… illustration, by Theophile Steinlen

Des Chats by Steinlen, published by Flammarion, Paris • Artist: Théophile Steinlen 1857-1926. Image from Wikiart
Two more pendants.
I also finished some more shakers, but I didn’t take pics. I really hope that this year the little Christmas market in my friends’ village can take place so we can put up a craft stall again, or my house will burst with finished trinkets.
I got myself a small set with “everything for UV resin jewellery projects” (except a lamp, I have one already), because I wanted to have some inspiration/ a challenge to work with (and needed new UV resin) and I was not disappointed. Sadly those monthly subscription boxes you can get in the US haven’t caught on here. I’d really enjoy those.
The pic doesn’t show the snowflake background, which makes it a true winter accessory.
… graffiti, by Banksy
Rage, The Flower Thrower, 2005 on a garage in Bethlehem in The Occupied West Bank, Banksy. Image from Notes on Travelling
Now, one of the good things last year was that we finally installed a “work bench”, i.e. my grandma’s old kitchen cupboards, giving me space to work on and where I can leave my stuff over night. The downside is that it’s in the unheated cellar room. Being fully underground, that’s the coolest room in the house, as it also doesn’t get any “spare heat” from that fucking huge wood pellet furnace. This makes working with epoxy resin in winter difficult. The epoxy is not really runny, and while curing you’re prone to “Kawaii sheen”: the surface gets matte and has some dots, much like the “soft, softer, do I need glasses” blurry filters you sometimes get in Mangas or animes. That’s not a problem when you cast something in silicone: the top surface is in the silicone and thus comes out shiny, but it is a problem when you want to topcoat something.
To solve the issue I dragged a gas heater we bought during renovations from the garage to the cellar and got a new gas bottle. This worked well the first time, but apparently there’s something wrong with the switch, so I can’t actually turn it to any setting apart from “starting” anymore. But I really, really, really wanted to do some resin, so I took the UV resin upstairs. You generally only work with small amounts and little stuff, so that’s ok to do in the kitchen. I just hope that the safety googles aren’t just labelled as “UV filter”, but actually are, or my eyes are fucked.
So here’s some less artsy and more cutesy projects.
A seashell shaker. The shaker form is epoxy resin. No reason to waste lots of expensive UV resin on it. Also: white UV resin doesn’t actually cure well, because the white pigment of course blocks the UV light from reaching everything below the surface.
A seashell charm. This didn’t turn out quite as well. I should have coloured the first blue layer a lot darker, but it’s still nice.
Look who didn’t mix her resin and her dye well enough… But I actually love how the dye separated from the resin. I sealed both sides well with clear resin to make sure nothing stains or sticks.
And now my favourite: the galaxy fox:
It’s got so much sparkle, and that’s sometimes the thing you really need.
… glass, by Dale Chihuly
These photos were taken at the artist’s Seattle Gallery called Garden and Glass. Photos are by Mike Heller Photography. and there is much more to see from the gallery at his site. I’ve chosen a few of my favourites and they can be seen below the fold.
Yesterday we had a rare occurrence – a sunny day in winter. With pristine snow.
It did not lure me outside, I loathe winter with a passion and winter sports even more. But I did point my camera out of my window and did some clickety-click. It looks pretty. From the inside of a warm living room.
… death, by Pieter Bruegel, The Elder
Just my way of saying Please Put on Your Mask. Properly.
Triumph of Death, 1562, Pieter Bruegel the Elder. Image from Daily Art Magazine
… winter, by Hiroshige
Nihon Bridge in Snow (Nihonbashi setchū), from the series Famous Places in the Eastern Capital (Tōto meisho), 1843-1846, Utagawa Hiroshige, Image from The Fine Art Museums of San Francisco
Since I have spent more time making the blades than I originally intended, I have decided to go the full hog and NOT make the handles out of some plain wood. Instead, I have decided to kill two birds with one stone – to get some fancy wood for this project and to reduce the clutter in my raw material storage. I have decided to use the apple stumps that my neighbor gave me.
First I had to cut the stumps into smaller logs of course.
That was not fun. Like, at all. I hate working with a chainsaw because the work quickly exhausts my meager strengths. Luckily the battery in this small saw gets drained after about half an hour of serious work, so with two batteries, I can get in about one hour of work before having to take a long break. Which is about the duration that I can do this without trouble.
Even so, before I was done it did actually happen once that the batteries held longer than I did and I got unpleasant mild hypoglycemia. That did not happen to me for a long time, but it was a reminder that absolutely must not skip or delay meal breaks.
I also blunted and had to sharpen the chain at least three times because there were small stones embedded in the wood.
