Books.

Ethno

A while back, I posted about this book. At that time, I didn’t have the book yet. I have it now, and it is a wonderful read, filled with great information. Some of it made me very homesick, like the entry for Hairy Manzanita (Arctostaphylos columbiana). The manzanita that grew in Idyllwild, Ca., is a different Arctostaphylos, but those differences are minor, and manzanita has always been used by Indigenous peoples in various ways. I love every single thing about manzanitas, and it makes me ache a little, just thinking about them. Patricia’s book includes a whole lot of plants I was not familiar with, and was not at all familiar with Indigenous uses of them. I learned a lot, and was delighted over and over again, like when I was viewing a photo of an older Indian woman wearing a pine nut apron.

The writing flows like water, and this isn’t just a story told, this is a text which provides learning, and a reference to all the wonders around us. You can order the book here, and I highly recommend it.

A Crocheted Statement.

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Artist Olek reveals an entire two-story house covered roof to floorboards in pink crochet. This new yarn-bombed installation currently stands in Kerava, Finland where Olek worked with a team of assistants to stitch together huge panels of crochet that envelop every inch of this 100-year-old house. Olek shares:

Originally, this building, built in the early 1900s, was the home of Karl Jacob Svensk (1883-1968). During the Winter War 1939-1940, the family fled to evade bombs falling into the yard, but they didn’t have to move out permanently. In 2015, more than 21 million people were forced to leave their homes in order to flee from conflicts. The pink house, our pink house is a symbol of a bright future filled with hope; is a symbol us coming together as a community.

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Isn’t that grand! I love this. I love the statement, the vibrancy, the life, the love, and the community of it. From Olek’s site:

A loop after a loop. Hour after hour my madness becomes crochet. Life and art are inseparable. The movies I watch while crocheting influence my work, and my work dictates the films I select. I crochet everything that enters my space. Sometimes it’s a text message, a medical report, found objects. There is the unraveling, the ephemeral part of my work that never lets me forget about the limited life of the art object and art concept. What do I intend to reveal? You have to pull the end of the yarn and unravel the story behind the crochet.

My work changes from place to place. I studied the science of culture. With a miner’s work ethic, I long to delve deeper and deeper into my investigations. My art was a development that took me away from industrial, close-minded Silesia, Poland. It has always sought to bring color and life, energy, and surprise to the living space. My goal is to produce new work and share it with the public. I intend to take advantage of living in NYC with various neighborhoods and, with my actions, create a feedback to the economic and social reality in our community.

Via Colossal Art. –  Olek’s site.

And Now For Something Completely Different…

Turnip-Fries-760x428

Turnip Fries! Bet you weren’t expecting that. Courtesy of Wozupi Tribal Gardens:

Ingredients

  • Turnip wedges
  • 1 tablespoon vegetable oil
  • grated Parmesan cheese
  • 1 teaspoon garlic salt
  • 1 teaspoon paprika
  • 1 teaspoon onion powder

 

Directions

Preheat oven to 425 degrees F (220 degrees C). Line a baking sheet with a piece of aluminum foil and lightly grease. Peel the turnips, and cut into French fry-sized sticks, about 1/3 by 4 inches. Place into a large bowl, and toss with the vegetable oil to coat. Place the Parmesan cheese, garlic salt, paprika, onion powder in a resealable plastic bag, and shake to mix. Place the oiled turnips into the bag, and shake until evenly coated with the spices. Spread out onto the prepared baking sheet.Bake in preheated oven until the outside is crispy, and the inside is tender, about 20 minutes. Serve immediately.

Cool Stuff Friday.

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A chain of koi fish float through an exhibit space, illuminating their immediate surroundings with a self-contained, warm orange glow. The works come from a familiar yet unexpected name: Frank Gehry. Early in his artistic career, Gehry created several visual installations and furniture designs, many in the late-20th century, that would influence his later accomplishments in architecture. Fish Lamps draws upon the flowing and undulating movement of the water species, an aesthetic that often made an appearance in Gehry’s singular building designs.

I have very few lamps, but I’d be happy to give some of these a home. Full Story at the Creators Project.

What should you wear to keep cool on a hot day? One word: plastics.

A form of polyethylene — the common plastic that makes up ClingWrap — is a promising candidate for a textile that prevents us from overheating, researchers say. Hopefully, it won’t look like those PVC bodysuits that pop up every Halloween.

