Luna Day Mood.

Tiamat – Carry Your Cross And I’ll Carry Mine.

Blame my cloven hooves – If I sink what does it prove
I’ll always be your prey
Blame my crooked cross – Say I’m your bitter loss
The winds of hell are blowing your way

“Carry your cross and I’ll carry mine
Dig your own hole and you’ll be fine
Build your own tower until heavens devour
Your very last hour”

Blame it on Hell’s fire – And on my desires
The skies are crying blood
Give me all your lies – And blame the lord of flies
The face of evil is the face of GOD.

Why the daily music? Because the start of music signals the beginning of my working day, and it’s nice to share.

The Art of Whipped Cream.

Selected character studies, oil on board, dimesions variable. All images courtesy the artist and Paul Kassman Gallery. (Click for full size!)

In a performance at the Metropolitan Opera and a parallel gallery exhibit, artist Mark Ryden imbibes his sugary design aesthetic through costume and fashion prints. In his latest venture, the Portland-based artist creates classic, painterly pastel works with a childlike fantasy.

The art show, The Art of Whipped Cream, opening in May at Paul Kasmin Gallery in NYC, features the final realizations of each costume from the opera, Whipped Cream, a graceful choreographed feat by Alexei Ratmanksy. His illustrations encompass the bedtime dreams of prima ballerinas, pink, and lots of candy and pastries. Ryden’s merry band of misfits includes a smiling half-dragon, half-muppet creature, and tiny humans masquerading as multilayered cakes. The two-dimensional drawings at Paul Kasmin are rendered in oil on board and graphite on paper.

[…]

Mark Ryden’s solo art exhibit, The Art of Whipped Cream, shows  at Paul Kassman, May 20–July 21, 2017. Find more information about the show, here.  Purchase tickets for the ballet, Whipped Cream, taking place at the Metropolitan Opera House, here.

You can read and see much more at The Creators Project.

The Whipped Cream Curtain Call:

Flight Pattern.

A ballet about the plight of refugees, commissioned for the Royal Opera House, has been showered with five star reviews and described with words like potent and sombre. It’s the work of the Canadian Crystal Pite who has built a reputation as one of the most respected choreographers of her generation – and who is the first woman to have created a new work for the Royal Ballet in almost two decades. It’s titled ‘Flight Pattern’ and Kirsty Wark went to speak to her about using dance to engage in a difficult harrowing subject.

Beautiful and so very poignant. I wish I could see this in person.

Looking for Knives.

Morissa Maltz.

Morissa Maltz.

Visiting Hot Springs, Arkansas is like walking into the past. A city stuck in time, it’s known as much for its history and naturally heated springs buildings as its mix of 1800s architecture and Art Deco—structures that are slowly crumbling yet still magical. One of the city’s iconic buildings, the gigantic and once abandoned Majestic Hotel, was recently demolished. A week before its dismantling, however, artist and filmmaker Morissa Maltz shot a video inside the hotel. Equal parts documentary, performance art piece, and music video for Dyan’s “Looking for Knives,” it is the final document of a space that held huge amounts of history.

In “Looking for Knives,” Maltz’s camera drifts through the hotels innards. Though The Majestic suffered a fire in 2014, the video focuses instead on paint peeling off walls and floors turning into dirt. Inspired by female artists like Pipilotti Rist, Francesca Woodman, and Maya Deren, for whom the body expresses emotion inside a space, Maltz also performs in the video, moving through the hotel’s crumbling corridors and interacting with its surfaces.

A lovely, haunting video and song. You can read and see more at The Creators Project.

Wrap My Hijab!

Mona Haydar, a Syrian Muslim-American poet and activist, released her first-ever single and rap music video in honor of the world’s first-ever Muslim Women’s Day on Mar 27 … all while she’s pregnant.

Given the current rise of Islamophobia around the world, Haydar wanted to fight the hate. And what better way to do that than with music?

“This song is a party,” Haydar wrote in a Facebook post.

After the song went live, some people began shaming Haydar and the other hijabis in the video for having fun, as they sing and dance away.

“So even if you hate it – I still wrap my hijab!” the lyrics say in anticipation of the hateful remarks.

But, Haydar did not let the hate ruin the moment, and instead kept on celebrating.

You can read more here. I think it’s a grand song!

SlayTV.

Slay

Screengrab.

Enter SlayTV.

Slay was founded by Sean Torrington, a former Goldman Sachs project manager, and his husband Terry; after Torrington lost his job in 2010 , he decided to follow his passion for filmmaking by creating some YouTube web series based on the lives of black and brown LGBTQ people. They then created an app to curate content from Youtube and the web onto one platform. And Slay has been growing ever since.

SlayTV officially launches on May 15 online, on iOS and Android devices, as well as on Roku, Apple AirPlay, Google Chromecast, Amazon Fire TV, and other services.

Torrington hopes to empower content creators to become “sustainable entrepreneurs” who generate their own revenue. “Slay is not only digital TV, it is a production company and an ad agency,” he tells Out. “We will build campaigns around content on our network to get it branded.”

That content includes a wide variety of programs in various formats, for and by queer people of color, such as: the docu-series Other Boys NYC, a 50-part series exploring narratives of queer and transgender men of color; No Shade, inspired by Torrington’s coming-of-age in New York; and the romantic sitcom Love @ First Night, based loosely on Sean and Terry’s relationship.

Out has a nice introduction video. SlayTV. SlayTV on youtube. Great content, wonderful people, go explore!

Wee Gay Badgers: Mustard & Ketchup.

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Two “wee” gay badgers Mustard & Ketchup, who’re in a “long term lovin’ relationship,” star together in Looper’s retro new “Farfisa Song” video. The music project, helmed by Stuart David of Belle and Sebastian, is gearing up to launch tomorrow pre-orders for exclusive vinyl of its 2015 album, Offgrid:Offline, which this track originally appeared on.

The video’s cutesy cartoon characters were animated by David’s longtime collaborator, Iain Gardner, who also created Looper’s “Oh, Skinny Legs” visual. “I loved how ‘Farfisa Song’ harked back to the sounds from my youth and consequently found inspiration from ’70s variety shows for the video,” Gardner told OUT. “And it’s been a great way for me to flesh out and get to know my characters, Mustard & Ketchup.”

David said he gravitated toward the badgers because they live in a world where no stigma is attached to being gay, but where it is frowned upon to be a badger. Throughout the video, they’re shown preparing for a Looper music video on what looks like a very slim production budget. “We are proud to have worked with them on this video,” David said of Mustard & Ketchup. “We do feel, however, that Mustard and Ketchup may have overlooked the fact that there is something of a stigma attached to those who have chosen to associate themselves with Looper.”

Via Out.