We Don’t Care

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Durham hotel puts new signs on bathrooms after HB2.

Durham, N.C. — A boutique hotel in downtown Durham has hung new signs on its public bathrooms in response to a controversial state law.

21c Museum Hotel, which opened a year ago and displays contemporary art throughout its lobby and public spaces, installed signs featuring a merged male-female silhouette above the phrase “We Don’t Care” outside a bank of single-stall public restrooms in the hotel.

“The title refers to the position of ‘all are welcome’ or we don’t care where you go to the bathroom,” 21c officials said on the hotel’s website. “The installation gives the community another way to engage in conversation around this important issue. Thought-provoking contemporary art fosters dialogue and discovery.”

The signs were created by Kansas City, Mo., artist Peregrine Honig, and each is signed and numbered, officials said.

[…]

21c also issued a statement denouncing the legislation.

“It is demoralizing that sanctioned discrimination could be a cause contemplated, let alone endorsed, by public officials elected to represent a diverse and complete constituency,” the statement reads. “We humbly stand with fellow North Carolinians who petition the repeal of House Bill 2.”

I’m in favour of these signs going up everywhere. Case closed.

My ride showed up. Celebrate love, celebrate life.

John Trudell (Santee Dakota) walked on in December, 2015. His last words: My ride showed up. Celebrate love, celebrate life. I still haven’t come to terms with this entirely. John Trudell touched so many lives, he was the voice for so many people, a lot of them voiceless. He was a part of my life from childhood and the occupation of Alcatraz. I’ve listened to him throughout my life, heard his words, sang his words, read his words, his words have inhabited my heart. So, what to share? Once again, I’ve been listening to the words that have been part of my skin for many decades, how can I decide? Maybe you’ll go look for yourself, find those words that speak to you, that find their way to your heart. For me, I guess it will always come back to one of JT’s central messages, that human beings were losing their understanding of being human. So, Bone Days it is, specifically, Crazy Horse.

We Hear what you say
One Earth, one Mother
One does not sell the Earth
The people walk upon
We are the land
How do we sell our Mother ?
How do we sell the stars ?
How do we sell the air ?
Crazy Horse
We hear what you say

Too many people
Standing their ground
Standing the wrong ground
Predators face he possessed a race
Possession a war that doesn’t end
Children of God feed on children of Earth
Days people don’t care for people
These days are the hardest
Material fields, material harvest
decoration on chain that binds
Mirrors gold, the people lose their minds
Crazy Horse
We Hear what you say

One Earth, one Mother
One does not sell the Earth
The people walk upon
We are the land.

Today is now and then
Dream smokes touch the clouds
On a day when death didn’t die
Real world time tricks shadows lie
Red white perception deception
Predator tries civilising us
But the tribes will not go without return
Genetic light from the other side
A song from the heart our hearts to give
The wild days the glory days live

Crazy Horse
We Hear what you say
One Earth, one Mother
One does not sell the Earth
The people walk upon
We are the land
How do we sell our Mother
How do we sell the stars
How do we sell the air

Crazy Horse
We hear what you say
Crazy Horse
We hear what you say
We are the seventh generation
We are the seventh generation

John Trudell, Bone Days.

Elephant Art

If you find yourself in the market for something truly special, consider elephant art.  I’m in love with Aleena’s Garden Dance, and have been saving pennies, but I wouldn’t hold even the thought of a grudge if someone snapped it up. It all goes to help the artists, and to enable other artists to be rescued.

Garden Dance, © Aleena (May).

Garden Dance, © Aleena (May).

Aleena was born on May 6, 2004. Her father is Phra-may and her mother is Poomphaung, another Novica-featured elephant artist. Aleena’s nickname is May and she weighs 3,329 pounds. The young pachyderm is very friendly. She is practicing to play in the elephant orchestra, however she is already a skilled painter. To read more about Aleena, click the link and scroll down.

Music Lover, by Nammoey.

Music Lover, © Nammoey.

Born in 2009, Nammoey is a young female who survived elephant traffickers thanks to the forest officers who work to enforce the Wildlife Preservation and Protection Law. They found her near the Salween River in Sobmoey, Mae Hong Son, and placed her in the care of the Thai Elephant Conservation Center-TECC. To read more about Nammoey, click the link and scroll down.

Autumn Flower, by Bai-Tong.

Autumn Flower, © Bai-Tong.

