Rose Hork.

It had to be done. Explanation here. Click for full size, bits of the process after the finished piece photo. I think I may have actually managed to keep my hair out of the syrup. :D I did this on a white trifold, and when it came time to photograph it, I carried it outside, which is why it ended up with the pretty sky-ish background. Media: Karo Lite Syrup, roses (flower, stem, leaf, thorn), water.

Rose Hork, C. Ford.

© C. Ford, all rights reserved.

Rats Present.

This is Angel. “How do you get this open?” There’s a constant parade of girls trying to figure out this doorknob business, which is why it looks a mess, in spite of being cleaned every day. There are boys on the other side of the door, y’see. Yes, I keep it locked. Just in case. (They do manage to unlock it now and then.) Click for full size.

© C. Ford.

Cool Stuff Friday.

Archive Dreaming from Refik Anadol on Vimeo.

Archive Dreaming, a stunning project, and one I hope becomes a reality before I die, because it would be an amazing experience! You can read all about this, and see more at The Creators Project.

Minutiae Photos.

There’s a new app in town, but it’s not like other social media in any way. This one is to document entirely mundane moments of your life, and you don’t get to do it at any given time.

Thus was born Minutiae, an anonymous photo-sharing app that, unlike uber-serious photography apps, encourages people to embrace the boring and mundane instead of meticulously sculpting the digital replica of their everyday lives.

Once a day, at random, all participants receive an alert to take a photo simultaneously, regardless of time zone. After taking the photo, the user is paired with a random stranger somewhere in the world who also just took a photo, and they are given 60 seconds to browse their chronological timeline or that of the stranger with whom they were matched. When the minute expires, the app shuts down, and the users must wait for the next alert to use the app again. Beyond the anonymity and its focus on the quotidian, Minutiae also prevents users from following anyone.

Despite Minutiae being a fully functioning app, Adolfsson and Wilson agreed that it should really be an artwork in and of itself. As Wilson tells Creators, it helped that they had a bit of a Swedish Arts Council funding instead of venture capital, so they were able to make what they see as a collective embrace of global mundanity.

“Our thesis is not that social media is ‘bad,’ just that it ends up making us look at the world, and documenting our experiences, in a very particular way,” says Wilson. “Through our use of Facebook and Instagram and Snapchat, etc., we are in the continuous process (often unconsciously) of refining filters that determine how we capture our lives… Minutiae frees us from this pressure to perform since you no longer have the option to choose what you are documenting—connections are singular and random.”

Another way Minutiae frees users, according to Adolfsson, is by restricting the time spent on the app to one minute per day. This flies right in the face most apps, which are designed to keep users locked in for as long as possible, or returning again and again like an addict.

“The app is a tool to help participants document their own in-between moments of life,” says Adolfsson. “The type of moments that we usually don’t think of as important enough to capture.”

You can see and read more at The Creators Project. Minutiae.

Metalliferous Streams from Eric Bellefeuille on Vimeo. All I have is WOW.

Paris at night by Roberto Estupinián.

Amazing, exquisite photos of Paris at Night.