Many researchers are trying to create cooling fabrics, from cloth inspired by squid skin to electroactive textiles. But the team led by Yi Cui, a materials scientist at Stanford University, was inspired by materials that we don’t usually consider for clothing. In a study published today in Science, the team turned a battery component into a textile that lets our body’s natural heat escape better than cotton. The team hasn’t worn the fabric themselves yet, but Cui insists it feels “very much like normal fabric” and hopes it will be commercialized within two years.

Full story at The Verge.

Supergirl creator developing a Black Lightning TV series.

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Supergirl and Arrow co-creator Greg Berlanti is reportedly developing a series following Black Lightning, one of DC Comics’ first major black superheroes. According to Deadline, Berlanti is working with The Game creator Mara Brock Akil and her husband to get the drama off the ground, and the trio are currently shopping the project to multiple networks.

Black Lightning has the chance to be DC’s highest profile black superhero series to date. Created in 1977 by writer Tony Isabella and artist Trevor Von Eeden, Black Lightning, otherwise known as Jefferson Pierce, is an educator and eventual member of the Justice League with the power to control electrical energy. In the proposed TV series, Pierce will have retired from superheroics, but after his daughter’s life is endangered by his city’s underworld, he willingly steps back into his old alter ego.

Full story here.

Labor Day Pow Wow Schedule.

Louis Campbell (Lumbee) - Photo: Vincent Schilling.

Louis Campbell (Lumbee) – Photo: Vincent Schilling.

Check out our Pow Wow listings here.

Twitter: #ICTMNWeeklyPowWowPlanner

Leech Lake Labor Day Pow Wow, September 2–4

Leech Lake Veterans Grounds next to the Palace Casino on Palace Drive

Cass Lake, MN  56633

For more information: go to http://www.llojibwe.com/ or

https://www.facebook.com/Leech-Lake-Powwow-Committee-270735403027667/

 

Ashland Labor Day Pow Wow, September 2–5

Northern Cheyenne Reservation

Between Ashland & St. Labre  off U.S. 212

Ashland, MT  59003

For more information: go to http://cheyennenation.com/Public%20Information.html

 

Totah Festival Pow Wow, September 3

Farmington Civic Center

200 West Arrington

Farmington, NM  87402

For more information: go to https://farmingtonnm.org/events/totah-festival-indian-market-pow-wow/ or

https://www.facebook.com/Totahfestival/

[Read more…]

Native Cartography.

tribal-nations-map-aaron-carapella

I have long coveted this map, but like many coveted things, it’s out of my budgetary reach. Aaron Carapella (Cherokee) is still making Indigenous based maps, the latest a pre-contact map of South America’s Indigenous peoples.

A new pre-contact map by Aaron Carapella promises to be the most comprehensive snapshot of South America’s Indigenous Peoples.

Carapella, the 36-year-old architect behind a growing collection of Tribal Nations maps, in October released a map depicting 720 tribes of South America in their original locations and identified by their traditional names. Where possible, the rising cartographer also included historic photos of people or places.

“I focused on traditional homelands, or where the tribes were when the Portuguese or English or French came and took over,” Carapella said. “I tried to put the tribes where they were before they were shifted around and merged with other tribes, and I used their traditional names—the names they called themselves before European contact.”

The latest installment marks completion of Carapella’s plan to map the entire western hemisphere, a project that started about two decades ago. Carapella, who is of Cherokee descent, was a teenager exploring his own heritage in Oklahoma and wanted a map of tribes that he could hang on his bedroom wall.

When he couldn’t find anything comprehensive, he decided to make his own. He spent 14 years and visited 250 tribal communities as he researched and created his first Tribal Nations map. Released in 2012, the map depicts traditional names and locations of 590 tribes in the United States.

From there, Carapella expanded beyond the “artificial borders” and mapped Canada, Alaska, Mexico and Central America. He also offers a map of the entire North American continent identifying more than 1,000 tribes and absent any lines drawn between states or countries.

His map of South America also shows tribal nations without political borders. From the Wayuu on the northern tip of the continent to the Manek’enk on the bottom of Cape Horn, Carapella mapped as many tribes as he could in their original locations.

That, in itself, proved more difficult than Carapella imagined. Some tribes have lived on the same land since time immemorial while others were relocated, confined to reservations or combined with other tribes.