Bai-tong enjoys painting so much that she sometimes takes a firm grip on the paintbrush and refuses to return it to the trainer. She is much loved by the TECC staff and every tourist who has seen her. To read more about Bai-Tong, click the link and scroll down.

REZILIENCE

rezilience

The REZILIENCE Indigenous Arts Experience will be an immersive, all-ages experience that focuses on modern Indigenous art processes. Artists include nationally and locally recognized entertainers, muralists, multimedia artists, poets and a contemporary Indigenous art market.

It is a grassroots effort tied into the airwaves of social media, and all generations of the entire community are welcome. Tickets can be bought for the on-campus events or just the music concert. This movement trends new generational events that compliment social gatherings like Pow Wows but are becoming their own thing in Indian Country.

The event takes place on April 30 at the National Hispanic Cultural Center near downtown Albuquerque.

Executive Director Warren Montoya said, “We aim to be inclusive, not exclusive, it is not a space for the most elite, but we are not aiming to provide all the answers either. We are building a community platform from which we can all have an opportunity to speak on the resilience of our peoples.”

“This event is a movement based in creativity. It is our creative practices that have facilitated cultural longevity, community building, knowledge growth and healing for generations. REZILIENCE will be the new model of unity for indigenous cultures worldwide.”

Full Story Here.

Cool Stuff Friday: Explosions and Weed

Cai Guo-Qiang’s Explosive Gunpowder Performance.

Cai Guo-Qiang igniting gunpowder drawing White Tone, in Brookhaven, New York, 2016. Photo: Wen-You Cai

Cai Guo-Qiang igniting gunpowder drawing White Tone, in Brookhaven, New York, 2016.
Photo: Wen-You Cai

Cai Guo-Qiang White Tone (2016). Photo: Photo: Wen-You Cai

Cai Guo-Qiang White Tone (2016).
Photo: Photo: Wen-You Cai

 

 

Museum Opens First Major Spliff Exhibition on National ‘Weed Day’.

A Lemon Kush cannabis plant. Photo: Flickr user eggrole, courtesy Oakland Museum of California.

A Lemon Kush cannabis plant.
Photo: Flickr user eggrole, courtesy Oakland Museum of California.

Both museums and graphic designers are jumping on the 4/20 bandwagon, taking a close look at marijuana on National Marijuana Day.

The Oakland Museum of California has opened the exhibition “Altered State: Marijuana in California,” which it claims is the first museum show to concentrate on the controversial plant. The show’s contents range from fine art to protest posters and multimedia displays exploring the scientific, recreational, medicinal, and even religious aspects of pot.

“The roles of museums in today’s world are shifting,” says museum director Lori Fogarty. “We are dedicated to being a place where people can come learn about complex topics and, more importantly, add their voices and stories to the dialogue.”

“Altered State: Marijuana in California” is on view at the Oakland Museum of California April 16–September 25, 2016.

Jesus Dartboard, Oh No!

Rutgers

An alleged “art display” at Rutgers University featuring a figure of Jesus Christ on a dartboard, with darts inserted where He was wounded on the Cross, is being held up as a contradiction of the school’s professed commitment to diversity.

Natalie Caruso, who describes herself as a former Rutgers student, posted a photo to a Facebook group for the Class of 2016 showing the display, which she claimed is currently hanging in the Art Library on College Ave.

The post quickly gained traction on social media, inspiring numerous Campus Reform readers to share their own (uniformly disapproving) reactions.

“As a Catholic this is not tolerable and very disgusting,” one reader opined, adding, “I thought Rutgers was about embracing diversity?”

“I am a potential Rutgers student but I am largely considering not even APPLYING … because of what I’ve seen on social media,” said another. “Christians on campus must be ashamed of the school they go to after seeing this.”

Full Story Here.

Psycho meets the Met Museum

The Metropolitan Museum of Art’s roof garden is perennially one of the most popular spots in New York City during the summer, in part because it’s a lovely venue, but also because of its fantastic, often-immersive outdoor exhibits. This year should be no exception: For the 2016 season, the roof garden commission is British artist Cornelia Parker’s “Transitional Object (PsychoBarn),” which is indeed a replica of the creepy home featured in Alfred Hitchcock’s 1960 horror classic Psycho.

Becky Schear, Instagram.

Becky Schear, Instagram.

