Jack’s Walk – Jack Comes Home and Marcus Makes Fine Art

That’s My Buoy. Jack is home ©voyager, all rights reserved.

As you can see above, Jack is home. We had him cremated, and he now lives above our fireplace with my other dog, Lucy. This photo is a special outing to the backyard for a final few pictures beside his favourite buoy toy, which he found and proudly carried home all by himself.
This will also be the final time I post a Jack’s Walk, and that’s been difficult to wrap my head around, but I have one last Jack story to share. That, of course, is the completion of Project Bubbapaw (Jack’s Walk) (Stderr)(Stderr), an artistic endeavour of Marcus’ to make a resin copy of Jack’s foot.

Lovely, custom made felt protectors. Such attention to detail! ©voyager, all rights reserved.

Well, about a month after Jack died, I received a package from Marcus with the resulting sculpture. And It’s an incredible work of art that has quickly become very precious to me. I apologize for taking so long to show all of you, but I wanted to keep it private for a while. Now, I’m ready to share, and so, Ta-Da, here is the polished, resin-bronze foot created by Marcus from Jack’s pawprint.

Oh My! It’s Bubba in Bronze. Art by Marcus Ranum. ©voyager, all rights reserved.

It’s very detailed, although my photos don’t really show it, but it’s remarkable. It looks just like bronzed baby shoes, only better because this is my baby’s actual footprint. Every nub, scar, crook and crevice are there, and it feels comfortably familiar when I rub my thumb across it.

Sorry about the harsh lighting, but I wanted you to see the detail. Art by Marcus Ranum. ©voyager, all rights reserved.

When we talked about making this sculpture, Marcus suggested he might use a bit of sand and sea glass, so I sent a bit of both along with the molded print that Jack and I made at home. I was a bit disappointed not to see them. Then, I opened the second envelope, and my heart stopped for a moment. Marcus had used the sand and glass to make a second pawprint in clear resin.

This is genuinely my Jack. Happily roaming at the beach. Art by Marcus Ranum. ©voyager, all rights reserved.

This piece is even more beautiful than the first. It’s a memory capsule with Jack’s footprint in the sand from his favourite Perce beach (which I keep in a jar on my desk), along with bits of sea glass and shells that I’d found while walking with him.

Together on North Beach, Perce. Sand, shells, glass and Jack. Art by Marcus Ranum.  ©voyager, all rights reserved.

These photos don’t do it justice. I couldn’t capture the shine in the sand nor the subtle colours in the glass. I do have one photograph of it, though, that isn’t perfect, but is my favourite way to view it, and that’s through my window in the morning when I rise.

That’s my Boy. Jack is home. Art by Marcus Ranum. ©voyager, all rights reserved.

 

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Marcus, my friend, thank you. I know you understand how precious these pieces are to me. Thine Art is Great, and so are you. Fabulous, in fact.

 

The Art of …

… kittens, by British landscape artist William Collins

Collins was often praised for his ability to capture light, and this painting is full of subtle and nuanced light, but it’s that wee, timid kitten that makes it wonderful.

The Stray Kitten, 1835, William Collins. Image from Wikiart.

The Stray Kitten, 1835, William Collins. Image from Wikiart.

Kitchen Knives Set – Part 8: I Just Could Not Stand It

It is several months since the last update on this project, and there are reasons for that. Some have to do with the project itself, some do not. One of the reasons that are directly related to the project was that I had difficulty finishing the knife stands because in the cold weather the boat lacquer that I have decided to use for finish took an absolutely inordinate amount of time to harden properly. So prepare now for a really long post about how I made the wooden stands for these knives.

The original plan was to make all woodworks from jatoba and black locust, thus making the stands from massive hardwood. But since I have made the handles from the rather rare and precious applewood, I had a very limited supply. Especially when it came to the spalted wood. So I stood in front of a decision – should I try to make the stands match the handles or not. And I have decided to give it a try and make matching stands. Which means getting a lot out of a little.

© Charly, all rights reserved. Click for full size.

First I started by cutting the cores of the future stands out of some scrap spruce wood, of which I have an overabundance. Where I needed a thicker piece, I have simply layered and trimmed the thinner ones until I got the size that I wanted, with a generous amount of wood on both sides of each blade, especially for the stands where two blades were meant to be next to each other.

© Charly, all rights reserved. Click for full size.

This was the first time I have used expanding PU glue. PVA glue would have difficulty to set in my workshop, even with heating. This glue did harden within a few hours enough so I could safely take it indoors for the rest of the curing process.

© Charly, all rights reserved. Click for full size.

After these cores were glued and cut to the final size, I have sanded all flat surfaces. Not very thoroughly, just enough that I do not get my hands full of splinters.

© Charly, all rights reserved. Click for full size.

And since I had to do with what little of the precious wood I had, I have decided to use thin boards/veneers for finishing. I have cut approx 5 mm thick slices of the wood on my bandsaw and with a bit of luck, I did get enough of each of the three types of wood that I have used for the handles to cover the stands. Mostly. I could have cut even thinner veneers, like 2 mm, but 5 mm did save me a bit of work later on.

© Charly, all rights reserved. Click for full size.

Most veneers were cut with the grain, but I have also cut several pieces across the grain. Those I have glued on the end of the softwood cores and only after that I have cut the slits for blades. For each blade a cut just as deep as the blade is wide, so each knife has a slot fitted exactly to it. I took two passes on the circular saw for each slit since I have cut them about 1-2 mm wider than the blades are, so the knives come in and out really easily without scraping the sides. That way at least I hope the probability of something getting stuck to the mirror-polished blade and scratching it later on in the stand should be reduced. I could not of course make the slits too wide, because then the point could get stuck in them.

© Charly, all rights reserved. Click for full size.