“It’s hard to find a map or anything that pinpoints where these people were actually from,” Carapella said. “The Europeans didn’t stop to make maps of where people were. That wasn’t their goal.”

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You can read and see more here. You can read about Aaron’s first map, the 1490 Turtle Island, here. Aaron’s website: http://www.tribalnationsmaps.com/.

Twitter, Oh Twitter V.

White supremacists (Twitter).

White supremacists (Twitter).

White nationalists and self-identified Nazi sympathizers located mostly in the United States use Twitter with “relative impunity” and often have far more followers than militant Islamists, a study being released on Thursday found.

Eighteen prominent white nationalist accounts examined in the study, including the American Nazi Party, have seen a sharp increase in Twitter followers to a total of more than 25,000, up from about 3,500 in 2012, according to the study by George Washington University’s Program on Extremism that was seen by Reuters.

[…]

Berger said in an interview that Twitter and other companies such as Facebook Inc faced added difficulties in enforcing standards against white nationalist groups because they are less cohesive than Islamic State networks and present greater free speech complications.

Oh really. Hmmm. Interesting how there aren’t any greater free speech complications when it comes to stomping on Islamic extremism, but boy oh boy, does it ever get complicated when it’s white extremists. Sure.

The data collected, which included analysis of tweets of selected accounts and their followers, represents a fraction of the white nationalist presence on Twitter and was insufficient to estimate the overall online size of the groups, the report said.

Accounts examined in the study possessed a strong affinity for U.S. Republican presidential nominee Donald Trump, a prolific Twitter user who has been accused of retweeting accounts associated with white nationalism dozens of times.

Three of the top 10 hashtags used most frequently by the data set of users studied were related to Trump, according to the report, entitled “Nazis vs. ISIS on Twitter.” Only #whitegenocide was more popular than Trump-related hashtags, the report said.

Yeah, there’s shocking news. I’ll try to work up a shocked expression or something.

Full story here.

About that poor, patriotic anthem…

The_Star-Spangled_Banner_-_Project_Gutenberg_eText_21566

Almost no one seems to be aware that even if the U.S. were a perfect country today, it would be bizarre to expect African-American players to stand for “The Star-Spangled Banner.” Why? Because it literally celebrates the murder of African-Americans.

Few people know this because we only ever sing the first verse. But read the end of the third verse and you’ll see why “The Star-Spangled Banner” is not just a musical atrocity, it’s an intellectual and moral one, too:

And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion,
A home and a country, should leave us no more?
Their blood has washed out their foul footsteps’ pollution.
No refuge could save the hireling and slave
From the terror of flight or the gloom of the grave,
And the star-spangled banner in triumph doth wave
O’er the land of the free and the home of the brave.

“The Star-Spangled Banner,” Americans hazily remember, was written by Francis Scott Key about the Battle of Fort McHenry in Baltimore during theWar of 1812. But we don’t ever talk about how the War of 1812 was a war of aggression that began with an attempt by the U.S. to grab Canada from the British Empire.

As with most colonial relics, they are aggressive, immoral paeans to bigotry, hatred, fear, and murder. I have little use for the concept of patriotism, and even less for mindless jingoism, and for the life of me, I can’t figure out why anyone would stand to honour this utter shit, this disregard for any life which was not that of the conquering white man. I might be able to spare some spit.

The Intercept has the full, very interesting story of this blood-soaked anthem to murder and slavery.

The Speech.

The Lakota people refer to warriors as “akicita” and still use this term while referring to veterans. The akicita lead the way toward the prayer site in the rain. (Photo: Thosh Collins)

The Lakota people refer to warriors as “akicita” and still use this term while referring to veterans. The akicita lead the way toward the prayer site in the rain. (Photo: Thosh Collins)

Trump’s toxic mess of a speech in Arizona. You can read the transcript of the speech. I just have one comment on one small section, for now:

These are valid concerns expressed by decent and patriotic citizens from all backgrounds, all over. We also have to be honest about the fact that not everyone who seeks to join our country will be able to successfully assimilate. Sometimes it’s just not going to work out. It’s our right, as a sovereign nation to chose [sic]  immigrants that we think are the likeliest to thrive and flourish and love us.

Now I know Trump has no love for Indians, he makes that clear at every opportunity. Here’s the thing, though, us Indians were declared sovereign nations some time ago, so how about if we choose the immigrants to this county that we think are the likeliest to thrive and flourish and love us? Seems about right to me.

