Traveling Libraries.

Children waiting at the Prince George’s County Memorial Library, Maryland, 1951. National Archives/23932511.

Atlas Obscura has a wonderful collection of photos of vintage traveling libraries. They started out with horses and carriages, and in some cases, just a librarian and a horse.

A packhorse librarian leaving a cabin after delivering books, Kentucky, c. 1930s. Goodman-Paxton Photographic Collection/University of Kentucky Libraries Special Collections Research Center.

The Benjamin Franklin bookmobile, Mexico City, 1953. National Archives/23932428.

Benjamin Franklin and Mexico City? Oh my. Quick, someone tell the Tiny Tyrant! There are many more delightful traveling libraries to be seen here.

Collocation and Pejoration.

‘I am a gentil womman and no wenche’: from Geoffrey Chaucer’s The Merchant’s Tale, c1386. Photograph: Alamy.

Linguists call it collocation: the likelihood of two words occurring together. If I say “pop”, your mental rolodex will begin whirring away, coming up with candidates for what might follow. “Music”, “song” or “star”, are highly likely. “Sensation” or “diva” a little less so. “Snorkel” very unlikely indeed.

What do you think of when I say the word “rabid”? One option, according to the dictionary publisher Oxford Dictionaries, is “feminist”. The publisher has been criticised for a sexist bias in its illustrations of how certain words are used. “Nagging” is followed by “wife”. “Grating” and “shrill” appear in sentences describing women’s voices, not men’s.

[…]

Perhaps “rabid” is collocated with “feminist” more often than with those other words (if the data the OUP uses includes online discussions, I wouldn’t be surprised if this was the case). Sexist assumptions find their way into speech and writing for the simple reason that society is still sexist.

Language, as the medium through which we conduct almost all relationships, public and private, bears the precise imprint of our cultural attitudes. The history of language, then, is like a fossil record of how those attitudes have evolved, or how stubbornly they have stayed the same.

When it comes to women, the message is a depressing one. The denigration of half of the population has embedded itself in the language in ways you may not even be aware of. Often this takes the form of “pejoration”: when the meaning of the word “gets worse” over time. Linguists have long observed that words referring to women undergo this process more often than those referring to men. Here are eight examples:

Those examples are Mistress, Hussy, Madam, Governess, Spinster, Courtesan, Wench, and Tart. I’ll just include Hussy here:

Hussy.

This once neutral term meant the female head of a household. Hussy is a contraction of 13th-century husewif – a word cognate with modern “housewife”. From the 17th century onwards, however, it began to mean “a disreputable woman of improper behaviour”. That’s now its only meaning.

My whole lifetime, hussy has carried a negative meaning only. I had no idea it actually meant head of a household, much like my surprise over the primary definition of paraphernaliaClick on over for the full article and to see the rest of the words, and how they have changed over the years! (I got to this article from another interesting one, on how American is taking over English all over the world. I get teased a lot for using English spelling rather than American, but that was how I was taught, and I’ll keep using it.)

Word Wednesday.

Concupiscent

Adjective.

Concupiscence, noun: strong desire; especially: sexual desire.

Concupiscent, adjective.

[Origin: Middle English, from Anglo-French, from Late Latin concupiscentia, from Latin concupiscent-, concupiscens, present participle of concupiscere to desire ardently, from com– + cupere to desire.]

(14th Century)

It wasn’t like an apple, or any crisp fruit, where you might sink your teeth in and lever a piece away from the orb. She bit through, faint resistance of the skin and then concupiscent flesh. Juice slicked her cheeks and chin, coursed down her forearm, dripped from her elbow. The flavor was—intense. Honeyed, but not cloying, complex and buoyant. – Dust, Elizabeth Bear.

Word Wednesday.

Fulsome

Adjective.

1a: characterized by abundance: copious. b: generous in amount, extent, or spirit. c: being full and well developed.

2: aesthetically, morally, or generally offensive.

3: exceeding the bounds of good taste: overdone.

4: excessively complimentary or flattering: effusive.

– fulsomely, adverb.

– fulsomeness, noun.

Usage: The senses shown above are the chief living senses of fulsome. Sense 2, which was a generalized term of disparagement in the late 17th century, is the least common of these. Fulsome became a point of dispute when sense 1, thought to be obsolete in the 19th century, began to be revived in the 20th. The dispute was exacerbated by the fact that the large dictionaries of the first half of the century missed the beginnings of the revival. Sense 1 has not only been revived but has spread in its application and continues to do so. The chief danger for user of fulsome is ambiguity. Unless the context is made very clear, the reader or hearer cannot be sure whether such an expression as “fulsome praise” is meant in sense 1b or in sense 4.  [Merriam-Webster.]

[Origin: Middle English fulsom, copious, cloying, from full + –som -some.]

(13th century.)

“Glad to meet you, sir. I have heard your name mentioned in connection with that of your friend. You interest me very much, Mr. Holmes. I had hardly expected so dolichocephalic* a skull or such well-marked supra-orbital development. Would you have any objection to my running my finger along your parietal fissure? A cast of your skull, sir, until the original is available, would be an ornament to any anthropological museum. It is not my intention to be fulsome, but I confess that I covet your skull.” – The Hound of the Baskervilles, Arthur Conan Doyle.

*Dolichocephalic

adjective: having a relatively long head with a cephalic index of less than 75.

[Origin: New Latin dolichocephalus long-headed, from Greek dolichos long + – kephalos, from kephalē head.]

(1852)

Have A Happy.

As I write, it’s Monday afternoon, and I’m tired, beyond grouchy, and in too much pain. So, I hope everyone has a happy whatever you want to call it this Tuesday, and if it isn’t a holiday where you are, I hope you have a happy day, afternoon, or evening too. Me, I’m taking the day off.  I might show up some time today, I might not, but I’ll definitely be back on Odin’s Day, and hopefully, be feeling a bit more human.

One thing which would be immensely cheering: books. I’m in one of those summer publisher’s deserts, awaiting many books starting late this month. I can’t cope without a teetering stack of books to read, electronic or paper. So, what have you all been reading?

Word Wednesday.

Peach

Verb.

2 . Transitive verb: to inform against: betray.

Intransitive verb: to turn informer.

[Origin: Middle English pechen, short for apechen to accuse, from Anglo-French apecher, empecher to ensnare. A shortening of appeach, an obsolete variant of impeach. Related: Peached; peaching. ]

(1560)

“I have the cabman who took you to Whitehall and the cabman who brought you away. I have the commissionaire who saw you near the case. I have Ikey Sanders, who refused to cut it up for you. Ikey has peached, and the game is up.” – The Adventure of the Mazarin Stone, The Case-Book of Sherlock Holmes – Arthur Conan Doyle.

While James Cagney never actually said the line “you dirty rat”, I can hear his voice in my head, saying “you dirty, rotten peach!”

Word Wednesday.

Malevolent

Adjective.

1: having, showing, or arising from intense often vicious ill will, spite, or hatred.

2: productive of harm or evil.

-malevolently, adverb.

[Origin: Latin malevolent-, malevolens, from male badly + volent-, volens, present participle of velle to wish.]

(1509)

“He had a vision of that lone velvety ear, fluttering like a huge malevolent moth through the attics at the Schloss.” – Wash This Blood Clean From My Hand, Fred Vargas.

Word Wednesday.

Antipathetic

Adjective.

1: having a natural aversion; also: not sympathetic: hostile. Opposed, averse, contrary; having or showing antipathy.

2: arousing antipathy.

Antipathetically – adverb.

Antipatheticalness – noun.

[Origin: Greek antipathḗs opposed in feeling, anti– + –pathēs, adj. derivative of páthos, with –etic by analogy with pathetic.]

(1630-40)

“Schnee, the colony’s governor, called upon Fu Hao in the unexpected company of his antipathetic military counterpart, Oberstleutnant Lettow-Vorbeck.” – Everfair, Nisi Shawl.

Undoubtedly An Idiot.

Naomi Klein photographed in Toronto for the Observer New Review. Photograph: Christopher Wahl for the Observer.

