Once again, a picture is worth a thousand words.
Oceti Sakowin Camp. © C. Ford, all rights reserved.
There’s a petition, and yes, I know people get petition tired, but please click on over and sign this one, to remove the murder-minded and incompetent Kirchmeier from his position as Sheriff of Morton County. Kirchmeier took a brutal stance from the beginning, and as some of you will recall from the Standing Rock posts, he spread misinformation and outright lies from the beginning, and never stopped telling lies, either. He used all the climate justice warriors as an excuse to spend outrageous amounts of money on military equipment, so he could play a latter day Custer, obviously hoping for better results. In the end, his unholy alliance with the oil companies worked out just fine for him, giving him equipment to oppress and harm, all while lining his pockets. Please help out by adding your name to the petition.
Remove Sheriff Kyle Kirchmeier, of the Morton County Sheriff’s Office.
Chemical warfare, Turtle Island, Oceti Sakowin Camp, November, 2016. © C. Ford, all rights reserved.
New York Daily News writer Shaun King obtained audio where Energy Transfer Partners freely admitted that they worked closely with the Sheriff’s Association, and wow, did they ever. They became one and the same.
Water protectors who lived at camp can attest to ETP and law enforcement’s collusion and fraternization, but the record speaks for itself.
The Sheriffs’ Association has a $3.46 million dollar budget, according to tax forms. Some of this funding comes from corporate sources, like TigerSwan. TigerSwan maintains offices in Iraq and Afghanistan. TigerSwan’s CEO is a former adviser to the multinational private security firm, Blackwater. Blackwater was founded by Erik Prince, a Trump campaign donor and the brother of Betsy DeVos, the U.S. Secretary of Education. Besides funding the Sheriff’s Association, TigerSwan is in charge of Dakota Access intelligence and supervising overall security for the company. Tigerswan works for Dakota Access, while funding and partnering with the Sheriffs’ Association.
The Sheriff’s Association purchased military gear from the U.S. Department’s Defense Logistics Agency thanks to the Defense Department’s 1033 program. Think corporate welfare for the defense industry.
Wait, there’s more. Energy Transfer Partners CEO Kelcy Warren offered to reimburse North Dakota and Morton County for costs due to defending the Dakota Access Pipeline.
So why are U.S. taxpayers forking over $15 million dollars to North Dakota?
Despite the fossil fuel industry’s wishes, America is not an oil company with an army. We should not be bankrolling our own oppression.
Incidentally, the Dakota Access Pipeline is not even operational yet, and it’s already sprung a leak in South Dakota, just southwest of the Lake Traverse Reservation. End this foolishness.
Ruth Hopkins at Indian Country Today has the full story.
Over the past months I’ve been working with Australian photographer Ray Collins to bring his amazing oceanscapes to life in the form of cinemagraphs, a blend between photography and video. Each cinemagraph is created from one of Ray’s stills, and sets it in infinite motion, making a unique moment in time last forever.
These cinemagraphs inspired André Heuvelman from the Rotterdam Philharmonic Orchestra to get together with pianist Jeroen van Vliet to record a very moving custom soundtrack, which I combined with a selection of the cinemagraphs.
You can see the original cinemagraphs at armanddijcks.com/cinemagraphs-waves
Ray’s images can be found at raycollinsphoto.com
André Heuvelman’s music: andreheuvelman.com
Stunning and mesmerizing work by all!
The Canadian Museum of History has unveiled a unique new exhibit that brings the faces of a 4,000-year-old Indigenous family back to life.
The museum revealed the three-dimensional forensic reconstruction of a shíshálh family whose remains were found in an ancient burial site near what is now Sechelt, B.C. The digital images move and blink in the incredibly life-like display.
“To look back on some of our people that existed within our territory 4,000 years ago, and to be in close proximity of their images — it’s a humbling experience,” Chief Warren Paull of the shíshálh Nation told CBC News.
“I see cousins. I see family.”
You can read more about this here. Amazing work.
Women’s history has long been marginalized in mainstream education, relegated to its own niche of study and overlooked in favor of male-dominated historical narratives. SHE INSPIRES, a group exhibition at The Untitled Space, highlights these lesser told histories through the work of over 60 contemporary artists. Each piece in the show is an homage to an important woman. Curator, Indira Cesarine, tells Creators, “SHE INSPIRES aims to honor and celebrate women who have impacted our culture and tell their stories which should be rightfully included not just as ‘women’s history,’ but everyone’s history.”
