Renaissance Superheroes.

These amazing photos rocked my world, and there are so many of them! These are not paintings, they are photographs. From Vintage News:

The project named  Super Flemish by Goldberger has created a series of photographs that portray ultimate pop culture characters of the caliber of Spiderman, Yoda or even villains such as Darth Vader, in a Flemish treatment. The photos largely resemble 16-th century paintings, and it has taken Sacha two years to complete the ambitious project. A team of twelve people has put efforts in making the flawless makeup, hair and special effects that can be noticed on the photographs.

“A lot of the job was done before and during the shoot. Pierrick and Sebastian, my digital retouchers, helped me to get the precision and the perfection I was looking for in this series,” says Sacha. “All of it was incredible; it was like a dream come true.”

“When you see the Hulk in front of you and you, ask him to look romantic, it’s crazy. The Joker was also very impressive. He endured three hours of make-up and started to act like Heath Ledger in the movie, The Dark Knight,”  adds the French photographer.

And from Sacha Goldberger’s site:

What if Superman was born in the sixteenth century?
And what if the Hulk was a Duke?
How might Van Eyck have portrayed Snow White?

Sacha’s discovery of these characters, which goes back to childhood, gave birth to a desire
to re-appropriate them, to take them back to a time forming the cornerstone of modern western art. Sacha wants to confront these icons of American culture with contemporary painters of the Flemish school. The collection demonstrates the use of 17 century techniques counterpointing light and shadow to illustrate nobility and fragility of the super powerful of all times. It also invites you to celebrate the heroes of your childhood. These characters have become icons to reveal their humanity: tired of having to save the world without respite, promised to a destiny of endless immortality, forever trapped in their character.
The superheroes often live their lives cloaked in anonymity. These portraits give them a chance to « fix » their narcissism denied. By the temporal disturbance they produce, these images allow us to discover, under the patina of time, an unexpected melancholy of those who are to be invincible.

As science fiction meets history of art, time meets an inexhaustible desire for mythology which is within each of us.

Oh, go have a wander and look at all of them! Super Flemish and Sacha Goldberger’s main page, and Flemish in the Stars (Renaissance Star Wars).  Look at everything! And thanks to PZ for yet another timesink, I really needed another one. (Just a pinch of sarcasm there…)

Consider Soul Cakes, Turnips, & The Plague.

If you want to do something a bit different, consider Soul Cakes. There’s a good recipe here. Rather than go with carving pumpkins, why not give the traditional turnip a go?

A traditional Irish Jack-o’-Lantern in the Museum of Country Life, Ireland.

And the latest issue of Medievalist has a costume idea:

A Plague Victim.

It’s easy costume to prepare: – use beet juice rubbed on your face to create a flushed look.  Buboes can easily be made from bread dough – use honey to attach to your underarms. Wear an old dress or other clothing you don’t mind getting dirty – this way you can fall to the floor groaning dramatically. You can take advantage of the conflicting theories about the black death and, when caught eating, claim an enormous appetite is a common symptom.  You can throw your ‘buboes ’ at people, both delighting them at your humour and disgusting them at the same time!

Edited to add: I’d have a blast with  that – I’d probably go with ready to bake biscuit dough, paint the outside with food colouring, then make a hole to pour in slightly whipped cream, tinted green and yellow with food colouring, then pinched mostly closed. If you threw one of those at someone, you could properly make them scream! :D

Medieval Werewolves.

Medieval werewolves were a popular subject, but they were quite different from the slavering, unreasoning beasts of later depictions. Werewolves weren’t necessarily bad, and retained the ability to reason. Even the transformation was different.

One way of man-to-wolf transformation is to wear a wolfskin – this is most common in Old Norse-Icelandic literature, where the wolf-man is frequently referred to in skin-related terms, echoing the tradition of berserkr and úlfheðnar, battle-frenzied warriors wearing nothing but bear/wolf skin. Gerald of Wales (1146 – 1223) also reports a priest encountering a werewolf couple while travelling across the region of Ossory in Ireland. When the priest refused to perform last rites for the dying she-wolf, fearing that she might be some Devil ’s trick, the man-wolf ‘unzips ’ the wolfskin to reveal an old woman underneath, as if it were just a coat. The difference in transformative mode results in a difference in emphasis: when the wolf comes out of the man, it is as if the wolf – the wolf is the essence. In the medieval portrayal, on the other hand, even though in some cases the wolfskin/form does bring out the beast within, the man is only wrapped,hidden, but never destroyed, and the werewolf is more like a riddle, waiting to be solved.