Sausage Party.

A 'Sausage Party' movie moment between ‘Frank’ (Seth Rogen) and an Indian Chief that is a bottle of alcohol labeled ‘Firewater’ (Bill Hader), as well as the Indian’s compatriots, an African American who is a box of grits and a white man who is a Twinkie.

A ‘Sausage Party’ movie moment between ‘Frank’ (Seth Rogen) and an Indian Chief that is a bottle of alcohol labeled ‘Firewater’ (Bill Hader), as well as the Indian’s compatriots, an African American who is a box of grits and a white man who is a Twinkie.

I admire Vincent Schilling for sitting through this mess of juvenile idiocy, sexism, and unabashed racism, so I won’t have to do it. I was absolutely appalled by the 2nd Despicable Me flick, and almost killed my own television set, because we only netflixed that monstrous mess of racism, sexism, and casual violence.

To the excitement of Seth Rogen fans, his toilet-humored animated film “Sausage Party” hit theaters this August. To the dismay of anyone with a social conscience, the movie has a slew of racially charged epithets that seem contrived to offend just for the sake of being offensive.

I am a Native American, and I grew increasingly uneasy watching the moments between ‘Frank’ (Seth Rogen) and an Indian Chief that is a bottle of alcohol labeled ‘Firewater’ (Bill Hader), as well as the Indian’s compatriots, an African American who is a box of grits and a white man who is a Twinkie. (Video Clip – Caution: Strong Language)

https://youtu.be/wRLQ0g9z0P0

The film, directed by Greg Tiernan and Conrad Vernon, and written by Kyle Hunter, Ariel Shaffir, Seth Rogen and Evan Goldberg, is also filled with sexual references involving any phallic shaped foods, and there are a minor few funny moments reminiscent of life during recess in sixth grade, but the racially charged moments only seem to qualify themselves by continuing to attack all races without any real attempt to call forth a social commentary.

Shortly after the film gets started – it was off to the races with racially charged humor. Food products in the Chinese food section had slanted eyes and spoke in broken english, German food products were led by a Hitler looking product screaming “Kill the Juice” and the relationship between a bagel (Edward Norton) and a lavash (David Krumholtz) laid upon the issues of the Jews and Palestinians.

[Read more…]

I didn’t know that was racist! #512.

Shutterstock.

Shutterstock.

A Texas teacher claims she had no idea she’d chosen a misspelled racial slur to nickname one of her racially mixed classes.

The white teacher gave each of her sixth-grade classes a nickname and laid out a set of goals for students at Bell Manor Elementary School in suburban Fort Worth, reported KDFW-TV.

A parent said he learned his son’s class had been nicknamed the “jigaboos,” although the teacher misspelled the racial slur for black people, when he asked about his child’s day at school.

So the father, who asked to remain anonymous in the TV report, went to school and photographed the laminated sign, which read: “Mrs. _______’s Jighaboos are at school today to achieve our 6th grade goals and prepare for 7th grade.”

“She makes them recite that out loud,” said the father, who is white.

[…]

Officials from Hurst-Euless-Bedford Independent School District said they had apologized to the father who photographed the sign, which they agreed was not appropriate for school use.

“[We] would like to extend an apology for the inappropriate actions taken by one of our elementary teachers who failed to vet a class name,” district officials said in a statement. “We take this situation seriously and the issue was immediately addressed with the principal and classroom teacher. Both the principal and the teacher have apologized to the parent reporting this concern.”

Officials told the father the teacher was unaware she’d chosen a racial slur to nickname some of her students.

Ignorance can be corrected, but I have trouble buying the ignorance claim when it comes to teachers, who, generally speaking, tend to be a bit more knowledgeable than most people. Okay, I’m an old woman who has definitely heard ‘jigaboo’ and is aware of the racism inherent in that term. I don’t know how old the teacher is in this case, and I also don’t know if most younger people, say 20 to 35, are aware of it. That said, this teacher had to pull this term out of somewhere, it didn’t just magically pop into existence. Even misspelled, I expect a few moments of searching on the net would have let this teacher know it wasn’t appropriate. I can only hope against hope that this isn’t a case of a deeply bigoted teacher, who will find ways to introduce bigotry and stereotypes into young minds.

Via Raw Story.