funeral directors who will assist you to be involved in the care of the body at your own level of comfort. That may be as simple as helping to wash and dress the dead or as complex as keeping the body at home and arranging for transport and burial. It is not a legal requirement that bodies be embalmed and it is perfectly safe to keep a body at home for several days with simply ice packs to slow down decomposition. 

A home funeral is what used to be called”a funeral,” since all funerals took place in the family home. Nowadays it means choosing to keep a body at home after death, as opposed to having the body immediately picked up by a funeral home. It is a safe and legal choice for a family to make!

Now, an important caveat is that each US state (for instance) has different laws – some states require you to hire a funeral director to file a death certificate or to transport a body.  This won’t effect the keeping the body at home part, but the funeral director will need to be involved in the process.

To find out what the home funeral requirements are where you live, you can find more detailed information here.

And if you’re interested in the requirements around embalming, burial, and cremation, read your consumer rights listed by state.

I encourage you to visit the Order of The Good Death. The site is full of resources and interesting articles about this growing trend in after death care. They also have information to help you begin conversations about planning for death and advanced directives. Death is a natural and inevitable part of life. There’s no need to fear talking about it.

I’d also like to thank Avalus for prompting me to write about this. His photographs of mushrooms in a natural burial cemetery peaked my curiosity. We’ll be sharing Avalus’ mushroom photos daily over the course of this week and I encourage you to check them out, too.

 

 

 

Ruheforst Mushrooms

From Avalus, information about a growing trend and a warning about climate change.

Maybe a bit macabre, so a foreword.

 Graveyards, Mushrooms and climate change, perhaps.

 In Germany there is a growing trend to be buried in a “Ruheforst”, (resting or still forest) instead of a usual graveyard. There your cremated remains get buried in a bio-degradable urn next to a tree of your choosing. There are no graves, no large markerstones, just an open, tended-to forest with many small paths and plaques on some trees. Some persons I know rest in such a place in the palatinate forest near the town Bad Dürkheim, so our family visits them every so often. Now to the bit macabre bit: It’s also a prime mushroom hunting place with usually plenty of different bolete species and other edibles. One of my grandmothers is sure, the ‘shrooms are nourished by the dead and refuses to eat any. I think they are so plentiful because by opening the forest, the trees left standing are getting more light and nutrients and so can give more of these nutrients to their mushroom-symbionts.

This year however, there were hardly any mushrooms of any kind there. The ground was very dry and most of the threes had small leaves. Instead, signs warning of forest fires were a common sight.

I did not pick up any of the edible ‘shrooms I found, but only took photos.

I have no idea, but I admired its roundness. ©Avalus, all rights reserved

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An autumn walk

I’ve been taking up daily walks whenever possible. Because fresh air is good and the outdoors is free and also I have taken up Pokémon Go again. This even means that sometimes the kids will come with me, but most of the time I am alone and take the camera with me.

I usually take the wrong lens.

This time I had the wide angle and the small tele (55-250 mm) and kept changing.

Cat outside

One of the neighbourhood kitties
©Giliell, all rights reserved. Click for full size.

pond

Da pond.
Not that impressive at 55mm
©Giliell, all rights reserved. Click for full size.

creek

Wide angle: the creek
©Giliell, all rights reserved. Click for full size.

creek

I basically dangled the camera over the creek here.
©Giliell, all rights reserved. Click for full size.

creek

©Giliell, all rights reserved. Click for full size.

creek

©Giliell, all rights reserved. Click for full size.

long tailed tit

Change of lens. I found my long tailed tits. I hope they will return to the garden soon.
©Giliell, all rights reserved. Click for full size.

Spider web

Fairy lace
©Giliell, all rights reserved. Click for full size.

thistle

Thistle
©Giliell, all rights reserved. Click for full size.

drops

Droplets
©Giliell, all rights reserved. Click for full size.

drops

©Giliell, all rights reserved. Click for full size.

Behind the Iron Curtain part 22 – Visual Arts

These are my recollections of a life behind the iron curtain. I do not aim to give perfect and objective evaluation of anything, but to share my personal experiences and memories. It will explain why I just cannot get misty eyed over some ideas on the political left and why I loathe many ideas on the right.


I have mentioned comedy in particular, but today I would like to talk a bit about visual arts – painting and sculpting.

The regime did recognize that art is an important communicating medium, and there was great use of art for propaganda. The statues to Lenin and Stalin were everywhere, although statues of Stalin were again all removed at my time of life with the regime pretending it never happened.

But putting that aside, was there another art, of the non-propaganda kind? Was there art the artists created themselves? There was, to a degree.

What was considered an acceptable art by the regime was somewhat constrained. In fact, the regime had one thing in common with fascists – a great dislike of abstract art. so the artists were encouraged to pursue a style of “socialist realism” which constrained the expression to depictions of real objects as realistically and precisely as given medium allows. So any artist who wanted to get paid for their work – that is, who wanted to get commissions from the state – had to at least do some of their work in this style. And as a consequence most of the art presented to people was in this style.

This fact does to this day warp the perceptions of many people here, me included. I used to be passably good at drawing and sculpting, but I have always struggled with achieving the nearly photograph-like precision we were told is a sign of a good artist. I think it might be a contributing factor to me never developing my own style and being so lousy at making abstractions and simplifications of human and animal forms. And to this day a lot of abstract art simply does not speak to me, because I was only exposed to most it fairly late in my life. What saved me somewhat was early exposure to cave art from Altamira, which has taught me that not everything has to be pin-point precise for a picture to be pretty and recognizable.

Perhaps art appreciation is in this regard like language – it is best and easiest taught as a child, the later you come to it, the more difficult it becomes.

But do not think that the constraints prevented artists from making great art – they did not. There were great pieces of art produced, some of the war memorials for example are very expressive and convey their meaning pretty well. But in retrospect I think that one of the worst things a regime can do to its populace is to try to regulate artist’s expressions, because that inevitably leads to blinkered and short-sighted populace.