In Jim C. Hines’s Princess series, I loved that the character of Red Hood was this form of werewolf – the inside of her red cape was a wolfskin. If she flipped it so the wolfskin was on the outside, she transformed.

Medieval werewolves got along just fine in knightly and courtly sense.

‘Be a wolf, have the understanding of … a man!’

The quote above is from Arthur and Gorlagon, [English starts on page 24] one of the four Arthurian Romances written in Latin. In the story, King Gorlagon is turned into a wolf by his treacherous wife. She could have gotten away with the crime, had she not made the mistake of enhancing ‘the understanding of a man ’ instead of  ‘the understanding of a wolf ’. A most unlikely mistake, and most unfortunate on the wife’s part, but it brings another major difference between modern and medieval werewolves: the medieval ones are rarely savage monsters; instead, they can be surprisingly intelligent, rational, and well-behaved. Melion, Bisclavret, and Gorlagon find no difficulty in mingling with the king ’s knights and courtiers – Gorlagon even sits on the horse and waits on the king’s table ‘with his forepaws erect ’. Granted, courtesy does not make werewolves mild and friendly creatures, but even when they perform some deeds of violence, that violence is well justified. Take Bisclavret for example: the wolf inflicts great harm upon his wife and her lover, but the action is read as revenge, thus confirming, rather than forfeiting the wolf ’s humanity.

Werewolf (1512).Lucas Cranach the Elder .Gotha,Herzogliches Museum (Landesmuseum).

Other differences were transformation triggers; Medieval werewolves were not ruled by the full moon. Bisclavret transformed at will, with no regard to the moon. There were two tales which did take a lunar trigger into account:

The only example of a full moon transformation is found in Otia Imperialia or ‘Recreation for an Emperor’, a speculum written by Gervase of Tilbury (1150 – 1220) for Otto IV (1175 –1218).  Gervase reports men turning into wolves ‘according to the cycles of the moon’. He gives two examples:The first, is a certain Pons de Chapteuil, a knight-turned-vagabond that becomes mad while ‘wandering alone like a wild beast … deranged by extreme fear’. Despite Gervase’s earlier mention of the moon, Pons de Chapteuil’s transformation is primarily a physical manifestation of his social identity and emotion. The other werewolf is Chaucevaire, who does transform under lunar influence, but does so only when there is a new moon, the opposite to a traditional full moon transformation. The connection between the werewolf and the moon the etymology of the Latin word moon, luna, which is associated with lunatics. Their loss of human reason dehumanizes them, rendering them figurative beasts, which, as the previous point shows, apparently is not the case with most werewolves.

In the Discworld Watch books, Terry Pratchett compromised with his primary werewolf character, Delphine Angua von Uberwald, who could transform at will, but was subject to an irresistible trigger at the full moon. Medieval werewolves also didn’t have an appearance which was distinct from natural wolves. They might have been a bit larger, but that was all, so there was no easy way to distinguish a werewolf.

I can’t help thinking that Aargh, the English Wolf would have considered them all with disdain.

From Medievalists, an article by Minji Su, Current DPhil student at Oxford university, researching on werewolves in medieval Icelandic literature.

Spirits of Malice and Other Undeadness.

New book!

The Penguin Book of the Undead: Fifteen Hundred Years of Supernatural Encounters, by Scott G. Bruce.

Just got this downloaded, really looking forward to it. Came across this at Medievalists, in a short article about how Medieval people dealt with those pesky dead people who refused to stay dead and buried. The cover art, which I think is fabulous, is by Anton Semenov, check out more of their work here.

This will make lovely nighttime reading.

Schembart Carnival Fashion (1590).

Illustrations from a 16th-century manuscript detailing the phenomenon of Nuremberg’s Schembart Carnival, (literally “bearded-mask” carnival). Beginning in 1449, the event was popular throughout the 15th century but was ended in 1539 due to the complaints of an influential preacher named Osiander who objected to his effigy being paraded on a float, depicting him playing backgammon surrounded by fools and devils. According to legend, the carnival had its roots in a dance (a “Zämertanz”) which the butchers of Nuremberg were given permission to hold by the Emperor as a reward for their loyalty amid a trade guild rebellion. Over the years the event took on a more subversive tone, evolving to let others take part with elaborate costumes displayed and large ships on runners, known as “Hells”, which were paraded through the streets. After its end, many richly illustrated manuscripts (known as “Schembartbücher”) were made detailing the carnival’s 90-year existence.

We are unsure what the flaming “artichokes” are all about, if any one has a clue do let us know in the comments!
*UPDATE* solved – according to Christies: “They brandished lances and bunches of leaves – known as Lebensrute — that concealed fireworks.”