SHE INSPIRES is on display at The Untitled Space in Soho through May 20th. Click here for accompanying events and more information.
You can read and see more at The Creators Project.
The Slow Mo Guys take on mousetraps on a trampoline.
The Fight for Bears Ears has been going on for a very long time; people have been happy with Pres. Obama’s protective national monument status. Now the GOP is arguing that us dumb Indians, gosh, we just don’t understand. If places are declared national monuments, it will seriously impact our primitive lives, and we wouldn’t be able to do native stuff, like gather firewood, so um, just give us the land, and everything will be great! There really isn’t deep enough mockery for these arrogant colonialists.
Speaking alongside Interior Secretary Ryan Zinke about the Trump administration’s order to review — and potentially shrink or eliminate — nearly 30 national monuments, Sen. Orrin Hatch (R-UT) said Native Americans were “manipulated” into their support for the 1.35 million acre Bears Ears National Monument southeastern Utah.
“The Indians, they don’t fully understand that a lot of the things that they currently take for granted on those lands, they won’t be able to do if it’s made clearly into a monument or a wilderness,” Hatch said on Sunday. “Once you put a monument there, you do restrict a lot of things that could be done, and that includes use of the land… Just take my word for it.”
Oh, right. We should just take the word of a white man. Gosh, that’s worked so well in the past.
Hatch’s dismissal of native voices is not only condescending, it is incredibly inaccurate in the case of Bears Ears. Protections for Bears Ears were nearly 80 years in the making. Most recently, the Bears Ears Intertribal Coalition, which brought together five tribal nations, pushed for the protection of the Bears Ears region. After the group received no substantial response from the Utah Congressional delegation about protecting the area, the group opted to propose that President Barack Obama should create a national monument, which he did in December 2016.
But variations of Hatch’s argument have been routinely made by critics of the national monuments — namely, Republican politicians in Utah. Gov. Gary Herbert (R) has long purported that a national monument would get rid of critical tribal activities, such as firewood gathering. Sen. Mike Lee (R-UT) similarly stoked fears that the federal government would seize native American land for the monument. Utah state legislator Mike Noel (R), who is looking to join the Trump administration, launched an investigation into the tribal support of a Bears Ears National Monument, calling it a “charade.”
These accusations are part of a continued misinformation campaign targeting tribal members that started during the lead-up to the monument designation. In the summer of 2016, flyers meant to antagonize local Navajo were found posted around towns adjacent to the now national monument. One of the flyers impersonated an Interior Department press release that claimed the government would be taking over four million acres of Navajo reservation land. Others suggested the national monument would ban firewood gathering and Native American access.
— U.S. Forest Service (@forestservice) April 27, 2017
The U.S. Forest Service is not happy. They have very good reason for that, too. Some reading on the destruction to come:
Via Raw Story.
Copwatch will be premiering at the Tribeca Film Festival, April 23rd to April 28th, if you can grab a ticket and watch!
Copwatch is the true story of We Copwatch, an organization whose mission is to film police activity as a non-violent form of protest and deterrent to police brutality. Around the country, a network of regular people take up cameras to bear witness to police actions and hold law enforcement to accountability. Director Camilla Hall profiles several We Copwatch members, including a young California dad who’s found direction in this activism, and Ramsey Orta, the man who filmed Eric Garner’s fatal Staten Island arrest in the devastating video that has galvanized protestors and activists nationwide. And yet Orta is the only person involved in these incidents who has seen the inside of a jail cell. In her powerful directorial debut, Hall crafts an intriguing and incredibly timely profile of citizen-journalist-activists who are seeking to disrupt the ever-present challenge of police violence.
If you’re unaware of We Copwatch, please become aware, and if you haven’t supported We Copwatch, please consider doing so now. You can get a snazzy T-shirt or hoodie!
© Marty Two Bulls.
It’s not enough that the pipeline went through, and once again, drinking water is threatened (which is fine, of course, because Indians), but ETP can now keep risk information to themselves. Just keeps getting worse. And to those people who think they are helping through vandalism? You aren’t, so fucking stop it.
