From rq, click for full size! rq says: The bluebells – actually, I don’t know what they’re called.
Blue drops? Snow drops are sniegpulkstenīši (“little snow clocks”) and these ones are called zilpulkstenīši (“little blue clocks”).
That last one is the bluebells by the walnut with a dash of dogtail. :)
© rq, all rights reserved.
A Cardinal and Brown-headed Cowbirds (male and female), from Kengi. Click for full size!
© Kengi.
I was taking photos of this lovely lady House Finch, when fella House Finch decided she was much too close to the food. Click for full size.
© C. Ford.
CREDIT: Screenshot/CNN.
The United States dropped its largest non-nuclear bomb in Afghanistan, known as the “Massive Ordnance Air Blast” or the “Mother of All Bombs,” on Thursday. This is the first-ever combat use of the bomb, which weighs 21,000 pounds.
[…]
The Trump administration’s foreign policy has been completely incoherent. Also on Thursday, the U.S.-led coalition in Syria accidentally bombed and killed Syrian forces fighting ISIS. The Washington Post called it “the worst confirmed friendly-fire incident” in the almost three-year war against ISIS.
This administration has also killed an astonishing number of civilians abroad in a short amount of time. Last month, a U.S. airstrike in Mosul killed 200 civilians, and it took almost a week for the government to acknowledge it was responsible. U.S.-led attacks in Syria in the span of two weeks last month also killed at least 79 people. And Trump authorized a deadly U.S. raid in Yemen just five days into office, which killed at least 23 Yemeni civilians, including children.
[…]
After Spicer refused to comment on whether the president authorized the bombing, a reporter asked Trump whether or not he did so.
“Everybody knows exactly what happened,” Trump said later Thursday afternoon. “What I do is I authorize my military. We have the greatest military in the world and they’ve done a job, as usual.”
“My military.” The maniac is playing with big bombs now. People are dying. Most likely those people include “beautiful babies”. Jesus Fuck. I’m out, I’m going to go pretend things are fine.
CREDIT: AP Photo/Alastair Grant.
Britain’s spy agencies played a crucial role in alerting their counterparts in Washington to contacts between members of Donald Trump’s campaign team and Russian intelligence operatives, the Guardian has been told.
GCHQ first became aware in late 2015 of suspicious “interactions” between figures connected to Trump and known or suspected Russian agents, a source close to UK intelligence said. This intelligence was passed to the US as part of a routine exchange of information, they added.
Over the next six months, until summer 2016, a number of western agencies shared further information on contacts between Trump’s inner circle and Russians, sources said.
The European countries that passed on electronic intelligence – known as sigint – included Germany, Estonia and Poland. Australia, a member of the “Five Eyes” spying alliance that also includes the US, UK, Canada and New Zealand, also relayed material, one source said.
Another source suggested the Dutch and the French spy agency, the General Directorate for External Security or DGSE, were contributors.
It is understood that GCHQ was at no point carrying out a targeted operation against Trump or his team or proactively seeking information. The alleged conversations were picked up by chance as part of routine surveillance of Russian intelligence assets. Over several months, different agencies targeting the same people began to see a pattern of connections that were flagged to intelligence officials in the US.
I have to wonder, just how much damage is it going to take? How much bigger do all the illegalities have to get? Some people are still hopeful of impeachment, but I have serious doubts on that score. Seems the U.S. has just given up on giving a shit, and there isn’t even much of a sham of an investigation going on. This is beyond disgraceful.
David Fitzgerald, Author of Nailed, has a new trilogy out, Jesus: Mything in Action. A lot of people, including most atheists, aren’t overly willing to concede that christianity could have happened with some sort of actual Jesus somewhere in the mess. Most people have settled on “yes, there was, or might have been, a rabbi who wandered about preaching outside the box stuff, and it all blew up from there.” Fitzgerald argues that it’s more likely the case there was no outside the box rabbi at all. Valerie Tarico has an interview with him about Mything Jesus, and the difference between historicized mythology and mythologized history. Interesting reading!
Tarico: Walk us through how Christianity could have emerged if Jesus never existed.
Fitzgerald: There’s nothing implausible about Christianity beginning with a wandering teacher and his followers. And it’s no skin off my nose if there was – but that’s not what our evidence points to. The further we go back in Christian history, the more diverse it appears, and the less likely it began with a single founder. Instead there are abundant indications that its origins are tied to the pagan mystery faiths.
Not that Christianity is some cookie-cutter copy of the mystery faiths – it is a mystery faith; a uniquely Jewish version of this Hellenistic theology. When the Gospel of Mark is written generations later, the mystery faith savior of Paul, the book of Hebrews, and the earliest Christians becomes an allegorical figure built from pastiches from the Hebrew scriptures. Jesus doesn’t fulfill prophecy; Jesus is a collage constructed from prophecy and other writings. And his story grows by leaps and bounds in the second century.
As Bart Ehrman and other biblical scholars have demonstrated beyond a doubt, most of our New Testament books are forgeries. None are written by anyone who actually knew a Jesus. The only genuine books are seven of the letters attributed to Paul (though even these have been tampered with). And of course, Christian scriptures were edited and re-edited to suit the needs of different religious factions over centuries. We have no way of knowing how much has changed from the original writings; for the first 150-200 years, we have a blackout period with nothing but tiny fragments of New Testament texts until complete books begin to appear at the end of the second century. Our earliest complete New Testaments only go back to the 4th century; although they differ from each other – and from ours.