Christians, they just have to ruin everything. Oh, the costumes are utterly fabulous, and there are many more to see here, and the full manuscript can be seen here. There are certainly many fine costume ideas to be had, they are all grand.

Bird Gods.

A fascinating little book published in 1898, by Charles DeKay, it travels all over the world in pursuit of Bird Gods and myths about birds. There are many stories from Finland, I’d love to know if they are at all still known. (Hint, hint to Ice Swimmer & Lumipuna).

Speaking fluent German, French, and Italian, as well as studying Latin, Greek, and Sanskrit, DeKay’s linguistic background is apparent in the book as he traces the various cultures and mythologies that the different birds appear in. He presents the idea that, rather than the more distant celestial objects, it is the animals that have surrounded us which have been the root of religious ideas. Each chapter in the book presents a different bird, from the owl and peacock to the woodpecker and the dove, as well as the gods these birds represented. In his preface, DeKay writes of how humans have shared their belief in nature and that this still exists in us no matter of religion, language, or ethnicity, urging his readers to respect nature and not destroy it without reason. He writes:

[…] recollection of what our ancestors thought of birds and beasts, of how at one time they prized and idealized them, may induce in us, their descendants, some shame at the extermination to which we are consigning these lovable but helpless creatures, for temporary gains or sheer brutal love of slaughter. The sordid men who swept from North America the buffalo, the gentlemen who brag of moose and elephants slain, the ladies who demand birds for their hats and will not be denied, the boys who torture poor feathered singers and destroy their nests, are more ruthless than the primeval barbarians. […] The marvellous tale of the share birds have had in the making of myth, religion, poetry and legend may do somewhat to soften these flinty hearts and induce men to establish and carry out laws to protect especially the birds.

The illustrations by George Wharton Edwards are gorgeous. You can read or download Bird Gods here. Via The Public Domain Review.

Turtles All The Way Down.

Paul Kidby’s illustration of Terry Pratchett’s Discworld: a large disc resting on the backs of four elephants, which are in turn standing on the back of an enormous turtle called Great A’Tuin, as it swims through space. Illustration: Paul Kidby/Orion Books.

Me, I don’t live in ‘merica, this is Turtle Island. World turtles figure prominently in many cosmologies, and Atlas Obscura has a look at them.

NY: Oddities Market.

If you are or can be in Brooklyn, NY on December 2nd or 3rd, get your tickets now for The Oddities Market. If you buy through Atlas Obscura, you get in before everyone else, so there’s the opportunity to grab the best of the odd.

A holiday market of the most curious kind, featuring the best purveyors of odd and unique gifts plus the promise of a visit from Krampus? This is a seasonal affair you won’t want to miss. And with this special VIP presale, offered exclusively though Atlas Obscura, you’ll gain first access to the holiday market before it’s opened to the general public.

Following the overwhelming success of the past two Oddities Markets, Ryan Matthew Cohn and his team are returning to the Brooklyn Bazaar for the Oddities Flea Market hosted in partnership with Atlas Obscura. Inside, you’ll find a wonderful assemblage of vendors bringing you all sorts of peculiar items perfect for gift-giving season. Feast your eyes on natural history items, taxidermy, jewelry, one-of-a-kind art, bizarre flair, strange literature, anatomical curiosities, and much more.

This ticket offers you a special experience available only with VIP access. We’ll open the doors early, from 11 a.m. to 12 p.m., to grant a select few first entry into the market. You’ll skip the lines, avoid the crowds, and have early access to the best selections of goods of 65 vendors, including many new vendors. And, even after the doors open to the public at 12 p.m., you can peruse as long as you wish.

You can read more at Atlas Obscura, and grab your tickets, too.

Happy Indigenous Peoples Day.

In celebration of Indigenous Peoples Day, have a book! Nothing like some good reading. Give As We Have Always Done by Leanne Betasamosake Simpson a read, you won’t be sorry! Ms. Simpson’s site is here, Peter d’Errico reviewed here, and the book can be purchased direct from UMN press.

Repeating: 6 Banal Defenses of Columbus Day, And How You Should Respond to the Moron.

Photo courtesy starpulse.com

Photo courtesy starpulse.com

We’re going to go back in time a bit, to an article Simon Moya-Smith wrote in January this year. He’ll help you out with Columbus apologists. Happy Indigenous Peoples Day!

Glaring contradictions. Stupid fucking lies, and good ol’ American bullshit.