Parker says she was inspired not just by Hitchcock’s iconic film, but also by the work of artist Edward Hopper, who was known for painting rural landscapes punctuated by the odd barn or rambling old house. In fact, the Bates home in Psycho was allegedly inspired by Hopper’s painting House By the Railroad, and Parker’s piece shares similar characteristics. It’s covered in reclaimed wood, which comes from an actual barn; she’s stated that she wanted to contrast the “wholesomeness” of that image with the creepiness of the Hitchcock film.

 Cornelia Parker's "Transitional Object (PsychoBarn)" on the roof of the Met Fifth Avenue Photographed by Alex Fradkin, Photo courtesy Cornelia Parker

Cornelia Parker’s “Transitional Object (PsychoBarn)” on the roof of the Met Fifth Avenue. Photographed by Alex Fradkin, Photo courtesy Cornelia Parker

The exhibit opens today and runs through October 31st.  Curbed and Out have the story.

A common complaint

A common cause for complaint among artists is the high cost of supplies. It’s not unusual to spend thousands of dollars a year on supplies. It’s this cost that leads a lot of artists to abandon art as a career. It’s this cost which also makes a lot of people complain about the cost of art works. While most artists can recoup the cost of materials in selling a piece, they often have to cut the price of their labour down to the bone. A good example of supply cost is turpentine – both of these cost $10.00:

Complaint

The small bottle is Winsor & Newton distilled turpentine, 2.5 ounces / 75 ml. Ten bucks. Is it better? Yes. At least it used to be, it has become increasingly suspect (mostly detected by smell. It no longer smells pine-y fresh). What it has is a name, one established enough that they can stick any price on their products, and people will buy it. (Obviously, I’m included there – I bought it.) I don’t use turpentine a great deal, so it’s easier for me to go with the cheap stuff. The temptation to cheap out is always there, but that is problematic too, because you do get what you pay for. An example:

Complaint1

Prismacolor coloured pencils, and Derwent blender and burnisher. Prismacolor is my preferred colour pencil, and they cost $2.00 a piece. That might get a shrug from most people, and if all you needed was one pencil, that might be an appropriate response. When you need 5, 10, 20, or more pencils, well…it adds up quickly. What about a set? I should mention that I don’t shop at Amazon or Walmart, but even at Walmart, a set of 150 Prismacolor Premier pencils costs $163.50. (The list price is $312.00). Online art supply – Dick Blick, the set is $151.00 + shipping. Same with Jerry’s Artarama. Prismacolor is far from the most expensive in coloured pencils, too. I won’t even look at Caran D’Ache ($292.00 for a set of 76 luminance). The pricing is the same when it comes to drawing pencils. I have an assortment of pencils, Staedtler, Koh-i-noor, Faber Castell, Derwent, and Sanford to name a few. And yes, all those pencils have specific attributes and effects, so going cheap on pencils isn’t an answer either. The price of good quality markers is very high, for a limited amount of colours, usually in the neighbourhood of $40.00 to $50.00 for 24 markers. I don’t want to even discuss the cost of brushes – that alone can utterly break you, along with the cost of canvas and, oh, paper. I love paper, and a lot of it I just dream about. The cost is prohibitive, especially for things like large size, single sheet Arches 300 lb cold press.

Quality matters, so the next time you’re contemplating buying an art work, please keep in mind that artists aren’t just mindlessly putting an ‘outrageous’ price on their work. We should be able to earn a living wage and be able to continue buying supplies.

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“No Soy Tu Chiste ( I Am Not Your Joke).”

arzola-2

© Daniel Arzola.

Out: What prompted you to create the “No Soy Tu Chiste” campaign?

Daniel Arzola: Since I was a teenager I had been creating art with a purpose, with a social voice, a cry in a universal language. I started with poems, then photography, and finally illustration. For me art has always been a social expression. I called it “Artivism.” But, my story is not very different than the stories of so many gay and trans Venezuelan people. I had a difficult adolescence where I was constantly chased and bothered. When I was about 15 years old, neighbors tied me to an electrical post, took off my shoes and tried to burn me alive. They destroyed all my drawings.

I escaped. But, so many people don’t have the chance to escape from something like that. There was one guy who couldn’t run away—he was gay—his name was Angelo Prado. I saw it on the news. What struck me was that, even in this century, when you turn on the TV in Venezuela, if they talk about LGBT people, there is mockery. They are laughing about the pain of others. Making us a joke.

Full Article Here.