Wherever veneers had to be put side-by-side, I had to carefully fit them together so the seams are as small as possible. In one case I also had to change the design of the stand since I did not have any veneers long enough and I did not want to link veneer strips lengthwise. Two strips beside each other do connect almost seamlessly and even when they are visible, they do not disturb. But a clear line across the grain or the pattern in the spalted wood would surely look at least odd.

© Charly, all rights reserved. Click for full size.

© Charly, all rights reserved. Click for full size.

To fit the veneers properly all around I had to first glue up two opposing sides, trim the excess, grind it to flat, and only then I could glue the other two sides. Trim and sand again and I got finished building blocks for the final products.

© Charly, all rights reserved. Click for full size

There were some minor problems – the spalted wood was soft and got chipped – so I had to fill in some places with resin mixed with sawdust and/or offcuts.

© Charly, all rights reserved. Click for full size

Then there was a lot of sanding. It made me glad to have a hand-held belt sander. I will probably have to buy an orbital sander too if I am going to make more of these.

© Charly, all rights reserved. Click for full size.

Since the resulting pieces had very sharp edges which would not look very well in combination with the rather rounded handles, I have decided to round them significantly. I did not use a router, although I do own one. Instead, I have just sanded all future edges down with 60 grit sandpaper over a soft sponge until they looked right, and then I have polished them.

© Charly, all rights reserved. Click for full size.

In one of the stands, the pieces were connected by big enough flat surfaces that I could reliably clamp it all together during curing, but int two of the pieces had to be connected by relatively small areas and at an odd angle, so I have used a piece of wood to drill holes for dowels to prevent the parts from shifting during the glue-up.

© Charly, all rights reserved. Click for full size.

And here they are, fixed to small boards for stability and handling during the paint job. I have decided to use boat lacquer for the stands because infusing such big pieces with resin would be very, very expensive. I did not expect it to take as long as it did though.

© Charly, all rights reserved. Click for full size.

After the first coat with highly diluted lacquer the grain and fungus patterns popped up on all pieces quite significantly. I have left it dry for two days and then gave it two more coats with diluted lacquer in two-days intervals to stabilize the soft and spongy wood as much as is possible. And after that, it was five-six more coats with undiluted lacquer, with a few days wait and thorough sanding between each coating. When the last coating was drying, I got tangled up for several weeks with other works, mainly in the garden, and only this last week did I get round to do the last hand sanding. I sanded the pieces in increasing grits up to 1000 and there I did stop because I wanted them to have the same satin finish as the handles.

© Charly, all rights reserved. Click for full size

I have modified my buffing compound for the stands, but it is still perhaps a bit too hard. It did buff the pieces nicely though, so I cannot complain. Too much. I did achieve my goal, which was to make the stands reasonably similar to the knife handles. There is a bit of difference in color because the handles are thoroughly infused with resin, but I do not think it is a problem and neither does anyone who has seen it so far (about 7 people).

And this week I finally got to the last step in this rather long project – making the stands to actually, well, stand. Out of the three, only one was big and heavy enough to be stable – the one from mostly healthy wood. For the other two, I did not have enough material to make them with a wide enough base, so I had to fit them with legs. I have considered several options and I have decided to go with a 6 mm stainless steel pipe. Aluminum would look cheap and brass would clash with the visible stainless steel tangs on the knives.

© Charly, all rights reserved. Click for full size

To drill the holes safely and at a proper angle, I have first made a little board that could be fixed to the stand at the angle I wanted it to be in one direction. In the depicted case, the board is at the angle the leg is supposed to be when viewed from above. Into that board I have drilled a hole at an angle it was supposed to go into the stand. Then I could fix this board to the stand by the simple method of copious amounts of paper masking tape and drill the hole safely and at the correct angle.

By the way, I did not do any measuring or sketching for this. The “correct” angle was established by eyeballing.

© Charly, all rights reserved. Click for full size

With that, I was still not done with this piece of wood. I have trimmed one end of it at the angle the leg will touch the ground and used that as a guide to filing down the end of the pipe flat-ish.

© Charly, all rights reserved. Click for full size

Gluing the legs with epoxy was pretty straightforward after that and they were already mostly – although not perfectly – flat against the plate.

© Charly, all rights reserved. Click for full size

They did need a bit of sanding to get them perfectly flat, but not that much.

And that is the project almost finished. All that is left is to sharpen the knives and make pretty pictures. Hopefully sometime soon. You can see here that I have also already begun the next batch of knives. Yup, that is how long it took for the lacquer to harden, I have managed to grind and harden ten new blades in the meantime.

The next – and last – post in this series will be pure cutlery porn. This is one of those rare instances where I think I have done a good job.

 

Grumpy Redstart

It is very rare that I get an opportunity to take a picture of male black redstart. I see them all the time, but they are restless and they never come to the feeder. This one was moving around the feeder, although he did not eat the seeds – he used the surroundings for vantage points to spot insects in the grass. And he stayed a few times in one place long enough for me to take a picture.

© Charly, all rights reserved. Click for full size

© Charly, all rights reserved. Click for full size

© Charly, all rights reserved. Click for full size

© Charly, all rights reserved. Click for full size

© Charly, all rights reserved. Click for full size

That last picture gives me the impression of an old grampa looking disapprovingly at me. Something about the line between the black and grey feathers above the eyes gives him that look.

The Art of …

… flowers, by Joshua Reynolds

A herm is a square pillared statue topped by a bust, and Hymen is the Roman god of fertility and marriage who sits atop this particular herm. The ladies are Barbara, Elizabeth and Anne Montgomery, daughters of Sir William Montgomery, who were known as the Irish graces.

Three Ladies Adorning a Herm of Hymen, 1773, Joshua Reynolds. Image from Wikiart.