Yes, folks today we are talking U.S. history, and there’s nothing more politically correct than American History. It’s RIFE with soft language to spare the feelings of fuckers who desperately want to believe their homesteading great-grand-pappy wasn’t a murdering, raping, thief.

OK. So today let’s hit on the numbskullery surrounding Columbus Day. “Why in January?” you ask. Well because Colorado State House Representative Joseph Salazar, a democrat, is currently working to repeal the foul thing from the state’s list of recognized holidays. And lately he has received an onslaught of hate mail from dipshits who don’t seem to understand the seemingly elusive concept of logic and facts.

Recently, Rep. Salazar has been forwarding me these messages, and they range from fucking hilarious to seriously fucking delusional. They’re more on the seriously fucking delusional side, though.

So, I thought I’d share with you some responses you can use against the common, hackneyed pro-Columbus Day arguments you will surely continue to encounter for as long as you engage the willfully blind. Feel free to share the following with your friends or family, or maybe just that fucker who sits at the end of the bar incessantly defending the bullshit American narrative as written. (Remember: The American narrative HATES to be fact-checked. So fact-check that goddamn thing any time you can.)

Okey dokey, here’s what you can say to those dullards spewing trite claims and arguments about Columbus and Columbus Day, and let us start with the most common and least accurate:

[Read more…]

Repeating: The Lie That Is Columbus Day.

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© Marty Two Bulls

Other posts from last year:

The why of the “holiday”.

A Rapist, A Murderer, Deserves No Holiday.

Columbus Didn’t Kill Us All: Taino Daca.

For Indigenous Peoples Day, Write to Columbus.

Moron Bingo!

Animal Sculptures.

Autumn is officially upon us. It’s the season of shorter days, brighter moons and bountiful harvests. Niigata prefecture, in Northern Japan, is known for its rice paddies and rice production. Around this time of year the rice harvest becomes a big deal, as well as the tons of rice straw, or wara, that is leftover. It can be plowed down as soil improver, fed to livestock, or even woven into decorative ornaments. But before any of that, for the past 9 years Uwasekigata Park has hosted a Wara Art Festival by teaming up with art students to create creatures, both large and small, from rice straw.

This year is the 10th anniversary of Niigata’s Wara Art Festival. And to commemorate, participants have sculpted animals twice as large as previous years.

The Wara Art Festival all started in 2006 when the local district reached out to Musashino Art University to seek guidance on transforming their abundant amount of rice straw into art. And in 2008, the very first Wara Art Festival was held. Since then, every year the school sends art students up to Niigata to assist in creating sculptures made out of rice straw. The festivities have ended but the sculptures are on display through October 31, 2017.

You can see more at Spoon & Tamago!

That one may smile…

Apparently, It’s World Smile Day, originated by Harvey Ball, the commercial artist who came up with the ubiquitous smiley face in the 1960s. Perhaps Mr. Ball wasn’t a fan of Shakespeare: That one may smile, and smile, and be a villain. – Hamlet.

I’m not a fan of Mr. Ball’s smiley face, I’ve always hated that damn thing, and I’ve had a lifetime of seeing it everywhere, and it’s all over the bloody net, too. Give me Kilroy any day. As a girl, and a woman, I’ve been subjected to the “smile!” command my whole life, from those I know, and perfect strangers. You can’t go anywhere without getting that obnoxious command from someone, usually a man.

Smiles don’t necessarily mean one damn thing, especially as so many of us are expected to fake smile throughout the day no matter what. Out in public, you can rarely be lost in your thoughts without hearing “smile!” or “it can’t be that bad, smile!” Kindness, courtesy, and thoughtfulness can easily take place without a smile, as well as with one. If you have a genuine reason to smile, by all means, do so, but do we really need a smile command day?

As Shakespeare noted so long ago, a smile can easily mask villainy of all kinds. Those looking to con someone are known for their easy smiles. And so on. I also have little use for making shit like this a “day”. Great, so you’re gonna smile your way through this day, then what? Go back to being an asshole the other 364? Screw smiling. If you want to make a difference, work on small kindnesses whenever you’re out and about, if you can manage them, with or without the smile. That will stretch further, and have a good chain effect, rather than a bunch of people being smiley because it’s an ‘official day’. All this crap does is promote the artificial smile, and makes people think it’s perfectly okay to keep on with the “smile!” command aimed at people they don’t know. Please, don’t do that, and if someone is not smiling, perhaps they have reason not to do so, and refraining from insisting on a smile would be a small act of kindness.

Note: Anyone who decides it would be clever to pepper a comment with smiley faces will most likely find it edited.