Despite concerns that the controversial Dakota Access Pipeline could threaten the primary source of drinking water for the Standing Rock Sioux, a federal judge ruled that the pipeline’s developer can keep some information about spill risks secret from the public.
The ruling — which would permit Energy Transfer Partners, the developer of the pipeline, to keep information about spill risks at certain points along the pipeline shielded from the public — comes after unknown protesters used a torch to burn holes in empty above-ground segments of the pipeline. The Standing Rock Sioux and Cheyenne River Sioux tribes had argued that information about spill risks could potentially strengthen their case for more environmental review of the project.
U.S. District Judge James Boasberg rejected that argument, saying that shielding the information from public view would prevent vandalism of the pipeline.
“The asserted interest in limiting intentionally inflicted harm outweighs the tribes’ generalized interests in public disclosure and scrutiny,” Boasberg said in his ruling.
Pipeline spills in North Dakota are not uncommon — according to analysis from the Center for Biological Diversity, North Dakota has averaged four pipeline spills a year since 1996, costing more than $40 million in property damage.
Under the Trump administration’s proposed budget, the Environmental Protection Agency would face sharp cuts in its enforcement programs, limiting its ability to enforce and penalize companies that violate environmental laws. When pipeline operators, for instance, violate laws like the Clean Water Act by spilling pollutants into waterways, the EPA is normally the agency that imposes fines on those operators. Last week, for instance, the EPA and the Department of Justice issued a fine against a pipeline operator in Ohio that violated the Clean Water Act by discharging approximately 1,950 barrels of gasoline from a pipeline into nearby waterways.
Just when you think rethuglicans really could not possibly go lower or more regressive, *bam*. Ryan the fink Zinke has a problem with the stupid wall – placing it on U.S. land would cede the Rio Grande, oh no wtfbbq!!!11!1 The solution? Doesn’t seem to be one right now, outside of making sure endangered animals are endangered right into extinction. It seems the only way to keep the Rio Grande would be to either steal land from Mexico, or build it on Mexico’s land and claim it for uStates. Or something. Jesus Fuck. There’s that Colonial mindset at work.
E&E News reports that Interior Secretary Ryan Zinke talked about the logistics of building a border wall while speaking at an event held by the Public Lands Council this week, and he said the Trump administration didn’t want to build the wall on American soil because it would mean ceding the entire Rio Grande river to Mexico.
“The border is complicated, as far as building a physical wall,” Zinke said. “The Rio Grande, what side of the river are you going to put the wall? We’re not going to put it on our side and cede the river to Mexico. And we’re probably not going to put it in the middle of the river.”
Zinke didn’t elaborate on how the wall would get built if it wasn’t located on America’s side of the Rio Grande or in the middle of the river, which implies that it would be built on the Mexican side of the border.
Elsewhere in his talk, E&E News reports Zinke said the Trump administration will seek a waiver to the Endangered Species Act so it can build the wall in jaguar habitats that are for now protected from “destruction or adverse modification.”
Fans of Kent Nerburn’s book Neither Wolf Nor Dog, will be thrilled to know the movie has finally been made, to great acclaim so far. This was David Bald Eagle’s final role.
It has taken twenty years for the bestselling novel, Neither Wolf Nor Dog to get made. And Indian Country was the venue as the independent film opened up Friday February 24 at the Yakama Nation Heritage Theater in Toppenish, WA, in theaters in Bemidji and Rochester, MN, and in South Dakota, where much of the film is set. These were the four sites to host the film’s theatrical premiere and they provided a very successful opening as the film was held over for another week at most of the venues.
Based on Kent Nerburn’s 1996 bestselling novel of the same name, Neither Wolf Nor Dog is the story of a well-meaning white writer (Nerburn himself, played by Christopher Sweeney) who is drawn into Native culture when a Lakota elder asks him to turn a box full of notes into a book. The elder — a man named Dan is played by 95-year-old David Bald Eagle — uses the opportunity to poke holes in Nerburn’s — and the audience’s — assumptions about Native people.
David Bald Eagle walked on his journey to the spirit world this past July at age 97, but was able to view the film and said, “It’s the only film I’ve been in about my people that told the truth.”
