The Art of …

… posters, by Ridwan Adhami, Shephard Fairey, Jessica Sabogal, Ernesto Yerena, Delphine Diallo, Ayse Gursoz, and Arlene Mejorado.

They were  commissioned by The Amplifier Foundation, a non-profit organization that raises the voices of grassroots movements through art and community engagement.

Today seems like a good day to wave hi to the U.S.A. and show off some of her best modern artists.

 

Poster series We the People by various artists. Image from NBC, courtesy of The Amplifier Foundation

“American identity starts with Native resistance. In this artwork, Ernesto Yerena honors Helen Red Feather of the Lakota tribe during her bravery and resilience at the Standing Rock reservation in 2016. She was originally photographed by Ayşe Gürsöz while protesting the Dakota Access Pipeline.” Words and image from The Amplifier Foundation.

“Ridwan Adhami decided to photograph a Muslim woman wearing an American flag as a hijab for the five-year anniversary of 9/11. They stood at the site of the World Trade Center, capturing the iconic image, without knowing just how far it would eventually go…More than a decade later, Adhami and Shepard Fairey reincarnated the image for Amplifier’s We the People campaign. As the Trump administration’s Muslim Ban continues to wage a war on Islamic faith, the artwork’s message will keep ringing loud and clear. There is no room for fear, only freedom.” Words and Image from The Amplifier Foundation.

“This piece from artist Jessica Sabogal focuses on the love, affection, and inspiration that will continue to persevere through the darkness.”Words and image from The Amplifier Foundation.

“At a time of so much discrimination and injustice, this photograph taken by French and Senegalese artist Delphine Diallo and converted into an illustration by Shepard Fairey reminds us of the power of youth and the world we’re building around them.” Words and image from The Amplifier Foundation

“…this photograph taken by Arlene Mejorado and illustrated by Shepard Fairey is a crucial part of the We the People campaign. Mejorado, a photographer and documentary-maker from California, describes herself as “the daughter of migrants, brown, queer, multi-ethnic, and aspirant of beauty and truth.” The image depicts Xicana activist Maribel Valdez Gonzalez, described by the artist as “an incredible queer, first gen, muxerista, educator who constantly pushes my politics.” The final artwork was carried by thousands at the Women’s March for the 2017 inauguration.” Words and image from The Amplifier Foundation

Indian Country Today Is Back!

Who Will Be Our First Founding Member? The new Indian Country Today is launching a membership drive and an auction. Top bid will be forever known as Indian Country Today’s: “First Founding Member.”

Who Will Be Our First Founding Member? The new Indian Country Today is launching a membership drive and an auction. Top bid will be forever known as Indian Country Today’s: “First Founding Member.”

Indian Country Today is back! The NCAI has taken over, and this is grand news.

From September through February I have heard about the importance of saving Indian Country Today. So many people across Indian Country had the same idea:

What if … What if we all contribute?

What if I step up to make certain Indian Country has solid, accurate, fair reporting?

Is it worth it to save this voice? A national media platform for Indian concerns?  And how much will it take?

Yes. Yes. And the answer is a lot  — or perhaps a few tax-deductible dollars if we all contribute together.

We are building a new Indian Country Today on a public media model. We will have some advertising, but most of our resources will come from members, tribes, enterprises, and non-profits.

We need you.

We are launching a membership drive and an auction.

The membership drive will solicit help from our “members” as $100 Founding Members, $500 Sustaining Members, and $1,000 for Premier Members.

Unlike public media we don’t have nifty gifts as a thank you. No t-shirts. No coffee mugs. Just a better news report. We want to use the money to build our news operation, a multimedia reporting platform about what’s going on across Indian Country. We’ll stretch your dollars by partnering with other organizations, and amplify our reporting by letting others repurpose our editorial content.

We will serve.

This is great news, but to work, ICT needs help from people. If you can drop a few dollars into the fund, please do, and if you can’t do that, please, please, spread the word, get it out everywhere! You can read more by Mark Trahant at Indian Country today, or go straight to the membership drive. This is so very important, it’s vital for Indigenous peoples to have a voice.  Also, be sure to check out the new edition, there’s all manner of interesting reading!

ETA: I should point out that it’s possible to donate $5.00 to the membership drive, which is all I can manage right now, but I’ll be dropping more fives each week.

Turtles All The Way Down.

Paul Kidby’s illustration of Terry Pratchett’s Discworld: a large disc resting on the backs of four elephants, which are in turn standing on the back of an enormous turtle called Great A’Tuin, as it swims through space. Illustration: Paul Kidby/Orion Books.

Me, I don’t live in ‘merica, this is Turtle Island. World turtles figure prominently in many cosmologies, and Atlas Obscura has a look at them.

Happy Indigenous Peoples Day.

In celebration of Indigenous Peoples Day, have a book! Nothing like some good reading. Give As We Have Always Done by Leanne Betasamosake Simpson a read, you won’t be sorry! Ms. Simpson’s site is here, Peter d’Errico reviewed here, and the book can be purchased direct from UMN press.

Repeating: 6 Banal Defenses of Columbus Day, And How You Should Respond to the Moron.

Photo courtesy starpulse.com

Photo courtesy starpulse.com

We’re going to go back in time a bit, to an article Simon Moya-Smith wrote in January this year. He’ll help you out with Columbus apologists. Happy Indigenous Peoples Day!

Glaring contradictions. Stupid fucking lies, and good ol’ American bullshit.

Yes, folks today we are talking U.S. history, and there’s nothing more politically correct than American History. It’s RIFE with soft language to spare the feelings of fuckers who desperately want to believe their homesteading great-grand-pappy wasn’t a murdering, raping, thief.

OK. So today let’s hit on the numbskullery surrounding Columbus Day. “Why in January?” you ask. Well because Colorado State House Representative Joseph Salazar, a democrat, is currently working to repeal the foul thing from the state’s list of recognized holidays. And lately he has received an onslaught of hate mail from dipshits who don’t seem to understand the seemingly elusive concept of logic and facts.

Recently, Rep. Salazar has been forwarding me these messages, and they range from fucking hilarious to seriously fucking delusional. They’re more on the seriously fucking delusional side, though.

So, I thought I’d share with you some responses you can use against the common, hackneyed pro-Columbus Day arguments you will surely continue to encounter for as long as you engage the willfully blind. Feel free to share the following with your friends or family, or maybe just that fucker who sits at the end of the bar incessantly defending the bullshit American narrative as written. (Remember: The American narrative HATES to be fact-checked. So fact-check that goddamn thing any time you can.)

Okey dokey, here’s what you can say to those dullards spewing trite claims and arguments about Columbus and Columbus Day, and let us start with the most common and least accurate:

[Read more…]

Repeating: The Lie That Is Columbus Day.

ict_editoon_100716-2

© Marty Two Bulls

Other posts from last year:

The why of the “holiday”.

A Rapist, A Murderer, Deserves No Holiday.

Columbus Didn’t Kill Us All: Taino Daca.

For Indigenous Peoples Day, Write to Columbus.

Moron Bingo!

A New White Excuse: “I Was At Standing Rock!”

Courtesy Wind Over Fire Healing Arts Center/Facebook
A New Age “ghost dance” held in southwestern Minnesota has many indigenous people wondering just when the cultural appropriation will end.

White “aggrieved entitlement” people. They never seem to run out of excuses for their bloated sense of entitlement, of helping themselves to the least little thing; of exploiting marginalized peoples. It’s damn near a way of life for many white people. When it comes to “new age” rites, seems to me there’s a wealth of pagan history to mine, gosh, you might even find some you’re related to in some way.

Towards the later days at the No DAPL camp, I wasn’t quiet about all the entitlement-minded white people there, who had no use for the rules laid down by the people running things. Because of course, rules, they are never for white people are they? I wasn’t quiet about all the white protest/event tourists, either. People who were there to honestly provide support and help, no problem. As usual though, they weren’t the ones making a fuss or making it all about them, because they knew it wasn’t about them. They knew that in the end, they would go home, and not have to deal with it all.

In Minnesota, there’s a group who recently held their 2nd annual “Ghost Dance”. When called on this, they denied it was a ghost dance. They said it was a “Ten Moons” dance. Then they decided to go with “Ghost Dance isn’t exclusive to Indigenous people! Lots of cultures had ancestor dances! China! Africa! So it isn’t indigenous in nature.” Oddly enough, their not indigenous at all dance is decidedly indigenous in appearance, and specifically so. The history of the Ghost Dance is a dark one, once the colonials got terrified and started up more wholesale slaughter, and brutally oppressed indigenous peoples all the more out of fear. It’s not a toy for white people to play pagan. It’s not yours. It’s not your culture, it’s not your history. If non-indigenous people ever wonder why various rites and dances have been closed to outsiders, look no further.

“It would be great if everyone just joined together,” said Laven, discontented by the scrutiny of their ceremony and the charges of cultural appropriation. “We have enough crap. I was at Standing Rock, and I hear the Native Americans, and I had heard them.”

Oh my. What a fine example of white entitlement. There’s really nothing else like it. Golly, white people have had enough crap! It’s just like everything indigenous people have gone through! And now, Standing Rock is the latest excuse. Fuck you, Ms. Laven. A universe of fuck yous. You have not heard one godsdamn thing. You don’t give one little shit about indigenous people or their struggles. All you care about is exploiting them to make money. I hope you are bad-mouthed from here to the end of the galaxy, because that’s the very least of what you deserve.

Full story at ICTMN.

Cool Stuff Friday.

Photos: Niklas Adrian Vindelev.

Instead of accelerating the demise of traditional craftsmanship, what if digital tools enhanced it and expanded the possibilities of what we can make?What if an architect could use a digital tool — a CNC machine, say — to create something with a distinctly human quality? How might the machine be applied to skills such as woodwork and metalwork? Could it be used to make objects with the aesthetic appeal, including the touch and feel, of a handmade object? Could it also make objects that can be scaled — objects with applicability to architecture?

These were the timely questions that three architects recently explored as residents at SPACE10  — IKEA’S external future-living lab. With a shared interest in exploring how digital tools can be applied to traditional techniques — and the potential of a CNC milling machine in particular — Yuan Chieh Yang, Benas Burdulis, and Emil Froege together found answers in three very different but eye-opening ways.

You can read and see more at Space10.

If you’re in Ottawa, consider Indigenous Walks.

Indigenous Walks is a walk and talk through downtown Ottawa exploring landscape, architecture, art and monuments through an Indigenous perspective.

The character Danerys Targaryen finally returned to Westeros on Sunday night’s Game of Thrones Season 7 premiere, but the actress, Emilia Clarke, shot the scene on a Northern Irish beach called Downhill Strand. Much of what viewers know as Westeros, in fact, is actually Northern Ireland, including parts of Winterfell, Slaver’s Bay, and the Kingsroad—all thanks to the nation’s open tracts of land and many surviving castles. To draw attention to this fact, Ireland’s tourism board commissioned a massive tapestry that details every episode of the series.

The 66-meter-long artwork is on display at the Ulster Museum in Belfast. A group of artisans including the museum’s director, Katherine Thomson, are embroidering each meter with characters and symbols that summarize each one of the episodes preceding Sunday’s “Dragonstone.” As Season 7 progresses, they’ll add more yardage to the tapestry to reflect new developments on the HBO juggernaut. By the end of season 7 it will be 77 meters long.

You can read and see more at The Creators Project.