Making a Drum Sander – Part 2 – Tilting Table

I took Sunday off and on Monday I had other things to do but yesterday and today I could work on the drum sander some more and I progressed significantly. First I finished and attached the propulsion wheel. I started that right at the beginning but it progressed slowly because I glued it from several layers of old plywood and I had to wait for the glue to dry a few times. Just before the two-day break, I soaked the surface with epoxy resin to make it harder and on Tuesday I turned and sanded it until it was passably round. I will probably give it another layer of epoxy once everything is finished, I will use the epoxy on other parts too to improve their surface hardness and strength.

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The wheel is attached to the axis with an M4 screw going through a thread drilled and cut into the axis. I hope it is strong enough and won’t get sheared off in work because I do not have any better idea how to do it. I need to be able to eventually remove this wheel in case a ball bearing gets busted and needs replacing. I am also leaving myself a bit of the axe poking out so I can power the thing with my drill in case powering it with the belt grinder does not work.

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On the right side, I added a fence with a shelf to lift the base 55 mm; on the left side, I simply added a 55 prism. Then I screwed two spruce boards on it to reinforce the structure. Though I screwed them on with the wrong grain direction of the core but it seems to hold strongly enough. Should a problem occur, I will reinforce it later or replace it with properly oriented boards.

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The base under the propelling wheel is unsupported. This has a reason – I need to be able to slide this side over the base of the belt grinder because I need to align this wheel with the motor and the spanning wheels of the belt grinder. It should not be under too much stress but I did reinforce it with steel under the wheel where there will be most of it. Again, I might add some more support later, for now, I think this suffices.

That was Tuesday done. I attached it improvised to the belt grinder and it worked, albeit it was loud as hell. I think that can’t be helped, the ball bearings are not perfectly aligned and the drum is not concentric yet and I can only solve the second of these two issues.

Today I made the tilting table to adjust the sanded thickness. And here I must thank to rsmith for pointing me to a page with useful information about how to make a very simple one.

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I started by cutting-out a piece from the lifted base. This was the plan all along, to use this space for some sort of mechanism to lift the table. On the front, I added a 55 x 20 mm beech board across. Beech is reasonably strong hardwood, it should be able to support the table. In the middle of the board is inserted a 24 mm long M8 nut with a sufficiently long rod through it. To operate the screw I tightened on it a hex nut and a winged nut against each other.

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I decided to make the table from a 15 mm particle board because the piece I had had a very smooth surface and it is straight. However, particle boards are not exactly known for their strength, so I had to reinforce it. I reinforced the rear end with stripes of beech wood for the hinges to have better and stronger anchor points. I put it under weight and went for lunch while it was setting

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After lunch, I continued reinforcing it. On the front end, I added an offcut of angle iron. That also provides a hard surface for the screw to lift the table.

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For longitudinal support, I screwed on two beech strips. I forgot the exact measurements, somewhere around 25×15 mm or somesuch. I tested it and it seemed to be sturdy enough against bending, but not against twisting due to the table being supported by a single point on the front. It should not be a huge problem if the sander is loaded in the center as it should be, nevertheless, I decided to reinforce it further with three offcuts from the same particle board intended for firewood.

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One continuous piece would be better and I had a suitable one – the one that I cut out of the base in the morning – but I completely forgot about it until these were screwed on and I did not want to go through the hassle of trimming it and drilling all the holes again. I think it is strong enough and if not, I can add more support later. I say that a lot.

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And this is where I finished today. I think the work is progressing nicely. I have a tilting table with a range of about 35 mm, which is plenty for my purposes. It takes about 80 half turns to lift from zero to full. That is enough sensitivity to sand off only tiny layers of material when needed. The whole assembly so far is sufficiently light and compact that I can easily lift it and put it under the table next to the table saw when not in use. I am reluctant to be optimistic but I do feel ever so slightly positive about this project.

Making a Drum Sander – Part 1 – Base

How the time flies – it is two years since I wrote a series of blog posts „Showing off my wood“ where I have shown various woods at my disposal for crafting. I have so much material in fact that it is not improbable but downright impossible for me to use it all up making knife handles and knife blocks, I just cannot make that many different knives alone. So I would like to make some high-quality end-grain cutting boards to convert at least some of that massive amount of material into something useful.

I started last year but I hit a snag. I need to mate wooden surfaces together perfectly, but there is no convenient way for me to flatten wooden surfaces in reasonable time and in scale. My manual method is precise, but also tiring and time-consuming. I need a drum sander to make even a few end-grain cutting boards. And I cannot buy one for two reasons. Firstly I don’t have the money. Second, I don’t have the space needed for one.

But since I have managed to build myself a belt sander, I decided this year to spend some time trying to build a drum sander too. I had more than a year to think about it and with the money these things cost, even if I spend a whole month building one, it would still be worth it.

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I started by gluing three large pieces of black locust wood together to form a large prism through whose center I put a 10 mm threaded rod. I cut the edges off on a circular saw and then I stood in front of a bit of a problem – how to turn a large-ish wooden cylinder without a lathe. I rigged up a temporary wooden structure that allowed me to span the prism in such a way that it could run against the edge of the circular saw whilst being continuously rotated with hand-held akku drill. I hope the picture makes it clear what I mean.

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It made an absolutely unholy mess and I was terrified the whole time but I succeeded in making a rough cylinder round enough to progress to other works. I will make the cylinder perfectly round and concentric with its rotational axis later.

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I swapped the threaded shaft for a smooth 10 mm one and to secure it to the cylinder I drilled 3 mm holes throughout it and the shaft on both ends and I drove 3 mm hard steel through the hole. I hope it’s strong enough for the forces needed, if not and it shears off during work, I will have to think up something better. I also cut grooves in the shafts to secure one ball bearing on each side with circlips. I later decided to use two ball bearings, with the second one being put near the first one and not being secured with circlips. As you can clearly see, I am making things up as I go along and I do not always know what I am doing.

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A 15 mm particle board from an old PC table serves as a base to build upon. To hold the ball bearings I cut short boards from hardwood (beech) and I made cutouts for the ball bearings between two pieces and screwed them together with long wood screws. It appeared to be reasonably strong and it held the ball bearings firmly, but it was a bit wobbly. So I glued 15 mm particle boards to the beech boards to widen the bases a bit.

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While the glue was setting on that, I trimmed the edges of the cylinder. I used the boards that held it in the circular saw jig and a hand-held drill as the source of rotation again. That left me with only one hand free to trim the edges but a hacksaw blade proved to be quite efficient at that. Setting the initial groove was a bit fiddly but once started, it went easily, albeit slowly. The edges are not perfectly square and flat but they do not need to be.

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Once the boards for holding the ball bearings were glued together, I glued them to the base with five-minute epoxy. Epoxy is expensive, but I needed a strong bond to make subsequent works easier.

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Once the epoxy cured, I added 4 80 mm wood screws through the beech cores and then also multiple 6 mm bamboo dowels glued in with PVA glue. I do hope that is strong enough in itself but it was additionally reinforced with the last step.

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 There are strong anchor points on the base for the ball bearings and I changed the way they are held between the boards from the temporary wood screws to the final solution – I put two M8 rods through the whole thing with pronged nuts hammered into the particle board base and wing nuts on top. It holds the ball bearings firmly in place and the cylinder can rotate freely.

And this is where I am right now. Next, I can start working on the propulsion part.

During all this work I am also spending a lot of time just thinking not only about each step but also about what might be the main challenge of this project – the adjustable sanding thickness. I have several ideas but they all are fiddly and complicated and I would like to keep things as simple as possible. The simpler the mechanism, the fewer potential points of failure. I won’t even attempt to make some sort of automatic feeding – the wood will be fed through the machine manually (if I manage to make it work).

A Soaring Eagle Knife

In a sense, this knife was in the making for over twenty years. At least more than twenty years ago I drew the picture of a soaring eagle for the purpose of using it to adorn a knife. Initially, I wanted to etch the image on the blade, but I made this blade with a ridge, thus it could not be fitted on it. So I decided to use it on the leather sheath instead.

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The blade is mirror-polished and it was a major PITA to take a picture. One day I will simply have to invest time and money in a better lighting setup. I just don’t want to.

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© Charly, all rights reserved. Click for full size.

The handle is made from the same material as the kestrel knife, but the inserts are only from a birch polypore. The big thick white pieces contrast nicely with the wood. Which has in my opinion a much more interesting pattern than the previous one.

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© Charly, all rights reserved. Click for full size.

To take a picture of the embossed sheath was a bugger too. It is too shiny and in most pictures, it gleamed like a naked bum. At some point I had to work with what I had, I could not re-take the photos forever.

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© Charly, all rights reserved. Click for full size.

Carving and embossing all the feathers was fairly difficult, especially the tips of the wings, and I am sure it could be done better. Sometimes I think I am punishing myself with these elaborate designs. But despite its flaws, this time I do like the end result. I think it looks handmade, but not ineptly made.

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The metal fittings are from wire-brushed bronze and the washer at the end of the peened tang is shaped like a chrysanthemum blossom. It is already acquiring patina. I was thinking about whether to let it age naturally or whether to speed up the process and I decided to let things to their natural progression.

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With the blade over 17 cm long, it is a big boi. But weighing just about 392 g with sheath, it is not particularly heavy. And since the point of balance is at the forefinger just at the boundary between the white polypore and the wood of the handle, it feels very light and nimble in the hand.

A Kestrel Knife

I’ve been extremely busy these last few months, that is, I was busy when I had the spoons and the strength to do anything meaningful at all. Knifemaking has progressed at a snail’s pace, which those who read the knife blogge will know. But I did manage to finish dressing up two more blades from my first overabladeance and today I sharpened them and I started to take pictures. And I started with the smaller of the two.

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© Charly, all rights reserved. Click for full size.

I tried my hand at embossing the sheath with a picture of a kestrel, based on one of my own photographs. I do not think I have done a spectacular job, but I showed it to a few people IRL who seemed to like it. Although some thought the kestrel was an eagle. But I think that is an indictment of their knowledge of birds and not of my leather carving ability. Though honestly, I had trouble getting into the mindset needed to work, I am barely keeping depression from eating my brain.

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© Charly, all rights reserved. Click for full size.

The blade is an old design that I have shown here multiple times. Nothing new about that, but I tried some new materials for the handle and I think they show great promise for future projects.

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© Charly, all rights reserved. Click for full size.

I used strongly decomposed (spalted) wood and this time, I submerged the wood in wood dye first and then I stabilized it with a resin that cures at 80°C. And it worked very well. The dye soaked primarily into the more decomposed parts and that created an additional marbling effect to the one created by the fungus itself. The white-ish inserts are not bone this time, but also resin-stabilized material – birch polypore, Fomitopsis betulina. It looks to be very promising material, I will write about it more when making my next project with it. And the chocolate brown inserts are also resin stabilized conk – tinder fungus, Fomes fomentarius. That also looks like a promising material for bolsters, inserts, etc.

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And to cap it off, at the end of the tang is a nut shaped like a heraldic rose blossom.

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Sometime this week I will also make pictures of the second knife. That one is significantly bigger.

Moar Easter Gingerbreads

My mother made these on Sunday and only just now I got around to post them.

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© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

Knives on Snow

Winter did not want to give up yet, which suits me just fine. I wanted some pictures of my newly made knives with snow/winter backgrounds and I could not do it because the winter was insanely tepid and wet with nary a snowflake in sight. Yet tonight the weather obliged and I woke to a nice sunny day with a few cm of snow cover. Thus right after breakfast I went out and arranged all three knives and took pictures. I might never use them for the intended purpose, but I am glad I made them anyway.

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© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

I am also glad for the cold spell since it gave me reprieve from hard labor in the garden and I could spend the day indoors making knives again. I still have a lot of undressed blades to finish.

The snow melted right away and everything is soggy now.  Still more should come according to the forecast. I was just about to plant the potatoes when it started to snow and now it might take a few more days before I can do that. Hooray!

2023 Christmass Gingerbreads

Here are some of my mother’s creations she made for last Christmas. I forgot to post them at the time.

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© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

2024 Eeaster Gingrebreads

I completely forgot to post my mother’s creations for the previous Christmas. Would you be interested in seeing them now? Before you answer, here are the gingerbreads she made for this Easter.

Her hands are shaky but they are still beautiful. And delicious. And most importantly – making them brings her joy.

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© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

Habsolutly Hamazin Dhance!

Usually, I am indifferent to looking at dancing and hate doing it. but this video captivated me completely. It is a rare case of me being amazed.

I like the original song a lot but I did not listen to it for a long time. Thus I do not know why the algorithm recommended it today, but it done did do good this time. I think the performance is simply stunning in every aspect, starting with the choice of venue, the lighting, the color scheme of the costumes, the choreography, and simply everything. It must have been a lot of work and rehearsing, but the result is simply amazing. And it really is difficult to impress me with a dance routine enough to want to share it.

Chess, AI and Lessons About Societal Impact

Marcus has used chess several times in his articles about AI on stderr and in comments on Pharyngula and it got me thinking about whether there is something valuable we can learn from how the ascend of AI of sorts has impacted chess. And I think there is. First about the state of affairs as far as AI in the chess world goes.

The good:

The chess-playing AI’s are getting better and more accessible very quickly. What once needed a supercomputer the size of a wardrobe that probably used enough power to heat a household, can now be easily done by a pocket computer running on a battery. This accessibility of high-quality game analysis to anyone with a smartphone has led to a relative chess boom. Today’s young generation has unprecedented access to learning about chess games. Websites like chess.com and Lichess.org are thriving. As a result, new chess masters and grandmasters are getting younger and younger. AI has contributed to humans getting better at the game and has led to more people enjoying said game.

The bad:

Wide and easy access to AI that can easily beat even the best chess player of all time has its dark side too. Cheating both in online and OTB tournament chess is at an unprecedented level. I am not a bad chess player and not an excellent one either. But I am good enough to occasionally be paired with really good players online. And also with cheaters who like to pretend they are good. I do not know the exact number, but I have reported probably over a dozen people for suspiciously good play. One report was rejected at the time but said player was confirmed to be a cheater about a month later. One report was a mistake on my part. All the rest were confirmed to be cheaters, sometimes after a short delay, sometimes nearly immediately. And every year there is a talk about cheating in high-ranking OTB chess tournaments, occasionally even with physical proof  – a few years ago a chess grandmaster lost his title after being caught analyzing his current game with a phone hidden in the restrooms.

The ugly:

The rampant cheating online and some prominent cheating scandals OTB foster a culture of paranoia. Former world champion Vladimir Kramnik embodied this paranoia last year, when he publicly hinted that GM Hikaru Nakamura is cheating, without outright saying so. The only proof that Kramnik provided for his allegations proved only that a high understanding of the game of chess does not automatically translate to a high understanding of maths and statistics and how proofs work. But Kramnik is not alone. Allegedly the talk about cheating is behind the scenes all the time at the highest echelons of chess and suspicions are not uncommon. Rarely names are dropped and proofs are provided, but the suspicions are there all the time. I observed this paranoia in myself after losing a game egregiously and my high ratio of correct to false reporting of foul play is because I do my best to analyze the games afterward and look at some data before reporting someone. I also know that I have been myself probably twice reported for foul play (at least my opponents told me they were reporting me). Both of those reports would of course be mistaken. Funnily enough both of those instances I did not play particularly well and subsequent analysis found really sub-par gameplay on my part.

So, what to do with it, is there something to learn about how to deal with AI overtaking the arts? I think there is.

If anything, chess teaches us that the ascend of highly capable AI into a field does not automatically mean the death of said field. Chess tournaments still exist, and amateur chess players still enjoy the game of skill. People do not want to just see and admire good chess games, they want to see and admire good chessgames played by other people. And I think the same applies to art. Using AI as I tried (and failed) to do is equivalent to a chess player using AI to learn a new strategy or analyze their games. If done properly, it could help a lot of people to learn new skills faster and better than before and unleash an unprecedented boom of art. But people still want to see other people’s creations, not just slop churned out by algorithms.

However, chess avoided destruction by implementing and enforcing strict regulations. That is more difficult to achieve in arts than in chess because there is no overarching authority like FIDE and I do not know how to implement this in the real world. But an effort should be made. If someone uses AI to create a picture and then passes it off as their own creation, they should be dealt with the same way as if someone is caught cheating at chess. No galleries should display art by said artist, no auction houses should sell it and their reputation should be forever tarnished and the community should shun them and ridicule them (the last one appears to be happening, at least). They might not be plagiarizing in the sense the word is understood right now, but they definitively are not creating in any sense of the word.

I do not understand why some people cheat in a game of skill even when there is nothing tangible of value to be gained. But people still do it, my understanding, or lack thereof is inconsequential. Apparently, they do get the dopamine hit after a won game, even though they did not, as a matter of fact, win the game – a machine did that on their behalf. And there are people to be found online who consider themselves to be artists because they write elaborate prompts to stable diffusion. But they are no more artist than a teenager who uses Stockfish is a chess grandmaster.

In my opinion, just as it is not morally (and in a sense legally as far as online chess sites and FIDE go) OK to “commission” your game of chess to an AI and then pretend that you are the one who won, it is not OK to commission an art piece and then pretend you were the one who created it.


Addendum: One interesting thing about AI in chess is that whilst the AI does play better than humans, it is generally lousy at mimicking human play. I have won games in a lost position because my opponent resigned – the position was winning for them, but the winning move was so obscure and difficult to find that they could not find it in time. I also lost winning games because I lost my nerves. AI cannot (so far) mimick the time distribution of moves that people have etc. So far even AIs that are deliberately dumbed down to have a lower level corresponding to human players of some strength for the purpose of training or entertainment feel a bit “off” and there are signs that show that they are not human.


Addendum 2: AI is to art what ultra-processed fast food is to nutrition. And if unchecked, it will have the same consequences on our societal mental health as fast food had and continues to have on our physical health.

A Howlicool Knife

I am still undecided on whether to offer this knife for sale or not. It is a cursed knife, mistakes, and obstacles just kept popping up. I tried to use the oak extract blackening on mild steel fittings and it did not take. So I used heat and linseed oil and the results were great – but they got damaged badly at the last minute when I was sharpening the blade. That damage is irreparable now, although one might not spot it if unaware of its existence. I damaged the blackening on the blade too, but I was able to restore that to an almost new look. It turns out that some paper masking tapes have glue that is damaging to both blackening techniques used. It sticks too strongly after a while and it is nigh impossible to clean it off the metal surface.

Pictures below the fold.

[Read more…]

Still Not a Masterpiece

Strictly speaking, I can never make a masterpiece, because I do not know about any knifemaker’s guild or similar organization around here that could grant me one. And even if I knew, I could not be bothered with going through the hassle accompanied by obtaining one. There was a knifemaking vocational school in CZ, but a quick Google search failed to confirm whether it is still functional. When I found out about its existence, I already had my Master’s degree in Biology and Chemistry and it was not feasible to go back to vocational school at that stage of my life.

Nevermind. I just finished two knives and I do think I did a good job, although they both took an absolutely unholy amount of time to finish. The blades were first seen in the first Overabladeance post. Both blades are highly polished, which makes them a PITA to photograph. I am not entirely convinced my choice of background for these photos was correct but I am reluctant to go through all the hours of photographing it again with another color.

Lotsa of pictures under the fold. [Read more…]

Creativity AIn’t the issue

I tried to use generative AI in my last designs, both for the auroch and for the wild boar. First I tried the AI that is supplied with the latest version of Photoshop. Since I am paying for that, I might as well use it. Then I tried to use Stable Diffusion because it is free. And after that, there is no way in hell I will pay for Midjourney, even if I could afford it.

I won’t post the pictures I got here, the internet does not need more AI-generated crap to pollute it. Suffice it to say, that whilst some results looked at least somewhat interesting, most were total crap and none were useable for my purposes. Right from the outset, I found out that the AI does not actually contribute anything to my work at all.

I am one of those people who has some trouble visualizing things in their mind. Especially human faces. I would be completely incapable of drawing the face of even the most beloved person in my life. That might sound odd for someone who doodled all the time and who used to be sufficiently good at drawing to get into art school where part of the entrance examination was drawing a Goethe bust, but that is the way it is. I generally need some kind of template to get started. However, as I found out with the AI, my inability to form a clear visual picture in my mind does not mean that I start without a clue as to how the result shall look. And that is where I clashed with the AI and lost.

I got plenty of two-headed or six-legged animals, plenty of zebu or bison-like animals instead of aurochs, and a lot of domesticated pig lookalikes instead of wild boars. The pose of the animal was never right, no matter what prompts I used. Even after I wrote “auroch running from left to right” I got a picture of what looked like a pair of six-legged water buffaloes running from right to left. At one time the Photoshop AI even deleted one of three generated pictures because the prompt “auroch bull charging” somehow triggered its anti-porn filter or something.

After a few days of faffing around, I found out that my old process – which I described in my previous post – is actually the better way to go. Because despite my poor visualization skills, I still have a pretty good idea about what I want to achieve and what the end result should look like. The AI did not help with that in any way. I only wanted it to generate the picture to get started, and I haven’t got even that. I had zero control over what came out of it. It was a game of chance and I never enjoyed those.

No doubt that with a lot of work and a supply of carefully selected images to train the AI myself, I might get some useable results, but I also got those with a simple Google photo search and making a biro sketch in a few minutes. And once I had the sketch, once I got started, I built on that.

I do not consider generative AI to be completely useless but if it is creative, to me it was a hindrance, not a plus. Sure, I used it to generate dozens of somewhat unique pictures, but despite me being the one giving the prompts, I was in no meaningful way the one who actually created the result.

The results were pictorial ends to a game of Chinese whispers. Sometimes amusing, sometimes interesting, but always widely off the mark.