Tyrannophobia.

Black Phoenix Alchemy Labs.

Black Phoenix Alchemy Labs.

If you’re a fan of Black Phoenix Alchemy Lab, or just an adventurous and generous person, here’s a scent to dissent and help with, Tyrranophobia.

Fear of Tyrants

This has jack all to do with Yule or winter, but it sure does apply to current events. Proceeds from Tyrannophobia benefit the ACLU, thereby helping stem the imminent assault on civil rights. Birch tar, tea leaf, and black raspberry strangled in an iron fist.

Tyrranophobia at BPAL. Yes, I ordered the Tyrranophobia, and the Cryophobia.

Senbazuru: 1,000 Cranes.

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All photos © Johnny Tang.

In Japan there is a tradition known as “Senbazuru” (literally 1000 cranes). According to legend, if one folds 1000 paper cranes they will be granted a single wish by the gods. The cranes are usually strung together and hung outside the outer walls of a temple. As they are exposed to the elements and slowly decay, it is believed that the sacrificed cranes will carry the folder’s wish up to heaven for the gods to receive.

I am an impatient American, so I decided to burn mine.

I folded the cranes over the course of a year, personally creasing each beak and wing myself while steadfastly refusing the help of others. I did this because I wanted to know what it felt like to bring each crane into this world, and then banish it into the next. When I first started this project I was hoping to create a huge fireball in the snow. “This will be so cool” I thought, “there’s no way I could screw this up.” But when the moment of destruction finally came, the little bastards refused to even light – instead they just simmered quietly, laughing at me.

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These fabulous photos are by no means all of the ones in this project. There are many more, and you can click on each one and read all the details of that particular shot, at Johnny Tang Photo. This is stunning work, on more than one level, and it certainly deserves very wide exposure. I’m no stranger to long term projects, but I don’t think I could ever fold 1,000 cranes.

ModaMorfosis.

A Chilean artist is creating outlandish, eye-catching garments specifically to ensure that they won’t be ignored. Ingrato is the alter ego of Sebastián Plaza Kutzbach, a creative producer at The University of Chile, who uses traditional textile processes to make garments that are designed to attract attention. Kutzbach tells The Creators Project why he invented the alter ego and what he’s trying to do with it: “The project was born because of the need to show the artisan’s work that exists in my country and its devalued state because of the textile industry. Everything that I display as ‘Ingrato’ is handmade.”

Chile has a rich history of textile art. The Mapuche, for example, are an indigenous Chilean culture that are known for traditional garments, which were once so highly valued that one of their ponchos could be traded for multiple horses. Kutzbach is concerned that Chilean garments now have to compete with a globalized textile industry that’s decreasing their worth in comparison to cheaper, factory-made garments. Kutzbach’s intention is to highlight the artistry behind Chilean textiles, especially their handmade qualities, and to illustrate their creative possibilities. “The concept seeks to intervene the human body in different ways,” says Kutzbach. And considering that Ingrato translates to “ungrateful,” it seems that one intervention that Kutzback is determined to achieve is an increase in appreciation for the skilled labor involved with textile production.

Photo: Mairo Arde.

Photo: Mairo Arde.

The full story is at The Creators Project.

A Most Colourful Labour of Love.

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In Afghanistan, several men are at work in a smoke-blackened room. They sit between buckets of thick grey paint, working on benches made of dark grey stone. Lonely beams of white light shine through skylights in the vaulted ceiling onto stacks of clay tiles coated with a fine layer of grey dust. Monochromatic as the scene may seem, these men have one of the most colourful jobs in the world: making tiles for Herat’s Jama Masjid (Great Mosque).

This is an amazing story, and an astonishing labour of love and art, and the saving of living history. You can read and see much more at BBC.

Wild Gears.

Who doesn’t love Spirograph? Ars Technica has an article about Wild Gears – spirograph to next level.

Spirographs were invented in the late nineteenth century by mathematician and electrical engineer Bruno Abakanowicz, but didn’t become a popular toy until the 1960s. They allow you to create a wide range of kaleidoscopic designs by putting your pen into one of many holes in a set of interlocking gears, then using your pen to push the gears around an outer ring. I hadn’t used one since elementary school, but Bleackley’s passion reminded me of how satisfying it was to watch those amazing designs appear under my pencil.

The best part is that Bleackley wasn’t kidding with his humble boast. He’s the creator of Wild Gears, a company that makes several spirograph sets that are guaranteed to please your mathy, artsy, weirdness-loving mind. He prototypes his acrylic gears using a laser cutter at the Vancouver Hack Space, and fans can order his kits through the Ponoko store.