Next came cutting the logs to a smaller size on a circular saw. Another not-favorite work of mine, since my circular saw is small and not exactly up to the task. I am also afraid of it most of all my tools. But I managed it mostly, although I too blunted the blade again by hitting an invisible stone inside the wood. That was not a happy week at work. I can tell you that. This I cannot sharpen myself, I have to pay for it and it ain’t cheap.
Aaand more cutting! This time on my Crappola bandsaw. I “only” broke three saw blades before cutting most of the wood down to workable size and shape. And whilst these are cheap on an individual basis, three at once cheap ain’t no more.
And these are the pieces that I have decided to use for the actual project – there is plenty more for future projects, including some smaller pieces of burl. So I did get some value for the destroyed sawblades, only not as much as I would like to.
On the left is some partially rotten but still reasonably hard and strong root wood. It still gives a nice resonating “clonk” when struck. I do love the stripey coloring, given to it by the decay.
In the middle is some mostly healthy wood, still completely hard and strong, but with a few cracks and occasional woodborer-holes. I hereby declare that those add to the character. They are inevitable parts of wood harvested from a tree that stood dead for several years.
And on the right is some really fancy looking spalted wood. This is so decomposed (by a fungus), that it is significantly softer and less-dense than healthy wood. It sounds a bit dull when struck too. But it is still not so soft and spongey that it would be unworkable on its own. That is important, otherwise I could not do my next step.
I have cut the slabs and I cut and ground rough outlines of the handles, with a few mm to spare. This will save me some resin later on and it will also mean I won’t have to grind away as much resin-soaked wood as I would otherwise. Which is good, because working resin stabilized wood sucks. Majorly.
And now the wood is drying up on the heating radiator in my living room. Not only does it need to be completely dry before I proceed, but it also has to wait until my ordered vacuum pump arrives. I do hope it does arrive next week. It is already delayed a bit. I also hope it works OK and that I have not thrown 100€ out of the window.
I do love that I have got three sets of different woods, all from the same species but each with its own unique character. I do not think I will dye the resin for these and I will just infuse them with a clear resin, leaving all cracks and holes distinct and visible. I think there is real potential for beauty here.
There’s a box sitting in my craft cupboard of pieces that are almost finished. Seriously like 95% done and then I don’t finish them and if that’s not the story of my life I don’t know. But yesterday I made myself take out the Dremel and the polishing paste and finally finished some of them. None of these are new. I do have some larger projects planned, one that will hopefully proceed next week and one that I’m kind of respectfully dreading to start. In the meantime, here’s some pretty. With very bad pics. Just imagine the pieces being artfully draped on moss in the sunlight.
Bog oak with red resin. This piece from Marcus made me wonder for a long time, as the original was a longish rhombus. It was too long to use for one piece with resin on top and too short for two pieces. This is what I came up with, and I like it a lot. The red is pretty dark and “glows” like fire.
“Old something” with resin. The problem with photographing polished resin pieces indoors is that the light will fracture and reflect, leading to blurry pics. I had to try five times to get a pic of this piece. OK, I could set up the whole camera equipment, using indirect light, etc., etc., but who’s got time for that?
Nailed it! Got the inspiration from another resin artist. The partially sanded down nails really look cool, but they also burn your fingers when sanding…
A rose by any other name… Pear wood and dried rose bud. Here my problem was how to turn it into a pendant. For some reason, the piece ended up with little resin above the rose, so I didn’t want to drill a hole into it, not even for a hook. Yesterday I finally had an idea. I used copper wire to “hug” the piece.
I drilled a hole into the bottom, hid the ends of the wire and fixed it with some UV resin. There’s also a dollop of UV resin on the top, so the piece won’t slip out of the wire.
I also finally managed to finish voyager’s pieces. Dear voyager, they’ll be sent your way next week.
What happened here? For some reason, the resin hadn’t soaked through and sanding removed the resin soaked parts of the wood. I really should get myself a pressure pot. From 600 grit onwards, I need to do wet sanding. You guess it: the wood soaked up the water and burst the resin. One piece fell completely apart, one lost a piece at the side (yet to come)
Yeah, I actually wanted it to be that shape…
And, last but not least, a little egg. This has been made without mould or lathe, and I’m pretty proud of it.
… sculpture, by French-American artist Louise Bourgeois.
She carries 32 large marble eggs in her sac and sits quietly on guard outside The National Gallery of Canada.
This was sent in by Avalus near the end of December. I’m hoping, but not confident, that these brave little arachnids continue to survive.
I completely forgot about these pictures I took at the end of November!
Spider bridge is back!
But now with my good camera I could take nice crispy close-ups of the spiders. Also a Glowspider! Happy Holidays PZ
There are still some orbweavers left, exploiting the night-lights in the railing but in November, the railing was full of webs. Now they are a scattered few. But it is really warm, 5-15°C, we had one day of snow at the beginning of December.
The rest of the photos are below the fold.