I love the way Beardsley draws armour. It’s so highly decorative with all sorts of complicated and intricate patterns and a feminine cut and drape. His chainmail hangs like silk, and the overall effect is one of weightless beauty.
I love the way Beardsley draws armour. It’s so highly decorative with all sorts of complicated and intricate patterns and a feminine cut and drape. His chainmail hangs like silk, and the overall effect is one of weightless beauty.
Library sciences have come a long way since the days of card catalogues and racks of periodicals. Most records are now kept digitally, and many historical records have been converted to digital files. It’s because of all those digital files that historian Scott Sandage was able to track down the full copy of Frederick Douglass’ words regarding a monument in Lincoln Park that should be removed.
The statue in Lincoln Park, known as the Emancipation Memorial, depicts the 16th president beside a Black man who, depending on how you see the piece, is either kneeling or rising. It’s supposed to commemorate the end of slavery—but in any interpretation, the Black man is physically lower than Lincoln himself, leading critics to see the statue as a paean to Lincoln’s generosity, and not a testament to Black Americans’ own roles in their liberation. “Statues teach history,” says Glenn Foster, an activist with the Freedom Neighborhood, who wants to see the statue removed. The Black man in this statue “is in a very submissive position,” he says, adding that that’s not “respectful to our community, or to anyone in general.
As The Wall Street Journal reported, two historians, Scott Sandage of Carnegie Mellon University and Jonathan White of Christopher Newport University, were recently debating what ought to be done with the statue, and they wanted to know whether the social reformer and statesman Douglass had, in fact, criticized it directly. Douglass died in 1895, but posthumous reports of his comments on the subject have been circulating since 1916, when a book stated that he had been critical of the statue at its unveiling. In his prepared speech for the event, Douglass challenged the nascent Lincoln mythology, calling him “preeminently the white man’s president …,” but it wasn’t clear whether, in an alleged aside, he also criticized the new statue itself. The two scholars disagreed over the account’s reliability, so Sandage set out to more firmly establish the abolitionist’s position.
It was Douglass’s ability to turn a phrase that helped the historian finally locate the relevant text. It had been reported that Douglas had referred to the black man on the memorial as “couchant.”
Using “couchant” as the keyword in his search—and experimenting with a few combinations of other words—Sandage identified three newspapers that ran the entirety of a letter Douglass wrote about the statue, a few days after speaking at its dedication. “Admirable as is the monument by Mr. Ball in Lincoln park [sic],” writes Douglass, “it does not, as it seems to me, tell the whole truth …” He credits Lincoln for following through on emancipation, but adds that “the negro was made a citizen” by “President U.S. Grant,” under whose administration the Fifteenth Amendment was ratified. (In theory, the Amendment enfranchised Black men with the right to vote. Of course, enforcement of that right has been a long-standing issue.) He concludes by suggesting that “[t]here is room in Lincoln park for another monument,” and that that space ought to be filled out with works that could help complete the historical picture.
Sandage and White have proposed an “emancipation group” of statues to fill out the park and note that it would not affect the reputation of Lincoln one bit to remove the existing monument, as there is another more significant tribute to Lincoln nearby. There are other proposals for the park from leaders in the black community, and you can read the full story at Atlas Obscura.
Most of the artwork for Le Morte Darthur is set outdoors, and Beardsley places his characters into stylized high-contrast landscapes filled with heavy repetitive curving lines and shapes. The artist uses a leaf motif plus a multiplicity of trees as repetitive elements that create a strong sense of place and link the illustrations into a cohesive set.
A few of the smaller, deceptively simple figure studies today. I love the way Beardsley captures so much complexity using high-contrast, geometric lines. It’s hard to believe that he was only 19 when he began work on this book.