And of course Christianity continues to evolve and mutate for the next two millennia, a process still alive and well – a perfect textbook example of Darwinian evolution in action. Modern Christians would have a hard time recognizing their religion in the beliefs of their earliest spiritual ancestors. In fact, most Christians of today would be the heretics of 500 years ago. Please note that all these problems of evidence remain – whether there was a Jesus or not.
I confess, I’ve never been enamored of Picasso, most of his works leave me indifferent. When it comes to his works being translated, that changes, and I like his work much more after it has been run through the mind and hands of designer Omar Aqil.
In this self-initiated project by designer Omar Aqil, Pablo Picasso’s painted masterpieces get a 3-dimensional makeover. using cinema 4D-ray, photoshop, and illustrator, the Pakistan-based creative re-imagined six of picasso’s figurative works as contemporary 3D graphics. titled ‘Mimic’, the series of visual experiments offers an alternative interpretation of some of the world’s most famous artworks.
Head over to design boom to read and see more!
Apocalyptica, Hall of the Mountain King.
Arturo Di Modica holds a model of his Charging Bull sculpture during a news conference Wednesday, April 12, 2017, in New York. CREDIT: AP Photo/Craig Ruttle.
The artist of the Charging Bull sculpture wants the ‘fearless girl’ removed, and so do I.
At a press conference on Wednesday, Di Modica’s attorney Norman Siegel argued that Fearless Girl infringes on Di Modica’s artistic copyright by “changing the creative dynamic” of his original work and ask that it be removed and placed elsewhere in the city:
“Very simply, we request, respectfully, that the Fearless Girl statue be removed. We’re not asking it to be banned… Gender equality is a very serious, substantial issue. It’s permeated throughout our society. For years, civil rights people have fought for gender equality… So that’s a real issue. None of us here today are in any way not proponents of gender equality. But there are issues of copyright and trademark that needed to be and still need to be addressed. So, remove her and place her somewhere else in the city.”
[…]
Fearless Girl is cloying, corporate feminism sponsored by a company that only has three women on its fourteen person board of directors. Only 28 percent of State Street’s senior vice-presidents are women, as are a measly 23 percent of executive vice-presidents. In defense of those stats, the company’s head of public relations told the Huffington Post that those numbers are “better than zero.” Can’t argue with that kind of logic. Who says women are bad at math?
So Fearless Girl is a cutesy signifier that signifies nothing, an accessory for selfies. She doesn’t challenge any preconceived notions about what girls can do or be; girls have long worn skirts and ponytails and played outside. Fearless girls are adored and celebrated in literature, popular culture, and life. It’s once girls become women that all their ambition scans as irritating instead of spunky, as off-putting instead of endearing. The same society that roots for ambition in girls is one that that socially, professionally, and politically punishes ambition in the women those girls will become. It’s women, not girls, who have pesky needs and opinions and goals and sex drives and reproductive organs that make their ambition too problematic to accept.
Oh, I could not possibly agree more. That girl irritated the hell out of me from the start. What, exactly is radical about a young girl in a dress? The image itself is stock straight out of the 1950s, ponytail and flared skirt. Might as well have done her up in a poodle skirt. That aside, my major problem with it was that it was a girl. The protests, the marches, they were about women. Adult women, who in the United States, are still treated as barely above chattel, and who every single day, face a fight over their right to live with the full rights accorded to men. Do we have bodily autonomy? No. Are we paid equal wages? No. Is violence against women taken seriously? No. Is there widespread parental leave and accommodation? No. Are male parents treated the same as female parents? No. Is harassment taken seriously? No. And on it goes. You can idealize girls all you like, you can tell girls they can do anything they like, but what is the point of that when they run smack into the reality of being a woman? And what about the actual reality of growing up girl? It’s not all sweet, rosy, and flying high with ambition as represented. Young girls hit the wall of rooted misogyny very early. Just ask any parent. Parents of boys are just as challenged, as they watch their sons absorbing deep rooted toxic sexism and toxic masculinity. It’s a constant fight, and it’s not one which will get any easier unless we tackle these issues head on, clear-eyed, with a focus on reality.
I don’t really care why the “fearless” girl is removed, as long as she is, and I do take Mr. Di Modica’s point. His art work should not have to suffer at the whim of a piece of marketing fluff straight out of the 1950s. Go away, fearless girl. Give me a call when you’re all grown up.
Full story at Think Progress.
A ballet about the plight of refugees, commissioned for the Royal Opera House, has been showered with five star reviews and described with words like potent and sombre. It’s the work of the Canadian Crystal Pite who has built a reputation as one of the most respected choreographers of her generation – and who is the first woman to have created a new work for the Royal Ballet in almost two decades. It’s titled ‘Flight Pattern’ and Kirsty Wark went to speak to her about using dance to engage in a difficult harrowing subject.
Beautiful and so very poignant. I wish I could see this in person.
From Ice Swimmer, click for full size! Still and gorgeous.
© Ice Swimmer, all rights reserved.
From Giliell, click for full size!
© Giliell, all rights reserved.
From rq, little wild Hyacinths, click for full size!
© rq, all rights reserved.