This is Scottish director Steven Lewis Simpson’s third feature film made in South Dakota. Christopher Sweeney, Richard Ray Whitman, Roseanne Supernault, Tatanka Means, Zahn McClarnon (seen in ‘Fargo’, ‘Longmire’ and ‘Mekko’) and newcomer, Harlen Standing Bear Sr. make up the rest of the outstanding cast.
Simpson ran a grassroots operation distribution, telling indie filmmakers on Facebook how he self-distributed, hand delivered prints and paid an absolute minimum for a Facebook ad, as Neither Wolf Nor Dog premiered in 3 states. It’s successful opening now sets the stage as the initial audience ratings should help for a wider release around the nation.
In the multiplexes that showed Neither Wolf Nor Dog, the competition was all Hollywood films of the moment, and Simpson’s beat them all comfortably, only the top 3 films in the US that weekend had a better screen average attendance. And it was all word of mouth, local media, grassroots support and very much with the help of Facebook. The audiences have given the film a 9.3/10 rating on IMDB so far and the reports from people have been extremely complimentary.
The films world premiere was at the oldest continuously running film festival in the world, the Edinburgh International Film Festival, where it’s first review was 5 stars, receiving an incredible audience and critical response. And fans of Nerburn’s novel gave the film a standing ovation at a special South Dakota Book Festival screening.
ICMN has the full story. Be sure to look out for the film wherever you are!
Summer Peters, an Ojibway artist, recently won an award for her piece, Decolonize Your Gitch. I have to say, I quite like it, there’s a joyous assertiveness to it, and a bit of happy, rebellious fuck off in there as well. The piece has come under fire from some, there are people who say it promotes violence against native women, but I think those arguments can be consigned to the same old rape culture arguments women always hear, that for some reason or other, it’s totally our fault if we end up raped, beaten or murdered. There are also a number of people, usually not native, who object to any modernization of traditional Indigenous arts.
An Ojibway artist is taking a feminist stand against online critics, who say she should be ashamed of her recent award-winning piece called Decolonize Your Gitch.
Summer Peters recently won a judge’s choice award at a U.S. art festival for her artwork, a bra and thong beaded with traditional floral designs.
After she posted it to social media, “I would say 99% of the people liked it,” Peters said.
But others objected to the piece, accusing her of “promoting violence towards native women.”
“There was a guy that said I should be ashamed of myself, my family should be ashamed of me, that I was nuts, that I was crazy, that my beadwork was shitty,” said Peters.
In response to her critics, Peters wrote in an Instagram post:
“I will take all the negative criticism so that Native lady artists in the future will maybe have an easier time … women should not be told what to do, what to wear in attempts to avoid sexual violation, we should not have to cover up and/or NOT wear a pretty bra & panty set or bikini because we might be violated and it would be all of our faults.”
You can read more here.
In the heart of British Columbia’s Okanagan Valley, lies a lake like no other. Known as kliluk in nsyilxcen, it is a site of deep spiritual and cultural significance for the Syilx Okanagan people. Throughout winter and into spring, this lake looks like any other body of water, nestled away in the rolling hills with a shallow depth and shimmering surface. However, as the summer sun grows hotter and its rays beat down on the lake, water evaporates, lowering the surface level over time. As the water level drops, interesting shapes begin to break the surface.
As the summer heat drives on, it becomes clear that these shapes are sections of giant circles, which are normally lying invisible just below the surface. Now, with the hot summer providing no relief or added water, the circles continue to reveal themselves. Colourful pools of water appear at their centre, displaying gorgeous hues of yellow, blue and green. These beautiful ‘spots’ give this magical lake its English name – ‘Spotted Lake’. The lake’s beauty is only half the story though – its history is fascinating as well.
‘Spotted Lake’ has no outflow; no river or creek to drain it, and receives all its water as run-off from the surrounding hills. Each year, as snow melts and flows into the basin, it brings with it minerals and salts, which accumulate year over year, century over century. As the summer sun evaporates the water, the salts become exposed and the spots change in size and colour over a matter of months, creating these beautiful fluctuating hues, based on the mineral composition of each spot.
You can read more here. And a couple of videos: