Of course I did.

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While figuring out what colours I wanted for the next background piece, I came across a very small amount of the ultra very light mocha. Of course I did. So, as that’s what I need more of to finish this particular bit of background, I’ll get a couple more lines done on it now. Clickety for full size. © C. Ford. All rights reserved.

Botched Fresco Opera.

Cecilia Giménez's paintings. Arnau Bach / New York Times.

Cecilia Giménez’s paintings. Arnau Bach / New York Times.

Andrew Flack and Paul Fowler are currently working on a comic opera about Giménez’s life and how the mistake that initially horrified her (and the internet) ended up saving her small town from an economic slump, The New York Times reports. The painting, which was mocked in memes, a Saturday Night Live segment, and with comparisons to the 1997 film Bean: The Ultimate Disaster Movie, became a tourist attraction that spurred a 1,000 percent increase in visits to the local medieval art museum and revitalized the town’s restaurant business.

When the pair began work on the musical in 2014, Flack told the Times, “It’s a story of faith. … Why are people coming to see it if it is such a terrible work of art? It’s a pilgrimage of sorts, driven by the media into a phenomenon. God works in mysterious ways. Your disaster could be my miracle.”

The real story is full of dramatic tidbits, like local wineries bickering over the right to display “Potato Jesus” on their wine labels. Also, the two-faced priest who initially threw Giménez under the bus by denying that he gave her permission to work on the fresco ended up banished from town — he was accused of embezzling 168,000 euros from the church.

Most compellingly, it seems as though the whole scandal occurred because photos of the fresco were released long before Giménez had finished her attempted restoration. Her other artwork is gorgeous! I can’t wait to see how the fictional Giménez’s heroic redemption plays out.

The Verge has the full story. Given the er, botch of styles to be all mixed together in this opera, I hope it works out for everyone.

Marvel Fan-Fiction and Scottish Indies.

Cover for All-New, All-Different Avengers Annual #1. Illustrated by Alex Ross. Photo courtesy of Marvel Comics.

Cover for All-New, All-Different Avengers Annual #1. Illustrated by Alex Ross. Photo courtesy of Marvel Comics.

‘Annual’ releases exist in a strange place in the comic world. Created as a way to tell a different story in a series without interrupting the main plotline or numbering, some see annuals as a marketing gimmick. But, as evidenced by All-New, All-Different Avengers Annual #1, they can be a bold chance to think outside the box. This issue sees everyone’s favorite teen from Jersey City, Ms. Marvel, logging onto her favorite fan-fiction website to write some stories about her fellow heroes. Once logged on, she sees that other people have written stories about her and her friends, and she’s shocked but compelled to read on. The rest of this comic, then, are those fan-fiction stories of Marvel heroes. Layered, and with plenty of goofiness and a variety of styles, this annual does exactly what it should: it tells weird stories the regular comics certainly couldn’t.

[Read more…]

ZAPP presents…Famous Trump Quotations!

Nothing else today will be anywhere near as cool as this gift from Billy West, so this is Cool Stuff Friday. :D

MAKE AMERICA BRANNIGAN!

Depicting Hysteria.

NSFW.

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Alexandra Levasseur.

The second annual 4%ers exhibition is at the Athen B. Gallery in Oakland. The group show of female artists explores the origins of hysteria and the artistic expressions that have come to represent it. First conceived in San Francisco at the FFDG gallery, the show has since then changed locations to host a new set of artists with what it calls a “slightly wilder premise,” according to the gallery.

[…]

The gallery explains that the term, “hysteria,” was coined by an ancient Greek physician named Hippocrates, who used the word to explain ailments and afflictions thought exclusive to the female body. Hippocrates believed the uterus was the constitutional source of female woes, “often expressed as a restless, wandering womb, creating disorder within the body and distress in the woman experiencing it,” writes the gallery. Hysteria was understood as a nervous disorder and diagnosed on physical indicators: “gestures, motions, gaits, and non verbal utterances.” Without any legitimate grounds in medicine, the expression and mitigation of its symptoms often came in the form of artistic practices, such as painting. Although the diagnosis is no longer considered valid in formal medicine, the artists in the 4%ers show believe the concept of hysteria has impacted “the way women are supposed to act, look, and express themselves, physically, sexually, and artistically.” Now, they seek to reclaim the word through their own artistic expression.

[Read more…]

Ireland: Yes Equality.

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Joe Caslin tackles Ireland’s steadfast refusal to legalize same sex marriage. Caslin’s art is printed out using biodegradable inks, then papered onto a suitably large surface. You can read about Yes Equality here. Caslin has also done a series, Our Nation’s Sons, dealing with mental health, depression, and suicide in Ireland’s men. Joe Caslin’s website is here, and there’s lot a lot to explore!

Kinetic Insects.

Mechanical Horn Centaur Beetle, 2015. 100 x 100 x 150 cm. Jati Wood, Pine Wood, Electric Dynamo.

Indonesian artist Dedy Shofianto creates unusual kinetic sculptures of insect-like creatures by carving almost every component from wood. Though powered by hidden electronics it’s the exquisitely detailed mandibles, wings, antennae, and gears of these hybrid creatures crafted from locally sourced jati (teak) wood that take center stage. It would seem that a lifetime of wood craftsmanship would have been brought to bear on each piece, all the more impressive considering Shofianto created these pieces when he was only 24 years old while still in school—he graduated from the Art Institute of Indonesia just last year.

The Power of Kumbang Tanduk 120 x 120 x 120 cm Mindi and Acacia Wood 2014.

The Power of Kumbang Tanduk. 120 x 120 x 120 cm. Mindi and Acacia Wood, 2014.

 

Photo © Tirana House.

Photo © Tirana House.

You can see much more of Dedy Shofianto’s work here. Via Colossal Art.