For those of us who can’t help looking at those events without turning lines from WB Yeats’s The Second Coming over in our heads (“what rough beast, its hour come round at last, slouches towards Bethlehem to be born?”), Klein’s new book – which examines in detail both the phenomenon of Trump and how liberal and progressive forces might counter his reality – is a brilliant articulation of restless anxiety.

Speaking at her home in Toronto last week, Klein suggested to me that Trump’s novelty was to take the shock doctrine and make it a personal superpower. “He keeps everyone all the time in a reactive state,” she said. “It is not like he is taking advantage of an external shock, he is the shock.

[…]

The daughter of American parents, Klein lives in Toronto with dual citizenship. When she thought about putting her book together, her original plan was for an anthology of articles threaded together with interviews, but once she started analysing the presidency she kept writing in a kind of frenzy. One of the benefits of having a deadline and an all-consuming project was that it meant she was forced to use the blocking app Freedom to protect her from the distraction of the internet. “I think if I hadn’t written this book I just would have stared at Twitter like many others for months on end, watching it unfold, and writing snippy things at people.”

That tendency among Trump’s critics, she says, is a symptom of his banal influence. She devotes one section of her book to the notion that through Twitter Trump is making the political sphere in his own image and that “we all have to kill our inner Trump”. Among other things, she says, the president “is the embodiment of our splintered attention spans”. One essential ingredient of resistance, she suggests, is to retain a belief in telling and understanding complex stories, keeping faith with narrative.

One of the questions that Klein’s book does not reach a conclusion about is how conscious Trump is of his shock doctrine tactics. Is he a demagogue in the scheming manner of Putin and Erdoğan, or just a useful idiot for the forces around him?

“I think he is a showman and that he is aware of the way that shows can distract people,” she says. “That is the story of his business. He has always understood that he could distract his investors and bankers, his tenants, his clients from the underlying unsoundness of his business, just by putting on the Trump show. That is the core of Trump. He is undoubtedly an idiot, but do not underestimate how good he is at that.”

The Guardian has the full story on Klein’s new book.

Game Of Thrones: Lego and Fashion.

Matt Omori.

There’s yet to be an official Game of Thrones Lego set for fans to geek out over, so programmer Matt Omori, a.k.a., YouTuber Tusserte, went ahead and built his own. In a project that took him around 18 months and over 100 hours of input, he’s built a Lego replica of the Red Keep throne room.

Omori designed the room from scratch after studying its appearances in the series and watching behind-the-scenes footage. The resulting model used around 15,000 pieces, 1,000 of which are just used as scaffolding for the base and can’t even be seen in the final model. Before it was built, Omori played around with designs in Lego’s Digital Designer software, which helped him nail the design virtually and let him know what specific parts he needed to buy.

You can see and read much more at The Creators Project.

Game of Thrones is a tale told in cloth as much as it is in blood and fire. Between the CGI-heavy battles with White Walkers and wildfire, the politics of presentation is key. Who can forget the end of Season Four when Sansa abandoned her girlish gowns for black leather and feathers, or Jon Snow’s Season Six shift from the black crow cape to the proudly wearing the Direwolf of Winterfell?

Costume designer Michele Clapton, who’s taken home two Emmys for her work on Game of Thrones. She opens up about her past and the creative process behind her most stunning ensembles in a new featurette. Along with nuggets about her fashion school days bouncing ideas off fellow New Romantics Steve Strange and Boy George, she concisely summarizes the role of a costume designer: “You know the story, you know what their relationships are. You need to say that somehow in cloth.”

This post contains minor spoilers for Game of Thrones.

Via The Creators Project.

Word Wednesday.

Gauche

Adjective.

1a: lacking social experience or grace; also not tactful: crude.

1b: crudely made or done.

2. not planar.

– gauchely adverb
– gaucheness noun

[Origin: French, literally, left]

(1751)

“I got out of my car, map of Glasgow in hand, and asked her for directions I did not need in an English I hoped was gauche and charming.” – Irene, Pierre Lemaitre.