I’m confused. I posted a Jack’s Walk yesterday (July 8/20) that has disappeared. I’m sure it was published, and I’m pretty sure that Jazzlet made a comment, but it’s all gone, and I can’t find it anywhere. It was about Bubba getting older, and this photo topped it. Did anyone see it, or was I just dreaming? It shows up in my stats for yesterday, but when I try to open it, all I get is error 404 – not found. It isn’t in drafts or under my published articles, and I don’t have my rough copy any longer. It’s all very strange, and I have no idea how to get it back.
No matter, really. It was just me trying to say hello and explain that Jack and I are having fewer adventures because it’s been bloody hot, and Jack’s activity tolerance is low. What I wanted to say but didn’t is that I’ve been reluctant to write this column because it seems silly when I look at the state of the world. I should be writing about racism, police violence, the rise of fascism, the pandemic or a host of other important issues, but anything I say would only be opinion. There are many talented writers here at Freethought Blogs who understand the issues so much better than me and write brilliantly about them. I feel honoured to be among them but suffer from a bit of imposter syndrome.
When I joined Caine’s team in 2016, my goals were simple – help a friend and share my love of nature and dogs. After Caine died, it also became essential to me to hold together the community she created and to keep her legacy alive. That is still my focus, and I’ve been thinking that perhaps a bit of happy patter might be welcome for a few readers who want a quick respite from the weight of the world. So, silly or not, Jack and I will continue to share our small adventures and hope that they don’t disappear again.
Bubba says hi and wants me to tell you that “it’s the heat, not my age that has me slowed down.” I hope he’s right because he’s my bubbly, bubbly Bubbs.
Today I’m sharing a few of the smaller portraits from the book. The last illustration is one of my favourites. Beardsley uses negative space brilliantly, and his simple line drawings create compellingly complex faces.
Artwork via: Enchanted Booklet
Well, hello there. It’s been a while since Jack and I were here, and we hope you’ve all been keeping well. I don’t know about the weather where you are, but ours has been hellishly hot and dry. It’s been difficult for Jack to get exercise because he still has a lot of hair to shed, despite daily brushing and he overheats quickly. Mostly, though, he’s just getting old. My Bubba is 12 now, and this summer, for the first time, I see the weight of those years hanging on him. He’s slower, fatigues quickly, and he’s lost his delightful prancing gait.
Despite the physical changes, Jack’s attitude remains cheerful, and he still wants to play and go for adventures. I’ve been worried, though, that he couldn’t make it all the way around any of our trials, so we’ve been taking shorter walks just around the block. This helps meet Jack’s physical needs, but not his emotional ones, so this morning I got up at the crack of dawn, fed Jack, packed a large thermos of water and a smaller one of coffee, grabbed my camera and keys and took the boy out to Trillium Woods. That’s a 1 km looped trail with several benches along the path, and it’s Jack’s favourite walk. The entire route is shaded by giant trees, and I crossed my fingers that Bubba could make it from bench to bench and back to the car, and he did! We went slowly and took water at each bench stop, but Jack really struggled to make it up the hill at the end of the trail. We stopped twice for him to catch his breath, and I was getting concerned that bringing him was a bad idea, but one plodding foot after another, Jack finally made it to the top where he beamed with happiness and contentment. Next time, we’ll walk in the other direction, which puts the hilly section at the beginning of the walk, instead of the end. For now, Jack is blissfully sleeping, and I feel like the luckiest mommy in the world because I get to be his mommy.
Many of the figures in Beardsley’s work are androgenous, and as you can imagine, this created quite a stir during the Victorian times in which they were published. Despite the controversy, or perhaps because of it, Beardsley’s work was well-considered in art circles and the book sold moderately well. Over the next few days, I’ll be posting some of the more well-known figures in the book, but I wanted to introduce a few select examples today as a signpost to the overarching theme of androgyny.
Artwork via: Enchanted Booklet
Artwork via: Enchanted Booklet
Today it’s a peek at the Kingdom and a few courtiers.
Plus a bonus taste of some page headers.
Artwork via: The Enchanted Booklet