Via Ars Technica.

And a bonus – if you feel the need to spirograph right now, you can, online with Inspirograph!

Gifties!

We’re being happy and excitable this year. First up, this exquisite piece of swarf, used by Rick as a wrapping decoration, and it wins best wrapping deco ever.

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Isn’t that gorgeous? Then, more art supplies, and beautiful, intoxicating paper for me, from Rick. A new easel, too, in its own case! There are never enough art supplies. Can’t wait to start using these. :D

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Then, for Rick, more sharp and shiny. He’s been wanting a second machete, and this one is considerably heavier than the first one, and can be used one or two-handed. Specs after the photos:

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Specifications: Condor Discord Machete:

Overall Length: 27 inches.

Blade Length: 18 inches.

Blade Thickness: 3mm.

Blade Material: 1075.

Handle Material: Micarta®.

Sheath: Hand Crafted Wetted Leather.

Weight: 2.6 pounds.

Country of Origin: El Salvador.

And Now, Gingerbread!

Courtesy IPCC Pueblo Gingerbread House Contest submission includes a mini Pueblo building structure in a decorated bowl. Note: The submission is entirely edible.

Courtesy IPCC
Pueblo Gingerbread House Contest submission includes a mini Pueblo building structure in a decorated bowl. Note: The submission is entirely edible.

The Indian Pueblo Cultural Center’s 8th Annual Gingerbread House Contest is its most successful to date, with more than 70 submissions by adults and children.

The contest was judged last week by prominent Pueblo artists and elders, as well as leaders from the Albuquerque community. Winners in both Adult and Children’s categories will be announced on December 14, with a combined $2,500 in prizes to be awarded.

Though the formal and initial voting process is complete, the public is welcome to visit the East Lobby of the IPCC, 2401 12th Street NW, Albuquerque and vote for their People’s Choice Award favorites through January 3. The People’s Choice Award is sponsored by Isleta Resort and Casino. Winners will be announced on January 5.

Pueblo Gingerbread House Contest submission (courtesy IPCC).

Pueblo Gingerbread House Contest submission (courtesy IPCC).

 

Pueblo Gingerbread House Contest submission (courtesy IPCC).

Pueblo Gingerbread House Contest submission (courtesy IPCC).

You can read about, and see more at ICTMN.

Tattoo Tech. Or Tech Tattoos.

Taking a break from the bad news factory that is the U.S., there’s some fun stuff from Make, as always. Tattoo fun, and even people who would never dream of getting a permanent tat can have fun with some of these, and I expect sprogs would be delighted to do something like this. I’ll be delighted to do something like this!

Skintillates aren’t limited just to embedded LEDs. In their video they show a few other compelling examples of using temporary tattoos for computer input devices and sensors.

On the purely visual side, Sparkfun shared this project called ElectriCute last year. It is a tutorial on how to put an Electroluminescent Panel on your skin and cover most of it up with makeup to appear as though you have a bright, glowing, tattoo.

Chaotic Moon put together this great presentation on how they would use the technology. One thing that stuck out in my mind was the very first example showing how you can easily paint on your own circuits with conductive ink. They do a pretty decent job of mixing the circuits with some aesthetic bits.

DuoSkin really stands out with their designs. They have a few that only use the conductive material, but it is shaped in striking and pleasing ways. Then they go on to show a few other really cool examples, such as using material that changes colors when hit with heat.

Then there’s this, which I’m quite interested in at the moment:

Happy watching and making!

Kirsti Rantanen.

Snow Cover in Spring, 1979. Photo: Rauno Träskelin.

Snow Cover in Spring, 1979. Photo: Rauno Träskelin.

Nearly 70 years after she began designing textiles and making art by turning yarn and natural fibers into fabric through cultural traditions like weaving, an important figure in Finland’s late 20th century art world is getting a comprehensive retrospective. Kirsti Rantanen’s work, which is currently on display at Design Museum in Helsinki, is notable for her role in legitimizing craft processes as visual art and producing large-scale sculptures through those processes. As exhibition curator Harry Kivilinna tells The Creators Project, it’s been over 20 years since much of the work in the exhibition has been seen. “Almost all her works have not been on display since the beginning of 1990s, and the archive material, drawings and sketches have never been shown in exhibitions.”

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Kirsti Rantanen’s retrospective exhibition will be on display at Design Museum, Helsinki through March 7, 2017.

The Creators Project has the full story.